Interview with Illustrator Christina Wald

Happy Thursday Critters! I’m thrilled to be back this week with an illustrator interview! I love all the authors and author/illustrators we have on Critter Lit, of course, but It’s not often I get to feature an illustrator. Today we have an immensely talented illustrator who has illustrated over 60 books! She’s here to tell us all about her new books (4 came out last year!) and some insight into her process.

So without further ado, please welcome Christina Wald!

Where do you live?

Cincinnati, Ohio

How many years have you been in publishing?

Since the early 90s. I started doing Children's books in 2005.

How did you first get published?

I first did art for role-playing games in the 90s. I took my portfolio to conventions and eventually did work for Dungeons & Dragons, Star Wars, and Lord of the Rings books and cards. I refocused my portfolio in the early 2000s and my first picture book was in 2005 for Publications International. It was Look, Find & Learn: Animals of the World. I got my first books from art directors seeing my portfolio online starting with Scholastic. I did art for Scholastic News for many years.

Do you illustrate full-time?

Yes.

What inspires you to create picture books?

I love the medium and form of storytelling. I am now getting into writing but it is tricking because my schedule fills so quickly. My book about sketching just went to print and it was the hardest thing I have ever done. I had to project manage, write, hire and editor and designer, and create any additional artwork. It makes me respect all those roles in a new way. I am used to doing all my illustrations and handing them off to the designer. It has also emboldened me to write more for children's books and comics. This is a great time to fuel your own dream projects. I have so many ideas.

What surprised you the most working as an illustrator?

Each project is so different. No two books are alike and it can be hard to predict how long it will take to paint. There are so many factors.

What is your favorite thing about being an author/illustrator?

The creative freedom and the joy of doing something I love. Every part of the process is so interesting. I love researching whatever animal I am illustrating or figuring out the look and design of characters and the spaces they inhabit in the story.

I have traveled to many places to research for books I had to illustrate. Once, I met with bat rescuers for a book I illustrated by Carole Gerber called Little Red Bat. I also went to Montana for The Wild Life of Elk by Donna Love, which was a partnership with the Rocky Mountain Elk Foundation and the US Forest Service. Most recently, I went to Switzerland to photograph a village I was illustrating for Werd & Weber. Sometimes I meet with scientists and contact people for illustration details for historical illustrations.

Thumbnailing and researching a new book is so full of excitement and possibility.

What do you find difficult working as an illustrator?

Scheduling and planning. I am always working on several projects and am booked through 2025. I have to make sure I make time for family, travel, and interests. Balance is so difficult and yet very important. Illustrating a children's book is like running a marathon and a graphic novel is like 10 marathons. You cannot finish one in a couple of all-nighters.

What do you do to shake the rust off or get new ideas?

Through urban sketching and my sketchbook. Getting into urban sketching made me remember why I love drawing.

Anything you are habitual about when it comes to creativity?

I try to sketch every day.

Can you share a positive experience you’ve had in the Kid Lit community?

People are so supportive. I had a friend send my portfolio to his editor when I was first getting into kid's books and recently, I got a really nice referral from another illustrator for a really cool book. There is so much generosity. I have several groups of artist friends I meet with online and we share our projects and talk about the business.

Recommended reading?

My favorite books growing up were the McCloskey books like Blueberries for Sal and the Francis series by Russell and Lillian Hoban. My current favorites are Dan Santat (Oh No! Or How My Science Project Destroyed the World, Beekle), David Wiesner (Mr. Wuffles is GENIUS), and Aaron Becker (Journey).

What has been the highlight of your career thus far?

That is tough to say, I have had the opportunity to work on some really cool books with many amazing authors and teams. I had the opportunity to illustrate the San Diego Zoo's Centennial picture book in 2015 and Sloth's Treehouse Inn is with the same team from the zoo. I also recently illustrated about about Kew Gardens (Return to Kew Gardens) by Marsha Varrow which had really lovely characters and is unique. It was also really exciting to work with Mazza Museum.

What is something you wish someone had told you when you first started illustrating?

Be patient.

Can you tell us about your newest book?

Sloth's Treehouse Inn came out last fall. It is about Santiago the sloth letting all his animal friends live in his tree to escape the destruction of the rainforest. It was so fun to illustrate. Sloths are a favorite animal of mine, I love their faces. The Cincinnati Zoo and the San Diego Zoo have the same species of sloth so I went to the Cincinnati Zoo to sketch and watch them.

Studies for SLOTH’S TREEHOUSE INN by Carrie Hasler, Illustrated by Christina Wald

Interior sketches for SLOTH’S TREEHOUSE INN by Carrie Hasler, Illustrated by Christina Wald

Interior art from SLOTH’S TREEHOUSE INN by Carrie Hasler, Illustrated by Christina Wald

I actually had 4 books (Sloth's Treehouse Inn, Return to Kew Gardens, The Train Rolls On to the North Pole, and Alp Nik) come out late last year. COVID was a crazy time and a bunch was released at once. I also had a book re-release from Storey Publications called The Barnyard.

Interior art from THE TRAIN ROLLS ON TO THE NORTH POLE written by Jodi Adams, Illustrated by Christina Wald

What’s up next for you?

I am finishing Hadori Stands Up by Shari Lyon. Shari wrote the San Diego Zoo Centennial book and this is the 4th in her Read to Me, Sing to Me series. It is about a hippo who stands up to poachers to save her friends. It is a really moody and cool book with a earworm song. It will be available soon through Kickstarter, stay tuned but following my Instagram or blog. I also have two more train books coming up. The latest, The Train Rolls On to the North Pole, came out in fall 2022. The one I am working on is The Train Rolls On to the County Fair. I have a couple more books lined up to be revealed soon.

Interior sketches from Hadori Stands Up written by Shari Lyon, illustrated by Christina Wald

Interior art from Hadori Stands Up written by Shari Lyon, illustrated by Christina Wald

Interior art from Hadori Stands Up written by Shari Lyon, illustrated by Christina Wald

Anything else you’d like to share with aspiring authors and illustrators?

Keep creating work and stories. Don't get distracted by comparing yourself to other creators online. Focus on the type of art you want to do and love; it is the road to happiness.

And last, but not least, who is your favorite children’s book character?

Madeline, of course.

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Huge thank you to Christina for stopping by Critter Lit today! Congrats on all your new books!

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CHRISTINA WALD is a designer, illustrator, and educator. She has illustrated over 60 picture books, many about animals of all types! She also teaches illustration and narrative story telling at Northern Kentucky University. She loves to travel and sketch all over the world and just got back from New Zealand. Her book Sloth's Treehouse Inn came out in the fall and Sketching Here & Everywhere is out at the end of May. Mazza Museum acquired some of her works a couple years ago for their collection and the Toledo Children's Library also has a piece of her work from Little Red Bat. She lives in Cincinnati, Ohio with her husband and 3 cats.

