Interview with Zoe Tilley Poster

Happy Thursday Critters! Today we have an interview with an author/illustrator whose gorgeous sophomore book, PETE AND LEONIE: THE GREAT BABY SWAP just released with Dial Books for Young Readers on August 15th! I’m thrilled to have her with us today to talk about her new book, process, and road to publication.

So without further ado, please welcome Zoe Tilley Poster!

Where do you live?

In a meadow in the woods, in central Vermont.

How many years have you been in publishing?

My first book, THE NIGHT WILD, was published in 2022.

 How did you first get published?

I worked for a year or two on a rough draft of THE NIGHT WILD, and with that, was very lucky to sign on with my wonderful agent Andrea Morrison. She sold the project to Dial Books, so I got to work with my editor and art director there - Kate Harrison and Lily Malcom - on both THE NIGHT WILD and PETE AND LEONIE.

Do you write/illustrate full-time?

I have in the past, but not right now. I have a three year old son, so I’m enjoying spending a lot of time with him these days. Making books takes a lot of creative energy that I find hard to maintain if I’m doing it 40 hours a week. 20 hours (or under) is much more sustainable for me.

What inspires you to create picture books?

It used to be my own experiences in nature, and hanging out with animals. That’s still important, but now I read to my kid a lot, and am hugely inspired by the things he laughs at and is delighted by. He likes excavating machines a lot. Bonus points if they get themselves into some hilarious disaster, and are operated by maniac frogs. These are not things I know how to draw, but I’m workin’ on it.

What surprised you the most working as an author/illustrator?

It’s surprising how much of a story gets edited out - usually by me, often my favorite parts - because those elements simply aren’t serving the greater good of the story as a whole. It’s the difference between making single pieces of stand-alone art (or poetry or prose) and making a whole story.

What is your favorite thing about being an author/illustrator?

Hanging out in my studio, listening to my music, going down the weird and exciting rabbit holes in my head.

What do you find difficult working as an author/illustrator?

The isolation. Aside from a small amount of collaboration with agent, editor and art director, it’s pretty solitary and can be lonely.

What do you do to shake the rust off or get new ideas?

Take a break. Go on a road trip, indulge in the other things I love doing, notice what interests me or incites my emotions, and follow those paths.

Anything you are habitual about when it comes to creativity?

Setting limits on my day. I didn’t used to do that - I thought the harder/longer I worked in my studio, the more I’d get done. Now I know there are serious diminishing returns… and if I work too long, I become filled with self doubt and I can not see my work with any clarity. So stopping after X number of minutes/hours (whatever I decide in the morning) is critical to doing good work.

Can you share a positive experience you’ve had in the Kid Lit community?

I used to be part of a writers group, and everyone was so encouraging and helpful, genuinely wanting to boost each other up.

Recommended reading?

My son Iggy and I love these:

The ¡VAMOS! and EL TORO series by Raúl the Third and Elaine Bay

WONDROUS WONDERS by Camille Jourdy

STORIES OF THE NIGHT by Kitty Crowther

And for adults: BEAUTIFUL DARKNESS by Fabien Vehlmann and Kerascoët

 What has been the highlight of your career thus far?

Reading my second book, PETE AND LEONIE: THE GREAT BABY SWAP, to my son and hearing him laugh out loud. Best stamp of approval ever.

What is something you wish someone had told you when you first started writing/illustrating?

Rules REALLY ARE made to be broken! People tell you a lot about what can and can’t be done (and I think they mean what a publisher will or will not buy). I think it’s way more important to think about what you as a writer/artist do well, and to keep getting better at those things. Break a rule well enough… and someone will buy your book because you broke it (you just have to get it in front of the right eyes). At least that is my hope… because I only like to read wonderfully weird books.

Can you tell us about your newest book?

PETE AND LEONIE is about two babies - a human and a coyote - who trade places for a day. It’s a book for people who like to roll around in mud puddles. Or eat blueberry muffins. Or try out one thing, and then change their mind.

What’s up next for you?

I’m working on a story about fear, a girl and a dog.

Anything else you’d like to share with aspiring authors and illustrators?

Dig deep and find the story in you that no one else can tell! Don’t shy away from the hard stuff! I’m talking about aesthetics, writing style, content, theme. If something matters to you, really explore that. I want to live in a world where artistic integrity means something, and where artists make others feel like they are less alone, by shining a light on what is weird but very human.

And last, but not least, who is your favorite children’s book character?

Pearl from William Steig’s THE AMAZING BONE.

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Huge thank you to Zoe for stopping by Critter Lit today! Thank you for sharing your latest book with us!

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 Zoë Tilley Poster is an illustrator who lives in Vermont with her husband and dog. Her debut picture book The Night Wild came out in 2022.

FOR MORE INFORMATION about Zoe or her books, visit her online:

Website: https://zoeposter.com/

Instagram: https://www.instagram.com/zoetilleyposter/

BUY THIS BOOK To purchase Zoe’s books, click here.

WIN A COPY! Want to win a giveaway copy of PETE AND LEONIE THE GREAT BABY SWAP?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 7th.

Interview with Author Ryan Uytdewilligen

Happy Thursday Critters! Today we have an interview with a debut author, Ryan Uytdewilligen, to celebrate the release of his new book, THIS IS NOT MY STORY, illustrated by David Huyck, published by Kids Can Press in June. I’m a huge fan of meta picture books— especially ones that break the fourth wall, and this one does such a fantastic job! I’m thrilled to have Ryan and his wonderful new book with us today at Critter Lit.

So without further ado, please welcome Ryan Uytdewilligen!

Where do you live?

I live in York, Ontario, Canada – which is technically a part of Toronto! But it sounds fancier. 

When did you know you wanted to write picture books?

I’ve wanted to be a writer all my life. When I was six, I wanted to open my own bookstore called Pages and Pages and sell only my books! I had a lengthy journey coming around to the idea, working as a creative writer for a radio station, journalist, screenwriter, and finally novelist. But I always thought that the books that made me the happiest were the ones read to me as a kid. Fond memories. And I wanted to replicate that or provide others with that memory/connection. That would have only been about five or so years ago.

Tell us about your road to publication, what did that involve for you?

I had written and published fiction and non-fiction books beginning in 2015. I tried to write a children’s picture book at that time, but didn’t know the ins and outs. It rhymed and wasn’t very good to tell the truth. I matured and learned over the next three or four years and wrote This is Not My Story in 2018 while working in a bookstore. I sent it to a few publishers and finally KidsCan Press wrote back and said they loved it!

Can you share a bit about your process?

It’s different for every genre and project really, but children’s picture books are quite the challenge because you have to keep it entertaining for a young audience. You have to make every single word count. And above all, you have to be creative. That’s probably the best part is that creativity knows no boundaries when it comes to children’s picture books. So, all of my wackiest ideas sort of gravitate to that type to book.

What do you do to shake the rust off or get new ideas?

I’m not one to not have ideas. I always have new ideas. Every day. Every hour. Are most good? Nope. But every now and then, I’ll perk up and one of those ideas will really grab me. Or I’ll circle back to it a few months or even years later. If that idea keeps popping up and sounding more and more attractive, I know that’s one I simply must do!

Anything you can’t live without while you write?

I’m a coffee guy. Coffee in the morning. Coffee at lunch. It feels wrong not to approach a blank page without a cup of warm coffee. Beyond that, I can write just about anywhere with just about anything.

Any authors and/or illustrators who inspire you?

Is it corny and too obvious to say Dr Seuss? I mean, that’s kind of like saying The Beatles is your favorite band. Its pretty much a given! But Seuss is a genius. Plain and simple. Roald Dahl also is a very creative mind that I find myself getting inspiration from. If anything, those two provide me with the drive to be as creative as I can possibly be. 

Dream project to work on?

That’s a tough one, but I’m a big Hanna Barbara nerd. To do stories with characters from The Flintstones, The Jetsons, or Scooby Doo would be absolutely incredible. I get a lot of my sense of humor from those cartoons. If they ever brought them back or published books with those characters, I’d love to be a part of that!

Tell us about your debut book.

An author and his hero embark on a genre-bending journey to find the right story. It starts with this captain of a tiny spaceship who is surrounded by flying saucers. He stops the story to inform the author that he belongs in a different story. Not sci-fi. The author considers this. Then he begins again, with a story about the quickest cattle wrangler in the West. It’s still not the protagonist’s story! Is he a dragon-slaying knight? A vampire’s next victim? There is a lot of fourth wall breaks that follow the two as they trying many different stories, ultimately teaching young readers the concept of genre.

What’s up next for you?

I’ve been bitten by the children’s book bug, so I have been writing down lots of ideas. I am a giant classic film fan and have been exploring ideas to introduce tween-age readers to older movies through books. 

And last, but not least, who is your favorite children’s book character?

The Cat in the Hat! He’s so sly and slick and wild! It’s every child’s dream to have a giant fancy cat show up and lead you in mischief. Heck! I would love for that to happen right now!

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Huge thank you to Ryan for stopping by Critter Lit today all the way from Canada! Congrats on your debut!

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Ryan Uytdewilligen is a Canadian screenwriter, historian, author, editor, and journalist.

Born in Lethbridge, Alberta and raised on the family farm outside the town of Coaldale, Uytdewilligen studied Communication Arts with a major in Broadcast Journalism at Lethbridge College – leading to work as a radio news anchor, television reporter, and copywriter. 

He later studied Writing for Film and Television at Vancouver Film School where he wrote and produced the short films Tea Time and Even the Devil Swiped Right.

His first novel, Tractor, was published in 2016 by Sartoris Literary. Taking inspiration from Jack Kerouac and Larry McMurtry novels, the story follows a teenager in the early 1960s drive a tractor across the American south.

Uytdewilligen’s second novel, Akela, was published in 2019 by BHC Press – earning numerous accolades including a nomination for the Pushcart Prize. It followed the century-spanning life of an adventurous sea turtle that becomes entangled in historical events as he searches for his long-lost love.

He is also the author of numerous non-fiction works including the film history book 101 Most Influential Coming of Age Movies and The History of Lethbridge, a look at the unique story of his hometown. 

His latest non-fiction work, Killing John Wayne: The Making of The Conqueror, tells the story of how the worst movie ever made, a 1956 epic starring John Wayne and produced by Howard Hughes, became a deadly disaster. It was published by Rowman and Littlefield. 

Ryan’s third fiction novel, He’s No Angel, was released in July of 2022. It is an absurdist comedy book satirizing Hollywood and the afterlife.

His first children’s picture book, This is Not My Story, was published by KidsCan Press in June, 2023.

FOR MORE INFORMATION about Ryan or his books, click here or follow him on social media:

Twitter - @R_Uytdewilligen

Facebook – Ryan Uytdewilligen Author

Instagram – RyanUytdewilligen

ORDER THIS BOOK To order a copy of THIS IS NOT MY STORY, click here.

WIN A COPY! Want to win a copy of THIS IS NOT MY STORY!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 13th!

Interview with Author + Illustrator Jane Smith Part 2

Happy Thursday Critters! Author and illustrator Jane Smith is back with us today, and I couldn’t be more excited because her new book, NAKED BUTT BUSTS OUT!, is absolutely hilarious, silly, and full of lots of giggles— my favorite kind! (To read our first interview with Jane, click here.) Jane is here to talk to us about her new book, process, and approach to creativity.

So without further ado, please welcome back Jane Smith!

It’s great to have you back!

Thank you so much, Lindsay! I’m thrilled to pieces to be here chatting about my hilarious new children’s book, Naked Butt Busts Out!

 Tell us about your latest book.

Naked Butt Busts Out! is a laugh-out-loud picture book about being true to yourself. The story follows the cheeky little bunny, Naked Butt, who just want to be himself. But for Naked Butt, being yourself, means literally baring it all, and he discovers that everyone wants him to cover up his tail again! Especially his momma. So, he tries this best to keep his true self tucked under shirts and shorts, but when his clothes start feeling itchier and scratchier and tighter and tighter, Naked Butt can’t keep himself under wraps anymore—he BUSTS out! And to everyone’s surprise, Naked Butt’s hilarious city streak shows momma that standing out in the crowd isn’t just a good thing, it’s a lifesaver, and that being yourself can inspire others to uncover a whole new view of the world, too.

Interior art from NAKED BUTT BUSTS OUT! by Jane Smith

Interior art from NAKED BUTT BUSTS OUT! by Jane Smith

 What inspired you to create this book?

Naked Butt Busts Out! was inspired by the universal experience of kiddos just not wanting to get dressed!! This is such a hilariously familiar developmental stage for the age range that hits the picture book sweet spot that it felt like a solid heart for a story. And when I married it to the metaphorical concept of being yourself equaling being naked, the whole book began to come together.

Interior art from NAKED BUTT BUSTS OUT! by Jane Smith

 Can you tell us a bit about your creative process? How do you approach new ideas?

I like to have multiple books projects in-progress at any given time! I generally work on a story as long and as far as I know what to do with it. Then I put it away and pick up another WIP, and then switch back later once I’ve thought thru what comes next. I find that the time away in-between intense bursts of activity on developing a project is actually the secret magic ingredient that brings it altogether and fuels my creative process.

I approach new ideas both playfully and seriously! Seriously in that I always right them down—no matter how ridiculous or off-the-wall. And playfully in that I like to give myself feel reign to explore an idea by doodling—maybe characters or little bits or bobs from the ideas—and by brainstorming word lists—like free word associations, little one liners of text, etc. Usually, it’s thru this exploration that I discover if I have the heart of something true that I can continue to build on.

 How do you shake the rust off when you feel stuck creatively? 

I have lots of little tricks for this—taking a walk, doing a little yoga, mediating, reading, going to the bookstore or library, watching a movie or TV show, baking, cooking a new recipe, visiting a friend who lives close by, calling a friend who lives far away, doodling with no expectations. And if all else fails, take a nap!!

 What do you find inspiring right now?

