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GUEST POST: 5 Tips to Market Your Picture Book as a First-Time Author by Desiree Villena

Authors, Craft, Authors + Illustrators, book releaseLindsay Ward2 Comments

Happy Thursday Critters! This week we have a guest post by Desiree Villena, a writer with Reedsy, who’s sharing some tips with us about marketing your picture book as a first-time author. I’m so excited to have Desiree with us today and we hope to share more posts like this in the future along with our stellar line-up of author interviews. Critter Lit’s mission is to help give authors and illustrators a platform to share their work. We hope you find the information we post, share, and promote useful on your creative journey.

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5 Tips to Market Your Picture Book as a First-Time Author

By Desiree Villena

If this is your first time publishing a picture book, you’ve got an exciting journey ahead of you! The playful world of children’s publishing will make marketing your book one of the most joyous tasks you can find in the literary industry. It’s still important and serious work, of course — but you can also benefit from that freedom to be a little extra creative and silly! With that in mind, here are five tips to market your first picture book both effectively and enjoyably.

1. Craft a fun author bio

As a children’s book author — and a picture book author at that — you can afford to be a little less formal than you’d usually be in a professional context. One place where this informality might manifest is your author bio, which can be as absurd and nonsensical as you like.

Take, for example, the beloved Greek children’s author Eugene Trivizas: a criminology professor who completely eliminates his real life from his bio in favor of a more whimsical, child-friendly persona. “Eugene Trivizas is an explorer, inventor and a juggler of runny eggs,” his bio reads. “Eugene lives on the Island of Fireworks together with his Parrot, Cynthia, his White Elephant, Pukipon, Lilly, his Spotted Leopard, the Invisible Horace, the Invisible Kangaroo and many other friends and acquaintances.” 

If you’re publishing your picture book traditionally, you probably put together an author bio when you were looking for a literary agent. However, the bio that will appear on your website can be more playful and intriguing than that, and more in line with the eccentricity of many pictre books! 

That said, as a first-time author, it’s understandable that you may not want to go all the way with a completely wacky author bio — and you might be inclined to keep it shorter, too. Still, you can introduce an element of playfulness at the end of a completely serious bio. Anything that makes your reader smile will do the trick!

As a concrete example, pets are always a safe bet. If your bio ends with, “She lives in Ontario with her cat, Estelle,” you could add a detail about that pet, like “She lives in Ontario with her cat, Estelle, whom she deeply admires for her ability to communicate with household objects.” This sort of bio may be especially effective if your picture book is related to animals, like Sarah Kurpiel’s Lone Wolf. But animals aren’t the only way to make a bio fun; check out Abi Kushman’s bio at the bottom of this interview with Critter Lit for another great example.

2. Keep your design materials consistent

To ensure that your author brand is recognizable, you should aim to keep all design materials within a consistent aesthetic. What I mean by this is that the visual impression conveyed by the  design of your book cover should not be at odds with the appearance of your website, or any other promotional materials (like social media image posts).

In fact, these visual elements should not just avoid clashing messages; they should be perfectly synchronized. This is a key concept of branding, which involves establishing a clear visual identity. Such an identity includes things like your color scheme, typography, or any logo-style shape by which you might market a series of picture books.

Visual consistency helps make your marketing campaign more memorable and holds your online presence together. So as you embark on this journey, talk to your illustrator/designer and agree to some rules that will guide the visual side of your marketing strategy.

3. Go out and meet your readers

Possibly the most exciting part of a marketing campaign for both yourself and your young readers is going out and meeting each other! If your book is being published traditionally, talk to your publicist about attending book festivals, visiting schools, and doing readings in libraries and bookstores. If you’re self-publishing, reach out to the people organizing these things yourself, and simply state your interest in (and enthusiasm for) being part of their future events!

You can even suggest some activities yourself to keep your requests from being too broad and vague. For example, say you’re happy to visit their school and hold a writing or illustration workshop, followed by a short reading of your picture book. And it should go without saying, but I’ll say it anyway: whatever sort of event you end up suggesting, always make sure to arrive armed with copies of your book to sell! 

