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Debut Interviews

Interview with Debut Author Cathy Breisacher

Authors, Debut Interviews, InterviewsLindsay Ward7 Comments

Happy Valentine’s Day Critters! Today we have an interview with debut author Cathy Breisacher, who will release TWO books this year! How awesome is that?! Her first, CAVEKID BIRTHDAY comes out next month with Charlesbridge, and her second CHIP AND CURLY: THE GREAT POTATO RACE, in May with Sleeping Bear Press. So exciting! I love the humor in Cathy’s books and I can’t wait to share her work and writing process with you all today.

So without further ado…please welcome Cathy Breisacher!

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Where do you live?

Thank you so much for having me on your blog!

I live in Pennsylvania in a town called Hollidaysburg, which is located in the South Central part of the state. It is a small town nestled among the beautiful mountains. From my office where I do my writing, I often sit and stare out the windows at the mountains and admire the beauty of it all. 

When did you know you wanted to write picture books?

I have always been fascinated with stories, but I was especially drawn to the magic of picture books when I was in graduate school studying to become an elementary school counselor. At the campus library, there was a room for Education majors filled with picture books. It was wonderful. I would get caught up in the stories (ones that I remembered from my childhood and new ones that I wanted to use in the classroom). I started thinking about how fun it would be to write my own books someday. But, I didn’t actually pursue this idea until several years later. One day, I received a brochure in the mail about a Children’s Book Writing Conference in Chautauqua, New York put on by the Highlights Foundation. I was so intrigued. I had not written any stories up to that point, but I signed up for the weeklong workshop anyway. As a result of being around so many amazing children’s authors, I caught the kidlit bug. While at the workshop, Jane Yolen recommended joining SCBWI. It was an excellent piece of advice, and it was the first thing I did upon returning home. After that, I started attending SCBWI events and trying to learn as much as I could about the craft of writing children’s picture books. 

Tell us about your road to publication, what did that involve for you?

After that event in Chautauqua, I knew I had so much to learn. I was a high school guidance counselor, and my job took up a lot of my time. I usually only wrote during the summer months. Eventually I realized that I wanted to devote more time to writing and trying to get published, so I decided to make a career change. I earned my Master of Library Science degree and switched from the high school guidance job in my district to the elementary librarian job. This move gave me more time to focus on books and, subsequently, my writing.  I also started attending the NJ SCBWI annual conference. It was after my first conference that I landed an agent. A year later, CAVEKID BIRTHDAY sold to Charlesbridge, and a year after that, CHIP AND CURLY sold.  Both books are coming out this spring. I made a lot of mistakes along the way, and I continue to learn. One of the most important things I have learned is the value of making connections. The kid lit community is filled with amazing people who are all willing to help one another. Sharing what we know and being open to learning from others is extremely beneficial and valuable. I also learned that things don’t happen overnight. We all need large amounts of patience and tenacity.  

Can you share a bit about your process?

In my life, I try to be organized. In fact, I spend a lot of time organizing my work duties and things I need to do at home. But interestingly, when it comes to writing, I feel like I am scattered all over the place. I don’t have a normal process that is consistent from one story to the next, or from one day to the next. At any point in time on any given day, I’m jotting down story ideas or adding to a work in progress, or two works in progress, or even three. I may add lines to a couple of different stories, bouncing back and forth between them as inspiration strikes. I often work like this until one of my stories starts to gel and take off. I do this until I can churn out a first draft.  It can take me months to get a first draft on paper. I spend a lot of time letting ideas marinate in my mind to see where they can go before I write things down. But, once I have a first complete draft written, then I focus on that story and revise and revise and revise. I love the revision stage, focusing on each line, each word, the overall story arc, and the page turn effects. The revision part of writing is my favorite part. I feel alive in writing when I have a complete draft that I can mold and shape into something fun to read. 

What do you do to shake the rust off or get new ideas?

Fortunately, the easiest thing for me when it comes to writing is thinking of new ideas. I have notebooks filled with ideas. Now, if I can just find the time to try my hand at each of these ideas to see which ones will take off.  Some of my favorite story ideas sadly don’t come together. After working at them for a while I’ll just save what I’ve written knowing that I can always come back to it if inspiration hits again. There have been stories that I have worked on for too long, knowing that they weren’t working, but hoping to make some magic happen with them. Eventually I will come to that realization and move on to one of my other ideas. But, thankfully I always have more ideas swimming around my brain. 

Anything you can’t live without while you write?

Oh, yes! Diet Pepsi and dark chocolate.  

Any authors and/or illustrators who inspire you?

I love fun, funny, and silly picture books, so the authors I look up to include Mac Barnett, Aaron Reynolds, Jon Klassen, Corey Rosen Schwartz, Kelly DiPucchio, Ame Dyckman, Tammi Sauer, Jory John, and Ryan Higgins. 

Dream project to work on?

I have really enjoyed the process of working on CAVEKID BIRTHDAY with the fabulous team at Charlesbridge and CHIP AND CURLY, THE GREAT POTATO RACE with the talented folks at Sleeping Bear Press. These two projects have seemed like dream projects to me. Everyone at both houses, along with both illustrators – Roland Garrigue and Joshua Henisz – has been incredible. I would enjoy working on a book with either of them again. In the future, I would also look forward to having one of the following folks illustrate a book of mine since I am a huge fan of their art:  Dan Santat, Pierre Collet–Derby, Troy Cummings, Eric Rohmann, Jennifer Harney, etc. But, honestly, there are so many amazing illustrators and I am awe-struck at how art designers know how to choose the perfect illustrator for a story. 

Tell us about your debut book.

CAVEKID BIRTHDAY, illustrated by Roland Garrigue and published by Charlesbridge will come out on March 5, 2019.  In the story, Caveboy and Cavegirl are best friends and do all kinds of cavekid activities together. They also share the same birthday! So, with their birthday approaching, each one decides to get something special for the other. They both have something valuable that they can take to Caveman’s Collectibles to trade, but when it’s time to exchange gifts, they are in for a big surprise. However, these Cavekids are resourceful, so they use their imagination and creativity to come up with a way to have a satisfying and very happy birthday. 

I really hope readers will see how much fun it can be to use their imagination and creativity when they play.  The inspiration for this story came about during Tara Lazar’s PiBoIdMo (now called STORYSTORM) in 2014 when I spotted a clipart image of a caveboy and a cavegirl. I was looking for a way to mash two ideas together in a picture book.  So, at one point I decided to mash the Cavekids with Christmas and I started writing. It didn’t take long before the idea of doing a twist on the Gift of the Magi popped into my head. I have always loved O. Henry’s story about the husband and wife who each take their most treasured possession and sell it to buy a perfect gift for the other one. So I decided to take that premise and have it take place during prehistoric time with Cavekids. After many rounds of revision, the Christmas theme got changed to a Birthday, and the rest of the story flowed from there. 

What’s up next for you?

I have many other stories written and a couple of them are out on submission right now. I’m currently working on two other stories that I’m really excited about. I plan to keep writing fun, silly picture books and I’ll keep my fingers crossed that each one finds a perfect home at a publishing house.

And last, but not least, favorite 80s movie?

Oh my goodness…the 80s is my favorite decade for movies and music. It would be very difficult, if not impossible, for me to choose just one.  So, I’ll pick four (and even narrowing the list to four is a challenge):  Ferris Bueller's Day Off, Dirty Dancing, E.T., and Top Gun. I don’t often watch movies more than once, but I’ve watched each of these movies several times. I enjoy many types of movies - funny, romantic, sweet, and dramatic. Just like books, my favorite movies have characters that are memorable, and a story line that stays with me long after I’ve watched it. 


Huge thank you to Cathy Breisacher for stopping by Critter Lit today! We can’t wait to see your wonderful books out in the world this year! Congrats!