FOR MORE INFORMATION about Christina follow her on online: christinawald.com or follow her on Instagram: @christinawald_art

ORDER THIS BOOK To order a copy of SLOTH’S TREEHOUSE INN, click here.

WIN A COPY! Want to win a copy of SLOTH’S TREEHOUSE INN?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 25th! US addresses only please.

Interview with Author + Illustrator David Catrow

Happy Thursday Critters! Today we have an interview with the incredible author and illustrator, David Catrow, whose books I’ve adored since wanting to become an author/illustrator myself. I remember the first time I discovered STAND TALL MOLLY LOU MELON and poured over the illustrations— so much to look at! One of my favorite details in his books are the dogs— they are fantastic and such accurately, hilarious portraits of canine behavior. I’ve always loved David’s books and I’m thrilled to have him with us today to talk about his experience in the industry and his new book, I WANT AN APPLE: HOW MY BODY WORKS, by David L. Harrison with Holiday House.

So without further ado, please welcome David Catrow!

Where do you live?

I live in Ohio but mostly I live inside my head. Being an artist is a 24/7 existence and there are times when it’s hard to separate what is actually happening around me and what I am imagining or wish was happening around me. Which is probably why I’m not in an occupation like brain surgery or being an airline pilot. 

How many years have you been in publishing?

My First Book was published in 1990 which is well... a long time ago (you probably should do the math, I am a picture person) 

How did you first get published?

It was completely unexpected actually, I was studying to be a doctor at the time and someone asked me if I could illustrate the procedure for doing an emergency cricothyrotomy on an un-anaesthetized patient in the middle of nowhere. My drawing was published in the Journal of Emergency Medicine and here I am. 

Do you write/illustrate full-time?

Yes, I write and illustrate full-time, but I would happily do it more if I could figure out how to get the earth to rotate a little bit slower thus gaining me a few more hours of daylight. 

What inspires you to create picture books?

Oh, anything and everything—you name it, I’ve been inspired by it... (Go ahead, name something, the first thing that comes into your mind and just shout it out!)  I heard you! YUP, I’ve been inspired by that too.

What surprised you the most working as an author/illustrator?

What surprises me the most is that I’m never done. The minute I’ve finished a book that I think pretty much says it all, I’ll suddenly think of something else to say- (which is surprising because most people who talk to me think I’m a person of few words.) 

What is your favorite thing about being an author/illustrator?

My Favorite thing about being an Illustrator is, that not only do I have something that I love to do, but I am able to keep doing it for as long as I wish. After I’m done being an artist I plan on devoting all of my time to learning how to catch a frisbee in my mouth. 

What do you find difficult working as an author/illustrator?

For me the most difficult thing is trying to swat away all the pesky other ideas that buzz around my head and interfere with me doing my work that is front of me.

For me the most difficult thing is learning that I can get carried away sometimes and forget what it is that am supposed to be doing. 

-which reminds me of a funny story about an elephant, a turnip, and a guy named Ned who all decide to go on a road trip together- Ned didn’t have a driver’s license so the turnip has to drive, because, honestly, whoever heard of an elephant driving a car.

(sorry, what the question again?)

What do you do to shake the rust off or get new ideas?

I get lots of sleep, I eat right and I take a multi-vitamin.  

Anything you are habitual about when it comes to creativity?

I eat right, I get lots of sleep, and I take a multi-vitamin.

Recommended reading?

Everything and anything.

What has been the highlight of your career thus far?

Waking up and doing what I love to do—Oh and playing with my dog.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me that you can’t do it all.

Can you tell us about your newest book?

Your body is busy, busy, busy! Learn how it works in this funny-but-informative book.

I want an apple. Smart brain, help me find one. Sniffy nose, smell the apple. Bright eyes, help me see it.
Legs, feet, arms, teeth, tongue, tummy . . . and long intestine too . . . all snap into action when a child decides she wants an apple. A clever and humorous introduction to body parts and their function.

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House

Anything else you’d like to share with aspiring authors and illustrators?

Keep working hard at what you love to do and eventually you will make it- no matter what it is that you want to do- whether it’s juggling on a tightrope, walking in space, writing poetry, or singing an aria, or anything in between- all the people that are doing those things now, were once like you.  

And last, but not least, favorite 80s movie?

Turner and Hooch.

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DAVID CATROW is a political cartoonist, artist for animated films, and illustrator of best-selling books for children, including two New York Times Best Illustrated books. His books for Holiday House, which he also wrote, are The Fly Flew In and Fun in the Sun. He lives in Ohio. Learn more about him at Catrow.com.

FOR MORE INFORMATION about David, visit him online: www.catrow.com

Or follow him on social media:

@DavidCatrow (Facebook, Twitter, Instagram)

BUY THIS BOOK To order David’s books, click here.

WIN A COPY! Want to win a copy of I WANT AN APPLE: HOW MY BODY WORKS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 18th! US addresses only please.

Interview with Illustrator Rachel Sanson

Happy Thursday Critters! Today we have an interview with a fabulous illustrator who released a new book with Sleeping Bear Press in March, THE LADY OF THE LIBRARY, written by Angie Karcher. I’m thrilled to have another illustrator stopping by Critter Lit today to share her experiences in Kidlit, process, and advice for other creatives out there!

So without further ado, please welcome Rachel Sanson!

Where do you live?

I live in Bristol in the UK. At the moment I’m in a shared house with 3 lovely housemates and a very chaotic Bengal cat.

How many years have you been in publishing?

I’ve been in publishing for about 5 years now.

How did you first get published?

I first got published after signing with my first agency, I illustrated a small educational book for a Canadian publisher. It was my first experience illustrating professionally, I think you’d struggle to find it now and I’m ok with that!

Do you write/illustrate full-time?

At the moment I do, I work in a shared studio space with other creatives which is great.

What inspires you to create picture books?

I’ve always loved telling stories not had much experience with writing, so instead I told the stories through drawing. It's a lot of fun to flesh out an imaginary world and the characters in it.

What surprised you the most working as an illustrator?

You learn very quickly about things you do on autopilot, for example shortcuts you take in drawing and objects that look nothing like they should! Because working professionally with publishers is a much more collaborative process these things are pointed out to you, and you discover a lot about yourself.

What is your favorite thing about being an illustrator?

I most enjoy being able to draw silly things for a living! It’s great to be given the freedom to explore a subject as you want to, and being trusted to come up with the right results.

What do you find difficult working as an illustrator?

Of course it’s always stressful to be in a career where your income isn’t stable or guaranteed. The most difficult part is probably convincing other people (and yourself) of your worth. Unfortunately, it is still really common to be offered work with unacceptably low fees, and having the confidence to question and say no to that is something I only learned over time.

