Happy Thursday Critters! I’m so excited about today’s interview because our guest is…wait for it…
DEBBIE RIDPATH OHI!
I absolutely adore Debbie’s books and I’m thrilled to have her on Critter Lit and share her fabulous interview with you all. Debbie’s newest book, I’M WORRIED, written by Michael Ian Black, just released in June. If you haven’t read this series, you are missing out! I’M WORRIED is the third book in the I’m Bored! Series. The art is playful and wonderful and the text is spot on. Go check these books out! Debbie also offers incredible advice, templates, and posts about writing and illustrating children’s books on her site inkygirl.com.
So without further ado…please welcome Debbie Ridpath Ohi!
Where do you live?
I live in Toronto, Canada.
How many years have you been in publishing?
It depends what you mean by publishing.
My first children’s book came out in 2012: I’M BORED was written by Michael Ian Black and illustrated by me, and was published by Simon & Schuster Books For Young Readers. My first book for grown-ups came out in 2001: THE WRITER’S ONLINE MARKETPLACE published by Writer’s Digest Books.
I think that the first thing I ever had officially published was a series of comics I created when I was in high school which ended up appearing in a cross-Canada newspaper for schools. I ended up winning their overall writing contest - I won a typewriter!
But the very first thing I had unofficially published was a family magazine I created with the aid of my sister and brother called FAMILY WEEKLY. I was the editor, and we all contributed stories, comics, puzzles, contests, and jokes.
Do you write/illustrate full-time?
My first full-time job, was a computer programmer/analyst.
What inspires you to create picture books?
Interacting with young readers.
What surprised you the most working as an author/illustrator?
When I first started illustrating picture books, I was amazed at how much creative input I had. I came from a writer’s world, after all, and used to think that a picture book illustrator just illustrated the author’s text. What I found: there is soooooooo much more to being a children’s book illustrator!
If I could give my young self some advice about writing picture books, it would be this: Leave room for your illustrator. Their creative vision matters just as much as yours. I feel incredibly lucky to have been working with authors, art directors and editors who understand this.
What is your favorite thing about being an author/illustrator?
Two favorite things:
The part of the creative process when you fall so deeply into your work that everything else around you disappears.
Talking with young readers.
What do you find difficult working as an author/illustrator?
Trying not to compare myself to others.
It’s hard not to do this, especially when I’m on social media so much!
The fact is that there are ALWAYS going to be people who seem to be in a better place than me, whether it’s book contracts or awards, bestseller lists, getting more attention and public praise, and so on.
Two things that help the most:
Trying to focus on enjoying my own journey at my own pace.
Talking with young readers and hearing about young readers who love my books. I know I’ve mentioned this earlier, but I do find this helps ground me, reminding me of what’s really important. Sure, I may not have made it onto such-and-such list or someone posted a bad review of my newest book BUT (!!!!) here’s this earnest 2nd-grader who tells me that reading my book inspired her to write a story or draw a picture or helped her in some way.
What do you do to shake the rust off or get new ideas?
Read books. Get out of my office and take a walk. Going to SCBWI and CANSCAIP events. Hanging out in person with Kidlit friends. Read more books.
Anything you are habitual about when it comes to creativity?
What I find helps me the most: focusing on the FUN, and not being afraid to make mistakes.
For me, this means using inexpensive art materials during creative play. I find it hard to immerse myself in fun creative experimentation if I’m using a piece of watercolor paper that costs $5 a sheet, for example.
Another important factor for me: uninterrupted focus time. This can be as short as 15 minutes, but I need to know that during that 15 minutes, I’m not going to be interrupted. This means no Internet, no phone calls, etc.
Can you share a positive experience you’ve had in the Kid Lit community?
Omigosh - this is such a hard question because there have been so many!
Here’s just one: Lee Wardlaw was the first children’s book professional who ever encouraged me in my writing. She was also the one to first tell me about the SCBWI, introduced me to people at my very first conference. After working with me on my first middle grade mss, she introduced me to her agent, Ginger Knowlton at Curtis Brown. Ginger is now my agent.
One of my favorite writing craft books right now is THE MAGIC WORDS: Writing Great Books For Children and Young Adults by Cheryl Klein.
What has been the highlight of your career thus far?
So many highlights to choose from! I’m grateful for all of them.
But I would say one personal highlight was meeting Judy Blume in person after illustrating some of her revamped middle grade and chapter books with Atheneum / Simon & Schuster Children’s.
What is something you wish someone had told you when you first started writing/illustrating?
Working on your craft is important, it’s true, but you also need to get out and start meeting people in the industry. Yes, you are an introvert who dreads the whole idea of “networking” - but you CAN learn how to do it, and will make good friends in the process.
Also, be prepared for rejections. Many, many rejections. Learning how to handle rejection is an essential skill before and after publication.
Can you tell us about your newest book?
I’M WORRIED is a new picture book written by Michael Ian Black and illustrated by me (Simon & Schuster Books For Young Readers), and is part of the I’M.... series of books about emotions. The first was I’M BORED and the second was I’M SAD.
This newest book in the series is about Potato, who is worried about everything. Because anything might happen. When he tells his friends, he expects them to comfort him by saying that everything will be okay. Except they don’t. Because it might not be, and that’s okay too. Still, there’s one thing they can promise for sure: no matter what happens…they will always be by his side.
What’s up next for you?
I’m working on illustrations for GURPLE & PREEN, a picture book story written by Linda Sue Park. I’m excited about this project because Linda Sue wrote it especially for me to illustrate with my broken crayon art! Our book is coming out from Simon & Schuster Books For Young Readers in 2020.
Anything else you’d like to share with aspiring authors and illustrators?
Intelligent perseverance is as important as talent.
And last, but not least, favorite 80s movie?
So hard to choose! I’m torn between Back To The Future (1985) and E.T. (1982).
Huge thank you to Debbie for stopping by Critter Lit today! We are so excited about all of your fabulous books! Congrats on all your success!
DEBBIE RIDPATH OHI is the author and illustrator of Where Are My Books? (2015) and Sam & Eva (Simon & Schuster, 2017). Her writing and/or illustrations have appeared in over 20 books for young people, including titles by Michael Ian Black, Judy Blume, Rob Sanders, Aaron Reynolds, Lauren McLaughlin and Colby Sharp. Her newest book is I'm Worried, a sequel to NY Times Notable I'm Bored and I'm Sad, written by Michael Ian Black and illustrated by Debbie. Debbie posts about reading, writing and illustrating children’s books at Inkygirl.com. You can find out more about Debbie and her work at DebbieOhi.com as well as on Twitter at @inkyelbows and Instagram at @inkygirl.
TO ORDER Debbie’s books, ring up your local bookstore or click here.
Want a chance to win a copy of I’M WORRIED?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, July 25th! US addresses only please.