Cathy Breisacher is the author of the following spring releases: CAVEKID BIRTHDAY (Charlesbridge, - March 5, 2019) and CHIP AND CURLY - THE GREAT POTATO RACE (Sleeping Bear Press - May 15, 2019). She is also an elementary school librarian and former high school guidance counselor. Her passion is to write fun, silly, humorous picture books that will put a smile on kids’ faces. When she is not working or writing, she enjoys reading, traveling, and spending time with her family and friends. She loves all kinds of parks – national parks, theme parks, and Central Park – and is happy when she gets a chance to visit any of these. Cathy lives in central Pennsylvania with her husband.

FOR MORE INFORMATION about Cathy and her work visit her website: www.cathybreisacher.com or follow her on Twitter @CathyBreisacher.

TO PRE-ORDER Cathy’s books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of CAVEKID BIRTHDAY?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 21st! US addresses only please.

Interview with Debut Author Laura Roettiger

Authors, Debut Interviews, Interviews, publishingLindsay Ward6 Comments

Happy Thursday Critters! Today we have a debut author interview with Laura Roettiger! Laura’s debut book, ALIANA REACHES FOR THE MOON, illustrated by Ariel Boroff, releases on February 19th with Eifrig Publishing. We are so thrilled to have her here today to talk about her new book.

So without further ado…

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Please welcome Laura Roettiger!

Where do you live?

I live in the Rocky Mountains at 8,200 ft just west of Boulder, Colorado. For perspective, Boulder is 5,340 ft but only 10 miles away so the road to where I live is quite steep. My backyard is National Forest so it’s beautiful but so different from Chicago and the suburbs where I lived my whole life before moving here in 2016.

 When did you know you wanted to write picture books?

I was a reading specialist in Chicago and spent my days reading and writing with students. I often wrote stories for them when I couldn’t find books that I wanted to use. ALIANA REACHES FOR THE MOON was the first book I wrote with the intention of publishing. I know how rare that is; most people talk about the pile of unusable drafts they wrote before getting anything published.

Tell us about your road to publication, what did that involve for you?

In late 2016 and early 2017, I received some love in a few pitch parties that ultimately led to rejection. They liked the concept but not the actual story. This is because the manuscript WASN’T READY and it’s a very different book now than where it was at that time two years ago. I also submitted to a few publishing houses that accept un-agented work, including Eifrig Publishing. I am a writer, not an illustrator, and they only take on fully illustrated books. I had been approached by a local artist who wanted to collaborate and her sketches were the first ones submitted to Eifrig along with the original manuscript, a letter that explained who Aliana was, my plans for a series of STEAM (Science, Technology, Engineering, Art, Music) books, and how the vision of Eifrig Publishing aligned with my values. She had editing and revision recommendations and I continued to work on the story. Fast forward to July 2017 at Southampton Writers Conference and my manuscript went through a revision that I have described as ‘performing surgery on a loved one.’ I know other people use the phrase, ‘kill your darlings’ but I didn’t want to kill my book, I wanted to make it better. The original manuscript was trying to do too many things at the same time. The final book kept many of the ideas and cut out others. When I shared it with Penny at Eifrig, she agreed it was 100% improved. In October 2017, the illustrator backed out of the project due to time constraints of her other jobs. Through a mutual friend, Ariel Boroff and I met and began collaborating. She has done an amazing job of bringing the book to life while working as a costumer on a TV show - “Station 19” which is a “Gray’s Anatomy” spinoff about a fire house. Aliana’s father is a fireman so we both felt like that was a nice overlap.

Can you share a bit about your process?

I have a vivid imagination and often come up with ideas for stories when I am out in nature. I also like to do research and write by hand before I begin drafting a story. Sometimes the research doesn’t even end up in the manuscript, but it gives me additional background knowledge to draw on.

ALIANA REACHES FOR THE MOON was originally written by hand. This year I participated in StoryStorm (31 ideas in January) which was fun. I have many ideas that I thought of when I wasn’t home. I text myself so that I can add them to the brainstorm document when I get home. It’s amusing to see the ideas and I wonder if anyone ever saw the texts if they would think I was crazy! 

My last two books, one which is ready to query and one which is still in revisions, came from different places. The first is inspired by my beloved Goldendoodle puppy, Charlie. I shared it on the 12x12Forum, with my two in person critique groups more than once, and I think it’s ready to send out into the world. I love thinking about that first day, the germ of the idea, and how it’s transformed now that it is ready to share and hopefully be loved. The other one, which is still a WIP was inspired by a 12x12 webinar about how illustrations and text work together in different ways. I’m trying to grow as a writer and try new things. This one is definitely a departure but so far the feedback from critique partners is good so I am going to keep polishing. 

What do you do to shake the rust off or get new ideas?

I don’t usually have trouble coming up with ideas. In the beginning, I had ideas that I couldn’t figure out how to turn into stories. I’m past that now thanks to several classes, conferences, and studying picture books with a writer’s eye.

Anything you can’t live without while you write?

I usually write in my dining room which has actually never been used for eating. It’s wide open with floor to ceiling windows, beautiful artwork, a desk and a large table for two different perspectives, furniture that belonged to my parents’ and grandparents, and interesting woodwork. I like to be comfortable so right now, since it’s winter I’m wearing a sweatshirt and soft flannel. Often I’m in my pajamas. I used to joke that if I was in my pajamas at noon that was the sign of a productive writing morning. 

Any authors and/or illustrators who inspire you?

There are so many and I hesitate to name names, but I will say I was fortunate to meet Amy Krouse Rosenthal, David Shannon, and Kevin Henkes while I was teaching and they were so generous with their young fans. That stays with me.

Dream project to work on?

I know this may sound funny, but Aliana is a dream project. She is based on my daughters and a few special students from Carlos Fuentes Charter School in Chicago. I have two more books written about Aliana and Gustavo, both which need further revision, and I can’t wait to see if the world loves her as much as I do.

Tell us about your debut book.

ALIANA REACHES FOR THE MOON is about a curious and creative girl who observes the bright light of the full moon. She uses information from books about the moon and experiments with light and reflection to create a surprise for her brother Gustavo. The book celebrates curiosity and demonstrates her patience and her parents’ patience. The messages are layered and not heavy-handed which is something I’m very happy about.

What’s up next for you?

I have two launch parties and a few events here in Colorado and ten days of mostly school visits in Chicago. I am very excited to be going back to two of the schools where my children were students. I am also working on lining up events at one or both of the places that wrote endorsements for the book: Adler Planetarium in Chicago, and the Challenger Center which has 40 education centers.  https://www.challenger.org

I am also hoping to find an agent this year and am a Gold member of 12x12. 

And last, but not least, favorite 80s movie?

Dirty Dancing. 


Huge thank you to Laura for stopping by Critter Lit today! We can wait to see your book in the world on February 19th! Congrats!


Laura Roettiger is the author of ALIANA REACHES FOR THE MOON. She is a life-long Chicago resident who moved to the Rocky Mountains in 2016. Living adjacent to Roosevelt National Forest and just a few miles from the Continental Divide has provided her with inspiration for much of what she writes about. In Chicago, she worked as a reading specialist and elementary teacher and raised three children who are also the inspiration for her writing. Her superpower is encouraging curiosity in children and letting them know she believes in them. Since moving to Colorado, she has worked in Environmental Education and is now a literacy mentor at a STEM school. In 2018, she adopted a Goldendoodle puppy, Charlie, who is the inspiration for her latest polished manuscript. 

FOR MORE INFORMATION about Laura and her work visit her website: www.lauraroettigerbooks.com.

TO PRE-ORDER Laura’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of ALIANA REACHES FOR THE MOON?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 14th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Cathy Breisacher.

Interview with Debut Author Meera Sriram

Authors, book release, Debut Interviews, InterviewsLindsay Ward14 Comments

Happy Thursday Critters! Today, we have a fabulous interview with author Meera Sriram, whose debut book, THE YELLOW SUITCASE, illustrated by Meera Sethi, will be released with Penny Candy Books on March 12th! Filled with brilliant patterns and colors, THE YELLOW SUITCASE, explores the complexities of living in a new country and dealing with loss. Both poignant and extremely relevant, this is a picture book everyone should read.