What do you do to shake the rust off or get new ideas?

I’ve learned that I personally go through phases of having ideas and feeling inspired and at other points being much more in the mood for organization and problem solving. It’s not always convenient but I think it’s good to try to go with the flow and not fight against whatever mood you’re in. Some days you can sit with the sketchbook in front of you and feel completely stuck and other days you’re filling pages up as fast as you can.

Anything you are habitual about when it comes to creativity?

I’m trying to get better at planning out work and putting in a good amount of research before diving straight into line art, which is sensible but difficult for me as I like to work things out as I go. I also try to draw every day even if it’s just a few sketches that don’t go anywhere.

Can you share a positive experience you’ve had in the Kid Lit community?

The Kid Lit community on social media was really helpful while building my portfolio after graduating from university. I’ve met a really positive group of people who encouraged and inspired me as I was developing my portfolio. It’s been amazing to see so many of these artists go on to be published and bring out gorgeous books. I think it would have been very hard to stay motivated without positive feedback from other people in the illustration world.

Recommended reading?

I’ve been reading a lot of end-of-the-world novels which I don't think anyone needs lately! So I’ll suggest some recommended listening instead. If you’re a creative you can’t go wrong with The Creative Pep Talk and Make it then Tell podcasts.

What has been the highlight of your career thus far?

Probably the first time I received a copy of one of the books I illustrated, it was amazing to have it as a real object!

What is something you wish someone had told you when you first started illustrating?

Generally, Know your worth! And on the technical side it’s really important to learn the fundamentals of drawing before you try to develop a style. Styles are something that appear over time whether you notice it happening or not and it’s much harder to work backwards and figure out why your stylized characters look strange. So get out there and sketch from life!

Tell us about your newest book.

My newest picture book is The Lady of the Library, written by Angie Karcher and published by Sleeping Bear Press. It's the story of a ghostly lady haunting a library that is about to be closed. All seems lost until a little girl appears and the two team up, putting together some wild ideas to attract visitors and bring the place back to its prime!

Interior art from THE LADY OF THE LIBRARY by Angie Karcher, illustrated by Rachel Sanson published by Sleeping Bear Press

The story focuses on the importance of libraries and community space, and its main character is based on The Grey Lady of Willard Library. The employees of the real library were so happy to be haunted that they set up online webcams for anyone to try and catch a glimpse of their ghost!

Interior art from THE LADY OF THE LIBRARY by Angie Karcher, illustrated by Rachel Sanson published by Sleeping Bear Press

Working on this book was a lot of fun, it was a great opportunity to draw some dark spooky scenes and, of course, lots and lots of books.

Interior art from THE LADY OF THE LIBRARY by Angie Karcher, illustrated by Rachel Sanson published by Sleeping Bear Press

What’s up next for you?

Right now I’m taking a bit of time to experiment with my work and try new things, as well as trying my hand at writing a few story ideas. I’d love to keep working on picture books in the future.

Anything else you’d like to share with aspiring authors and illustrators?

Be nice to people and don't be worried to approach your peers! Most illustrators I’ve met are really lovely friendly people, and it’s great to have people in the know who can support and advise you. Also a lot of us work from home, and are away from office small talk, so we’re pretty up for a chat!

And last, but not least, favorite 80s movie?

My favourite 80s movie has to be Labyrinth. It’s probably also my favourite movie generally!

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Huge thank you to Rachel for stopping by Critter Lit today! Congrats on your new book!

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RACHEL SANSON is an illustrator of children’s books and is currently based in Bristol, UK.

Originally from a tiny town in the North of England, she graduated from the University of Lincoln with a degree in illustration after 3 years in a little studio perched on the top of a very steep hill.

Rachel loves to work on children’s fiction and enjoys illustrating weird and wonderful characters and the worlds they live in.

Rachel’s past work includes the Topsea middle grade novel series and the Tails from History educational book series. Rachel’s first picture book, The Lady of the Library was published in 2021 by Sleeping Bear Press.

FOR MORE INFORMATION about Rachel, visit her online: https://www.rachelsanson.co.uk/

or follow her on social media:

Instagram @Rachelsansonillustration

Twitter @rachel_sanson

ORDER THIS BOOK To order a copy of THE LADY OF THE LIBRARY, click here.

WIN A COPY! Want to win a copy of THE LADY OF THE LIBRARY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, August 26th! US addresses only please.

Interview with Debut Author/Illustrator Paddy Donnelly

Happy Thursday Critters! Today we have an interview with author/illustrator Paddy Donnelly! His newest book, THE VANISHING LAKE, just came out this week with Yeehoo Press. The art in this book is charming and the story is fantastic too— it’s based on a real lake in Ireland that disappears and reappears depending on the weather. I love a good mystery. I’m thrilled to have Paddy with us today to chat about his new book and becoming a debut author/illustrator.

So without further ado, please welcome Paddy Donnelly!

Where do you live?

Belgium, however I'm originally from Ireland.

When did you know you wanted to write/illustrate picture books?

My background is in web design. I've never formally trained as an illustrator and only started experimenting with illustration a few years ago. I got into making iPhone apps for kids, which was a great mix of design and illustration, and that then got me interested in trying my hand at picture books. Around the end of 2017 I started broadening my portfolio with children's illustration work and I signed on with my illustration agent. In 2018 I started working on illustrating my first children's books. I hadn't really thought I would be writing my own stories as well, but I gave it a go in 2018 and found I absolutely loved the process. Having that total creative control over both the words and pictures really appealed to me.

Tell us about your debut author illustrated picture book.

THE VANISHING LAKE - Something mysterious is happening at Grandad's lake. There are days the lake is beautiful, shimmering, and full. And then there are other days . . . where the lake is completely empty! Meara asks her granddad why the water disappears, but doesn't believe any of his far-fetched stories of mermaids, giants and narwhals. Meara sets out to uncover the truth for herself. Little does she know the answer is much larger than she realizes...

Loughareema empty.

Loughareema full.

This story is actually based on a real place, close to where I grew up in Ballycastle in Ireland. It’s a lake called Loughareema which actually does disappear and reappear every few days, depending on the weather. Growing up in Ireland, storytelling is an important part of life, so I was surrounded by myths and legends from a young age and I think that’s had a big influence on what stories I like to write about.

Sketch from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Tell us about your road to publication, what did that involve for you?

For my author illustrated picture book, I had the initial idea around spring 2018. My agent pitched it to publishers and Yeehoo Press purchased the rights to the story about a year after that, and I created the artwork during the summer of 2019. The Chinese version of the book was released in fall 2020 and the English language version will be released on April 20th 2021. In total I think it was about three years from idea to publication. During that time I illustrated a number of other picture books, including a recent one - HERE BE DRAGONS, written by Susannah Lloyd which follows a rather hapless knight who thinks he knows exactly how to find a dragon. He travels right to the spot marked ‘X’, past treasure, suspicious bones, and many signs telling him to turn back. The knight is missing all the signs of the dragon, but kids surely won't.