 Right now, I’m very inspired by the wide world of indie publishing possibilities available to authors and illustrators! I think in an industry where the labors of creative professionals are very undervalued, while also being the bedrock of the whole industry, it is exciting that indie publishing provides affordable, accessible opportunities to take the reins as both creative artists and professional businesspeople.

 Any new books that you are loving right now?

Two books I read recently that I can’t stop thinking about are: Demon Copperhead by Barbara Kingsolver (newly released last fall) and The Haunting of Hill House by Shirley Jackson (classic published in 1959). Both are gorgeously written and stay with you long after you finish the final page.

 What’s up next for you?

 More children’s books!!! I can’t share any details yet, but I’m excited, so stay tuned…

 Anything else you’d like to share with aspiring authors and illustrators?

Your creative work is meaningful! Your creative effort is meaningful! But it will never matter MORE to anyone else than it does to YOU. So do not ever shy away from being your own best advocate, regardless of whether or not you’re agented, regardless of whether or not you’re traditionally published.

And last, but not least, favorite book character?

This is so hard! I have so many favorites! Ha ha! Ok—today I’m going to say Max and Ruby from Rosemary Well’s beloved series. How can you not adore this hilarious pair?!

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Huge thank you to Jane for stopping by Critter Lit today! It was so great to catch up with you and hear about your hilarious new book! Congrats!

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JANE SMITH is the author-illustrator of nine children’s picture books, including the popular Chloe Zoe series, Hello, New House and Miss Meow. Naked Butt Busts Out! is her first self-published title. Jane enjoys knock-knock jokes, cartoons and making kiddos laugh. She lives in sun-kissed Wilmington, North Carolina with her husband and super star daughter.

FOR MORE INFORMATION ABOUT JANE SMITH follow her on social media:

 • Web Site: www.superjane.com

• Instagram & Facebook: @SuperJaneSmith

• Twitter: @SuperJaneArtist

• Goodreads: https://www.goodreads.com/author/show/6302142.Jane_Smith

• Super Readers Club Newsletter: https://superreadersclub.substack.com/

ORDER THIS BOOK To order a copy of NAKED BUTT BUSTS OUT!, click here.

WIN A COPY! Want to win a copy of NAKED BUTT BUSTS OUT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 6th! US addresses only please.

Interview with Debut Author Ratha Tep

Happy Thursday Critters! Today we have an interview with author, Ratha Tep, whose debut book, WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, illustrated by Camilla Pintonato, published with Princeton Architectural Press last year. I’m thrilled to have her with us today to talk about her road to publication, process, and debut book!

So without further ado, please welcome Ratha Tep!

Where do you live?

After spending many years in New York City, and a four-year jaunt in Switzerland, I now live in Dublin, in a 180-year-old house by the sea.

When did you know you wanted to write picture books?

I’ve never wanted to be anything but a writer. My parents only read me a handful of picture books when I was a child, though, so I never thought about the genre until I was pregnant with my first child, and was gifted Where the Wild Things Are. That was my first time reading it, in my 30s, and I was blown away. It really opened up a new world, and showed me the extraordinary possibilities of the picture book. The artwork is, of course, phenomenal, but what I love even more is the layered text and its gorgeous rhythm. The book does so much with so few words, and really gets to the heart of a universal experience in a novel way. I’ve wanted to write my own picture books ever since.

Tell us about your road to publication, what did that involve for you?

While I had dabbled with the thought of writing picture books for a few years, life sort of got in the way. My children were still very young, and I was also contributing to the New York Times, and other newspapers and magazines. I would say I first seriously thought about picture book writing in 2019, when I went to London to take a Guardian Masterclass on the subject. I had written one story at that point. But it wasn’t until a year later that I really hunkered down and went “all-in.” I joined SCBWI, and a critique group, and showed my stories to friends for feedback. I got very lucky in that my wonderful agent, Debbie Bibo, saw promise in Wally. She paired me up with the super talented illustrator, Camilla Pintonato, who really brought the manuscript to life. She infused the book with so much energy and humor. Having Wally poke out from the page? Brilliant! 

Can you share a bit about your process?

I don’t think I have much of a process. But I have come to learn that for every great story, there are probably a dozen if not more stories that have led up to it. In the Guardian Masterclass I took, I think it was the writer, Alex Milway, who said that your first story probably won’t be accepted, but maybe your twelfth might be. What I do now is have several different stories going on at once. And whenever I have a kernel of an idea, say, if I’m out doing something with my kids, I’ll email it to myself as a note. Sometimes a spark is all it takes! 

What do you do to shake the rust off or get new ideas?

Listen to my kids! Wally literally came from my older daughter’s first experience with playing the piano at age 6. She started claiming—without seeing anyone else play—that she was the world’s greatest piano player. I thought it was both hilarious and exactly the kind of hyperbolic statement only a kid could make.

Anything you can’t live without while you write?

Make coffee. Emphasis on the making—not drinking. I literally make about five cups of coffee a day because I remember to only drink about a third of each cup before it gets cold.

Any authors and/or illustrators who inspire you?

I run a picture book recommendation site called Max’s Boat where I ask other writers and illustrators this very question, and am always learning about new (and old) books to dig into. There are so many authors that inspire me for different reasons that I don’t even know where to begin! So perhaps I’ll leave it at Maurice Sendak. 

Dream project to work on?

My next book!

Tell us about your debut book.

Wally LOVES playing the piano, and starts claiming—without seeing anyone else play— that he’s the world’s greatest piano-playing wombat. So imagine his surprise when he realizes that there’s another piano-playing wombat who can play better than he can! Wally adds tap-dancing to his routine, then ball-twirling—just to be able to call himself the world’s greatest anything. But this other wombat outdoes him each and every time! Wally deals with the big and complicated feelings of envy and the all too human (or wombat-esque) desire to be the best—in a fun, madcap kind of way.

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

What’s up next for you?

While Wally came out in North America in October, it’s only coming out in Ireland and the UK in April. I’ve never actually seen it in a bookstore yet, so seeing it on a shelf will be a thrilling sight! I also have a bunch of school and library visits lined up, and I’m really excited to finally get to share Wally in person!

And last, but not least, who is your favorite children’s book character?

Amos McGee. I normally love humorous picture books but A Sick Day for Amos McGee is just quietly perfect. And for their cameo roles, the stick insect in Mina by Matthew Forsythe and the family of beetles in The Little Wooden Robot and the Log Princess by Tom Gauld.

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Huge thank you to Ratha for stopping by CritterLit today! Congrats on your debut!

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RATHA TEP was born in Cambodia and grew up in New York City, where her childhood consisted of, among other things, walking her rabbit on a leash on the concrete sidewalks, and weekly visits to the Children’s Reading Room at the Donnell Library. She went on to get degrees in English and in Economics at the University of Pennsylvania, and has also taken writing workshops and classes at Brown University and the New School.

 Ratha is a frequent contributor to The New York Times. Her work has also appeared in print and online for publications such as The Wall Street Journal, T: The New York Times Style Magazine, Travel + Leisure, Afar, and Food & Wine, where she was an editor for seven years. Ratha has reported from New York, Paris, Milan, London, Zurich and Basel. She is now looking to create new worlds of her own, in which animal characters navigate their foibles and frailties with humor and spirit.

​Ratha is happily settled in a 180-year-old house in Dublin filled with books and creaky floorboards. She loves, in no particular order, Sunday roasts with her family, curling up to read with her girls in the evening (and morning), and weeping willow trees. She recently started Max’s Boat, a picture book recommendation site where writers and illustrators share their favorite titles.
Her first picture book is about a wombat named Wally, who was the World’s Greatest Piano-Playing Wombat, until he realized he wasn’t.

FOR MORE INFORMATION about Ratha or her book, visit her online or follow her on social media:

https://www.rathatep.com/

https://www.maxsboat.com/

Instagram: 

@rathatepbooks

@maxsboat

Twitter:

@sailingwithmax

BUY THIS BOOK To purchase a copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, click here.

WIN A COPY! Want to win a giveaway copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 23rd! US addresses only please.

DOUBLE Interview with Best Friends and Author/Illustrators Molly Idle and Juana Martinez-Neal!

Happy Thursday Critters! Today we have a DOUBLE interview with real life besties Molly Idle and Juana Martinez-Neal! I’ve been a long time fan of their individual books— they are STUNNING and you should check them out immediately here and here if you haven’t already. I’m so excited to have them BOTH with us today to talk about their road to publication, creative process, and their newest book, I DON’T CARE, written by Julie Fogliano, published with Neal Porter Books this past November, which Molly and Juana illustrated together.

So without further ado, please welcome Molly Idle and Juana Martinez-Neal!

Where do you live?

As we are two, we’ll answer in a world-class-ping-pong game style!

Juana: I live in small coastal town in Southeastern Connecticut. Before moving here in February of 2021, I always lived in the city. I love small town living!

Molly: I can see why you do! Your small town is completely and utterly charming! It aaaaalmost makes me want to move there too… but right now the weather here in Arizona is perfect. 70 degrees in February. Ask me again in July :)

How many years have you been in publishing?

J: Let me see… I decided to start making children’s books in October of 2005. That does not mean I was published, but that I was determined to be. So, what? Seventeen and a half years here and counting. Moll?

M: Almost the same! I left animation with the idea that I’d like to start writing and illustrating in 2003. So… 20 years now?! Eek! 

How did you first get published?

J: My work was first published by educational and small publishers. It is not until July of 2016 that I was published by one of the “Big-Five” (four now?) here in the United States. It was “La Madre Goose: A Nursery Rhymes for los Niños”, written by Susan Middleton Elya, published by Putnam/Penguin Random House.

M: We’re on the same page again! After years of juggling small illustration jobs, and caring for small people as a new mom, Penguin Random House gave me my first big break too! Viking Children’s Books published Tea Rex, in 2013. 

Do you write/illustrate full-time?

J & M: Yes, we do!

What inspires you to create picture books?

M: I love creating and exploring the relationships between characters. In the process I not only get to know and better understand them, I get to know and better understand myself too. 

J: And I make books about finding our own selves, our identities, our places in the world, the reason why we are in this world. That’s a constant personal search and what drives me to make new work.

What is your favorite thing about being an author/illustrator?

M: Ooooo, there are so many that it’s hard to pick a favorite! One of the things I love most is the feeling when something ineffable falls into place. Like when I’m sketching and sketching, trying to capture the essence of a character and then, suddenly, find them—“There you are! It’s you!”

J: I agree with Molly. That’s an amazing moment! I love being able to create the worlds that we want to see exist.

What do you find difficult working as an author/illustrator?

M: Deadlines. They’re my Achilles heel!

J: We are best friends for a reason! My biggest challenge is that we create our own schedules. It can be a trap when you are so easily distracted.

What do you do to shake the rust off or get new ideas?

M: For rust, I recommend WD40 — it really helps get things moving. For ideas, I recommend work. I used to worry all the time that I’d run out of new ideas. But then I noticed that as soon as I wrapped up one story another idea would present itself! Finishing one seems to get things moving for another. Work is the WD40 of my mind!

J: As I was saying, I can get distracted and bored easily which is the reason why I’m a mixed media artist. If I use different ways of making the art, I have to be present while I’m solving this new puzzle. A new puzzle I just made for myself.

Anything you are habitual about when it comes to creativity?

J: Same answer as above but with a contradictory twist, I need routine. Having my quiet walks outside, listening to my favorite music, making art in a room where natural light floods the space are all a-must. 

M: Same. I love new puzzles, but I love to them with a fresh cuppa coffee in my favorite mug, next to my pencils organized by color, with my work mix playing, next to the sunny window… no wonder we’re besties!

Can you share a positive experience you’ve had in the Kid Lit community?

J: I have to say meeting Molly Idle. Have you met her? She’s pretty amazing!

M: Jinx! I was going to say meeting YOU!!!

Recommended reading?

Lightning-Ping-pong-round!

M: A Polar Bear In the Snow, by Mac Barnett and Shawn Harris

J: What is Love?, by Mac Barnett and Carson Ellis

M: Kafka and the Doll, by Larissa Theule and Rebecca Green (I’m so glad you introduced me to this one, Juana!)

J: I love that book! Give it a second read and then read I Talk Like A River, by Jordan Scott and Sydney Smith. 

What has been the highlight of your career thus far?

M:  I mean, we could say winning Caldecotts…that feels like bragging. But it was incredible to have our books honored! 

J:  They were a huge recognition for our work. Hooray for awards!

M: And Hooray for teachers, and librarians, and Readers!

J: Yes!!!

Can you tell us about your newest book?

J & M: Our newest book is “I Don’t Care”, written by Julie Fogliano and published by Neal Porter Books. We co-illustratred the book, a process that was both scary and fantastic at the same time. We have been critique partners for years but not until this story that we had worked on a book together! 

Juana’s Favorite Interior Illustration from I DON’T CARE, written by Julie Fogliano, illustrated by Molly Idle and Juana Martinez-Neal, published by Neal Porter Books

Molly’s Favorite Interior Illustration from I DON’T CARE, written by Julie Fogliano, illustrated by Molly Idle and Juana Martinez-Neal, published by Neal Porter Books

What’s up next for you?

J & M: We’re making more books together, and we’re each making board books too!

J: Alma’s Words, two new bilingual board books, are releasing September 5, 2023: Alma and Her Family and Alma, Head to Toe, with two more books coming in 2024.

M: And I have Flora and Friends ABCs, publishing October 10, 2023, with an entire flock of new bird buddies, and Flora and Friends Colors flying off shelves in 2024!

Anything else you’d like to share with aspiring authors and illustrators?

J: Making children’s books requires drive, determination, and a thick skin. It is a matter of when, not if , it will happen. Your time will come!

M: Agreed! That’s one of the nicest things about the publishing industry. There’s no limit on how many stories can be told. If you make good work- there’s a place for it. There’s always room for one more!

And last, but not least, who is your favorite children’s book character?

J: If I have to pick just one, it is The Little Prince from El Principito (The Little Prince). 