I’m honored to share this beautiful book with you today.

So without further ado, please welcome Meera Sriram!

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Where do you live?

I live in Berkeley, California. I was born and raised in India, and moved to the U.S about two decades ago.

When did you know you wanted to write picture books?

When I had my first child, my daughter and I read tons of picture books together. We went to the library several times a week, carried books everywhere, and enjoyed story-times. This was all fascinating to me as I grew up without access to picture books. Eventually, I started reviewing and recommending diverse books. When I went back to work in the corporate world (as an electrical engineer), I realized I had left my heart behind in picture books.

Tell us about your road to publication, what did that involve for you?

I started out with no relevant academic or industry background in publishing. At first, I wanted to write for children in India, to sort of give back what I had missed as a child. I went on to co-author four books that were published in India. A few years ago, I decided I wanted to work towards addressing the void here, in the U.S – kids that looked and lived like my own were missing in stories. I was obsessed with learning the craft, knowing the process and resources, attending workshops and conferences, and of course writing and reading. But the most important contribution came from my critique groups, my diligent and talented writer friends! I’ve learned from them and leaned on them, and they’ve guided and encouraged me at every stage. I’m thankful for being part of a supportive cohort on this journey because the road to publication is far from easy, particularly when you think about revisions, harsh rejections, and long waits. Many submissions later, someone liked my work – believed in its importance and liked it enough to put it out in the world. And I’m very grateful for that.

Can you share a bit about your process?

Sure, I usually pick an idea and mull over it for a few weeks. When I sit to write, I make a mental checklist of story elements for my specific work – characters, conflict, plot, resolution, takeaway – to ensure that the story I want to tell allows for a structure with these elements. Then, I write in burst mode and revise until I lose count. In fact, I don’t really shelve it until it’s reasonably polished (my CPs must hate me for this :)

What do you do to shake the rust off or get new ideas?

Honestly, I don’t struggle with ‘seed’ ideas. However, I’m often challenged to come up with a good plot. Then, I go back and read my favorite authors, to consciously study plots and story arcs. I also brainstorm with friends (and my own kids) to get my juices flowing. Sometimes, I distance myself for a few days before returning to tackle it.

Anything you can’t live without while you write?

Chai, and it’s no secret. Also, a dictionary, and windows that look out into the sky or patches of green.

Any authors who inspire you?

Oh, so many! If I were to name a few picture book writers, then I’d say Jacqueline Woodson, Allen Say, and Patricia Polacco.

Dream project to work on?

Maybe a middle-grade on social justice set in India.

Tell us about your debut book.

THE YELLOW SUITCASE is a story about a little girl who returns to India to attend her dear grandmother’s funeral. She is devastated and confused, until she finds comfort in a special gift. The narrative fleshes out the universal emotion of grief while telling the experience from an immigrant perspective. The inspiration for this story came from my own family’s experience when my children lost their first grandparent in India. I hope THE YELLOW SUITCASE helps open up conversations around death in classrooms and families. The book is illustrated by Meera Sethi who has brought in many wonderful colors and cultural details to the spreads.

What’s up next for you?

I’m excited about a couple of projects that are out (or about to go out) on submission. Currently, I’m trying to promote my debut alongside revisions of work-in-progress. In the long run, I aspire to write stories on experiences, themes, and people less visible in picture books.


Thank you for stopping by Critter Lit today Meera! We are so excited to see THE YELLOW SUITCASE on bookshelves! Congrats!


Meera Sriram grew up in India and moved to the U.S at the turn of the millennium. An electrical engineer in her past life, she now enjoys writing for children and advocating early and multicultural literacy. Meera has co-authored several books published in India. She believes in the transformative power of stories and writes on cross-cultural experiences that often take her back to her roots. Meera loves yoga and chai, and lives with her husband and two children in Berkeley, California, where she fantasizes about a world with no borders.

FOR MORE INFORMATION about Meera and her work visit her website: www.meerasriram.com or follow her on Twitter @Meeratsriram and Facebook.

TO PRE-ORDER Meera’s debut book, ring up your local bookstore, or visit IndiBound, Amazon, or Barnes & Noble.

BOOK GIVEAWAY!

Want a chance to win a copy of THE YELLOW SUITCASE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 31st! US addresses only please.

What's up on deck? Tune in next week for an interview with author Sue Fliess!

Interview with Debut Author Lindsay Leslie

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Welcome back! It’s 2019 and I am so excited about all the interviews we have lined up on Critter Lit this year. We are kicking off the year with a debut author whose book, which comes out next month, has the best title of the year…I’m callin’ it! I can’t wait for you all to check out THIS BOOK IS SPINELESS (great title right? Told ya!)

So without further ado…please welcome Lindsay Leslie!

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Where do you live?

I live in the great city of Austin, Texas! Trying to keep it weird over here. (The city’s motto is Keep Austin Weird, in case you all don’t know.)

When did you know you wanted to write picture books?

Not too long ago. I can be a bit slow about understanding what should be my path, and what works for my personality and my talents, but I get there in a very roundabout way. It was toward the end of 2014 when I connected the dots between my ability and love of writing, my love for being creative in some form or fashion, and my adoration of children and how they see the world. The idea smacked me in the face one evening when I was riffing a.k.a. making up a story on the fly to my son. After I said “the end,” I picked up a picture book off his floor and that’s when the smack happened. Helllooooo, Lindsay! You should write for children!!!

Tell us about your road to publication, what did that involve for you?

It involved study of the form and finding out where I needed to be in terms of children’s literature. I started out writing chapter books. I have a series I created based on the stories I made up and told my kids at their nightly bedtime tuck-ins. I have since put those in my electronic drawer to simmer. I moved on to picture books and felt that I connected with the challenge and the focus of creating a story that packs a punch but in very few words. I became obsessed with finding the right words and playing with rhythm and pacing. I also tried out a middle grade novel and became a bit exhausted. It was a lot. I haven’t given up, but for now, it’s in my electronic drawer of goodies.

So, I kept my mind focused on picture books. I wrote and created as much as I could and I learned from those before me. The amount of fantastic knowledge and how it’s given so willingly has always been overwhelming to me. I often think about how I can pay that forward. Anyway, I soaked in all I could and read so many picture books. I also joined supportive children’s literature groups with vaults of knowledge, including SCBWI Austin and 12x12. Also, I found a bunch of wonderful writers who wanted to form a writing group. We lean on each other for everything.

When I was ready to find an agent, I turned to querying traditionally and was a BIG FAN of all the various contests and pitch events on Twitter that seek to connect writers and illustrators with agents and editors. It’s a great way to get immediate feedback on queries and concepts. Back in March 2017, I decided to participate in #pitmad on Twitter, which is a huge pitch event covering all genres--everything and anything. I’ve participated in #pitmad a couple of times, and I’ve always wondered whether picture books get lost in the scrolling madness of YA and adult novels. I’m glad I didn’t give up. I pitched four of my picture book manuscripts, and I only got one “favorite” that day. But, it was the only one I needed. That favorite came from Kristen Nobles, children’s publisher with Page Street Kids. A month and a half later, I received an email from Associate Editor Charlotte Wenger at Page Street requesting an R&R (revise and resubmit). I worked with Charlotte back and forth for the next month and a half to see if I could shape THIS BOOK IS SPINELESS into a picture book Page Street Kids would want to publish. And it worked! I received an offer directly from Page Street.

With an offer in hand, I was referred to Red Fox Literary via a literary connection and connected to Stephanie Fretwell-Hill, who offered representation. 

Can you share a bit about your process?

Oh, it’s a silly process without much science behind it, but it works for me! And, isn’t that what it comes down to? What works for you. So, I wait for my muse. I wait for an idea to pole vault into my noggin’ and if I’m paying attention, I’ll stop in my tracks and have to write down the idea. I’ve got a long running list of those ideas in my phone. Then I pay attention (there’s a lot of that) to the idea that keeps marching in a very belligerent manner through my mind. The idea that just won’t give up. If an idea is doing that, I know I have to explore it on the page. 