Can you share a bit about your process?

For my author illustrated picture book the story was based on the real Vanishing Lake, Loughareema. I think I must have been reminded of it one day and thought it could be an interesting idea for a picture book. When you grow up with a wonder like this on your doorstep, you definitely take it for granted, and I hadn’t really thought about it in years. I thought the title itself was intriguing and then I set off to develop a story around that. The mystery of ‘why’ the lake would disappear and reappear had potential to be a good driving force for the story, and then setting the character up to be unwilling to believe these reasons, spurred myself on to come up with crazier and crazier ones. That’s how the story started with me and it developed from there. I knew how many pages I'd have in the story, and I knew there had to be certain beats like the lake there, then disappearing, then there again, and I knew I wanted 3 or 4 wild stories to feature and then a resolution at the end. So once I had those basic big blocks in place, I started to write. And then the writing had an influence on the illustrations, and the illustrations had an effect on the words and I bounced back and forth along the way. For creating the illustrations, I use a Wacom Cintiq and Photoshop. I've always worked digitally as my background is in graphic design, so even my sketches will be done on the tablet.

What do you do to shake the rust off or get new ideas?

I play the Irish sport of hurling over here in Belgium: https://www.youtube.com/watch?v=I1Vw66Zs0dQ Sport is such a fantastic way to clear your head, escape and recharge. Especially as I work from home (although everyone is doing that now) it's tough to sometimes separate your home and work life. So getting out of the house and participating in a team sport really helps me find that balance.

Anything you can’t live without while you write/draw?

Apart from my Wacom Cintiq and Photoshop, I guess coffee and biscuits!

Any authors and/or illustrators who inspire you?

Chris Haughton's blend of storytelling and unique visual style is incredibly inspirational. His use of vibrant colour and the way he can give a seemingly simple story so many layers is amazing.

Molly Mendoza's book Skip is a masterpiece. You really feel like you fall into the psychedelic artwork.

Ximo Abadía's amazingly textured and unusual style just feel timeless and yet other-worldly. I love it.

Dream project to work on?

My favourite book as a child was Watership Down, so if I got to work on illustrations for an edition of that, that'd be amazing.

What’s up next for you?

I actually have my second author illustrated picture book - DODOS AREN'T EXTINCT - coming out in Spring 2022, so I'm working on the illustrations for that as we speak. A Dodo reveals a huge secret: they're not actually extinct—they've been hiding in plain sight all this time, and they're not the only ones... Along with that, I have a few other picture books all in the works.

And last, but not least, favorite 80s movie?

Back to the Future.

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Huge thank you to Paddy for visiting us at Critter Lit today! Congrats on your new book— it’s fantastic! We can’t wait to see your upcoming titles.

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PADDY DONNELLY is an Irish author & illustrator living in Belgium. He grew up on the north coast of Ireland, surrounded by mythical stories of giants, magical creatures and shape-shifting animals - all set in a stunning landscape from another time. All of this prompted his love for nature, animals, the sea and storytelling. He creates his illustrations digitally, but loves working with a textured, painterly approach. The Vanishing Lake is his debut author illustrated picture book, based on a real lake close to his childhood home in Ireland. He wishes Pluto was still a planet.

FOR MORE INFORMATION about Paddy or his books, visit him online: http://lefft.com or follow him on social media:

Instagram: https://www.instagram.com/paddy/
Twitter: https://twitter.com/paddydonnelly
My Books: http://lefft.com/books/

ORDER THIS BOOK To order a copy of THE VANISHING LAKE click here.

WIN A COPY! Want to win a copy of THE VANISHING LAKE? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 29th! US addresses only please.

Interview with Author/Illustrator Jane Smith

Happy TUESDAY Critters! I’m so excited to be featuring an interview with another illustrator this week. As you may have noticed, it’s TUESDAY, not THURSDAY! This week we will be featuring two fantastic interviews with two incredibly talented women. I can’t wait for you to meet them both and learn about their work. So without further ado, let’s kick off the first interview of the week with the immensely talented Jane Smith!

Where do you live?

I live in Wilmington, North Carolina, which is a small city along the Atlantic coast.

How many years have you been in publishing?

I’ve been working in publishing for about 18 years now.

How did you first get published?

I’ve spent the majority of my career as a freelancer, and so when I was beginning, long before I had an agent, I just sent out tons of promo postcards, dummy book submissions and answered lots of job ads for freelance illustrators in places like Craigslist. I would do whatever book publishing gigs I could—mostly educational work. I’m not sure exactly what my very first published project was, but I do remember fondly illustrating two nursery rhyme board books for a Hooked-On Phonics box set for babies that was packaged with a CD, DVD and several other board books.

Those early dummy book submissions also yielded my first published book as an author. It was a six-spread novelty pop-up book titled Fairytale Mix-Up, in which the reader could mix and match the split pop-up pages to create different versions of classic fairytale characters. I had originally proposed myself as the illustrator, but my art style at the time wasn’t right for the book. However, the project led to many more freelance book design gigs and later to an in-house position as an art director of children’s novelty books, which was where I learned the publishing business from the inside out.

Do you write/illustrate full-time?

I do. However, this is a tricky question, because I think that the term “full-time” often means different things to different people! In my case, as a freelance author-illustrator, I show up and work in my studio six days a week. There are times when there’s a lot of paying jobs. There are also times when there’s not. There are also times when I’m putting in crazy hours and other times when it’s more quiet and relaxed. Sometimes I’m working on a book for a paying client. Sometimes I’m working on a book I hope to sell to a publisher. Sometimes I’m working on my portfolio, and sometimes I’m working on self-promotion. It’s a job no one can ever fire me from, because it’s a job I gave to myself!

What inspires you to create picture books?

Growing up, my mom was a school librarian, and so I was always surrounded by books. I fell in love with reading and stories and the endless ways they can inspire, connect and comfort at an early age. I spent the better part of my childhood on our screened in porch reading, writing and making art. Those experiences have carried over into adulthood.

These days, I’m inspired by pretty much everything around me—cartoons, succulents, cupcakes, unicorns, animals, adventures, mysteries, rainstorms and more—but mostly by my own deep feelings of compassion for kid’s emotional lives and experiences. The best picture books combine this with a bit of whimsy and magic is made.

What surprised you the most working as an author/illustrator?

Hmmm...probably that when you’re young and everyone tells you the cliché that it’s about the journey, not the destination, they were 100% right! I don’t think you ever do get to a place where you feel like you’ve “arrived.” Beyond each milestone is the continued drive and energy to keep growing, learning, changing and creating.