The pandemic may make it tough to implement this part of your marketing plan at the moment, but that doesn’t mean you can’t do anything to reach your target market. Plenty of bookshops are holding their regular events online, so don’t hesitate to get in touch and highlight that you’d still be happy to be part of an online event. It’s less than ideal, but better than nothing!

4. Use social media to your advantage

While we’re on the subject of online promotion, social media will be enormously helpful to you during this difficult COVID-19 period. If you’re successful in holding some online events, as mentioned above, you’ll hopefully see flurries of interest on your social media pages. Stay active on these pages by sharing both promotional and fun, helpful materials (such as book recs for parents who are struggling to keep children occupied at home).

Again, if you have a publishing deal, your publisher’s marketing team will be able to help with this; otherwise, be creative! Can you put together any educational activities using some of the illustrations from your book? Or perhaps you can ask your illustrator for outline-only drawings of your characters, to supply to young children as a coloring exercise? Anything that will get your audience to interact with you digitally is a hugely positive addition to a marketing campaign conducted from home!

If you have a mailing list (as you should), make sure to repeatedly provide sign-up links on your social media pages. A mailing list is an incredibly valuable tool, even for picture book authors — your young readers may not have email yet, but their parents do! Use your mailing list to keep up a friendly stream of communication and resources for these parents (and teachers and librarians and more), and always notify them when you have a new book coming out.

5. Give author interviews

On the note of promotional activities you can safely conduct from home, one of the most fun ways to improve your digital networking is to give author interviews — just like the interviews on Critter Lit’s website! Aside from children and their family members, another part of your audience is going to be fellow authors, illustrators, and  publishing professionals who love picture books and will be keeping up-to-date with new releases.

These readers will be curious to hear where you find inspiration, how you arrived at your picture book idea, and how your overall creative process works. Remember: interviews are a crucial aspect of belonging to a professional literary community in which authors help one another promote their books. And these interview articles will definitely be something to share on those social media accounts we discussed!

I hope these tips are helpful to you and that they inspire you to create (or expand upon) an amazing marketing plan of your own. As a first-time author, it’s okay if you make some mistakes — what you don’t want to do is be too afraid to be creative, and end up launching your book with a fizzle rather than a bang. Be brave, and best of luck!


Huge thank you Desiree for stopping by Critter Lit today and sharing some wonderful tips with us!


DESIREE VILLENA is a writer with Reedsy, a marketplace that connects self-publishing authors with the world’s best editors, designers, and marketers. She's very passionate about helping authors reach their dreams, and enjoys reading and writing short stories in her spare time. Desiree hasn't yet written a children's book of her own, but maybe someday!

Critter Lit Call for Questions

Authors + Illustrators, Authors, Craft, publishingLindsay WardComment

Happy Thursday Critters! Today I’m reaching out to find out about YOUR questions. Questions about writing, illustrating, querying, submissions, publishing— and everything else in between. Critter Lit will begin featuring a Q & A post every month answering YOUR questions. So send them over to lindsay@critterlit.com. I look forward to hearing from you!

xo

Lindsay

What's up on deck? Tune in next week for an interview with debut author Jonathan Stutzman!

WriteOnCon 2019 Blog Post: Working Full-time as an Author/Illustrator

Authors, Authors + Illustrators, Craft, IllustratorsLindsay Ward7 Comments

Happy Thursday Critters! Earlier this month I had the opportunity to present at WriteOnCon, a wonderful online conference for the Kidlit community. If you don’t know what WriteOnCon is, make sure to check it out next year!