Next, I write the horrible first draft, or at least I try to allow myself to do that. Sometimes I can be such an over-editor at the beginning. I let that horrible first draft, or how ever many words I’m able to get down, sit. And, I let it sit for as long as it needs … until it calls me back. Then I go back to it and rewrite or complete the draft. I’d say I do this over and over again until I feel it’s ready for extra eyeballs, and those would be the eyeballs of my trusted critique partners. I make sure to run my work by quite a few people and see what the common pain points are—what’s working, what’s not. I edit and edit and edit, and then I pass it on to my agent. Then I edit and edit and edit. This line of business and creative works takes a lot of patience. By that, I mean patience for yourself.

What do you do to shake the rust off or get new ideas?

I don’t have one prescribed thing I do besides give myself time. I don’t berate myself for not being at the keyboard knocking out new stories all the time or editing, editing, editing every day. I do cheer myself on when I am able to do the work, when I am inspired by an idea, and when I make any forward progress. I acknowledged and keep chugging forward. It takes a lot of listening to yourself and a lot of patience. 

But when I really throw a brain cell at what I’m doing during those idea-creating moments, I can nail down two ways I come up with ideas: creating associations and active sensing.

  1. Creating associations: I let my mind wander and investigate topics I love and that intrigue me. I love asking what-if questions and I make sure I don’t edit my mind and direct its creative investigation. I just keep letting it think and go, even if it goes in a weird direction. And it almost always does. THIS BOOK IS SPINELESS was definitely born from one of those associative moments—an idea that came forward from stepping on my son’s picture book and the ideas that sprang forward from my childhood experiences with anxiety.

  2. Active sensing: I say active sensing, but it’s a living-in-the-moment-and-being-present thing. I actively observe with all of my senses. The two senses I lean on most: listening and looking. Yes, really listen to your kids when they talk about Pokemon, because it may give you an idea that ends up in a book deal (a.k.a. my next picture book NOVA THE STAR EATER). Yes, do some people watching. I get so much quality material watching people go about their daily lives. One of the best places for material, the school cafeteria. Watching how the children interact with each other and hearing some of their conversations. It’s a creative gold mine!

Anything you can’t live without while you write?

Not really, no. OK, I’m kind of lying. I do love to break for a snack or lunch. It’s kind of something I look forward to. I love food. Oh, I do. But while I’m writing? Hmmm...I need my desktop computer or laptop. But I can be anywhere. I don’t have to be at a certain place or have a certain desk or chair. When I’m focused, I’m way focused. Maybe too much. I can have background noise, music, or not. Kids screaming around me or not. I’m very laid back and flexible that way. What I can’t be without is a great idea that takes me to that story in my mind where I can’t be distracted and I want to stay and play.

Any authors and/or illustrators who inspire you?

How long is this blog? I could go for days on this. I’ve been inspired by so many. I’ll stick with the authors who shaped me as a kiddo … Judy Blume, Roald Dahl, Beverly Cleary. The trifecta. These authors were my childhood. Hands down. I feel they are a combo of relatable and quirky. That’s where I like to be with my writing. 

Dream project to work on?

Each project I’ve done has been a dream, so don’t wake me up. And, it’s been dreamy to work hand-in-hand with my editor, Charlotte Wenger at Page Street Kids. I trust her feedback implicitly. We seem to really get each other and have a fantastic creative/working relationship. 

Someday, I would like to finish that middle grade novel. That’s my carrot I’m chasing. It’s an odd, quirky thing, and a hard one to write. I was told it would be really difficult to do, but to me that sounds like a challenge, and I love a challenge. One way to get me to accomplish a goal is to tell me I can’t do it. 

Tell us about your debut book.

Oh, THIS BOOK IS SPINELESS …  and wary … and absolutely unadventurous, and is freaking out about what story might be on its pages. The book takes the reader on a journey of its fears, navigating the book’s possible contents together. With each page turn, the book becomes a bit braver. The book is multi-layered and incorporates the five senses, multiple literary genres, and various book parts. Ultimately, the relationship between book and reader brings everything together.

I’m so glad it’s my debut picture book. I’ve battled with anxiety for the majority of my life, so I’m well-versed in what anxiety feels like and how these emotions can get the best of us. This sweet, anxious book mimics what we all feel when anxiety comes rushing in. That heightened state and then the slow realization that we aren’t in immediate danger and we aren’t alone, so the calming begins. 

What’s up next for you?

Lots! THIS BOOK IS SPINELESS hits the shelves on Feb. 19, and I’m looking forward to the book launch at BookPeople in Austin on Feb. 23 (at 2 p.m.!) and celebrating with everyone. On May 21, I will usher in my next book, NOVA THE STAR EATER (Page Street Kids), illustrated by John Taesoo Kim. Then, in summer 2020, WANTED: DUSK RAIDERS (Page Street Kids) will release. In the meantime, I keep creating and having a blast connecting with the wonderful folks of the kidlit world! Also, keep an eye out for the debut picture book authors and author/illustrators of New In Nineteen. There’s so much unbelievable talent in that group. Check out the website at www.newin19.weebly.com

And last, but not least, favorite 80s movie?

Girls Just Wanna Have Fun! 


Thanks so much for stopping by Critter Lit today Lindsay! We can’t wait to see your fantastic books out in the world!


A diary keeper, a journalism major, a public relations executive, a children’s author—Lindsay Leslie has always operated in a world of written words. Her debut picture book, THIS BOOK IS SPINELESS (Page Street Kids/illustrated by Alice Brereton), releases on Feb. 19, 2019. Her blog A Book and a Pie reviews picture books and pairs them with fitting pie recipes. Lindsay lives with her husband, two young boys, and two fur-beasts in Austin.

FOR MORE INFORMATION about Lindsay and her work visit her website: lindsayleslie.com or follow her on Twitter @lleslie | Instagram @lindsaylesliewrites

TO ORDER Lindsay’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of THIS BOOK IS SPINELESS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 24th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Meera Sriram!

Happy New Year Critters!

Authors, Authors + Illustrators, Craft, Debut Interviews, Illustrators, Interviews, publishing, Vet InterviewsLindsay Ward1 Comment

Happy New Year Critters! Can you believe it’s 2019?! I feel as though 2018 flew by! I’m excited to dive into this year and see what exciting adventures await. 2019 will be filled with three new book releases for me as well as a fabulous list of upcoming debut and veteran interviews! Check out some of the authors, illustrators, and author/illustrators who will be stopping by Critter Lit this year:

Lindsay Leslie

Meera Sriram

Sue Fliess

Cathy Breisacher

Shawnie Clark

Jamie L. B. Deenihan

Cathy Ballou Mealey

Julie Falatko

Sheri Dillard

Scott Magoon

Mikela Provost

Ishta Mercurio

Debbie Ridpath Ohi

Jenn Harney

Christopher Denise

June Smalls

Sue Reagan

Amanda Jackson

Tara Lazar

and more! I’m so excited to share with you what these amazingly talented people have to say about their process and work. This year is your year! Finish that novel, picture book, middle grade, young adult…you got this!

“It’s never too late to be what you might have been.” - George Eliot

So go out there and start writing!

Check in with me on Twitter for some Critter Lit Writing Resolutions that I’ll be posting throughout the month of January. Have a writing resolution of your own? I’d love to hear it!

Until next time…

xo

Lindsay

Interview with Debut Author Monique Fields

Authors, Debut Interviews, InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I hope you are all enjoying the holiday season with family and friends. I’m very excited to share today’s interview with debut author Monique Fields!

In addition to writing picture books, Monique is an incredibly accomplished journalist, with essays appearing in Ebony magazine, NPR’s All Things Considered, and TheRoot.com. Her debut picture book, HONEYSMOKE: A STORY OF FINDING YOUR COLOR, illustrated by Yesenia Moises, will release on January 8, 2019. Monique’s debut is a wonderful book that encourages children to find and create their own identity in the world.

So without further ado, please welcome Monique Fields!

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Where do you live?