What is your favorite thing about being an author/illustrator?

Working at home alone in my studio! And also, the flexibility that comes with it!

What do you find difficult working as an author/illustrator?

Also, working at home alone in my studio! Ha! It can be a lonely business at times and often it’s hard to get perspective working in a vacuum. This is why I love traveling to illustration & SCBWI conferences, visiting art friends in cities across the country and chatting with my lovely agent, Nicole Tugeau, on the phone!

What do you do to shake the rust off or get new ideas?

I get out of the house/studio! Go for a walk. Meet up with a friend. Travel. Read a book. Visit a museum. (I LOVE museums!!!) Hang out with my family. Try a new restaurant. Cook a new recipe. 

Anything you are habitual about when it comes to creativity?

Every day I meditate for 10 minutes. For me it’s a must to calm my mind and body, so I can focus.

Can you share a positive experience you’ve had in the Kid Lit community?

Oh, goodness! I’ve honestly had so many! It’s been my experience that the Kid Lit community, especially the SCBWI, is incredibly supportive, willing to share information and eager to champion one another!

For several years a good while back, I had the absolute pleasure of co-coordinating the SCBWI Westside Illustrators “Schmooze” (now called “Mingle”) in Los Angeles with one of my dearest friends. And it was a blast! We hosted monthly meetings and even organized a couple art exhibitions together. I meet so many talented and wonderfully kind kid lit writers and illustrators—many of whom I’m still friends with today!

Recommended reading?

Ooo! I have to admit that even though I adore reading children’s books of all genres, my pleasure reading consists mostly of creepy mysteries, crime and horror stories, which I would only recommend to a fellow lover of the macabre! So, instead, I’ll share the latest professional reading that has helped me with my children’s book work:

The Plot Whisperer: Secrets of Story Structure Any Writer Can Master by Martha Alderson

What has been the highlight of your career thus far?

Developing, selling and launching children’s picture book projects that I’ve written & illustrated myself: the 6-book CHLOE ZOE picture book series, HELLO NEW HOUSE and my forthcoming picture book, MISS MEOW! 

Interior art from HELLO, NEW HOUSE by Jane Smith

What is something you wish someone had told you when you first started writing/illustrating?

When I was first starting out, I wish someone had told that illustrating stories and characters is not about drawing everything “correctly” or getting the perspective or lighting “right”; that it’s actually about creating believability. The point of the artwork is not to be in service to an objective idea of what is “good,” but rather about transporting the reader in time, space and emotion. As long as it is believable within the context of the story you are telling, it doesn’t matter if the lighting is off or if the proportions are wonky. As long as you’ve convinced your reader to believe in your story that all that really matters!

Can you tell us about your newest book?

Yes, I’m absolutely thrilled to share that my new picture book, HELLO NEW HOUSE, is releasing on October 1st. with publisher Albert Whitman & Company! This title is close to my heart, because it is directly inspired by my family’s real life, coast-to-coast move from Hermosa Beach (in the Southbay of Los Angeles), California to Wilmington, North Carolina. It was a dramatic move that was a study in relative contrasts—big city vs. small town, urban vs. rural, west coast vs. east coast, desert vs. lush tropics. And the changes were both exciting and intimidating.

Interior Art from HELLO, NEW HOUSE by Jane Smith

I wrote HELLO NEW HOUSE as a kind of meditation for myself and my daughter, comparing what was new to what was different to what was still the same, as a way to calm and reassure us when adjusting to the move was hard. Through the use of short, light and direct language, it is my hope that young kids will also experience HELLO NEW HOUSE as a meditation on change and that it will be a happy, welcome tool for families adjusting to their own moves in life.

Interior art from HELLO, NEW HOUSE by Jane Smith

Interior art from HELLO, NEW HOUSE by Jane Smith

What’s up next for you?

I’m so excited to share that I’m working on final art right now for my next picture books as an author-illustrator: MISS MEOW! This is a super fun story about an unexpected intruder who ruffles the fur of Miss Meow, a little girl who loves pretending to be a very territorial family pet cat. It releases next fall in 2021 with West Margin Press.

Anything else you’d like to share with aspiring authors and illustrators?

My best advice for aspiring author and illustrators is to remember that publishing is a long game—endurance, persistence and perseverance are the tools that will get you to where you want to go.

And always keep writing and illustrating NEW stories—don’t get stuck on one singular story and don’t be afraid of letting a story go once you’ve learned whatever it is you needed to learn from it! You are a storyteller and you have LOTS of stories inside you! 

And last, but not least, favorite 80s movie?

Ooo!!! It’s almost too hard to choose—I have LOTS of favorites! Ha! But I think I have to go with Footloose! Followed closely by Pretty in Pink, Flashdance (which totally does not hold up! Ha!) and Quicksilver!

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Huge thank you to Jane for stopping by Critter Lit today! Congrats on all your wonderful books! We so appreciate your insightful answers and advice.

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JANE SMITH is the author-illustrator of the 6-book CHLOE ZOE picture book series, published by Albert Whitman & Co. Her forthcoming picture books, HELLO NEW HOUSE (Albert Whitman & Co.) and MISS MEOW (West Margin Press) will release in fall 2020 and fall 2021 respectively. Jane earned her BFA in Illustration at the Columbus College of Art & Design before beginning her career in publishing as an art director of children’s novelty books. She currently creates artwork for a variety of publishing and art licensing clients in her Wilmington, North Carolina studio, where she lives with her graphic designer husband, super star daughter and lots and lots of bugs.

FOR MORE INFORMATION ABOUT JANE SMITH follow her on social media:

• Personal Website: http://www.superjane.com

• Blog: https://birdmeetsworm.blogspot.com/

 • Instagram: @superjanesmith

• Twitter: @SuperJaneArtist

• Facebook: https://www.facebook.com/SuperJaneSmith/

• Pinterest: https://www.pinterest.com/superjanesmith/

ORDER THIS BOOK To order a copy of HELLO, NEW HOUSE, click here.

WIN A COPY! Want to win a copy of HELLO, NEW HOUSE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Tuesday, October 6th! US addresses only please.

Interview with Illustrator Elaheh Taherian

Happy Thursday Critters! Today I’m thrilled to be sharing the work of illustrator Elaheh Taherian, whose debut picture book in the US is written by my lovely and talented friend, Tricia Springstubb. I always love sharing another illustrator’s work— especially one as immensely talented as Elaheh. Her work is filled with rich textures, patterns, and colors— which remind me of Matisse. There is such a playful sensibility in her design and shapes that I love too.

So without further ado, please welcome Elaheh Taherian!

Where do you live? 

I live in Brooklyn, New York 

When did you know you wanted to illustrate picture books? 