M: One?! I’ll pick two: Toot and Puddle. Two best friends who are very different and very similar at the same time. Remind you of anybody?

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HUGE THANK YOU to Molly and Juana for stopping by CritterLit today! It was truly an honor!

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MOLLY IDLE is the author and illustrator of the Caldecott Honor–winning book Flora and the Flamingo. She is also the creator of Tea Rex, the mermaid tales Pearl and Coral, and Witch Hazel. Molly lives with her fabulous family in Tempe, Arizona—where she can most often be found with a cup of espresso in one hand and a pencil in the other, scribbling away on her next book. 

FOR MORE INFORMATION about Molly or her work visit IdleIllustration.com or follow her on social media:

@mollyidle on Instagram

@mollyidle on Twitter

JUANA MARTINEZ-NEAL is the author and illustrator of the Caldecott Honor–winning book Alma and How She Got Her Name. She also illustrated New York Times bestselling picture book Tomatoes for Neela by Padma Lakshmi; Fry Bread: A Native American Family Story by Kevin Noble Maillard, which won a Robert F. Sibert Medal; and La Princesa and the Pea by Susan Middleton Elya, for which she won a Pura Belpré Illustrator Award. Juana Martinez-Neal lives in Connecticut with her family. 

FOR MORE INFORMATION about Juana or her work, visit juanamartinezneal.com or follow her on social media:

@juanamartinezn on Instagram

@juanamartinez on Twitter

Check out I DON’T CARE on the Holiday House website here or follow on social media: @holidayhousebks on all platforms.

BUY THIS BOOK To purchase a copy of I DON’T CARE click here.

WIN A COPY! Want to win a giveaway copy of I DON’T CARE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 23rd! US addresses only please.

Interview with Debut Author and Illustrator Becky Gehrisch

Happy Tuesday Critters! This week we have TWO fabulous interviews. Today we have a debut author and illustrator whose book, ESCAPE TO PLAY, released with Bookling Media in 2021. I’m thrilled to have her with us today to talk about her books, creative process, and upcoming projects.

So without further ado, please welcome Becky Gehrisch!

Where do you live?

I live in Delaware, Ohio. It is a picturesque Midwestern small town where I have found an abundance of inspiration for my art!

When did you know you wanted to write/illustrate picture books?

The interest has been stronger at some points in my life than others. When I was thirteen, I participated in a written and illustrated program, creating a picture book for competition. In my book jacket flap about the author, I wrote that I was considering writing and illustrating picture books as a career! It is funny now how it has come full circle!

In high school I focused on marching band and playing the clarinet, but art came back into my life at The Ohio State University. There, I fell in love with fine art and especially illustration and art history. I graduated with an art degree but didn’t quite know what I would do with it. After graduation, and moving to Delaware, Ohio, I began to paint for myself instead of for an assignment. I gave myself permission to create a silly, whimsical illustration of my dogs in the bathtub. That was the beginning of my debut picture book, Escape to Play. 

Tell us about your road to publication, what did that involve for you?

After completing that silly painting of my dogs, I made another, then another. I felt this could be a great idea for a picture book. However, I needed to learn how the publishing industry worked to make that dream come true. 

I spent years learning from industry experts, authors, and illustrators in the Central and Southern Ohio chapter of The Society of Children’s Book Writers and Illustrators (scbwi.com). In addition, I frequented Twitter writing communities, submitting to critiques, and creating multiple picture book manuscripts. All the while, I continued to prune and polish what would become Escape to Play.

Can you share a bit about your process?

Escape to Play was unique, in that, as my first picture book, I learned a great deal in the process. Ideally, my process is to create a manuscript and then add the illustrations. With my first book, I created some illustrations and then put to words, in poetry, the perspective of three rowdy dogs and their adventure on the farm. 

My acrylic paintings began as an idea. From scratch I would lay out a perspective drawing, adding in elements for the scene- a tractor, a truck, a piano, and a lake. I then built the rest of the world. Adding layer upon layer of acrylic, each painting took roughly 40 hours to create. It was a very long project, but I loved almost every minute!

When I was studying Renaissance art history, I found it fascinating how artists used the triangle in their compositions. With three dogs as my subjects, I placed them on the page to mirror this design dynamic. Other objects in the same illustration are used similarly to pattern the triangle shape.

Interior art from ESCAPE TO PLAY written and illustrated by Becky Gehrisch, published by Bookling Media

What do you do to shake the rust off or get new ideas?

I can always rely on nature to bring inspiration! A breath of fresh air, a walk in the woods, or even relaxing on the front porch will rejuvenate my creativity. In addition, music is my immediate go-to for a pick-me-up. I am not sure how I would get through an artwork and the frustration it brings, without music to carry me along.

I love to be nonsensical. I may have watched Disney’s Alice in Wonderland one too many times, but I thrive on the absurd. Most of my story and illustration ideas either come from dreams or silly sessions with my family. I will say whatever comes to mind and play with those ideas. I often don’t feel like the idea is wholly mine, but rather something that just came to me.

Anything you can’t live without while you write/draw?

I require focus, music, and quiet space to create. Recently, I started posting “trust the process” on my worktable or easel. I tend to forget going into a new piece that it will be a mess for a while before it looks good! An upbeat music playlist is a must. Sometimes a podcast or a movie playing in the background are good enough. A good chunk of time is important, too! If the kids or daytime is too chaotic, I will work late into the night for the best focus. Once I’m in the groove with these things, I am lost in my work and time does not exist.

Any authors and/or illustrators who inspire you?

There are too many to mention, but some of the earliest inspirational author/illustrators are both Chris Van Allsburg and David Wiesner for their realistic and detailed style. Currently, Dan Santat has been a great inspiration in how I plan a picture book layout. 

Dream project to work on?

I am excited to work on a picture book draft that I began in 2017. I won’t say too much about it, but I even took myself to Paris, France, to research the Eiffel Tower. The idea has not let me rest and I will stop in the oddest of places, to write down a new scene for it. The characters swim in my mind and it would be good for me to finally work on it!

Tell us about your debut book.

Escape to Play is a tale of three rambunctious dogs who escape to play while the farmer is away for the day. They explore each farmhouse room and exterior space, making a mess everywhere they go. The reader is left to imagine how the farmer will have to clean their disastrous mischief. 

I included a little mouse, Norman, for kids to find on each page. In addition, there are twelve real-life, classic artworks on the farmhouse walls.

The back pages of the book share the artworks, questions, and art tidbits for kids to learn about! This has been a great element to have added for parents, teachers, and librarians to use for educational purposes.

What’s up next for you?

My publishing company, Bookling Media, will be choosing an author-illustrator to work with to publish their own work this year. In addition, I will work on my own book ideas and continue to teach and present to young and older audiences!

And last, but not least, who is your favorite children’s book character?

My favorite children’s book character as a child were the Berenstain Bears and the little critters. Amelia Bedelia is also amazing. I completely relate to her misinterpretations of things! More current characters that I love are the Pout-Pout Fish and Llama from the Llama, Llama series. I love a relatable character who isn’t perfect.

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Huge thank you to Becky for stopping by Critter Lit today! Congrats on your debut!

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Becky Gehrisch is an author, illustrator, and entrepreneur. Her debut picture book, Escape to Play, launched in 2021. Between picture book projects, she works as a portrait artist and manages her new publishing company, Bookling Media LLC. When she is not creating art, she speaks at schools, bookstores, and other venues. She is living her childhood dream by creating art and picture books that bring joy to the world.

FOR MORE INFORMATION about Becky and her work, visit her online:

www.gehrisch-arts.com

@GehrischArts (all platforms)

www.booklingmedia.com

@booklingmedia (all platforms)

BUY THIS BOOK To purchase a copy of Becky’s book, click here.

WIN A COPY! Want to win a giveaway copy of ESCAPE TO PLAY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 16th! US addresses only please.

Interview with Author Emma Pearl

Happy Friday Critters! Today we have an interview with author Emma Pearl who is with us today all the way from New Zealand! I’m thrilled to have Emma with us today to talk about her writing process, start in publishing, and new book, MENDING THE MOON, illustrated by Sara Ugolotti, which came out with Page Street Kids this past November.

So without further ado, please welcome Emma Pearl!

Where do you live?

New Zealand – in a tiny rural community in Taranaki (in the west of the North Island), but I grew up in England and have spent most of my adult life either traveling or ping-ponging between the UK and NZ.

When did you know you wanted to write picture books?

I’ve always written stories. Roald Dahl was my great uncle (and dedicated The Twits to me when I was 7 years old!), so I had plenty of inspiration to become an author! I worked in children’s publishing for a while in my twenties and that reinforced my love of children’s literature, but it wasn’t until I had my own kids that I really began to focus on writing it. I also write middle grade and young adult novels – it just happened that a picture book text was the first one to be picked up by a publisher.

 Tell us about your road to publication, what did that involve for you?

I began writing seriously in 2017, learning the craft and connecting with a wonderful online writing community. I started out writing a YA novel and then an MG, with a smattering of picture book manuscripts in between. I was selected as a WriteMentor mentee in 2020 for my MG novel and that was a huge confidence boost as well as a great learning experience. In October 2020, I entered #PBPitch and got a like for one of my picture books from Kayla Tostevin at Page Street Kids. We did a few rounds of revisions before I received an official book deal. It was all very exciting and unexpected, and I was so humbled and grateful. But it also felt a bit back-to-front – a book deal before I found an agent? I wasn’t sure how to deal with that and imposter syndrome was very real! But I kept plugging away – I focused on picture books in 2021, wrote many more texts and got a second book deal with the same publisher. I was also a WriteMentor mentor in 2021 and 2022 – a joyous experience where I learnt just as much being on the other end of the process. I wrote another YA novel towards the end of 2021 and signed with my agent in June 22. The novel is about to go out on submission!

 Can you share a bit about your process?

I write as often as I can, and I manage to squeeze in at least a couple of hours most days, although it’s not always writing per se – there’s so much peripheral stuff to do and never enough time! I have many different projects on the go at any one time, but when I’m in novel-writing mode I try to focus on that one thing until the first draft is completed.

 What do you do to shake the rust off or get new ideas?

I already have far too many ideas to turn into stories in one lifetime, thanks to many years of collecting them. I also have many projects that I’ve started but not finished, so if ever I feel rusty or lacking in inspiration I just read through my files until something shouts WRITE ME! If you’re struggling to generate new ideas, I recommend Tara Lazar’s Storystorm – it really helps to tune your mind into seeing story ideas everywhere.

 Anything you can’t live without while you write?

A keyboard. I often write notes by hand but the actual drafting has to be done on a computer of some kind. When I’m ‘in the zone’, the words flow from my fingers almost automatically, but that doesn’t happen when I’m writing by hand.

 Any authors and/or illustrators who inspire you?

Pat Zietlow Miller is a masterclass of picture book writing – I’ve learnt so much just by reading her texts. I also love Joanna Ho’s writing, Tom Percival’s books, Deborah Marcero and the O’Hara sisters.

 Tell us about your debut book.

Mending the Moon is the story of a little girl called Luna who sees the moon fall out of the sky one night. She drags her grandfather Poppa out of bed and they go out into the mountain forest where shattered pieces of the moon are glowing in the dark. They try to fix it together, but they need help from the animals before they can repair the moon and get it back into the sky. It’s beautifully illustrated by Sara Ugolotti, who has given it a truly magical setting and atmosphere.

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

 What’s up next for you?

Another story with the same characters will be published in September. In Saving the Sun, Luna, Poppa and the animals on the tropical island where they’re on vacation have to rescue the sun after it gets too hot and decides to go for a dip in the ocean. Sara’s illustrations are stunning again, with the warm summery vibes perfectly complementing the cold wintery mood of Mending the Moon. I’m so thrilled with how it’s turned out and can’t wait to share it!

 I also have a YA novel about to go out on submission, so will be tightly crossing my fingers and toes for that.

 And last, but not least, who is your favorite children’s book character?

I think it has to be Matilda. I’ve always felt a great affinity with her for many reasons (not least that I think my great uncle may have based Miss Trunchbull loosely on one of my teachers!). Matilda is such an inspirational, strong female character – she’s clever, kind and brave. And of course, she’s a bookworm, which may be the reason for her extraordinariness and also makes her very relatable (to me anyway!).

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Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see SAVING THE SUN!

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EMMA PEARL has written stories for as long as she can remember. She grew up in the UK, traveled the world and now lives with her family in New Zealand. Mending the Moon (illustrated by Sara Ugolotti, published by Page Street Kids) is her debut picture book. The sequel Saving the Sun will be published in September 2023. Emma also writes middle grade and young adult, is a WriteMentor picture book mentor, freelance editorial consultant, and is represented by Sera Rivers at Speilburg Literary. 

 FOR MORE INFORMATION follow Emma online:

Website: emmapearlauthor.com

Twitter: @emmspearl

Instagram: emmspearl

Mastodon: @emmspearl@mastodon.nz

BUY THIS BOOK To purchase a copy of Emma’s book, click here.

WIN A COPY! Want to win a giveaway copy of MENDING THE MOON?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 9th! US addresses only please.

Interview with Debut Author Megan Litwin

Happy Thursday Critters! Can you believe it’s December 1st?! Where did the year go? We are in the final stretch of interviews for 2022, with just three left! Today we are starting off December with author Megan Litwin, whose debut picture book, TWINKLE TWINKLE WINTER NIGHT, illustrated by Nneka Myers just released in September with Clarion Books. I’m thrilled to have Megan with us today to kick off the last month of the year with a perfectly cozy and seasonal title.

So without further ado, please welcome Megan Litwin!

Where do you live?

I live in a lovely New England town about 45 minutes west of Boston. 

How many years have you been in publishing?

That depends on how you look at it! I joined SCBWI and started attending conference and critique groups in 2016. So, on one hand, it has been about 6 years of being “all-in” on my goal of publishing picture books. But before that, way back in the year 2000, I went to Simmons University for graduate school because of their amazing and unique program in Children’s Literature. After graduation, I went directly into teaching, but also published a dozen work-for-hire books in the educational market and continued to keep an interested eye on the children’s book world. I guess you could say I have danced in and out of publishing for 20 years now!