I live in Tuscaloosa, Alabama, home of the University of Alabama. 

When did you know you wanted to write picture books?

I was a journalist for about 20 years, and I always have enjoyed writing. After I had my girls and read a trillion picture books over and over again at bedtime, I started to think I could write one, too.

Tell us about your road to publication, what did that involve for you?

Oh, I don’t know if this blog post is long enough. It’s been a long, winding road. I wrote a manuscript, but I didn’t really know how to write a children’s book. There was a learning curve as I figured out page turns and the other mechanics of writing for children. As a journalist, I didn’t know much about critique groups. I had to find one. When I couldn’t find one in my hometown, I started a digital group. After I polished off a few manuscripts with the help critiques from writers, agents, and editors at SCBWI events, I still had to find an agent. Thank goodness Kevin O’Connor took a chance on me. That’s the short version. Whew!

Can you share a bit about your process?

I mine my life and the lives of others for ideas. I can see a potential picture book in almost anything I witness during the course of the day. When something strikes me as interesting, I write it down in my electronic notebook. 

When it comes to writing, I get the beginning and the ending on the page first. That’s a throwback to my journalism days. The hardest part is in the middle.

What do you do to shake the rust off or get new ideas?

Read. When I read, I am inspired. 

Anything you can’t live without while you write?

Chocolate and Twizzlers.

Any authors and/or illustrators who inspire you?

There are two author/illustrators whose work I truly adore: Yuyi Morales and Vashti Harrison. Both bring such dreamy intricacies to their work. Oh, how I wish I could draw and tell a beautiful story. 

Dream project to work on?

I’d love to work with Tracee Ellis Ross and Serena Williams on pretty much anything. 

Tell us about your debut book.

HONEYSMOKE is about a little girl who discovers her very own color. Simone, the main character, looks around her world to find her place in it. Her skin color is not like any of her friends at school or her parents. So, what is her color? She chooses one of her own, and creates a new word: Honeysmoke. It wrote the book so that all children can create their own identity. 

What inspired you to write your debut book?

The manuscript that became HONEYSMOKE started as a question from my three-year-old daughter: Who am I? She didn’t ask her question in such succinct terms, but that’s exactly what she wanted to know. I was surprised and a little disappointed when I couldn’t provide a satisfying answer. 

What is Honeysmoke?

Honeysmoke is my childhood nickname, and it is the color of my skin. When I was growing up, I decided that my mother, a light-skinned black woman, was the honey and that my father, a dark-skinned black man, was the smoke. I was the same as my parents but also different. 

How did your nickname become a children’s picture book?

As I considered how I could help my biracial daughter understand the complexities of race, I turned to my childhood nickname. She was the same as her father and me but also different. She had inherited qualities from us, and she would soon discover that she had some of her very own, that she was more than what she looked like on the outside. The little girl who inspired HONEYSMOKE is now a teenager, and she continues to discover her world and her place in it.

What’s up next for you?

Well, I hope to be a nonfiction picture book author soon. That’s all I can say about it for now. 

And last, but not least, favorite 80s movie?

The answer to this question is going to date me. Purple Rain is my favorite 80s movie.


Huge thank you to Monique for stopping by Critter Lit today! We can’t wait to see HONEYSMOKE out in the world!


Monique Fields is an award-winning journalist. Her essays about race and identity have appeared on air, in print, and online, including NPR’s All Things Considered, Ebony magazine, and TheRoot.com. She is the founder and editor of Honeysmoke.com, a site for parents raising multiracial children. 

FOR MORE INFORMATION about Monique and her work visit her website: www.MoniqueFields.com or follow her on Twitter @honeysmokeblog

TO ORDER Monique’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of HONESMOKE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 3rd! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post to kick off the new year!

Interview with Debut Author/Illustrator Lindsay Moore

Authors + Illustrators, Debut Interviews, Illustrators, AuthorsLindsay Ward3 Comments

Happy Thursday Critters! Can you believe it’s already the end of the year?! This year has flown by. We have just a couple interviews left in 2018 before we make the leap into the new year. One of the wonderful experiences I had this year was traveling to Bowling Green State University here in Ohio to speak with teaching students about writing and illustrating books. During my visit I had the opportunity to meet our guest on Critter Lit today, Lindsay Moore.

It’s rare in this business to get face time, so anytime I can connect with a fellow author or illustrator in person, it’s always lovely. And Lindsay is no exception. Her debut picture book, SEA BEAR: A JOURNEY FOR SURVIVAL will be released January 22, 2019 and has received a starred review from both Kirkus and School and Library Journal, with many other rave reviews. A lovely and lyrical text set against stunning watercolors and delicate line work, you won’t want to miss this book. I’m thrilled to be sharing her story and work with you today!

So without further ado, please welcome Lindsay Moore!

Just a couple of Lindsays hanging out.

Just a couple of Lindsays hanging out.

Where do you live?

I live in Bowling Green, Ohio. It is a small town south of Toledo, surrounded by corn, with a state university and railroad tracks running through it. I am new to town, but my family and I like it here.

When did you know you wanted to write/illustrate picture books?

This question has 2 answers. When I was in third grade my teacher, Mrs. McDonald pulled me aside and told me that I was good at writing and I could grow up to be a writer someday. It was the first time I thought of authors as actual people and I believed her. 

And then...

Around the age of 13 I was reading lots of books by Madeline L'Engle. She had become my favorite author and I came across a her biography at our school library. I read about the challenge she had finding a home for A Wrinkle in Time and the amount of rejection she had to push through in order to publish it. I came to the conclusion that if Madeline L'Engle had that much trouble, then there was no hope for me. Madeline L'Engle was special and I was completely aware of how absolutely ordinary and un-special I was. So, I put any real dreams of being published aside, but continued to enjoy writing for school and for whoever would read it.

It wasn't until I was five or so years out of grad school, living in Ann Arbor, when I went to a Caldecott panel with Brian Floca, Chris Raschka, Erin Stead and Phil Stead, that I really thought seriously again about publishing. I scribbled this quote into my notebook from Erin Stead about working on books:

"Constant state of anxiety with deep shades of regret."

It spoke to me because that summed up a good deal of my experience in the creative process. I didn't know you could be apprehensive and make books.

I read two really good books after that panel at the Kerrytown Bookfest: Writing With Pictures by Uri Shulevitz and Dear Genius: The Letters of Ursula Nordstrom by Leonard Marcus. They kind of confirmed that...I'm struggling on how to say this...making picture books made sense to me in a way that fine art didn't. I needed a story. I wanted there to be words. It was the way my brain/heart/hands worked. I felt like I found the perfect form of art.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Tell us about your road to publication, what did that involve for you?

It will have been about 4 years from the time I seriously decided to write to SEA BEAR coming out in January 2019. I think it is important to say that it wasn't clear from the get go that I would ever be published. I didn't believe in myself or even tell many people that I was writing.  

Ann Arbor is a great place for writers though. That is where I started. They have this wonderful program through the Ann Arbor District Library called The Emerging Writers Workshop. They meet twice a month and I met a few aspiring children book writers there. We formed a critique group and met every two weeks to work on our manuscripts. I owe all three of them so much because they patiently and attentively listened to draft after draft of the same story.

SEA BEAR was my first manuscript and I worked on it for about a year, but I was told that maybe it was a bit too serious for children. I put it aside to write manuscripts that were more "fun".  I wrote this really quirky one about a traveling lobster, but everyone my agent submitted it to said it was too off beat for them to follow. Probably the hardest critique I got was unsolicited from another agent that said my artwork looked dated. Her opinion came out of nowhere and it kind of stopped me in my tracks. Like, maybe I should just give up. I was looking up jobs online, thinking maybe I should find a job in the field of medical illustration. That is in fact what my degree is in.  