When I was a kid I was more interested in illustrations in the picture books than the story. I would read the story several times, look at the pictures over and over again and I would draw next to them to tell my story. I grew up knowing that I love art and drawing and to be an artist. My father really supported me to go to art school. I studied visual art/painting for my undergrad and at some point during this time I remembered how much I loved illustration and storytelling that I’ve forgot about during years. 

Tell us about your road to publication, what did that involve for you? 

I decided to study illustration for my master’s degree. I grew up in Iran and over there in order to get to either grad school and undergrad there is a national wide entry exam. It is so competitive and after you accept in the first round which is the theory exam, there is the second round for drawing and illustration skill tests. I got accepted in one of the top art schools in 2006. in my second semester, I got my first book illustration deal through an art director who was familiar with my work. It was like a dream for me. I was lucky to get to work on an actual project while studying. Also, we had art director critiques visiting the school and I was lucky to meet a great art director who was interested in my works and asked me to meet him. First, he hired me to illustrate for a very great children’s magazine and after several months I had a book contract with the publishing company that he was the art director. This first book with him was so successful and the book “ The Giant Snowman” published in 3 different languages with very great publishers in France, Switzerland, and South Korea. Long story short within 4 years until left Iran in 2010, I already had illustrated 7 children’s books.
After I moved here I did not know anything about publishing here nor I knew anybody. I tried to connect with some people, I did not have much luck. I decided to go to grad school again to build my confidence again probably and learn about the industry here and get to know people. I studied MFA Illustration at the School of Visual Arts. I got to know great people and I received great feedback from teachers and critique guests. After my graduation from SVA, it took me 3 more years to get my first book deal with Candlewick Press and I was lucky to get to illustrate this beautiful story written by great Tricia Springstubb, Khalil & Mr. Hagerty and the Backyard Treasures. A story about love and friendship. When I received the offer email I was literally jumping up and down all over my apartment. I also signed my second book deal a month ago with Little Bigfoot. 

Can you share a bit about your process? 

I usually start with doodles, character study, and so many sketches— that is the most challenging part for me. It might take me days of not working, but focusing on what I really want and thinking and getting inspired.
After I come up with the right sketch, and I am happy with the characters and compositions, I start working on the color palette and the techniques I wanted to use. I usually know what technique I want to use when I read the story but it can change depending on the sketches. After I pass this part, it gets easier and I just enjoy working with colors and the characters. 

What do you do to shake the rust off or get new ideas? 

There are some times in our life that we feel our mind is blocked and there is no way we can get anything done or we just keep repeating ourselves. At these times, if I’m having trouble with a specific project, I stop it and I start drawing something unrelated to the project— something that I have total freedom in and most of the time through that I get back on track and I come up with my best ideas. Because you think that you don’t think about the project while in your unconscious you are still thinking and reviewing and looking for solutions. Sometimes looking at my old drawing archive helps me to come up with new ideas. Sometimes doing nothing and looking at people through the window or taking a walk can help. Also libraries, art galleries and museums are the best places to be when you need inspiration. To get new ideas sometimes you need a pause and come back fresh. 

Anything you can’t live without while you draw? 

Freedom of imagination, my plants, and at least 10 cups of Black Tea. 

Any authors and/or illustrators who inspire you? 

Marc Chagall’s beautiful works and colors was my first source of inspiration in my art. He is a great story teller and knowing his art changed my view and direction in my work. He also was an illustrator. There are so many great artists and authors who inspire me and it’s hard to put all the names down but I can name some great author and illustrators that I always looked up to like Peter Sis who was my Thesis Advisor in grad school (I feel so lucky), Eric Carle, Tomie DePaola (who we sadly lost last month), and so many more... 

Tell us about your new book. 

Khalil & Mr. Hagerty and the Backyard Treasures written by the great Tricia Springstubb.
I was so lucky to get to illustrate her story. The story is about building a friendship full of love and surprises! The book released on May 26th, 2020. I am so excited about it. It’s my first book in the USA and I am looking forward to sharing it with the world. 

What’s up next for you? 

My next illustration project is a book I will be working with Little Bigfoot. The story is called Baba’s Gift and is written by two sisters, Ariana and Christina Amini. This book is scheduled for Spring 2022. I am also working on writing and illustrating a new story. Next, is just keep working and getting inspired. 

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Congrats on your debut book in the US Elaheh! We are thrilled you could join us on Critter Lit today!

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ELAHEH TAHERIAN graduated from MFA Illustration as Visual Essay program from School of Visual Arts in New York City with the Paula Rhodes honor award for exceptional achievement in illustration in 2015. Prior to this, she received an MFA degree from Art University in Tehran, Iran 2009. She has illustrated several children’s books and her works have been published in several magazines and featured in many exhibits. Elaheh lives and works in Brooklyn, New York. 

FOR MORE INFORMATION about Elaheh, visit her online at www.elahehtaherian.com.

BUY THIS BOOK To purchase a copy of KHALIL AND MR. HAGERTY AND THE BACKYARD TREASURES, click here.

WIN A COPY! Want to win a giveaway copy of Elaheh’s debut book, KHALIL AND MR. HAGERTY AND THE BACKYARD TREASURES, written by Tricia Springstubb?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 4th! US addresses only please.

Interview with Cassandra Federman

Happy Thursday Critters! I’m so excited to have Cassandra Federman stop by today! Her debut book as an author/illustrator, THIS IS A SEA COW, just came out September 1st and IT IS ADORABLE! I can’t wait for you all to check it out!

So without further ado, please welcome…Cassandra Federman!

Where do you live?

I’m originally from Massachusetts, but I’ve lived in Los Angeles for the past 12 years.

When did you know you wanted to write/illustrate picture books?

About 5 years ago. I pitched an idea for a picture book to my husband (also a writer) and he encouraged me to go for it. He even got me a membership to SCBWI (Society for Children’s Book Writers and Illustrators) for our first anniversary. I think he might know me better than I know myself.

Tell us about your road to publication, what did that involve for you?

A lot of hard work! I hadn’t done any sketching since I was a teen, so I had a lot of catching up to do. I taught myself Photoshop, since that seemed to be the way the industry was heading. I went to as many SCBWI events, mingles, and conferences as I could. I started a critique group full of amazing individuals that I’d met at those events. I applied for every contest I could find through Twitter, kidlit blogs, and SCBWI. Finally, in 2017, I won two mentorship contests. The dummy I polished with the help of my mentors landed me my agent, Jenna Pocius. Jenna put two of my dummies out on submission and the second dummy sold in 48 hours!

Can you share a bit about your process?