How did you first get published?

My publishing story is a happy slush pile one. After deciding it was time to find an agent, and after all the necessary research, I got ready to send out round one queries. I sent my very first, pie-in-the-sky query to Steve Malk at Writers’ House – someone I respect and who, I think, holds a lot of respect for picture books specifically. So obviously I was over-the-moon thrilled when he responded with a kind and personal email. He ended up connecting me with his colleague Lindsay Auld, who also shared a number of important values with me, and we went out on submission that same season. However, that manuscript, despite quite a few close calls, never sold. It wasn’t until our second submission that I landed my first book deal – this book we’re talking about today. 

Do you write full-time?

I do write full-time. But I also spend time visiting schools, both to celebrate reading and to offer classroom-based workshops on writing and revision and all sorts of things. I’m an author, but I’m very much a teacher-at-heart.

What inspired you to create picture books?

I LOVE picture books. Picture books are truly unique – a mix of story and art and theater and music. I love ALL those things! They also often hold some sort of emotional truth at their core, and as an emotional person with big feelings, picture books have always appealed to me. 

What is your favorite thing about being an author?

Being on the inside of the book-making process is just the most fascinating thing. I loved every step of the two-year journey making this book once the contract was signed. Seeing early sketches, watching details change, moving text around for perfect page turns, thinking about cover art and jacket copy and the DEDICATION (oh my goodness, was there ever a harder writing assignment?) – each step was thrilling. It is a truly collaborative process with the illustrator, editor, designer (and many more hands), and I just found the whole thing magical. I’ve always thought of myself as a team player, and making books is a very cool kind of teamwork!

What do you find difficult working as an author?

Controlling my book-buying urges! I spend a lot of time in libraries and bookstores, surrounded by beautiful books, and also reading book reviews and blogs and articles about all the best new books. I want ALL THE BOOKS! And I certainly buy plenty. But I do have to draw the line somewhere, and so I also look for other ways to support good books like writing reviews or telling others or taking it out of the library. Managing my book love is like a part-time job! ☺ 

What do you do to shake the rust off or get new ideas?

Getting outside is my go-to. I might take my dog for a walk or bring my notebook out to my porch. There is something about letting my mind wander out in nature, with all the sounds and smells, that opens things up for me creatively.

Anything you are habitual about when it comes to creativity?

I’m a morning writer, and it starts with coffee, a candle, and turning on the jar of twinkly lights that sit on my desk. I call them my “thinking lights” and I originally started using them during the remote-school phase so that my kids had a visual of when I was in “deep work” mode and was hoping not to be disturbed. But then I liked them so much (and the visual actually helped remind ME to stay focused), so I kept them around! 

Recommended reading?

My three favorite craft books that sit near my writing desk are Bird by Bird by Anne Lamott, On Writing by Stephen King, and Big Magic by Elizabeth Gilbert. I reread parts of them all the time whenever I need a little inspiration on the journey.

What has been the highlight of your career thus far?

The launch party for Twinkle, Twinkle, Winter Night at nearby bookstore An Unlikely Story was something I’ll never forget. That bookstore is such a special place to me – over the years I’ve spent time browsing the shelves (with magical brooms and books dangling from the ceiling overhead), writing and dreaming and meeting with other writers in the café, and attending events on their second-floor event room with authors and illustrators I admire. So then standing on the same stage where I saw kidlit greats like Matt de la Pena and Christian Robinson, Chris Van Dusen, Megan McDonald, and store owner Jeff Kinney himself…it was literally a dream coming true. 

What is something you wish someone had told you when you first started writing?

Well, someone DID tell me (way back in 2007 when I took a local writing class called “So You Want to be a Children’s Book Writer”), but I wasn’t ready to listen. The instructor told us about SCBWI and though it sounded interesting, I felt too busy with teaching and life and thought I would just continue writing on my own. I didn’t realize how important a writing community would be. I ended up joining SCBWI and a local writer’s group and attending events many years later in 2016, and made immediate strides forward. More importantly, I remember feeling like I had found my people – and that goes a long way toward sustaining creativity and resilience in this field. 

Can you tell us about your newest book?

Twinkle, Twinkle, Winter Night is a celebration of wintertime magic. A slight twist on a familiar song, the refrain says it all: “Twinkle, twinkle, winter night. Everywhere you look’s there light.” It was inspired by a cold, dark nighttime drive one December with my own children, when they were suddenly mesmerized by all the magic around them. No matter what you celebrate or how you do so, the world shines bright for all to see. I’m hoping this inclusive and poetic ode to the season of lights, with luminous and festive artwork from Nneka Myers, is one children will want to read again and again.

Interior art from TWINKLE TWINKLE WINTER NIGHT by Megan Litwin, illustrated by Nneka Myers, published by Clarion Books, September 2022

Interior art from TWINKLE TWINKLE WINTER NIGHT by Megan Litwin, illustrated by Nneka Myers, published by Clarion Books, September 2022

What’s up next for you?

Right now, I’m reading and celebrating Twinkle, Twinkle, Winter Night all around Massachusetts – ‘tis the season! Then in February, I have the first of two early readers coming out. Dirt & Bugsy: Bug Catchers, illustrated by Shauna Lynn Panczyszyn and published by Penguin Young Readers, is about two best buds who catch all kinds of bugs together. It is based on some real-life bug-tastic adventures in my household, but more importantly, I got to combine my teacher and writer hearts to create a story that would be just-right for budding readers. I also recently signed a second picture book contract, and we’ve got another on submission, so stay tuned!

And last, but not least, who is your favorite children’s book character?

MUDGE! I love so many literary dogs, but Mudge from Cynthia Rylant and Suçie Stevenson’s beloved Henry and Mudge series is my all-time favorite. Big, sloppy, sweet, lovable, and the most loyal best friend you could ever ask for.

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Huge thank you to Megan for stopping by Critter Lit today! Congrats on your wonderful debut!

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MEGAN LITWIN is a children’s book author, a former classroom teacher, and a forever believer in book magic. She holds a Master of Arts in Children’s Literature from Simmons University and lives in Massachusetts with her family.

FOR MORE INFORMATION about Megan or her books, visit her online or follow her on social media:

Twitter: @Meg_Litwin

https://twitter.com/Meg_Litwin

IG: @meganlitwinbooks

https://www.instagram.com/meganlitwinbooks/

BUY THIS BOOK To purchase Megan’s book, click here.

WIN A COPY! Want to win a giveaway copy of TWINKLE TWINKLE WINTER NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, December 8th! US addresses only please.

Interview with Author Amy Baron

Happy Thursday Critters! Today we have our second post of the week, an interview with author Amy Baron, whose debut picture book, THE GENTLE BULLDOZER, illustrated by Rogério Coelho, published with Yeehoo Press in August. This story features a gentle giant with a fantastic art and story. I’m thrilled to have Amy with us today to talk about her road to publication, process, and debut book.

So without further ado, please welcome Amy Baron!

Where do you live?

I live in Cambridge, Massachusetts. I’m originally from Florida, but have lived in the Boston area for the past fifteen years.

How did you first get published?

After submitting my manuscript to publishers and literary agents, I was thrilled to hear back from Zhiqiao Wang, an editor at Yeehoo Press, saying he liked the manuscript! Zhiqiao asked me to revise a few parts, which I did. We emailed back and forth a few times, and the manuscript kept growing stronger. I could tell he believed in the story, and it meant so much to me.

Prior to this manuscript, I had pitched several young adult novels and picture books to literary agents and publishers without success. In hindsight, the novels weren’t quite query-ready anyway.

Do you write full-time?

I’m an optometrist, but I’m currently home with my two kiddos. I write full-time when I’m not busy with them.

What inspires you to create picture books?

I think there’s something magical about a picture book that has layers of depth. It might mean one thing to a four-year-old, and something different to a five or six-year-old, and something different to an adult. If a picture book can do all that while staying short and fun, I’m hooked.

What surprised you the most working as an author?

How much I learned by going through the process of development editing, line editing, and copy editing with the team at Yeehoo Press. It made me a better writer, and I’m able to bring those skills to future projects.

What is your favorite thing about being an author?

At my book launch event, the kids in the audience were eager to participate and answer questions. It was so rewarding. The wonderful illustrator, Rogerio Coelho, definitely hooked the readers on his book with his amazing artwork, too. I wish he could have been there!

What do you find difficult working as an author?

I’m prone to self-doubt, like “who am I to write a book?” I remind myself that if you love doing something, your enthusiasm will shine through and others might just love it, too ;)

What do you do to shake the rust off or get new ideas?

Spend time with my kids. They have such creative minds. When I hear the specific things they remember—what actually stood out to them about an activity or a day—I realize their view of the world is different than mine.

Can you share a positive experience you’ve had in the Kid Lit community?

Prior to getting a book deal, I wasn’t on social media at all. In some ways I think that was cool—I wrote THE GENTLE BULLDOZER for fun, without worrying too much about it.

I joined the Kid Lit community after receiving an offer of publication. I found it really supportive and I learned a lot from other writers. I’m lucky to have a few writer friends in real life, too, and it’s nice to talk to them about the whole process of writing and marketing a book. I really enjoy those friendships.

Recommended reading?

I love reading middle grade. My favorite book is There’s a Boy in the Girl’s Bathroom by Louis Sachar. I’ve had the same copy for over thirty years. I can still remember the parts of the book that stuck with my as a child—even some of the character descriptions. Some of my newer favorite middle grade authors are Tae Keller and Sarah Allen. I definitely go for books with heart.

What has been the highlight of your career thus far?

When I opened my email, and saw Rogerio’s first illustration for the book. It was beautiful! I loved how expressive Bulldozer was.

What is something you wish someone had told you when you first started writing?

Your writing skills will improve naturally over time, with practice. Writing is never wasted because it’s all practice.  

Can you tell us about your book?

THE GENTLE BULLDOZER is about an unfulfilled bulldozer living at a construction site with his family. He’s capable of destroying, but he doesn’t enjoy it. He sets off on a journey, and by the end…drum roll…he finds his true calling. He shares this new passion with his family, and together, they create something amazing!

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

What’s up next for you?

I’m writing a middle grade novel for children eight through twelve. The working title is FEROCIOUS. It’s pretty messy right now, and will likely take a bunch of drafts, but I’m excited about it.

Anything else you’d like to share with aspiring authors and illustrators?

Celebrate your accomplishments, no matter how small. Finishing a rough draft, or even a chapter, or finding that missing piece of your character’s arc…that’s all good stuff.

And last, but not least, favorite 80s movie?

When Harry Met Sally because I love the dialogue. Or Ferris Bueller’s Day Off! You can’t make me pick just one.

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Huge thank you to Amy for stopping by Critter Lit today! Congrats on your debut!

AMY BARON fell back in love with her childhood hobby of writing while reading stories to her kids. Now she's excited to introduce her debut book to the world. Amy is an optometrist, but she promises not to recite children's stories during your eye exam. Born and raised in Florida, she now lives in Cambridge, MA with her husband and their children.

FOR MORE INFORMATION about Amy, visit her online: www.amybaronbooks.com or follow her on social media: Twitter: @amygbaron

BUY THIS BOOK To purchase a copy of THE GENTLE BULLDOZER, click here.

WIN A COPY! Want to win a giveaway copy of THE GENTLE BULLDOZER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 3rd! US addresses only please.

Interview with Author + Illustrator Berrie Torgan-Randall

Happy Thursday Critters! Today I’m interviewing a fellow Syracuse alum, and I’m so thrilled to have her with us today! Berrie Torgan-Randall’s debut BELLA & BLUE: BELLA MEETS BLUE is the first in a new graphic early reader series with Blue Bronco Books, Jr., which just released this month. I love the art and limited palette for this series, it’s incredibly sweet and charming.

So without further ado, please welcome Berrie Torgan-Randall to Critter Lit!

Where do you live?

I live in a small town, Media, southwest of Philadelphia, PA. It’s a lovely Philly suburb with a thriving downtown with shops and restaurants. Water is pronounced “Wooder” and you can order a cheesesteak “Wit or Witout (cheez whiz).”

When did you know you wanted to write and illustrate picture books?

I loved everything about art class – the burlap and glue collages, the linoleum prints, and the smell of the Tempera paint. In pursuit of this passion, I went to art school where I took all sorts of fine arts classes. I loved being in the art room, and there was one other special place where I loved to be—the school library. After working odd jobs after art school that weren’t very gratifying, I reconsidered my career options and remembered the joy of my time spent in the school library. I went to grad school to become an elementary school librarian.   

Being a librarian is my bread and butter, a profession that I love. However, my true passion is illustrating and writing children’s books.  It wasn’t until later after my kids went to school did I really pursue my dream of writing and illustrating for children.

Tell us about your road to publication, what did that involve for you?

Every Monday (sometimes it’s a Tuesday), I participate in a self ritual of “Marketing Monday” where I send out a portfolio query. Most often I hear crickets from my queries but one day I got a, “yes, we are interested in having you write and illustrate an early reader graphic novel.”

Can you share a bit about your process?

I set a timer for six minutes and write down as many ideas as I can in my sketchbook. I choose one or two of the ideas and then sketch very loose thumbnails on a storyboard. I write a script to go along with the thumbnails so that my editor can figure out the sketchy thumbnails. Once the script and thumbnails are approved, I start working on the character sketches and tighten up my thumbnail sketches. 

What do you do to shake the rust off or get new ideas?

I don’t allow my mind to stew and obsess about a story. Allowing only six minutes for an initial idea helps my ideas stay fresh. That being said,  I have several manuscripts that I have stewed over which are now shelved and waiting for me to see them with fresh eyes.

Anything you can’t live without while you write/draw?

Podcasts. My favorites are mysteries, docudramas, swindlers, and sci-fi. 