Around the same time I (somewhat reluctantly) shared my work with another author, Phil Stead.  He encouraged me to submit SEA BEAR and challenged me to experiment with new mediums in my illustrations. So, I finally got a dummy together, but my agent still had to call me for a pep talk because I was so deep in self doubt that I needed someone else to say it's time to submit. I went into the submission of SEA BEAR telling my husband to get ready for a suite of rejection and that it would probably lead to me crying in the shower like Tobias Fünke. Thankfully, that didn't happen. SEA BEAR found the perfect home at Greenwillow Books.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Can you share a bit about your process?

Sure! So, I'm really slow at the beginning. I research a lot. Even though SEA BEAR is fiction, it is based-off radio collar data that tracked the long swims polar bears make in the Arctic. I read a lot of journal articles and books. The library was an indispensable resource. Honestly, I get a little giddy when I find out that I have interlibrary loan holds ready for pick up. Then I read and think.  Like...I sit in silence and stare at walls and ceilings and light fixtures and focus.

My favorite part is storyboarding. I feel like if there was a job, just making story boards, I would be the happiest person.  

My illustrations are done with watercolor and two different kinds of drawing ink. The inks have slightly different properties and so they interact differently with the watercolor. I also use conte crayon and colored pencil.  My goal with SEA BEAR was to say, "I think the Arctic is a wonderful, mysterious, large, beautiful space, worthy of our awe and conservation." 

What do you do to shake the rust off or get new ideas?

Walking in the woods clears my mind. I also just try to keep my eyes and ears open to the world, because it's really full of small stories that are just waiting to be noticed. That all being said, I am currently suffering from a bit of writer's block. So….

Anything you can’t live without while you write/draw?

I really like silence and time. Also, I like to read the Psalms. 

Any authors and/or illustrators who inspire you?

Absolutely. There are so, so many. So many, Lindsay.

I'm going to name two, because otherwise there would be too many and I wouldn't want to leave anyone out.

1. Lynne Rae Perkins - When I read her books, I can feel my heart. She draws out very real childhood feelings and places them honestly on the page and its like she just explained to me something that I had been confused about since I was a kid. I really love The Broken Cat and the artwork in Snow Music makes me pause every time I read it.

2. Erin Stead-  Erin is just brilliant. The illustrations in The Purloining of Prince Oleomargarine made me weep because she handles her figures (both animal and human) with such care that you can feel their sorrow.  

Dream project to work on?

That is a good question. It would probably have to do with the water, but I'm really not sure.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Tell us about your debut book.

SEA BEAR is a 48 page picture book about a long distance swim a polar bear makes from the pack ice to dry land. It's based on field research in the arctic. It focuses on the relationship between polar bears and their sea ice habitat.  

What’s up next for you?

I'm working on a second book with Greenwillow. It's in really early stages though...research phase, so I won't say too much, other than I need to go for a walk in the woods.

And last, but not least, favorite 80s movie?

Oh, I'm not much of a movie person, but "When Cameron was in Egypt's land......"


Thank you so much for stopping by Critter Lit today Lindsay! We are so excited to see SEA BEAR out in the world!


Lindsay Moore is an artist and writer with roots in Northern Michigan. She studied Marine Biology and Fine Art at Southampton College on Long Island and figure drawing at the Art Students League in New York City. Lindsay earned her Master of Science in Medical and Scientific Illustration from Medical College of Georgia (now Georgia Regents University) and has received recognition for her work from both the Association of Medical Illustrators and the Australian Institute of Medical and Biological Illustration. After 5 years spent primarily in Queensland and Ontario, then some time Ann Arbor, Lindsay now lives Bowling Green, Ohio with her family.

FOR MORE INFORMATION about Lindsay and her work visit her website: www.lindsaykmoore.com or follow her on Twitter @YesPlankton.

TO ORDER Lindsay’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of SEA BEAR: A JOURNEY OF SURVIVAL?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 27th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with debut author Monique Fields!


Interview with Debut Author Hannah Holt

Debut Interviews, Authors, InterviewsLindsay Ward14 Comments

Happy Thursday Critters! This week we have an interview with debut author Hannah Holt! I’m so excited to be featuring a non-fiction picture book biography this week with Hannah’s debut book, THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS & THE LIFE OF H. TRACY HALL, illustrated by Jay Fleck. This is such an inventive picture book, told in two narratives, about Hannah’s grandfather, H. Tracy Hall, and the fascinating process of how diamonds are created.

So without further ado, please welcome Hannah Holt!

HannahHolt_small.jpg

Where do you live?

I live in Oregon with my husband, four children, and a pet cat.

When did you know you wanted to write picture books?

One Christmas during graduate school, my husband and I didn't have money for presents, so I created handmade comic books. While I worked I wondered: what if I gave myself year to write a children's book?

After a year, I realized I would need more time and gave myself a decade to pursue publishing a children's bookSeven years into that decade, I sold my first picture book, The Diamond & The Boy, to Balzer+Bray.

Tell us about your road to publication, what did that involve for you?

I began writing ten years ago. During my first year, I received only form rejections and non-replies. By my second year, I had started receiving personal rejections and requests for more work. 

Then my twins were born. With four children ages five and under, I took a year break from writing, so I could attempt sleep every now and then.

After a year away, the writing itch returned stronger than ever, and I joined Julie Hedlund's 12x12 challenge. Two years after my writing reset, I signed with agent Danielle Smith. That didn't work out, so we parted ways.

After another year of querying, I signed with my second agent, Laura Biagi. Oh my heavens, it was such a difference working with a real advocate for my work! We sold two books together. Then she left agenting to pursue her own writing.

Publishing is full of twist and turns, but I try to focus on things I can control, like improving my craft.

Can you share a bit about your process?

I'm the type of writer that needs to revise many times before I have a submission ready piece. I wrote more than eighty drafts of The Diamond & the Boy before it sold. Similarly I wrote more than forty drafts of A Father's Love before it sold. Some authors might find perfection after five or so drafts. It just doesn't work that way for me.

What do you do to shake the rust off or get new ideas?

I've never had a problem with ideas (knock on wood!). Ideas always seem to come in spades. It's the execution of those ideas that plagues me. It's not unusual for me to try a story from several different points of view or to write drafts in both verse and prose. I keep trying until I find a direction that resonates.

Anything you can’t live without while you write?

Snacks! When I get stuck, I take a snack break. Snacks make everything better.

Any authors and/or illustrators who inspire you?

There are so many legends I look up to, but here are two authors that might be new to your readers:

Jessie Oliveros has a beautiful picture book about sharing memories called The Remember Balloons. Dana Wulfekotte's limited palette illustrations are a perfect match for the text. I read a lot of picture books, and this one is something special.

Tina Cho recently released a picture book about a girl in South Korea trying to help her neighbors to the north called Rice From Heaven. The language is lyrical and moving.

Dream project to work on?

This isn't necessarily a dream project, but I hope to publish a middle grade novel one day. I've written two so far, but they were both so terrible I never sent them out. I would like to write a middle grade novel someday that doesn't stink.

Tell us about your debut book.

The Diamond & the Boy is a biography of my grandfather, inventor H. Tracy Hall. However, it's also the story of how graphite transforms into a diamond. This dual narrative story covers the two stories side-by-side. From the jacket flap:

"Before a diamond is a gem, it’s a common gray rock called graphite. Through an intense trial of heat and pressure, it changes into one of the most valuable stones in the world.

Before Tracy Hall was an inventor, he was a boy—born into poverty, bullied by peers, forced to work at an early age. However, through education and experimentation, he became one of the brightest innovators of the twentieth century, eventually building a revolutionary machine that makes diamonds.

From debut author Hannah Holt—the granddaughter of Tracy Hall—and illustrator Jay Fleck comes this fascinating in-depth portrait of both rock and man."

What’s up next for you?

My second book, A FATHER’S LOVE, comes out in 2019 just in time for Father’s Day. It’s a lyrical non-fiction picture book that celebrates different types of animal father’s from all around the world.

And last, but not least, favorite 80s movie?

Better Off Dead


Huge thank you to Hannah Holt for stopping by Critter Lit to chat today! We can’t wait to see all of your upcoming books!