Recently, I’ve been receiving some questions about what it’s like to be a full-time author and illustrator, which oddly enough was the topic of my blog post for WriteOnCon this year. I’ve been making picture books full-time for almost nine years now. There have been many ups and downs. Some years have been fantastic, and others have been scary and awful. (Sorry!) That’s probably not what you want to hear. Okay, let me start again…

Here’s what I know about doing this amazing, terrifying, and creative job that we do as writers and illustrators full-time:

  • If you don’t love it, it’s not going to work. I mean really love it. Like a child. (I don’t say that lightly, I have two kiddos myself). Like children, making books is both exhilarating and exhausting. And you have to be able to roll with that, which isn’t always easy. But, let’s be honest, the best things in life never are.

  • Commit to your craft. Even if you aren’t doing this full-time. Carve out time to be creative, ideally every day (if you can), but whatever time you can dedicate, be consistent with it. Even though I don’t leave my house to work, I still treat it like a job in that I go for a designated time, to a designated space.

  • Your creative space is sacred. Make a space for yourself that you feel completely comfortable in, designated for your craft. A place you can foster creativity. It could be a spare bedroom, a small den, a closet! (If Harry Potter can live in one, you can certainly write in one!) Whatever works for you. But NOT the dining room table or another shared communal space. This space should be just for you and your craft.

  • Respect your craft. Nurture it. Let it flourish. Take care of it.

  • Patience. Patience. Patience. Practice patience every day. You’ll need it. Especially if you are able to make the jump to creating books full-time. Publishing is notoriously slow.

  • Balance. I can’t stress this one enough. I do not believe in working a creative job like a normal, full-time, eight-hour-a-day one. Creativity requires balance. It means taking a break and going for a walk. Or stepping out of your studio to run some errands. Or going for a swim. I’m not talking about procrastination. Think of it more as meditation. I may be going for a walk, but I’m contemplating my work. Mulling it over. Considering all the pieces in order to understand how to put them together.

So here’s what a typical day for me as a full-time author/illustrator looks like:

5:00 a.m.  - Wake up, make coffee, head to my studio.

7:00 a.m. - Get my kiddos up, eat breakfast, get ready for the day (at this point I’ve already worked two hours, uninterrupted by kids and life, which for me, is an incredibly productive and positive way to start the day).

8:00 a.m. - Go for a family walk with my husband (who also works from home), my two kiddos, and our dog. We live in a national park, so walking and hiking is a big part of our day to day and the balance I try to maintain in my workday. 

9:00 a.m. - Come home, put my 15-month-old down for a nap. If it’s not a school day for my three-year-old, then my husband watches him while I go back to work for another two hours.

11:00 a.m. - Make lunch. Take over watching the kiddos while my husband works in his office. I’m done working for the day. I typically only do four hours of creative work a day. It doesn’t sound like much, but I find I’m incredibly productive in those four hours.

The rest of the day is filled with a mix of naps, errands, taking care of stuff around the house, and making dinner.

7:30 p.m. - kiddos are in bed. I tackle emails, play catch-up (writing blog posts like this one), and do some editorial work, either with my husband or on manuscripts submitted through Critter Lit.

Then I get up and do it all over again. This may sound crazy. But somehow we make it work— watching our kids ourselves and working. Don’t get me wrong, there are days where life is nuts in our house, but most days it works. Most days it’s a balancing act. A dance of sorts.

Now, I’m going to tell you this next part to push you. Because the one thing I hear all that time from aspiring writers and illustrators is that they don’t have time to commit to their craft. But here’s the thing…time is what you make it. And if you don’t respect your craft enough to make time for it, then you may as well let it go. You have to believe in the value of your work. No one is going to do it for you.

My plate is full. Like really full. Just like all of you. We are all super busy. In addition to writing and illustrating picture books, I run a small stationery and design business with my mom. Two years ago I decided to start a Critter Lit, offering free critiques, interviews, and advice to up-and-coming writers and illustrators. I have two kiddos under the age of four. We live in a constant state of renovation because my husband and I decided to buy a total fixer-upper. This is my life. I tell you this not to impress you. I tell you because if I can make time, then so can you.

Now go make time for your craft. You totally got this!