Any authors and/or illustrators who inspire you?

Melissa Iwai, Dan Santant, Judy Byron Schachner, Patrice Barton, Jennifer Hansen Rolli, Monica Carnesi, Michael Rex, Jennifer E Morris, Zachariah Ohora, Maurice Sendak, Steph Fizer Coleman, to name a few!

Dream project to work on?

I would love to illustrate and write an early chapter book - much like the Owl Diary series and to write and illustrate a book for babies and toddlers. I would also love to license my illustrations and my surface pattern designs so that I can see my illustrations on cards, fabrics, and gifts. I would love to illustrate for Highlights Magazine and continue receiving assignments for Ladybug Magazine. Oh and I like to garden so I would like to have a flower garden with flowers that are showie and beautiful and give away bouquets to everyone - currently my garden is a deer smorgasbord.

Tell us about your debut book.

Bella & Blue: Bella meets Blue  is a graphic early reader series that celebrates life's everyday struggles, silliness, and surprises. Eight year old Bella has anxiety. Small things aren't so small for Bella. But with the help of her colorful dog, Blue, and her grandma, Gigi, who has a flair for all things French and over-the-top hats, Bella can handle every day's twists and turns. Blue is the companion children dream of having. He's the therapy dog that plays paddy-cake to calm Bella's nerves & take away her blues. Celebrate the beauty of being blue, in this first of the graphic early reader series, Bella & Blue. Book 1 contains 3 short stories, perfect for the stamina of emerging readers ages K-3rd grade.

Sample art from BELLA & BLUE: BELLA MEETS BLUE written and illustrated by Berrie Torgan-Randall, published by Blue Bronco Books, Jr.

What’s up next for you?

I  have a six-panel illustration in the Nov/Dec issue of Ladybug Magazine. I will continue to query my art and stories and put myself out there on “Marketing Monday - sometimes Tuesday.” Also, I will plan and dream about next year’s garden.

And last, but not least, favorite 80s movie?

The Breakfast Club - I was (and still am) the Ally Sheedy character - weird by lovable.

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Huge thank you to Berrie for stopping by Critter Lit today! Congrats on your debut!

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BERRIE TORGAN-RANDALL has been passionate about children’s literature since she was a little girl and has fed her desire by becoming a children’s librarian and by pursuing a career as an illustrator and writer of children’s books. Berrie studied at Syracuse University earning a BFA in Media Arts and Surface Pattern Design. Pursuing her desire to work with children, she returned to school and earned a Masters Degree in Information Studies at Drexel University. As a teacher/librarian and mother of three, Berrie has created and developed her stories drawn from real-life experiences and her imagination. Berrie is the Illustrator Coordinator for Eastern Pennsylvania Society of Children’s Book Writers and Illustrators (SCBWI) where she coordinates events and classes for illustrators. Bella & Blue is Berrie’s debut early reader graphic novel.

FOR MORE INFORMATION about Berrie, visit her online at www.berrietr.com or follow her on social media:

Twitter | Instagram

ORDER THIS BOOK To order a copy of BELLA & BLUE: BELLA MEETS BLUE, click here.

WIN A COPY! Want to win a copy of BELLA & BLUE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 13th! US addresses only please.

Interview with Author Kimberly Wilson

Happy Thursday Critters! I’ve been in the blackhole of deadlines for the past few weeks— but I’m thrilled to be back this week with an interview with author Kimberly Wilson. I was lucky enough to read Kimberly’s manuscript a couple years ago as a Critter Lit critique submission— and now it’s a published book! (Congrats Kimberly, we are so excited for you!). A PENNY’S WORTH, illustrated by Mark Hoffmann, published by Page Street Kids just released in April. Don’t you just love when things come full circle like that?!

So without further ado, please welcome Kimberly Wilson!

Where do you live?

I’ve lived in Charlotte, NC, for almost 22 years, but I grew up in Upstate NY.

When did you know you wanted to write picture books?

I knew I wanted to write from the time I was in third grade. Inspired by reading L.M. Montgomery’s Anne of Green Gables, I spent many days outdoors, pouring my imagination onto the paper. My favorite subject in high school was English and I continued studying creative writing through college. Though it wasn’t until my girls were born that I experienced a spark of interest in picture books. 

Tell us about your road to publication, what did that involve for you?

A decade after that initial spark, I finally decided to dive into following my dream. That’s when I joined the SCBWI, took every picture book craft class I could, found my amazing critique groups, and began attending conferences. In fact, a critique for A Penny’s Worth at the SCBWI NJ Conference in June 2019 turned into an R&R with Page Street Kids. And a few rounds of revision later, it became an offer! After four years of working full time on writing, revising, critiquing, and querying, my debut picture book hit the shelves!

Can you share a bit about your process?

I like to start with a pitch. This way, I have all the elements of the story formulated before I begin writing––character, setting, problem, stakes, solution, and the hooks. Sometimes this can evolve over the course of months, and other times it comes quickly. Once I have it fleshed out, I paste it at the top of the page and refer to it while I write my first draft and all the way through revision.

I’m also a list maker, so I write down every pun and idiom I can find about my topic so I can puzzle piece them into the manuscript as I write. Many times, I add too many and end up cutting some later––but at least I’m never short on this type of word play!

The first draft is my biggest challenge! I do a lot of legwork before I’m able to get my story on the page (75% preparation, 25% procrastination). It also really helps to have a critique meeting on the calendar to give me a deadline.

Revision is my favorite part of the process. I love layering in the emotional arc, sneaking in educational tidbits, and infusing characters with their own unique personalities. Writing and revising dialogue is so much fun!

What do you do to shake the rust off or get new ideas?

I have several go-to moves to get my brainstorming juices flowing. I either head outside for a walk, dive into an online pun and idiom search, or take a shower (this one is the clear winner!).

Anything you can’t live without while you write?

The biggest must-have, without a doubt, is coffee. My most-used tools are a Thesaurus, the Idioms by Free Dictionary site, the Charlotte Mecklenburg Library app, my bookshelf, and my TUL colored gel pens. 

Any authors and/or illustrators who inspire you?

I could go on all day answering this question! 

I’m so lucky to be in a community with super-talented critique partners and an incredible debut group who inspire me daily.

I’ve always been captivated by Ame Dyckman’s humor. Reading books like Misunderstood Shark, Dandy, and You Don’t Want a Unicorn made me realize one of my goals is to make kids giggle through my writing. 

I also connect with books like Ben Clanton’s Rot, The Cutest in the World! and Jory John and Pete Oswald’s The Good Egg. I really love reading and writing about anthropomorphized inanimate objects! 

Some mentor texts I admired while writing A Penny’s Worth were Linus the Little Yellow Pencil, by Scott Magoon, Eraser, by Anna Kang and Christopher Weyant, Brick: Who Found Herself in Architecture, by Joshua David Stein and Julia Rothman, and Oliver: The Second Largest Living Thing on Earth, by Josh Crute and John Taesoo Kim. The last two have an informational spin, another thing I enjoy including in many of my manuscripts.

Dream project to work on?

Gosh, every project is a dream to me! I have an informational manuscript with a twist that is very close to my heart, and another one in the works. I find it’s these connections with stories that make them dream projects for me. It’s also a goal of mine to collaborate on a humorous early graphic novel series. It’s such a fun genre––and I get a kick out of writing the dialogue!

Tell us about your debut book.

A PENNY’S WORTH (Page Street Kids), illustrated by Mark Hoffmann, is a pun-filled story of a shiny new cent who feels like a million bucks. But when she’s told she’s not enough to slot-surf like Quarter or even pay for penny candy like Dime, she begins to doubt her value. Refusing to be short-changed, Penny sets out to find her purpose at any cost and ends up learning an important lesson about self-worth in the process. 

The story also incorporates beginner money-math as well as back matter filled with penny fun facts and history, money equivalents, and resources to learn more.

What’s up next for you?

A DOLLAR’S GRAND DREAM (Page Street Kids), also illustrated by Mark Hoffmann, hits shelves spring 2023. In this punny sequel to A Penny’s Worth, Big Bill is a wranglin’ change makin’ dollar. Until he learns about the glitz and glamour of the grand life and wishes he were bigger. But when he gets his wish, he realizes livin’ large might not be as one-derful as he thought. Sprinkled with humor and money math (and more puns!), readers will learn about place values and the age-old lesson that the grass is not always greener on the other side.

And last, but not least, favorite 80s movie?

As you wish (haha!)––The Princess Bride––hands down!

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Huge Thank you to Kimberly for stopping by Critter Lit today!

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Kimberly Wilson’s prized childhood possessions included a butterfly Trapper Keeper full of her stories, an overflowing bookshelf, and a pocket thesaurus. But it took many years (and a couple careers) before she pursued her dream of writing for children. A lover of puns and wordplay, Kimberly enjoys mixing humor, heart, and educational details into her writing. A PENNY’S WORTH (Page Street Kids), illustrated by Mark Hoffmann, is her debut picture book. The sequel, A DOLLAR’S GRAND DREAM, releases in 2023. Kimberly lives in North Carolina with her husband, two daughters, and their puppy.

FOR MORE INFORMATION about Kimberly, visit her online or follow her on social media:

Website: www.kimberlywilsonwrites.com

Twitter: @authorkimwilson

Instagram: @kimberlywilsonwrites

Goodreads: @kimberlywilsonwrites

ORDER THIS BOOK To order a copy of A PENNY’S WORTH, click here.

WIN A COPY! Want to win a copy of A PENNY’S WORTH?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 23rd! US addresses only please.

Interview with Author Cindy Williams Schrauben

Happy Thursday Critters! Today we have an interview with author Cindy Williams Schrauben! Her debut picture book, THIS COULD BE YOU, illustrated by Julia Seal, publishes this month by Cardinal Rule Press. I’m thrilled to have Cindy with us today to chat about her new book, road to publication, and process.

So without further ado, please welcome Cindy Williams Schrauben!

Where do you live?  

I have always lived in Michigan – I love it from May through October, but the rest of the year, I question my sanity. Winter is not my friend.

 When did you know you wanted to write picture books? 

I have ‘wanted’ to write books for kids since college, but I didn’t take serious steps to make it happen until about 8 years ago. 

 Tell us about your road to publication, what did that involve for you?

The journey involved a great deal of patience and perseverance – not my biggest strengths. When I became an empty nester, I decided it was time to strive for my own dreams and seriously work toward publication. I attended conferences, took online classes, and lots of workshops. I read, listened to podcasts and above all else, connected with other authors. I can honestly say that without the kidlit community and their generosity I would not have stuck with it. Like many of us, I started submitting my work way too early (before it was ready), continued to hone my stories, and swallow the rejections. I submitted This Could Be You to Cardinal Rule Press in 2021 and secured my second agent shortly after.

 Can you share a bit about your process?

My writing process is a bit chaotic – completely driven by the passion to write. I tend to get excited about an idea and run with it. I have way too many ideas and the next shiny thing that pops into my head often takes precedence. I will say, though, that I think this is why writing is so therapeutic for me; when I’m writing, the rest of the world disappears – that can be a good thing and a bad thing. As far as specifics go, I write on a laptop, in my quiet office surrounded by books (and way too much clutter). 

 What do you do to shake the rust off or get new ideas?

Ideas are never a problem for me – I have lists coming out my ears. Sticking with a manuscript when I get stuck is the hard part. My biggest struggle is plotting. I want to just write without planning and that often gets me in trouble. When I am really struggling I read other picture books, do critiques for others, read blogs and listen to podcasts to get inspired. But, more often than not, I drop a manuscript for a while and move on to another story until inspiration strikes and I can revisit it.

 Anything you can’t live without while you write?

Coffee and quiet.

 Any authors and/or illustrators who inspire you?

Oooh, so many. I have so many friends who are published authors and are my true inspirations. I would never have achieved this dream without them, but I wouldn’t dare list them for fear of forgetting someone. This community is amazing and I can’t wait to start giving back. Historically, I have always loved Jack Prelutsky. His humor and rhyme delight me. Maybe that’s why my favorite stories to write are funny, punny, and rhyming. 

 Dream project to work on?

I would love to write a PB biography of an inspiring kid – I’m hunting for ideas. 

 Tell us about your debut book.

My debut picture book, This Could Be You, illustrated by Julia Seal will be released on April 1, 2022. Words for believing in yourself are the stars of this picture book that empowers children of all abilities and backgrounds to not only believe in themselves but to be strong and resilient in the pursuit of their dreams. A teacher, a scientist or an activist - could this be you? Through lyrical rhymes and vibrant illustrations, This Could Be You says yes, it very well could be. 

Interior Art from THIS COULD BE YOU by Cindy Williams Schrauben, Illustrated by Julia Seal, published by Cardinal Rule Press

 This Could Be You will sit comfortably on your shelf alongside other empowering books such as I Promise (by LeBron James) and I Can Do Hard Things (by Gabi Garcia). The full-color jacket is a reversible, 22 x 36 poster perfect for inspiring kids in the classroom and home with positive messages!

A free Reader’s Guide which contains interactive lesson plans that encourage children to adopt a growth mindset over a fixed one is available for free download from the publisher website.

 What’s up next for you?

I have always wanted to illustrate my own picture book. Even if it never happens, I am enjoying the journey. I am also in the process of developing a program I call Partners in Literacy in which local businesses can sponsor school visits by purchasing a book for each child. I’m really excited to kick this off after my release.

 And last, but not least, favorite 80s movie?

Footloose – music, dance, and a rebel!

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Huge thank you to Cindy for stopping by Critter Lit today! Congrats on your debut!

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Cindy Williams Schrauben lives in Michigan where she writes books for kids that range from the truly serious to the seriously silly. Before embarking on this path, she held positions as a preschool administrator, teacher, and assistant director of a children’s museum -- always striving to empower kids. When not writing, Cindy might be found dissecting her grandsons’ shenanigans for story ideas, reading on the floor in the bookstore, or eating ice cream… ideally all at once. 

