Eat Up, Bear! has had so much success that Yosemite Conservancy asked me to write a board book about meadow conservation, using a similar structure to our bear book. Now, we’re celebrating the release of Hello, Meadow! on April 11, 2023. I didn’t have to wander too far for this book’s inspiration. I took trips to Tuolumne Meadows in Yosemite National Park and ventured out into my own backyard, which has many gorgeous meadows to inspire.
What surprised you the most working as an author?
Initially, I was most surprised at how long it takes for an idea to become a published book. When I talk with my UCLA writing students about this, they’re always surprised at this, too. I think the longest it took for one of my ideas to get published was Mother Earth’s Lullaby (Tilbury House), which took ten years from idea to publication. I’ve always joked that book publication works in “glacial time” even though I understand why now. A writer and editorial team need time to perfect the text, the illustrator typically needs 6-12 months to create the artwork, and you can add another six months for the printing process. If any unexpected extraneous global or economic factors occur, they can delay the process even further. So, if you want to write children’s books, put on your “patience cap!”
What is your favorite thing about being an author?
I love having a creative outlet, where I can play with words and language. It took me a while to discover that my “sweet spot” for writing is rhyming picture books, but this is where I thrive. I’ve dabbled in other children’s book formats (chapter books and even a middle-grade novel), but I’m most happy when writing for very young children.
I also enjoy knowing that my books are having a positive effect on children’s lives. I missed that from my Montessori teaching days, but now, I can have an even broader influence on kids, whether it comes in the form of helping them learn to read with my easy readers, or helping get them off to a great start in life by snuggling up on someone’s lap and sharing a board book or picture book. In the case of Hello, Meadow! and Eat Up, Bear!, I love knowing that I’ve had a hand in creating future conservationists who understand that the natural world—while seemingly resilient—can actually be fragile and needs good stewards to care for it. Collaborating with the Yosemite Conservancy publishers and the National Park Service to make sure our message comes through in a kid-friendly way that’s inviting to little ones and their families was a great experience.
What do you find difficult working as an author?
Waiting for responses to queries and submissions can be exhausting! And it’s not just about the time. When I first began writing, the wait typically ended with a response of some kind from an editor. I loved it when an editor wrote an encouraging note, even if they passed on the manuscript. Nowadays, as you know, most houses don’t give any kind of reply, unless they're interested in the work. I understand their need to save time and energy, but I find it frustrating because I have no idea if I was close, if the idea has merit and is worth pursuing, or if it needs a fresh perspective. I do miss the human connection with the submission process.
What do you do to shake the rust off or get new ideas?
I get outside! In the summer, I’ll go on a hike or long walk. In the winter, I’ll strap on my snowshoes and go for a walk where I can be alone and think. The fresh air, the cadence of my steps, and wide-open spaces always gets the creative juices flowing!
Anything you are habitual about when it comes to creativity?
I like it to be quiet when I write. No music, TV, or any background conversation when I’m working. I find it too distracting and can’t focus very well. Once, when my family was visiting and I had a deadline, I drove to a nearby trailhead, parked, and worked in my car! I figured if I needed a break, I was right at a trailhead and could walk in the woods to clear my head.
Can you share a positive experience you’ve had in the Kid Lit community?
Amongst the many positive experiences I’ve had with the Kid Lit community, one of the most memorable came very early in my writing experience. Let me preface this by saying I’m basically a shy person. The year I started writing, I joined the SCBWI and signed up for a Writers’ Day event in Los Angeles, which was held at a school. I drove three hours to the event and found a seat inside, pretty much keeping to myself but noticing how many people knew each other. It was like a reunion of old friends for many!
At lunch, I took my boxed lunch and went out onto the football field where many other participants chose to eat. I was sitting on the 50-yard line, all alone, when a woman came over from a nearby group and asked me if I was meeting anyone. I said no, and she invited me to join them. I was so grateful for her kindness, and found that the group was actually from my chapter of the SCBWI! I’m still friends with some of those writers, and many of them went on to become published authors. For a very shy person who found the courage to drive by herself to Los Angeles to attend a writing conference, this was the ultimate reward! It made me realize that joining the SCBWI was more than just learning about children’s writing—it was about networking and finding like-minded friends.
Recommended reading?
I don’t have any specific books to recommend because so many terrific titles come out all the time, but what I do recommend is to pay attention to titles from resources such as the ALA Caldecott Medal nominees, or Betsy Bird’s “Best Books” list she does each December at her Fuse#8 Production blog. (https://afuse8production.slj.com/)
What has been the highlight of your career thus far?
For me, the highlight of my career was when I received an offer of representation from a reputable agency a few years ago. It was validating, after 68 agent queries, to see that my work had enough merit for an agent to want to represent my work (actually, I had two agencies interested at the same time). I loved networking with other authors from the agency and being so connected with them. Unfortunately, I eventually let my agent go as we just weren’t a good match, but still, the experience was an important part of my writing journey.
What is something you wish someone had told you when you first started writing?
Great question! Two things would have been good to know at the beginning. First, I wish someone could have explained how much work it takes to get published—learning the craft, networking, submitting and querying, handling rejections (because we all get passes on our work), and continuing to get published after your first book comes out.
Second, I would have liked to have had an idea of how much money children’s authors are paid. Books, particularly picture books, are a huge investment for publishers sometimes costing them up to $25-30K. And many picture books are only in print for two or three years, so most authors’ earnings are limited unless they’re fortunate to have a top-selling book. According to Hannah Holt’s author survey (2017), the majority of published picture book writers earn less than $10K annually. That wouldn’t have deterred me from writing, but it would have been good to know before I started!