Fighting the Writing

Craft, Authors, Authors + IllustratorsLindsay WardComment

Happy Thursday Critters! Today’s craft post is all about fighting the writing.

Being Type-A, I work around a pretty structured schedule, it’s the only way I can get anything done—and I stay pretty busy between all of the plates I’m spinning on any given day. That being said, there are days, more than I would like to admit, where getting words on the page is like pulling teeth. I sit, staring at the computer screen, waiting for something brilliant to come to me, which to be honest, never does when I try to force it. The cursor blinks at me, laughing. Or so it feels…

So how do you pull yourself out of that? How do you sit down and write when it’s the last thing you want to do? The answer is pretty simple, but you’re not going to like it: YOU JUST HAVE TO WRITE THROUGH IT. Write through the fog and the self-doubt and the fear. I’m a firm believer that you have to write a bunch of crap to get to the good stuff. I wish there was a more eloquent way to say that, but I’m sorry, there’s just not. The muse is fleeting and unpredictable, but when she shows up everything suddenly clicks into place and the magic starts to happen. Getting there…well, sometimes it’s hell.

I make the mistake of self-editing while I write. I want it to be perfect the first time I do it, which as anyone who writes knows, is just ridiculous! Writing is revision and inspection and constant consideration. We write because we have too. You wouldn’t put yourself through the agony of it all if you didn’t absolutely have to do it. If it wasn’t apart of who you are, right? Otherwise, you would be miserable constantly.

For me the trick is consistency. Make a commitment to your craft. Do it every day, in some form or another. Now, I say that because I’m not someone who physically writes every day. I tend to be very cerebral with how I work. I used to beat myself up over that, feeling as though I wasn’t writing enough. Conceptually, most of the framework for my books happens in thought, not with actual pen and paper. But I make time for contemplating my work every day, usually on walks with our dog. And when I say contemplating, I don’t mean procrastinating. I mean actual problem-solving. I generally only sit down to write and/or sketch when I feel ready (unless I’m trying to force it, as previously mentioned, which is never a good idea). Sometimes that’s days…months…or years (WHEN BLUE MET EGG is a perfect example of years).

Creatively, everyone works differently. Each manuscript is its own challenge and will require flexibility in variation from you. So don’t do that thing where you go on Twitter and you read about fabulous book deals while your blank document glares at you with its oppressively, blinding light. That certainly won’t help you get to the good stuff. Nor will it inspire you. As much as I love how connective and supportive social media can be, it can also be incredibly distracting and isolating. You have to learn to tune out the white noise. Which I realize is a lot easier said than done. Whether that white noise is you, your peers, or the internet, find a way to unplug and focus on the work.

So now that I’ve told you to make a commitment to your craft, I’m also going to tell you to take a break from it. Often. Creative work, and life for that matter, is all about balance. But it’s really easy to throw yourself off balance and continue stumbling around without even realizing it’s happening. So make time to get away. Experience the world. See new things. Spend time with loved ones. Read a book! Whether it’s for a ten-minute walk or month-long vacation, just step away. I can’t stress the importance of getting out of your own head and re-charging enough.

I’m a list person. They give me a sense of control and accomplishment in my busy life. Which, I know, sounds silly, but it’s oh so true. So I’m going to suggest this: write down your commitments. Your commitment to your craft and to taking a break. How much time will you allow yourself for both? Make a note of that. Then try to stick with it. I find that writing it down makes it more important and real. Preferably in a place where you can see it, first thing, every day.

I know how easy it is for life to get in the way. Day jobs, relationships, kids— they all require precious amounts of your time. But if you are really serious about writing (and/or illustrating) you have to make time for it amidst everything else. Because you have to. It’s what you are passionate about, right?

So go out there and write some good stuff!

Until next time…

Happy Writing!

Lindsay


What’s up on deck? Tune in next week for an interview with author/illustrator and art director at Simon & Schuster Books for Young Readers, Lucy Ruth Cummins!