FOR MORE INFORMATION about Cindy or her work, visit her online.

ORDER THIS BOOK To order a copy of THIS COULD BE YOU, click here.

WIN A COPY! Want to win a copy of THIS COULD BE YOU?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 21st! US addresses only please.

Interview with Debut Author Sarah Bagley Steele

Happy Thursday Critters! Today we have an interview with author Sarah Bagley Steele, whose debut picture book, THE HAPPIEST KID, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai, releases with Yeehoo Press this month. I’m thrilled to have Sarah with us today to talk about her new book, writing process, and start in kidlit.

So without further ado, please welcome Sarah Bagley Steele!

Where do you live?

Brooklyn, NY.

How many years have you been in publishing?

I started writing picture books in 2017 and sent out my first query almost exactly four years ago. 

How did you first get published?

The Happiest Kid is my debut book and I sold it directly to the publisher, Yeehoo Press. I submitted it in February 2020 after reading they had an interest in children’s books about emotions. In June 2020, I received a revise and resubmit request from my future editor, along with the most helpful, insightful feedback that led me to an “aha!” moment with the manuscript. I tore through a revision, sent it back, and received an offer the following month. 

Do you write full-time?

I do. I produced theater for many years and pivoted to writing for children when my company shuttered. It was always a dream of mine, and I was fortunate to have a window of time where I could pursue it. 

What inspires you to create picture books?

I love the shared experience of a picture book, both for the creators and the readers. Picture books are usually read together – parents reading to children in bed, teachers to classrooms. There’s a ritual to picture book reading that I find very moving. As a writer, I’m inspired by the way the illustrations and the text dance together to tell a complete story. 

What surprised you the most working as an author?

The timeline surprised me. There was a busy period with a lot of activity and back and forth with my editor, then long stretches of quiet once the text was set. It made me appreciate even more just how much work and time goes into creating a picture book. 

What is your favorite thing about being an author?

I love the moment when I first think of a new story idea and my mind starts racing with possibilities. It never gets old.

What do you find difficult working as an author?

Finishing a first draft. I enjoy rewriting, but the initial process of getting something new down on paper, however messy and imperfect – and with an ending – is always hard. 

What do you do to shake the rust off or get new ideas?

I love a good, long walk in the park, quietly thinking and looking at the world. I like to work stories out in my head before I ever start typing. I walk, and I mutter to myself. 

Anything you are habitual about when it comes to creativity?

I like to write in silence, which often means I work at late at night once everyone has gone to bed. My husband and children love to listen to music while they work, but I can’t do it. I have difficulty writing in cafés or crowded library reading rooms. I think I just get easily distracted!

Can you share a positive experience you’ve had in the Kid Lit community?

Being on Critter Lit is a positive experience! Thank you so much for having me. The willingness of Kid Lit creators to support and lift each other up has been so inspiring and I hope to carry that forward. 

Recommended reading?

I love a good bedtime story, and Goodnight Ganesha by Nadia Salomon and illustrated by Poonam Mistry has such beautiful language and rich cultural details, and the artwork is stunning. My whole family was fascinated by the nonfiction picture book Battle of the Butts by Jocelyn Rish, illustrated by David Creighton-Pester, about how animals use their behinds for evolutionary advantages. And in middle grade, a recent favorite was The Wolf’s Curse by Jessica Vitalis, which was magical and mythic and dreamy and had me feeling all the feels. 

What has been the highlight of your career thus far?

Last week the preorders of The Happiest Kid began arriving and my friends and family kept texting me photos – my father proudly holding the book, my best friends’ children sitting together on the floor reading it. My daughter asked me to sign her book. Sharing something from your heart with the people you love is hard to beat. 

What is something you wish someone had told you when you first started writing?

Do your research. Join Julie Hedlund’s 12x12 Picture Book Challenge, join SCWBI, join the KidLit411 Facebook Group, follow writers you like on Twitter, read the deal announcements in Publishers Weekly. There are so many wise and generous creators out there willing to offer advice and answer your questions, but first you have to ask them.  

Can you tell us about your newest book?

The Happiest Kid, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai, is about a happy kid who wakes up one morning not feeling happy. Where she normally sees a bright sun, there is now a cloud. She doesn’t know why it’s there, but she doesn’t want anyone to see it—not her parents, not her teacher, and not her friends—so she hides it away. She stuffs it in her pocket, and zips it in her backpack. But as the day goes on, the cloud grows too big and heavy for her to carry, and she must find the courage to let it out. It’s a reassuring book about big feelings and understanding that everyone feels sad sometimes, and that’s okay. 

Interior art from THE HAPPIEST KID by Sarah Bagley Steele, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai

What’s up next for you?

I’m getting ready to submit a new picture book and am also determined to return to the unfinished middle grade manuscript that keeps haunting my dreams. 

Anything else you’d like to share with aspiring authors and illustrators?

Something that I still struggle with is knowing when to keep working on a manuscript that isn’t getting any bites, and when to move on to something new. It’s important to believe in your work, but also to keep growing and moving forward.  

And last, but not least, favorite 80s movie?

Adventures in Babysitting. Please tell me I’m not the only one who used to lip sync along to the opening scene with a hairbrush microphone!

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Huge thank you to Sarah for stopping by Critter Lit today! Congrats on your debut!

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Sarah Bagley Steele is a children’s author who loves stories of all kinds that not only make you feel, but help you see the world differently than when you began. 

Before turning her attention to her own writing, Sarah worked in the theater industry, developing new plays and musicals off Broadway. She founded a summer theater company in Pennsylvania and produced ten seasons of free Shakespeare in the Park. 

Sarah lives in Brooklyn, NY with her husband, two children and rascal puppy. When not writing, she loves reading, cooking, and crafting of all sorts. On her Instagram feed @sarah.writes.for.kids she shares book recommendations, and activity and craft ideas. You can also find her at www.sarahbagleysteele.com.

BUY THIS BOOK To order THE HAPPIEST KID, click here.

WIN A COPY! Want to win a copy of THE HAPPIEST KID?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 17th! US addresses only please.

Interview with Author + Illustrator Amalia Hoffman

Happy Thursday Critters! Today we have a wonderful interview with an author and illustrator with fifteen years of experience in kidlit! I’m thrilled to have her with us today to talk about her newest book, MASHA MUNCHING (Yeehoo Press), her road to publication, and experiences in kidlit.

So without further ado, please welcome Amalia Hoffman!

Where do you live?

Larchmont, NY.

How many years have you been in publishing?

15 years.

How did you first get published?

I wrote a story and created a book dummy with a color cover and three finished interior pages. I really didn’t know what to do with it and how or where to send it. Then I met someone who told me about the Society of Children’s Books Writers & Illustrators (SCBWI). I joined the society and went to a mini local conference. There I met people who told me about the SCBWI conference in LA. I flew there and took a couple of classes.

I started sending my dummy to agents. I didn’t get an agent but I sent it to those publishers who accepted non-solicited submissions.

It was a lot of work, but I learned how to write a query letter and eventually I got a “Yes!” from a publisher, located in Israel that published children’s books in English. I have a lot of family in Israel so while I was there; I visited the publisher (Gefen Publishing) and signed my first contact.

Do you write/illustrate full-time?

At this point, it’s almost full time. I do other things related to publishing, such as promotions, presentations etc. so that takes some time of my day as well.

What inspires you to create picture books?

For me, creating children’s books is almost like going back to my own childhood, remembering what I did and thinking about when I was a child.

Also, for many years I worked as a visual merchandiser. I created fantasy store windows for big stores in NYC. Kids used to stare at the window and I felt like, in a way, I was creating stories for them so I was inspired to write books.

What surprised you the most working as an author/illustrator?

I was most surprised when I started presenting my books to kids. I realized how perceptive they are. Kids notice the tiniest details in a book  illustration.  

What is your favorite thing about being an author/illustrator?

Spending time with kids and feeling like I’m enriching their lives.

I also love sitting on a rock by the sound in my neighborhood and letting my imagination loose. I feel like a kid and that’s a most wonderful feeling.

What do you find difficult working as an author/illustrator?

Like most authors and illustrators, I often have to wait months before hearing back from a publisher.

Editors are very busy and they can’t look at every submission right away. But I’m aware of the fact that this is part of the business.

What do you do to shake the rust off or get new ideas?

I walk a lot and always end up in that wonderful park by the water. Sometimes I actually fall asleep. The Wi-Fi doesn’t work well in that area and that’s a blessing because I am completely detached and my mind opens up to new ideas. 

Anything you are habitual about when it comes to creativity?

Every time I start a new project I clean up my studio and wipe up my work surface. This habit helps me to charge my creative battery and move on to something new and, hopefully, exciting! 

Can you share a positive experience you’ve had in the Kid Lit community?

I have had many wonderful experiences in the Kid Lit community. I met incredible talented, amazing and caring folks. I had a great time at the SCBWI conferences where, before the pandemic, everyone showed up one night, dressed up in costumes. Some costumes were so creative and memorable. Everyone at the hotel was dressed in business attire and the SCBWI members showed up in feathers, sequins, beads, you name it. 

Recommended reading?

Stories by Sholem Aliechem.

What has been the highlight of your career thus far?

I can’t think of one highlight. When I receive a box of any of my new books and smell the fresh ink and see my illustrations in a new book, I feel elevated. After working on a book or so long, it’s always a highlight when I see them for the first time.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me to be tough and not to fall apart at every rejection.

Can you tell us about your newest book?

Masha the goat is tired of eating the same boring farm food every day. She says goodby to her beloved friends and sets off on her search to find something else to eat.

Along the way, Masha discovers a wonderful restaurant where the waiter welcomes her in.

But Masha’s choices of “delicious foods” and her  behavior doesn’t seem to be appropriate for restaurant dining. Masha realizes that everything is tastier when shared with good friends and the freedom to behave like a goat. She returns to the farm and delights her friends by using her experience at the restaurant to make new dishes for them.

The theme of the book is that sometimes, we need to explore outside of our own limited horizon, only to discover that home is where we feel the most comfortable and safe.

Masha is curious. She needs to leave her beloved friends in order to find out what’s out there. Her journey is one of discoveries and struggles along the way.

At the end, she chooses to go back home but the story makes it clear that the journey was well worth it.

Masha has gained knowledge that she can put to good use. Now, she can enrich her friends’ life by using her experiences at the restaurant and making new dishes from that wonderful basic ingredient—hay!

MASHA MUNCHING, by Amalia Hoffman, Chinese Edition, Yeehoo Press

What’s up next for you?

Besides Masha Munching, I have two other books launching in 2022 and I’m working on another story that was just acquired.

Anything else you’d like to share with aspiring authors and illustrators?

Stay true to yourself! Don’t write what you think will sell, because truth is, no one really knows what will sell. If you’re an illustrator, don’t try to mimic someone else’s style. 

And last, but not least, favorite 80s movie?

9-5.

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Thank you to Amalia for stopping by Critter Lit! Congrats on Masha!

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AMALIA HOFFMAN is an author, illustrator and storyteller. She grew up in Jerusalem, Israel. She now resides in Larchmont, NY.

FOR MORE INFORMATION, visit Amalia’s website or follow her on social media:

Facebook: @Amalia.Hoffman.5

Twitter: @AmaliaHoffman

Instagram: https://www.instagram.com/hoffman.amalia/?hl=en

BUY THIS BOOK To order MASHA MUNCHING, click here.

WIN A COPY! Want to win a copy of MASHA MUNCHING and MY MONSTERPIECE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 10th! US addresses only please.

Interview with Author and Illustrator Carolina Farías

Happy Thursday Critters! Today we have an interview with an author and illustrator, whose newest book, CHAMELEON CAN BE, came out this past fall with Yeehoo Press. I love Chameleon and all his friends and the message of the book is wonderful! The art is brilliant, bright, and charming and I can’t wait to share this fantastic book with you all!

So without further ado, please welcome Carolina Farías!

Where do you live?

I live in La Plata, Argentina, home of the beautiful National University of La Plata, 40 minutes away from Buenos Aires. 

How many years have you been in publishing?
I have been working in children's illustration and editing books for nearly twenty years. 

How did you first get published?

My First book was “En el Principio”, an adaptation of the Bible for kids. The main difference is that the story takes place in the room of Paco, a little kid whose mother is in charge of the Creation of the world that surrounds him. The book took two years of hard work and I had the privilege to work with the amazing art editor Daniel Goldín and be published by the “Fondo de Cultura económica”. 

Do you write and illustrate full-time?

Yes, I do! And I also find the time to give classes both at the faculty and the high school of art in La Plata. I find teaching very inspiring and motivating for my daily illustration work.

What inspires you to create picture books?

Inspiration can strike at any time and anywhere, any moment in everyday life. Perhaps something that is visually interesting lights a spark, so I take a photo to reference later. My love and constant research on illustrated books also drives my work. There is a part of me that still enjoys going into those worlds contained within the pages of those beautiful books I used to read when I was a little girl.

What surprised you the most working as an author/illustrator?

The mere notion of working as an illustrator was a novelty to me!

I was fortunate enough to attend one of the best universities in the country and get a degree in fine arts, but I never thought as time went by that children's illustration was going to be the perfect place for me.

What is your favorite thing about being an author/illustrator?

I love telling good stories, and one way of achieving that is finding interesting characters. I take my time to give my characters some distinctive personality. It is funny because I try to get in their shoes and imagine what they are thinking or feeling, even if they turn out to be a dog or a lion!

As a teacher in illustration it’s great to interact with the kids and explore their imaginations. It’s amazing how unusual and interesting some of their ideas can be. I try to encourage them, especially the ones who think that they can’t draw. They are usually the ones who don’t come up with the obvious stuff.

What do you find difficult working as an author/illustrator?

Finding focus! There are so many options and so much work to do that sometimes you just have to force yourself to stop and take things slowly.

I’m very passionate about my work. Sometimes I get so many ideas floating around that I have to take a thousand notes, and filtering them to get the best ones is sometimes a really tedious task.