Sure! The manuscript always comes first for me. I know that a lot of illustrators work the other way around, but I think I’m more of a writer who illustrates than an illustrator who writes. The manuscript goes through several rounds of notes with my critique group before I send it to my agent for her thoughts. After she’s signed off, I create the book dummy. The style of illustration I use really depends on the book. For instance, This Is a Sea Cow, was designed to look like a child’s school report, so I use a lot of photography and found objects. I also hand lettered it so that the writing would look like a child’s. Other dummies of mine include a graphic novel where I use ink and half tones, and an underwater story using watercolor and various other traditional media that I scan into photoshop. Once I complete the dummy, I send it back through my critique group, then to my agent for notes. Finally it goes out on submission and I start working on the next thing. (If I’m not working on something, then waiting on responses is excruciating!)

What do you do to shake the rust off or get new ideas?

I think I’m lucky to be an author-illustrator because I can switch back and forth between writing and sketching, which allows me to keep the creative juices flowing. A tool I’ve found very helpful is Google docs. Whenever I get an idea I just pop it into a google doc with some notes. That way I’ve always got a list (that I can access from a phone or an iPad or a computer) of ideas to go back to.

Anything you can’t live without while you write/draw?

A digital tablet of some kind: iPad or Wacom Cintiq.

Any authors and/or illustrators who inspire you?

Kate Beaton, Jon Klassen, Dan Santat, Sophie Blackall, Shannon Hale, Lucy Ruth Cummins, Mo Willems, Ame Dyckman, and the list goes on!

Dream project to work on?

Oof, I don’t know. I guess any project that changes childrens’ lives for the better. Whatever THAT project is, I want to do it.

Tell us about your debut book.

This Is a Sea Cow is a fourth-wall-breaking book designed to look like a second grader’s school report on sea cows. The subject of the report does not like her portrayal, so Sea Cow--or Manatee as she prefers to be called--comes to life to set the record straight.

What’s up next for you?

I’ve got some exciting stuff in the works that I hope to be able to talk about soon!

And last, but not least, favorite 80s movie?

The Princess Bride. I walked down the aisle to the theme song.

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Huge thank you to Cassandra for stopping by Critter Lit today! Congrats on your debut! We are so excited to see what you do next!

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CASSANDRA FEDERMAN is a writer and illustrator in Los Angeles, CA. She is originally from Massachusetts, but like manatees, she hates to be cold. She wanted to grow up to be a comic book artist and a marine biologist. She decided this book accomplishes both of those things. In college she studied abroad in Belize, where she rescued an orphaned manatee. She hopes this book will result in the rescue of many more.

FOR MORE INFORMATION about Cassandra Federman visit her online or follow her on social media:

Twitter/Instagram: @CassFederman

TO ORDER Cassandra’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of THIS IS A SEA COW?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, September 12th! US addresses only please.

Interview with Author and Illustrator Susan Reagan

Happy Thursday Critters! Today I’m very excited to be sharing the work of one of my dear friends and critique partners, Susan Reagan! Sue is an incredibly talented illustrator and writer and I’m thrilled to have her with us on Critter Lit. Her newest board book, SIMON SAYS OPEN THE BOOK, written by Emilia Zebrowska, published with Creative Company this month. Her work is stunning and I can’t wait to share it with you all!

So without further ado, please welcome the fantastically talented Susan Reagan!

Where do you live?

I live in Tremont, a neighborhood of Cleveland, Ohio. Our neighborhood was once called the Southside. We sit directly between Cleveland’s Downtown and the Steelyards that once fueled the economy and life of the neighborhood. I love living in a city neighborhood!  It’s full of history and diversity and is my greatest inspiration as an artist. 

How many years have you been in publishing?

Quite a few. The first books I illustrated were for Christian publishers. But it wasn’t my primary source of work, I worked for American Greetings as an illustrator for the first half of my career. I still freelance for them; it’s my bread and butter work.

How did you first get published?

I had a brief stint with an agent back in the mid 90’s who got me my first book. It was MY LITTLE BOOK OF BIG BIBLE PROMISES. But it wasn’t a leap into publishing. I stayed with American Greetings for a while after that.

Do you write/illustrate full-time?

I have always illustrated full-time but for many markets. It’s only over the past five years that I have decided to dedicate myself mostly to publishing and picture books (I still have bills to pay so I do some other freelance too). I am working on my writing. I have a couple of manuscripts just about ready to share with my agent. They have been in the works for years. Writing is much more challenging for me than illustrating but I love to push myself. I have also started teaching illustration as adjunct faculty at the Cleveland Institute of Art. I’m loving it! 

What inspires you to create picture books?

My own manuscripts are based on visual puns or a funny phrase. I like silliness but the books I love to illustrate are more serious or complex. My drawing style is more observational and less character design driven. I love the use of line and I love a subtle limited color palette.

What surprised you the most working as an author/illustrator?

I guess what surprised me most is just how involved the process is and how different it is from the other types of illustration I’ve done. It’s a slower paced business and it took some time for me to adjust it. I‘m accustomed  to a quick turn around on assignments. But I love how much time I get to spend with a book while illustrating it. I love having time to really think things over.

What is your favorite thing about being an author/illustrator?

I draw, design, paint, concept, every day!

What do you find difficult working as an author/illustrator?

The toughest part is sending out finished work and waiting. Even when you know the work is good there is something about waiting to hear from a creative director or an editor that makes most artist anxious. Most of us are naturally tough on ourselves. We don’t do this work just for ourselves. We want to hear that it worked; that we created something acceptable, beautiful, funny, touching, informative, whatever the goal. Also, I feel the weight of illustrating someone else’s story. I want to do right by them. I know how hard they worked to create their beautiful writing.

What do you do to shake the rust off or get new ideas?

I was feeling a bit rusty a few years back. I got so caught up in the business of illustrating and creativity that I got a little lost. I went back to my first love of drawing people. I participated in The 100 Day Project on Instagram and made a drawing a day of people I observed. It really energized me. I loosened up my line work and started trusting my instincts again. I made so many discoveries that are now a part of my illustration style.

Anything you are habitual about when it comes to creativity?

Coffee is important. I think better when using my iPad and sitting in my living room than I do anywhere else. Also I like quiet when I am thinking so no music or background noise. If the windows are open and it’s a cool day— that’s the best!

Can you share a positive experience you’ve had in the Kid Lit community?

My critique group without question! For over five years now I have benefited knowing these very talented women, one of which is the writer of this blog. Lindsay Ward, Betsy Snyder, Kellie DuBay Gillis, and Alissa McGough. Each one so smart, honest and talented! We give each other honest feedback and support each other’s successes and dreams. I have learned so much from this amazing group!

Recommended reading?

I’m reading THE UNDERGROUND RAILROAD by Colton Whitehead. I would highly recommend it!

What has been the highlight of your career thus far?