Hannah Holt is a children’s author with an engineering degree. Her books, The Diamond & The Boy (2018, Balzer+Bray) and A Father’s Love (2019, Philomel) weave together her love of language and science. She lives in Oregon with her husband, four children, and a very patient cat named Zephyr. She and her family enjoy reading, hiking, and eating chocolate chip cookies.

FOR MORE INFORMATION about Hannah and her work visit her website: www.hannahholt.com or follow her on Twitter @HannahWHolt

TO ORDER a copy of Hannah’s wonderful books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS & THE LIFE OF H. TRACY HALL?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 13th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with author/illustrator Corinna Luyken!

Interview with Debut Author Aidan Cassie

Debut Interviews, Authors + IllustratorsLindsay Ward4 Comments

Happy Thursday Critters! Today, I’m very excited to share with you the work of debut picture book author and illustrator Aidan Cassie! I received an F&G of Aidan’s debut book, STERLING, BEST DOG EVER, this past summer and immediately fell in love with little Sterling.

Sterling the dog has always wanted a home. But no home has ever wanted him. So when Sterling sees a sign on the side of the Butlery Cutlery Company advertising free "shipping to homes around the world," he is determined to become the most terrific fork ever! For what home doesn't need flatware?

Sterling is delivered on time and undamaged to the Gilbert family's front door. He is not, however, what they ordered. . . . But he may be exactly what they need. A humorous, heart-tugging picture book about finding a family, who wants you just as you are.

Sterling is quite lovable. Just look at the adorable cover below. Our family dog, Sally, was a rescue, so I immediately connected with Sterling’s hope of finding the perfect family and home. The illustrations are wonderful and the story is charming. I hope you enjoy Aidan’s new book as much as I do.

So without further ado, please welcome Aidan Cassie!

ACassie_HighRes.jpeg

Where do you live?

I live on a west coast island, on the side of a small mountain, in Canada’s Salish Sea, just north of Seattle. It’s a quirky, rural pocket of co-op farmers, naturalists and artsy-folk, but most people here are urban-transplants, like myself. I love island life - our daughter takes a ferry to school while my husband and I work from our home studios (to the great delight of our big red dog, Sooka).

When did you know you wanted to make picture books?

While I was working on my degree in animation I started telling stories visually and fell in love with the process. After creating my wordless animated film, I thought I’d naturally write wordless picture books. Instead I discovered my voice, and the wonderful space between the text and illustrations.  I’m fascinated by the way readers/listeners/viewers construct what is happening with what is on the page, as well by the unsaid words and implied images. 

Can you share a bit about your process?

Assuming I’ve settled on a promising story idea nugget, I start by sketching characters to help me visualize the story. Then there’s the “walking and talking in the woods phase” as I envision it playing out like a little movie that I tell myself aloud… rewind, revise, and tell again. Sooka just chases sticks and is very non-judgmental. 

At the point my tale feels relatively solid I often enjoy a burst of drawing and writing. I pare things down to the important visual “shots” and make a series of thumbnail drawings, the same way I’d storyboard for animation. Later I might redraw with a bit more detail onto recipe cards, so I can reorder, add to, and edit the elements. I constantly flip between modifying drawings and editing words. Often the words are last to come.

 When I’m happy with the final flow I scan my sketches and create a digital dummy that has all the text in place for my crit group to read and edit. Later, many revisions later, if my agent likes it, I’ll make some final art samples for prospective publishers. I go back to the tiny 1’ drawings again, this time digitally. I experiment with the color narrative, palette and tonal balance for the whole book laid out on one page. I do each tiny spread’s colour very roughly so as to have a guide when doing final art. I use a Cintiq to create final art, usually with digital water color layers and textures that sit beneath my drawings. 

What do you do to shake the rust off or get new ideas?

Of course ideas must be caught and gathered as they show up. Sometimes they come from mining strong childhood feelings of my own, but most often they come from the outside; like overheard conversations, observing something strange, a great line in a song, bizarre news stories or by mashing together unlikely things, like dachshunds and forks. And sometimes I just need to put myself somewhere new; we just came back from taking a year to live in Provence; every day in France was brimming with “new”!

Art supplies you can't live without?

It’s a short list; my 2B pencils, and a good eraser.

Maybe some run-of-the-mill photocopy paper too.  All my creations are born of a pencil line on cheap photocopy paper. It allows me feel free to let loose and make oodles of useless doodles. And useless is important. For me, being too precious or careful cramps my creativity and exploration. I like the erasable nature of pencils, so when it comes to watercolor painting (not a forgiving medium), I find I take more risks when I work digitally, because I know there is an “undo”.

Favorite illustrators?

Oh, yes, I love sharing my art crushes!! Birgitta Sif, Isabelle Arsenault, Emily Gravett, Kady MacDonald Denton and, and, and… Chris Riddell, Carter Goodrich, Pierre Pratt and Shaun Tan!

Dream project or book to work on?

I’m feeling pretty lucky that I’m working on a bunch of my own books right now, so things are pretty dreamy as it is. One day I’d love to work collaboratively with a funny author (like Emily Jenkins or Aaron Reynolds), preferably on a ridiculous story jam-cram-packed with dogs - you know, if we’re talking DREAM project.

Tell us about your debut book.

My debut book was inspired by a childhood dog I had, an odd little dachshund. Sterling, Best Dog Ever is about a dog who’s had a hard time finding a home, so he lives in a damp box. When he discovers a fork factory that ships to good homes he thinks he’s found his ticket to happiness. When it occurs to him that the new family, surprised by the little stow-away, may not need a fork, Sterling decides he could be anything if they would just keep him. He’s an expert at adapting, but it takes him a while to understand what this loving family really wants.

What’s up next for you?

I’ve just finished up the final cover art for my second book, Little Juniper Makes It Big, about a wee raccoon who feels too small for everything, and that will come out in 2019. While waiting for edits and feedback on that book I’ve been working on my third book (still at the untitled dummy-book stage) that will come out the following year, both with FSG Macmillan.

And last, but not least, favorite 80s movie?

Wow, “80s movie” feels like a genre in itself – like I need an answer that features the Neutron Dance. But I have to go with animation! As a 9 year old I was completely spell bound by the The Secret of Nimh in 1982. 


Aidan Cassie studied animation and earned a media arts degree at the Emily Carr University of Art and Design as well as Edinburgh College of Art. Sterling, Best Dog Ever is her first picture book.

FOR MORE INFORMATION about Aidan and her book, visit her website at www.aidancassie.com.

TO ORDER a copy of STERLING, BEST DOG EVER, ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of STERLING, BEST DOG EVER?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 18th! US and Canadian addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post.

Interview with Debut Picture Book Author Beth Anderson

Interviews, Authors, Debut InterviewsLindsay Ward10 Comments
Photo Credit: Tina Wood

Photo Credit: Tina Wood

Happy Thursday Critters! I'm so excited for today's interview with debut author Beth Anderson, whose debut book AN INCONVENIENT ALPHABET: BEN FRANKLIN AND NOAH WEBSTER'S SPELLING REVOLUTION (illustrated by incredibly talented Elizabeth Baddeley) is a non-fiction picture book about how two patriots teamed up to create a uniquely American spelling system. I'm a huge fan of non-fiction picture books, they are a wonderful resource for kids and a great way to expose them to interesting and important topics in an approachable way.

An Inconvenient Alphabet: Ben Franklin & Noah Webster's Spelling Revolution  written by Beth Anderson, Illustrated by Elizabeth Baddeley

An Inconvenient Alphabet: Ben Franklin & Noah Webster's Spelling Revolution written by Beth Anderson, Illustrated by Elizabeth Baddeley

So what's AN INCONVENIENT ALPHABET: BEN FRANKLIN & NOAH WEBSTER'S SPELLING REVOLUTION all about?

Once upon a revolutionary time, two great American patriots tried to make life easier. They knew how hard it was to spell words in English. They knew that sounds didn’t match letters. They knew that the problem was an inconvenient English alphabet.