What do you do to shake the rust off or get new ideas?

Most ideas start small so the most important thing is to know that we shouldn't rely on an ideal ´eureka´ moment or a rush of sudden inspiration. Instead,  ideas are to be found in our everyday activities and in the most random things we stumble upon in life.

When working on a book I always reflect on my own childhood memories, how I was feeling and reacting to the world around me. As a child, the only place where I felt safe and useful was in front of a blank sheet of paper. 

Anything you are habitual about when it comes to creativity?

Although inspiration can strike anytime and anywhere, I play my part to create my ideal setting: random local coffee shops where to sip some cappuccino and enjoy chocolate cake. I usually make some notes and tuck them away. Then one day in the future a new story may begin to emerge. All the best ideas need time to brew by themselves.

Can you share a positive experience you’ve had in the Kid Lit community?

I love being able to share different experiences with colleagues. It’s always great to have another perspective and a different look regarding the same issues we encounter in our everyday work on an illustration. It’s wonderful to get so much help and support! 

Recommended reading?

I have all of my favourite books here on the shelf of my studio. I love Argentinian Cartoonist and Illustrator Carlos Nine and I collect everything published by Quino. His humor and illustrations are amazing. I’m completely obsessed by his work!

What has been the highlight of your career thus far?

I think interacting with young students is always a joy. Apart from that, I would say that I loved working for the movie Where the Wild Things Are based on the books by Maurice Sendak and collaborating with Grandmothers of the Plaza de Mayo (Abuelas de Plaza de Mayo), an Argentine human rights organization with the goal of finding the children stolen and illegally adopted during the military dictatorship of the late seventies.

And of course my last book Chameleon can be has also been one of the most fulfilling experiences I’ve had. 

What is something you wish someone had told you when you first started writing/illustrating?

Such a big question. I think it’s important sometimes to broaden your influences. It is fine sometimes to put aside picture books and start looking for inspiration in the work of writers, artists and directors who may not have much to do with illustration! 

Can you tell us about your newest book?

Chameleon Can Be came to life in a very small room while having a session with my therapist. I was opening up to her and expressing some concerns I had about one of my kids, when she suddenly said something that has stuck in my head ever since: "Well, she will have to find out who she wants to be"

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

I carried that phrase with me for the next few days. I started working on a short word list. English is not my native language, but some words sounded perfect for what I had in mind: CAN BE… CHAMELEON…BEAUTIFUL …FLOWER… FRIENDS… and with those concepts in mind I started doodling on my iPad. 

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

At some point I sketched this very messy drawing of a Chameleon as a beautiful flower. I really liked it, so I drew it over and over. Then some other characters came up: a ladybug, a bee and a frog. Chameleon and his friends were born!

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

I hope that kids and adults reading this book will fully enjoy the journey and take the trip to find out who they want to become.

What’s up next for you?

I have always been intrigued by writing about those romantic concepts that bring us together, such as love, kindness and connection. Currently I’m working on a book about the things that make us different, unique and special.

Anything else you’d like to share with aspiring authors and illustrators?

I think the best piece of advice I can give to someone starting out is to work really hard and follow your heart.  And always trust your gut!

And last, but not least, favorite 80s movie?

I can’t pick just one. I love Forrest Gump, E.T. and Back to the future!

If I stumble upon them on TV I can’t resist watching them until the very end.

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Huge thank you to Carolina for stopping by Critter Lit today! Congrats on your beautiful book!

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Carolina Farías is an award-winning author and illustrator of over 40 books. After receiving her bachelor’s degree in art, she began teaching at the University of Graphic Design and Visual Communication in La Plata. Her artwork is created using a variety of mediums with traditional and digital techniques. Carolina is part of the White Ravens 2008 list for the Bologna Book Fair, where she has also been selected to represent Argentina. She currently lives in La Plata, Argentina.

FOR MORE INFORMATION visit Carolina online: www.carolinafarias.com/ar

Instagram: instagram.com/fariasillos

BUY THIS BOOK To order CHAMELEON CAN BE, click here.

WIN A COPY! Want to win a copy of CHAMELEON CAN BE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 24th! US addresses only please.

Interview with Author Ray A. Price

Happy New Year Critters! We are officially back for 2022! We have a ton of fantastic interviews scheduled this year that I’m so excited to share with you all! I actually just filled our last interview slot for 2022 last week so anyone looking to schedule an interview with us for 2023 please feel free to reach out to me at lindsay@critterlit.com.

To kick off the new year we have an interview with self-published author Ray A. Price! I’m thrilled to have him with us today to talk about his new book, MY BROTHER IS A WEREWOLF, illustrated by Sam Aston, his road to publication, and his creative process.

So without further ado, please welcome Ray A. Price to Critter Lit!

Where do you live?

I live in Washington Pennsylvania. It’s about 25 minutes away from Pittsburgh Pennsylvania.

How many years have you been in publishing?

I have been in publishing for a year. 

How did you first get published?

I published my first story independently in 2020.

Do you write full-time?

No.

What inspires you to create picture books?

At first, my inspiration came from my daughter. When she was younger, I would guest read for her classroom. I would buy a picture book and cookies for the class. After I did this a few times my daughter looked at me and said, “Dad I know you used to write plays for stage in college, can you write a story for me?” It was a challenge I accepted. I wanted to tell stories that she would be proud of but also relatable. 

What is your favorite thing about being an author?

My favorite thing is how my stories resonate with others. The feedback from reviews or the pictures from kids holding my book is just amazing. The hard work is definitely worth it. 

What do you find difficult working as an author?

What can be difficult is finding unique voices for the characters I write. It’s challenging for sure but it’s fun creating characters that have different personalities, quirks, abilities, etc. As a writer I enjoy creating fresh characters and my goal is to tell stories that are believable with solid beginnings, middles, and ends. 

What do you do to shake the rust off or get new ideas?

I’m definitely not immune to writer’s block. To keep things fresh and creative I will often times read or watch children’s literature or television. It helps me find out what they are interested in. I also have a young niece and she’s like a sponge. She absorbs so much and I like being around her. I think it’s important to be around children and to engage with what they are watching and what they are playing. It helps my writing. Children are a lot smarter than we think. 

Anything you are habitual about when it comes to creativity?

I always outline. For me, it’s my map of the story. The story can definitely change after my outline but I always start with an outline before writing my first draft. 

Can you share a positive experience you’ve had in the Kid Lit community?

Yes, I had an interaction with a member who read an early copy of My Brother is a Werewolf for her blog. She gave it a really great review. She mentioned that the story was very great and that the overall presentation was amazing. That meant a lot coming from another kid lit author. 

Recommended reading?

If You Give a Mouse a Cookie has always been one of my favorite picture books. I still really enjoy classic stories like Jack and the Beanstalk, Cinderella, and The Three Little Pigs. 

What has been the highlight of your career thus far?

One of the highlights has been seeing how my book makes families smile and laugh. Recently a guy on social media shared an image of his kids holding my book. He posted a review about it and that was just really amazing. Anytime kids are enjoying my stories I love it. That pushes me forward to write more and to keep more people to enjoy my books.

What is something you wish someone had told you when you first started writing?

I wish someone would had told me how fun this is. I’m having a blast doing this. It’s hard work but it never feels like work. I have been fortunate enough to find people on my team that feel the same. We are all so dedicated and devoted to the projects. It’s fun collaborating with individuals from around the world and creating a picture book.

Can you tell us about your newest book?

My newest book is My Brother is a Werewolf.  The story is about a young girl named Brie. Brie wanted a puppy. But got a younger brother. Accidentally turning her five year old brother into a werewolf is the biggest mistake of her life. She’ll do anything to fix him because cleaning up werewolf poop is as bad as you think it is. Brie thinks she had caused her parents to divorce because of her mistake. As the reader, we see how divorce looks through the eyes of a child and how Brie will do anything to fix her family.

What’s up next for you?

We just released My Brother is a Werewolf so we are going to continue to promote it. We have a planned audio book version releasing later this year. 

Anything else you’d like to share with aspiring authors and illustrators?

Yes, it is important to find a team. Find people who are not just there for a paycheck but want to see your goal and dream come true. Interview people until you’re comfortable and do not settle. 

And last, but not least, favorite 80s movie?

Star Wars Return of the Jedi. 

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Huge thank you to Ray for stopping by Critter Lit today! Congrats on your wonderful new book!

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RAY A. PRICE is the author of My Brother is a Werewolf. He is an author for children’s books, short stories, and comics. Ray started his interest with children’s stories when he used to read to his daughter’s elementary classes as a guest parent speaker. After many visits to her classes and dozens of cookies donated in each visit, his little girl gave him the idea to write his own children’s book. With that in mind, Ray sat down and began writing with his heart to create a story dedicated to her. Build with Bricks was Ray’s first self published children story in 2020.

Ray has many other achievements that he is very proud of. He has a bachelors degree in political science and a master degree in fraud and forensic. He is a full-time fraud investigator. During his studies, he did plenty of playwriting. Ray found his passion for writing when he wrote short stories in middle school.

When Ray is not thinking of new ideas for his next story, he likes to be family oriented. Ray likes to travel and sample new restaurants with his family. He loves playing video games and discovering new television shows. When the weather is nice, he loves taking his English Bulldog on walks. Ray listens to various podcast daily and loves reading comics.

FOR MORE INFORMATION visit Ray online here or follow him on Twitter: @RaymondAPrice

BUY THIS BOOK To order MY BROTHER IS A WEREWOLF, click here.

WIN A COPY! Want to win a copy of MY BROTHER IS A WEREWOLF?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, January 27th! US addresses only please.

Interview with Author + Illustrator David Catrow

Happy Thursday Critters! Today we have an interview with the incredible author and illustrator, David Catrow, whose books I’ve adored since wanting to become an author/illustrator myself. I remember the first time I discovered STAND TALL MOLLY LOU MELON and poured over the illustrations— so much to look at! One of my favorite details in his books are the dogs— they are fantastic and such accurately, hilarious portraits of canine behavior. I’ve always loved David’s books and I’m thrilled to have him with us today to talk about his experience in the industry and his new book, I WANT AN APPLE: HOW MY BODY WORKS, by David L. Harrison with Holiday House.

So without further ado, please welcome David Catrow!

Where do you live?

I live in Ohio but mostly I live inside my head. Being an artist is a 24/7 existence and there are times when it’s hard to separate what is actually happening around me and what I am imagining or wish was happening around me. Which is probably why I’m not in an occupation like brain surgery or being an airline pilot. 

How many years have you been in publishing?

My First Book was published in 1990 which is well... a long time ago (you probably should do the math, I am a picture person) 

How did you first get published?

It was completely unexpected actually, I was studying to be a doctor at the time and someone asked me if I could illustrate the procedure for doing an emergency cricothyrotomy on an un-anaesthetized patient in the middle of nowhere. My drawing was published in the Journal of Emergency Medicine and here I am. 

Do you write/illustrate full-time?

Yes, I write and illustrate full-time, but I would happily do it more if I could figure out how to get the earth to rotate a little bit slower thus gaining me a few more hours of daylight. 

What inspires you to create picture books?

Oh, anything and everything—you name it, I’ve been inspired by it... (Go ahead, name something, the first thing that comes into your mind and just shout it out!)  I heard you! YUP, I’ve been inspired by that too.

What surprised you the most working as an author/illustrator?

What surprises me the most is that I’m never done. The minute I’ve finished a book that I think pretty much says it all, I’ll suddenly think of something else to say- (which is surprising because most people who talk to me think I’m a person of few words.) 

What is your favorite thing about being an author/illustrator?

My Favorite thing about being an Illustrator is, that not only do I have something that I love to do, but I am able to keep doing it for as long as I wish. After I’m done being an artist I plan on devoting all of my time to learning how to catch a frisbee in my mouth. 

What do you find difficult working as an author/illustrator?

For me the most difficult thing is trying to swat away all the pesky other ideas that buzz around my head and interfere with me doing my work that is front of me.

For me the most difficult thing is learning that I can get carried away sometimes and forget what it is that am supposed to be doing. 

-which reminds me of a funny story about an elephant, a turnip, and a guy named Ned who all decide to go on a road trip together- Ned didn’t have a driver’s license so the turnip has to drive, because, honestly, whoever heard of an elephant driving a car.

(sorry, what the question again?)

What do you do to shake the rust off or get new ideas?

I get lots of sleep, I eat right and I take a multi-vitamin.  

Anything you are habitual about when it comes to creativity?

I eat right, I get lots of sleep, and I take a multi-vitamin.

Recommended reading?

Everything and anything.

What has been the highlight of your career thus far?

Waking up and doing what I love to do—Oh and playing with my dog.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me that you can’t do it all.

Can you tell us about your newest book?

Your body is busy, busy, busy! Learn how it works in this funny-but-informative book.

I want an apple. Smart brain, help me find one. Sniffy nose, smell the apple. Bright eyes, help me see it.
Legs, feet, arms, teeth, tongue, tummy . . . and long intestine too . . . all snap into action when a child decides she wants an apple. A clever and humorous introduction to body parts and their function.

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Anything else you’d like to share with aspiring authors and illustrators?

Keep working hard at what you love to do and eventually you will make it- no matter what it is that you want to do- whether it’s juggling on a tightrope, walking in space, writing poetry, or singing an aria, or anything in between- all the people that are doing those things now, were once like you.  

And last, but not least, favorite 80s movie?

Turner and Hooch.

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DAVID CATROW is a political cartoonist, artist for animated films, and illustrator of best-selling books for children, including two New York Times Best Illustrated books. His books for Holiday House, which he also wrote, are The Fly Flew In and Fun in the Sun. He lives in Ohio. Learn more about him at Catrow.com.

FOR MORE INFORMATION about David, visit him online: www.catrow.com

Or follow him on social media:

@DavidCatrow (Facebook, Twitter, Instagram)

BUY THIS BOOK To order David’s books, click here.

