Happy Thursday Critters! It’s so nice to be back with you all. I hope you are staying healthy and safe during this quarantine.
I’m thrilled to be sharing today’s interview with you because today is the very first time I’m interviewing a debut published author who I had the chance to work with through Critter Lit’s critique service! It’s so wonderful to see a project come full-circle. Frank and I receive lots of critique requests through the site, sometimes we get to work with people again, but most of the time we have no idea what happens to the manuscripts we critique. Generally, we are a stop along the publishing journey for many picture book authors. But with Paulette’s manuscript, I’m thrilled to say she got published! I was so excited to hear she sold her manuscript when she reached out to let me know. It’s wonderful to be apart of that process. I’m so excited for Paulette and can’t wait to share her debut book, A DOLL FOR GRANDMA, illustrated by Samantha Woo, with all of you today.
So without further ado, please welcome Paulette Bochnig Sharkey!
Where do you live?
I live in East Lansing, Michigan, home of Michigan State University. Go Green!
When did you know you wanted to write picture books?
I didn’t grow up with picture books. The first childhood books I remember are the ones I read to myself, starting probably around 4th grade, like Nancy Drew mysteries and the Betsy-Tacy series by Maud Hart Lovelace. I still have all my hardcover copies.
My introduction to picture books came much later, when I became a mom, which was in 1984. My daughter and I shared huge stacks of books every bedtime. I loved the minimalism of picture books and decided I wanted to write one. But decades passed before I made that happen.
Tell us about your road to publication, what did that involve for you?
When I was a stay-at-home mom, I sold a lot of nonfiction articles and word games to children’s magazines like Highlights, Ladybug, Cricket, and Hopscotch.
But it wasn’t until I retired from my job as a reference librarian that I got back to my goal of writing a picture book. I joined SCBWI and took a Writer’s Digest University course, “Writing the Picture Book.” During that 4-week course, I drafted a manuscript that, after many critiques (including a very helpful one from you, Lindsay!), became my debut picture book.
Can you share a bit about your process?
Because I write more nonfiction than fiction, my process usually starts with research. I like hunting for interesting, even elusive nuggets of information. I think it’s the reference librarian in me. The problem is, I enjoy it so much that I sometimes have a hard time stopping the research and getting to the actual writing!
I like to have a fairly good opening line before I start writing. Of course, the opening often changes multiple times, but I seem to need it to get me going on a story. Recently, I’ve started writing a pitch before I write my first draft. I put the pitch at the top of my WIP to keep me on point.
What do you do to shake the rust off and get new ideas?
Like many others, I often get ideas when I’m not at my desk. I find walking helps clear my mind to make room for new ideas. I read a lot for inspiration, heeding the advice of poet Jane Kenyon that writers need to "Read good books, have good sentences in your ears."
During the Covid-19 pandemic, when it has been hard to focus on writing at all, I’ve turned to one of my favorite anxiety-tamers for word lovers: crossword puzzles. It’s hard to worry about your problems when you’re solving a crossword.
Anything you can’t live without while you write?
I need my computer, a good light source, and complete quiet. It’s nice if I have a cup of hot green tea, too, but that’s not a requirement! And I prefer to write first thing in the morning, before my mind gets cluttered with concerns of the day. I’m not a go-to-a-coffee-shop-to-write kind of person (and we can’t do that right now anyway). Too many distractions there. I’m happiest writing in my upstairs home office, with a nice view of squirrels scampering through the evergreens.
Any authors who inspire you?
Oh, there are so many! I adore the writing of Kevin Henkes. So much humor and heart. A Weekend with Wendell is the first picture book I remember reading with my daughter that made us both laugh. In fact, I’m sure I laughed harder than she did.
I’m a big fan of picture book biographies and am working on one myself. Two titles that I greatly admire and return to again and again for their lyrical language are Margarita Engle’s Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln and Jennifer Berne’s On a Beam of Light: A Story of Albert Einstein.
And there have been some beautiful picture books about memory loss published in the last few years, like The Remember Balloons by Jessie Oliveros, The Tide by Clare Helen Welsh. Travels with My Granny by Juliet Rix, Finding Grandma’s Memories by Jiyeon Pak.
Dream project to work on?
I’m a pianist and have written several music-themed picture book manuscripts, including a biography of 19th century pianist Clara Schumann. I like projects that let me shine a light on lesser-known female musicians.
I also have an idea for a book about adoption that’s dear to my heart but I have not yet been able to find a way into that story.
Tell us about your debut book.
A Doll for Grandma: A Story about Alzheimer’s Disease, illustrated by Samantha Woo (Beaming Books, May 2020), is a picture book about a little girl named Kiera, whose grandmother develops Alzheimer’s disease and moves into a memory-care home. There, Kiera embraces Grandma’s altered sense of reality and figures out a new way for the two of them to play together and sustain their close relationship. It’s a story about empathy, kindness, and the special bond between grandparent and grandchild. It’s about loving and accepting people as they are, even when they change.
My inspiration to write A Doll for Grandma came from many years working as a volunteer pianist in memory-care homes and from caring for family members with dementia. The best way to interact with people living with Alzheimer’s is to enter their reality, rather than trying to bring them back into our world. My main character models this behavior when she gives Grandma a baby doll. Kiera and Grandma care for their baby dolls together, sharing moments of joy and meaningful connection.
I’m fortunate to be able to donate all my author proceeds from the book to support Alzheimer’s research. We must find a cure.
What’s up next for you?
I’m querying agents and hope that 2020 is the year I receive an offer of representation!
And last, but not least, favorite 80s movie?
Big, from 1988, a sweet, funny Tom Hanks movie, directed by Penny Marshall. There’s a great scene where Hanks and Robert Loggia play “Chopsticks”—with their feet—on a giant keyboard at an FAO Schwarz toy store.
Huge thank you to Paulette for joining us on Critter Lit today! Congratulations on your debut!
PAULETTE BOCHNIG SHARKEY worked for many years as a librarian, first in her home state of Michigan, and later in Australia, Nevada, and Wisconsin. She is the author of two library reference books and dozens of articles for children’s magazines. Paulette has also worked as a recipe indexer, braille transcriber, developmental editor, proofreader, and ghostwriter. A DOLL FOR GRANDMA is her first children’s book.
FOR MORE INFORMATION on Paulette, visit her online or follow her on Twitter @PBSharkey
BUY THIS BOOK To purchase a copy of Paulette’s book, click here.
WIN A COPY! Want to win a giveaway copy of Paulette’s debut book, A DOLL FOR GRANDMA?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 14th! US addresses only please.