In 1786, Ben Franklin, at age eighty, and Noah Webster, twenty-eight, teamed up. Their goal? Make English easier to read and write. But even for great thinkers, what seems easy can turn out to be hard.

Children today will be delighted to learn that when they “sound out” words, they are doing eg-zakt-leewhat Ben and Noah wanted.

How cool does this book sound?! I can't wait for you all to check it out September 25th when it hits bookstores near you!

So without further ado...please welcome Beth Anderson!

Where do you live?

First of all, thank you so much for inviting me to visit your blog!

I live in Loveland, Colorado, but have been fortunate to experience life in various parts of the country. I grew up in Grayslake, Illinois, then moved to Wisconsin, Ohio, Connecticut, Georgia and Texas. Now, I’m a flatlander who wakes up every morning and marvels at the beauty of the Rocky Mountains.

When did you know you wanted to make picture books?

I was a kid who always enjoyed writing and received a lot of encouragement from teachers. I took a few feeble cracks at writing for children during my adult life, but (pre-internet) never learned about the industry, studied specifics of the craft, or found my path. 

Then for years, as an ESL teacher, I used literature as a medium for language learning as well as teaching curriculum objectives. I experienced picture books on many levels and witnessed the magic they offered in the classroom and connections they built for learners from every corner of the world. When I retired from teaching, my students asked me what I was going to do. That old “someday” idea bubbled to the surface, and I came clean and admitted I’d always wanted to write for children. Their excitement at the prospect stuck with me. How could I tell them to chase their “someday” if I wasn’t willing to do it?

Can you share a bit about your process?

Once I discovered the joys of narrative nonfiction and historical fiction, I dove in. To start with, I look at various news feeds and other sources for interesting bits of history and current events. If an idea intrigues me, I read everything I can find online first to get an overview, then dig into other sources once I have a bit more direction. Often, what first interested me is the tip of the iceberg, and I discover that there is a more important story behind it. So I gather and organize information (a post on my method HERE), then brainstorm on vital ideas, kid hooks, and structure possibilities.

After all that, I start drafting and revising, getting the story down. Then I examine it, share with critique partners, and start asking the hard questions. How can I frame it to create a marketable hook? How can I enhance the story and emotional arcs? How can I make it matter? (the list goes on…)  Then I dive back into the research for specifics. I read other random articles about the topic or theme or a concept within the story – looking for something that will spark new thoughts. I search out more quotes from the main characters to understand them better. And the revisions continue.

An example of a second dive into research - After revising AN INCONVENIENT ALPHABET per an editor critique, I felt like I had lost some of the emotion. So, I reread and looked at additional sources for evidence of just how strong Ben Franklin and Noah Webster’s friendship really was.

What do you do to shake the rust off or get new ideas?

As I mentioned above, newsfeeds from various sources can spark ideas. Also, I often stumble upon interesting tidbits for more stories while researching a manuscript. New ideas can spring from something I randomly read or saw or heard. 

When I’m stuck, really stuck, in the midst of a manuscript, it helps to widen my understanding – reading related articles, checking for You Tube videos on setting or another aspect of the story. And recently I’ve realized (I don’t know why it took this long) that when consulting sources, I need to go beyond the chapters related to the topic and read the introduction and concluding chapter. As writers we know this is where the essence, interconnections, and implications are discussed.  

One example of how exploring related articles can help a story – While revising what will be my second picture book, LIZZIE DEMANDS A SEAT: ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS, an article on how we tell our hero stories caught my attention. I was already seeing Lizzie’s story as a centerpiece in the context of “standing on the shoulders of those who came before us,” but this article had something more. We tend to portray heroes as super capable people who bring about change on their own. But in reality, no one does it alone. Kids need to know that. The idea that these super people take care of things leads kids to think they don’t have a role. Each of us may not be a leader, but we all can participate.

Anything you can't live without while you write?

A computer with an internet connection, of course! Coffee and snacks also help. 

And taking “while you write” in a larger sense, I can’t live without my critique partners!

Favorite authors?

As I seek out mentor texts and learn from other picture book writers, I’ve definitely found some favorites who help me along this narrative nonfiction path: Barb Rosenstock, Mara Rockliff, Suzanne Slade, Deborah Hopkinson, Jen Bryant, Andrea Pinkney, Michelle Markel, Candace Fleming, and Lesa Cline-Ransome come to mind immediately.

Dream project or book to work on?

I can’t think of any specific project. Just any idea that grabs my heart, knocks my socks off with an urgency to be written, and has a hook that no editor can resist. (And no one has already written it!) 

Tell us about your debut book?

AN INCONVENIENT ALPHABET hit me in the heart from the very beginning. Franklin’s quote, “Those people spell best who do not know how to spell,” brought to mind the endearing spelling of young children learning to write using “invented spelling.” I connected as a teacher, as a parent, as a linguistics major, as a history lover. I thought, wow, kids are writing just as Ben Franklin had hoped! 

In many ways, Ben and Noah are opposites, drawn together by their love of language and education and their determination to make reading and writing English easier. When their revolutionary attempts are rejected by the public, Noah keeps trying, and in the process learns that neither fame nor force can sell an idea that people see as just too inconvenient. Though the two great patriots don’t achieve their initial goal, Noah does end up with his great success, the first real American dictionary.

Children deal with our inconvenient alphabet every day as they learn to read and write. This book is my answer to all those students who asked why English spelling is so crazy. Another layer that drew me was “sounds easy, does hard.” I think it’s a great example for kids of how one seemingly simple, sensible idea may have so many consequences. The historical layer not only gives a hint of what life was like in the 18th century, but also introduces the idea that revolutions are not only military, but seep into daily life in varied forms. Elizabeth Baddeley’s creative illustrations enhance every layer of the story and bring a spirit of spunk and joy. 

The manuscript seemed to have special messages for me as a writer about the need to be flexible, patient, and persevere. But what I really internalized was the need to let our ideas “take a chance in the world,” and that often, no matter how hard we push, others will decide the success of our endeavors. So I offer up the book in hopes kids will laugh and learn, connect and question, and be inspired to share their ideas and let them morph and grow into something they didn’t imagine. 

What’s up next for you?

I’m looking forward to sharing AN INCONVENIENT ALPHABET with children and experiencing a few more picture books come to life with illustrations and an editor’s magic…

A civil rights story from 1854, LIZZIE DEMANDS A SEAT: ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS with Calkins Creek is scheduled for spring 2020. I’m currently in suspense waiting to see E.B. Lewis’ sure-to-be fabulous illustrations! 

Then comes “SMELLY” KELLY AND HIS SUPER SENSES: THE MOSTLY TRUE STORY OF AN ORDINARY MAN AND HIS EXTRAORDINARY NOSE, also with Calkins Creek, illustrated by Jenn Harney, scheduled for fall 2020.  Set in the labyrinth of the 1930s New York City subway, a humble immigrant learns to use his natural talents for the benefit of all—and also finds out what it takes to be a true hero.

And there’s one more under contract that hasn’t been announced…

And last, but not least, favorite 80s movie?

Definitely, The Princess Bride! A classic! Masterful storytelling, unforgettable characters, for young and old, the joy of story, grandfather and grandson, twoooo love, lines that live forever.

AND there just happens to be one line in AN INCONVENIENT ALPHABET that was inspired by a line in the movie…can you find it?

Thank you for chatting with us today Beth! We can't wait to see your upcoming titles!


Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. Armed with linguistics and reading degrees, a fascination with language, and penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Colorado where she laughs, wonders, thinks, and questions; and hopes to inspire kids to do the same.

For more information about Beth Anderson and her books, visit her online at www.bethandersonwriter.com or you can follow her on Twitter @BAndersonWriter, Facebook, or Pinterest.

TO PRE-ORDER AN INCONVENIENT ALPHABET ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of AN INCONVENIENT ALPHABET: BEN FRANKLIN AND NOAH WEBSTER'S SPELLING REVOLUTION?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, September 13th! US addresses only please.

What's up on deck? Tune in next week for Critter Lit's interview with debut author/illustrator Jen Betton!