WIN A COPY! Want to win a copy of I WANT AN APPLE: HOW MY BODY WORKS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 18th! US addresses only please.

Interview with Author and Illustrator Laura Vaccaro Seeger

Happy Thursday Critters! Today we have a fantastic interview with the incredibly talented, two-time Caldecott honor winning Laura Vaccaro Seeger! I’m such a huge fan of her books and she has had an amazing career in publishing— I’m so thrilled she can be here with us today!

So without further ado, please welcome Laura Vaccaro Seeger!

Photo Credit: Dylan Seeger

Where do you live?

My husband and I have a home in Rockville Centre, Long Island, and an apartment in Manhattan, New York.

How many years have you been in publishing?

20.

How did you first get published?

I was extremely fortunate to have met Neal Porter - my editor and publishing soulmate - almost immediately after I began looking for a publisher. He’s been my editor for every one of my books - we're now working on my 21st book together. It’s kind of a long story, actually. You can read more about it here: https://studiolvs.com/educators-kids/2017/7

Do you write/illustrate full-time?

Yes.

What inspires you to create picture books?

Everything! But I am mostly inspired by the human condition. While my books are quite varied, I think they are all, at their core, about empathy, love, and friendship.

What surprised you the most working as an author/illustrator?

Hmm. That’s a tough question! I suppose what has surprised me most is the tendency in publishing for people to consider each other family. There is a real sense of sincere friendship that I find totally endearing.

What is your favorite thing about being an author/illustrator?

Now, that’s an easy one to answer. I love that each book is a completely new blank canvas. I enjoy the process of making picture books and feel lucky that Neal and I work together so organically. I am fortunate to be able to both write and create art, and I love it that I can work at the beach, at home, anywhere! And mostly, it’s so rewarding to know that my books are (hopefully) enjoyed by children of all ages.

What do you find difficult working as an author/illustrator?

I find it challenging to adhere to a schedule, which is probably a common problem for most people who work at home. There are so many distractions, so discipline is a must. And even more difficult is the inevitable encounter with writer’s block!

What do you do to shake the rust off or get new ideas?

I go for a long run at the beach.

Anything you are habitual about when it comes to creativity?

Not really. It truly is an organic process.

Can you share a positive experience you’ve had in the Kid Lit community?

My favorite and repeated experiences are when I get to hang out with other authors at literature conferences and festivals. We always have so much fun together and I’ve made so many wonderful author friends over the years. One memory that really stands out is when Kadir Nelson, Chris Crutcher, and I were in Singapore together. One night after dinner, we decided to go carpet shopping. After an amazing and hilarious haggle session with the shop owner, we got great deals on a couple of carpets and then proceeded to carry them around the city in the rain while we (unsuccessfully) tried to hail a taxi. We laughed so hard that night and we all still talk about it.

What has been the highlight of your career thus far?

Interacting with children is always a joy. It’s such a privilege to be able to create for and present to them. And I must admit that recognition from librarians, teachers, and publishing professionals means so much to me. We artists/writers can be very hard on ourselves, so it’s reassuring when our books win awards and receive starred reviews. But the highlight of all highlights were the two Caldecott Honors, for sure!!

What is something you wish someone had told you when you first started writing/illustrating?

I’m not sure what I wish someone had told me, but I’m thankful for the advice an author friend gave me when I was working on my first book - he said the most important thing is to find my voice.

Can you tell us about your newest book?

RED will be released in a few weeks, and I’m very excited about it. It was inspired by all the division in our society, particularly the last few years. The book explores the many shades of the color red, but more importantly, it’s about red in terms of anger, conflict, rage, empathy, and love.

Interior art from RED by Laura Vaccaro Seeger, Published by Holiday House Books

Interior art from RED by Laura Vaccaro Seeger, Published by Holiday House Books

Interior art from RED by Laura Vaccaro Seeger, Published by Holiday House Books

Interior art from RED by Laura Vaccaro Seeger, Published by Holiday House Books

What’s up next for you?

Right now I’m working on a book called I’M NOT LOST.

Anything else you’d like to share with aspiring authors and illustrators?

It’s really important, when trying to find a publisher, to find one that publishes books like yours. Many authors spend years getting rejections because they’ve not found the right match for their work.

And last, but not least, favorite 80s movie?

When Harry Met Sally.

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Huge thank you to Laura for stopping by Critter Lit today! We are so lookiing forward to RED! Congrats on your stunning collection of books!

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Laura Vaccaro Seeger is the author and illustrator of nearly two dozen acclaimed picture books, including Why?, the recipient of four starred reviews, and the popular Dog and Bear series, the first of which won the Boston Globe–Horn Book Award. She has been awarded a Caldecott Honor twice, for First the Egg and again for Green, and a Geisel Honor twice, for First the Egg and One Boy. Blue, her companion to this book and Green, received four starred reviews. Red is the final book in her color trilogy.

FOR MORE INFORMATION about Laura, visit her online: studiolvs.com

Or follow her on social media:

@lauravseeger (Twitter)

@LauraVaccaroSeeger (Facebook)

BUY THIS BOOK To order Laura’s book, click here.

WIN A COPY! Want to win a copy of RED?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 4th! US addresses only please.

Interview with Author and Illustrator Rachel Isadora

Happy Thursday Critters! I’m honored to be posting an interview with the incredibly talented Rachel Isadora today! She has had an amazing career in publishing, including a Caldecott honor for BEN’S TRUMPET. I’m thrilled she is with us today to share her experiences and TWO new books written with Robie Rogge, published by Holiday House, releasing this month.

So without further ado, please welcome Rachel Isadora!

Where do you live?

New York and France.

How many years have you been in publishing?

Approximately 40 years.

How did you first get published?

I was a ballet dancer and after an injury prevented me from dancing for a few months, I brought some drawings I had done to McMillan Publishers. I met Elizabeth Shub, an editor, and she asked me if I would like to do a book with her. Having had no formal art or writing training, she patiently worked with me and the result was my first book, Max. I returned to dance and continued to illustrate and write books at the same time.

Do you write/illustrate full-time?

Yes, I have all these years and continue to do so.

What inspires you to create picture books?

I enjoy thinking of new ideas and how to illustrate them. Many times, my visual ideas come first, things I want to draw, and the story follows. I enjoy creating new ways to express the illustrations. I use various mediums; watercolor, pastels, oil paint, collage and have done a few books on the computer.

What surprised you the most working as an author/illustrator?

I was very surprised that I could actually write and illustrate a book. As I said, I had no training in neither art nor writing and, from the beginning, learned to do so on the job. I was very proud  when I got my first contract and then was presented with my first book. I remember getting on the bus, in New York, and showing all the riders around me my book, Max.

What is your favorite thing about being an author/illustrator?

I love working alone. When I was a ballerina, I was always in the presence of others. Being in my studio working by myself, listening to music, is total joy.

What do you do to shake the rust off or get new ideas?

I am thinking all the time about ideas I’d like to express whether visually or through writing. I read a great deal, observe people around me, visit many museums and go to the theater, etc. All of these stimulate new ideas. I think of ways in which I can interpret them and then express them in a children’s book. 

Anything you are habitual about when it comes to creativity?

Whether illustrating or writing or painting, I do it everyday. 

What has been the highlight of your career thus far?

It’s all been a high.

Can you tell us about your newest book?

I’m doing two books for Holiday House both of which enter a new realm for me, they are “lift-the-flap” books. They involve more than turning the page and require a child’s physical participation. This meant I had to do more complicated layouts and planning. I think both books lend themselves to their themes, one is manners (I Say Please and Thank You: Lift-the-Flap Manners) and the other animal sounds (After the Buzz Comes the Bee: Lift-the-Flap Animal Sounds). When the child opens the flap, there is a surprise finale.

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap Open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

What’s up next for you?

I will soon be working on another flip the flap book for Holiday House, The Nutcracker. I look forward to this book as dance is always my favorite subject to paint.

Anything else you’d like to share with aspiring authors and illustrators?

In order for this, or any other career to work, you must go at it continually, all the time. That’s the kind of devotion it takes to succeed….and, of course, only you and you alone can determine what success means to you.

And last, but not least, favorite 80s movie?

Dirty Dancing, boiled down to one. I knew many people involved in this movie…..

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Huge thank you to Rachel for stopping by Critter Lit today! You’ve had such an incredible career and we are big fans!

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Rachel Isadora has written and illustrated more than two hundred children’s books, including Ben’s Trumpet, a Caldecott Honor book. A former ballet dancer, she is also a fine artist with a special interest in dance. Rachel lives in France and New York City.

FOR MORE INFO about Rachel, visit her online:  http://www.rachelisadora.com/ or follow her on social media:

Twitter - @chomsk7

Instagram - @rachelisadoraart

BUY THIS BOOK To order Rachel’s books, click here.

WIN A COPY! Want to win a copy of I SAY PLEASE AND THANK YOU! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 21st! US addresses only please.

Interview with Debut Author Karen Greenwald

Happy Thursday Critters! Today we have an interview with a debut author who found her way to picture books through the law— which I love! It’s always fascinating to me to hear how debut authors and illustrators find their way to kidlit. I’m thrilled to share Karen’s story and road to publication with all of you today in celebration of her debut picture book, A VOTE FOR SUSANNA: THE FIRST WOMAN MAYOR, illustrated by Sian James, with Albert Whitman Books.

So without further ado, please welcome Karen Greenwald!

Where do you live?

Maryland.

When did you know you wanted to write picture books?

I decided in fourth grade that one day I would write a book. Then in law school I took “Literacy and the Law.” We delved into book banning history, civil rights issues, international law issues, et al—but we also had to tutor a child and create our own picture book. It was a gift to my artistic soul! The book I wrote and illustrated (inspired by Rawls’ Theory of Justice and John and Evelyn Dewey) actually won two brand strategy industry international awards and was spoken about by the Majority Leader of Congress to a room full of women leaders a few years ago.

Tell us about your road to publication, what did that involve for you?

I began seriously studying the art of children’s literature around five-ish years ago. One of the things that surprised me the most was how vast the difference is between the average person’s opinion/knowledge of picture book publishing versus the reality.

When I happened on a reference to Susanna Salter, I was hooked immediately. I knew I had to tell her story—especially since Salter’s history has been left to a 1954 article (and the blogs/articles, etc that use the same information). My journey from beginning to sale took about two a half years. After spending several hours over the phone with amazing librarians and genealogists at Kansas State University, I was deeply saddened to hear the next weekend that the library had burned to the ground. Thankfully, nobody was hurt. I did wonder, however, if it was a “sign”…like, don’t do this one!

For over a year and a half, in spite of various hurdles, I kept researching, trying to access anything that would give me that special something the story needed. But little could be found that fit picture book story requirements. As we know, an interesting moment or tale doesn’t necessarily fit this genre.

 Then I met (virtually) Susanna Salter’s great granddaughter. She and her brother shared with me beautiful letters, pictures, and the like. When I wrote the final draft two years in, I kept one of her letters open on my laptop desktop. I think I actually teared up when I typed the final words. (Ssh! Don’t tell anyone!)

Can you share a bit about your process?

I never knew this prior, but apparently I am a major researcher—I will not stop until I get that everything I need to make the story my own. I enjoy and am inspired by building relationships with a circle of people surrounding the topic I’m working on. This makes the experience meaningful for me. I write out the idea (I do this for art, too) in my head, moving parts around like magnetic poetry pieces. Once I feel like I have the concept, then I get typing.

What do you do to shake the rust off or get new ideas?

Good question! I’ll let you know when I figure that one out!

Anything you can’t live without while you write?

A lack of distraction, my favorite thesaurus, and my dog napping (if you’ve ever been on the phone with me, you know why! Lol!)

Any authors and/or illustrators who inspire you?

Who doesn’t inspire me?! I cannot go in a book store for this very reason. I have to pull out every book I go near.

Dream project to work on?

I feel like I’m living my dream right now with my debut. What could be better than shining a light on an incredible woman who changed American politics and world history? To be the first and only person to write her story is an honor.

Tell us about your debut book.

As I mentioned, this is a story I am so proud to tell. Susanna Salter made international history in 1887-1888. I am still surprised to the reaction I get when discussing her with everyone from elected officials to educators. Even those who think they know the story mostly have their information from this 1954 article. Her impact has never truly been taught, discussed, or considered. In all of the news coverage that she received, nobody ever asked a very important question. I wanted to tell a deeper story. Thanks to the generosity of two of her great-grandchildren and my own research, I was able to discover her heart.

What’s up next for you?

Hmm…what is next?;)

And last, but not least, favorite 80s movie?

This is actually the hardest one of your questions—lol! Can I give a few? Clearly, When Harry Met Sally, Ferris Bueller’s Day Off (the creativity of the post ending-ending), and St. Elmo’s Fire (because I’m a Georgetown alum—though, it was actually filmed at University of MD)…I really could go on… 

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Huge thank you to Suzanna for stopping by Critter Lit today!

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Karen M. Greenwald has a wide range of government, campaign, and branding experience. She’s won international awards for STEM creative, writing, video, rebranding, and self-promotion. Bylined credits include online, print magazines, and The Washington Post. Karen belongs to SCBWI, 12×12, and co-founded #SunWriteFun—a NF/Info Fic. summer contest that raises money for kidlit charities. Her picture book, A VOTE FOR SUSANNA, THE FIRST WOMAN MAYOR, debuts in October (Albert Whitman). It has held steady since February on two of Amazon’s Hot New Releases lists for kids. A Phi Beta Kappa, she earned undergraduate and JD degrees from Georgetown University. Before turning to branding, Karen worked as an attorney and focused on international environmental compliance issues.

FOR MORE INFO about Karen’s work, visit her online www.karenmgreenwald.com or follow her on social media @karenmgreenwald

BUY THIS BOOK To order a copy of Karen’s book, click here.

WIN A COPY! Want to win a copy of A VOTE FOR SUSANNA: THE FIRST WOMAN MAYOR?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 7th! US addresses only please.