Last January I signed with Stephanie Fretwell-Hill at Red Fox Literary. I have already signed on to illustrate a book by Beth Anderson, who has visited this blog. She’s an amazing writer. I love AN INCONVENIENT ALPHABET and I can’t wait to get my copy of LIZZIE DEMANDS A SEAT. The title I will be working on is PRUDENCE WRIGHT AND THE MINUTE WOMEN, about Prudence Cummings Wright and the ways that women used their skills and ingenuity to contribute to the American Revolution. I’m just getting started!

What is something you wish someone had told you when you first started writing/illustrating?

Take the work seriously but don’t take yourself too seriously. Actually I have probably been told that a 100 times, I need to listen better.

Tell us about your newest book.

SIMON SAYS OPEN THE BOOK, written by Emilia Zebrowska, from Creative Editions just released this month. It’s a sweet little bed time board book  in which one last game of Simon Says turns into a fantastical journey into the night and off to dreamland.

Another recent release is YOU AND ME, another board book from Creative Editions, written by Rebecca Kai Dotlich. It made the American Library Association’s list of Notable Children’s Books for 2019. I was pretty happy about that.

What’s up next for you?

I just turned in LIGHTS OUT. I am very excited about this book! It’s a wonderful story written by Marsha Diane Arnold, published by Creative Editions, about the disruption that happens in nature and animal behaviors from too much light. It releases next fall. Here’s a sneak peek:

Sneak peek from LIGHTS OUT! written by Marsha Diane Arnold, Illustrated by Susan Reagan

Sneak peek from LIGHTS OUT! written by Marsha Diane Arnold, Illustrated by Susan Reagan

Sneak peek from LIGHTS OUT! written by Marsha Diane Arnold, Illustrated by Susan Reagan

Sneak peek from LIGHTS OUT! written by Marsha Diane Arnold, Illustrated by Susan Reagan

I’ll have another board book Creative Editions titled READY OR NOT. And then as mentioned above, PRUDENCE WRIGHT AND THE MINUTE WOMEN IN 2022.

Anything else you’d like to share with aspiring authors and illustrators?

I would say to remember that sometimes it can take a while to have the breakthrough you are looking for. Work on what you love and seek good critiques and don’t be afraid of an honest opinion. 

And last, but not least, favorite 80s movie?

I don’t necessarily have a favorite but I remember laughing so hard at A Fish Called Wanda and Raising Arizona that I thought my sides would split. Wonder what I would think now?

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Huge thank you to Susan Reagan for stopping by Critter Lit today! We can’t wait to see all the fantastic books you have coming out!

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SUSAN REAGAN’S picture books include YOU & ME by Rebecca Kai Dotlich (Creative Company, 2018), SIMON SAYS OPEN THE BOOK by Emilia Zebrowska (Creative Company, 2019), and LIGHTS OUT! by Marsha Diane Arnold(Creative Company, 2020). She is currently illustrating PRUDENCE WRIGHT AND THE MINUTE WOMEN by Beth Anderson (Calkins Creek, 2022). Susan graduated with a BFA in Illustration from the Columbus College of Art and Design. She teaches illustration techniques as adjunct faculty at The Cleveland Institute of Art. Susan lives with her husband and three “mangy mutts” in Tremont, a historical neighborhood of her hometown of Cleveland, Ohio.

FOR MORE INFORMATION about Susan Reagan visit her online or follow her on social media:

Instagram: https://www.instagram.com/susan_reagan/

TO ORDER Susan’s books, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of SIMON SAYS OPEN THE BOOK?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, September 5th! US addresses only please.

Interview with Illustrator Christopher Denise

Happy Thursday Critters! Today we have the incredibly talented illustrator Christopher Denise stopping by to chat with us! I’m a huge fan of Chris’s books and I’m thrilled to share his work with all of you today! I was lucky enough to meet Chris and his lovely and talented wife, Anika Aldamuy Denise a few years ago at a writer’s retreat in Vermont. You can read Critter Lit’s interview with Anika here. Their newest book, BUNNY IN THE MIDDLE came out earlier this month with Henry Holt and has received wonderful reviews:

"This sweet picture book acknowledges the special place each sibling occupies in a family. . . Kids will savor adorable details, such as children's artwork on a bedroom wall and winsome animal students lined up for school in a tree. Charming and comforting."―Kirkus Reviews

So without further ado, please welcome Christopher Denise!

Where do you live?

We live in Rhode Island in a little bayside community just outside of Providence. We love it here! We found an old beach house, fixed it up (most of it), and built a studio out back. The best part is that we can walk barefoot to the beach.

How many years have you been in publishing?

I started in publishing before my graduation from Rhode Island School of Design in 1990. So, about 29 years ago. My first book, The Fool of the World and the Flying Ship, was published in 1994.

How many books have you published?

Bunny in the Middle just published this July. It is my twenty-fifth book in trade publishing. When I first started out I published a number of books for the educational market.

Do you illustrate full-time?

I do! But it’s not necessarily like most full-time jobs. My wife, Anika Aldamuy Denise, is a kid lit author so in addition to our careers, we share responsibilities for taking care of all the house and family things. If I am on a deadline, she will step in and make sure all the home things happen. If she is in the thick of a project, I will take over. It’s not uncommon for either one of us to be back at work on a Sunday night.

What inspires you to create picture books?

I am inspired to create picture books that I like to read. Humor is big for me. I love to laugh and I love surprising and funny picture books! I also try to keep myself in a state of wonder. Children are fascinating and have such a truthful and amazing way of seeing the world. If you can tap into that, there is always inspiration.

What surprised you the most working as an illustrator?

The degree of tenacity that is required to stay in the field surprised me. While at RISD, I was fortunate enough to study with David Macaulay (Cathedral, The Way Things Work). Just before graduation, we had a long chat and he told me that it is not always the most brilliant or the most talented that make it in this business. You need the grit to stick with it, day after day, year after year.

What is your favorite thing about being an illustrator?

The ever-changing challenges of each book. Every author that I work with has a distinct voice and requires me to start over, to start fresh. I try to get myself into a beginner’s mind at the start of each project so I that I can respond to what is in front of me and what that particular book is asking for in terms of pacing, character development, and even the look of the book. It’s a wonderful way to be constantly in a state of growth and exploration.

What do you find difficult working as an illustrator?

The hours can be tough but I have gotten much better at managing production schedules. Even more difficult is managing the uncertainty of the market. You never really know how a book is going to land and if it will find its audience. That can make it difficult to plan and can be a challenge when raising a family.

What do you do to shake the rust off or get new ideas?

Spending time with my family is hands-down the best thing I can do to generate new ideas or get a fresh perspective. It gets me out of my own headspace. The dinner table at our house is like a brain trust and the perfect place to beta test ideas.

Anything you are habitual about when it comes to creativity?

This sounds odd but I am habitual about routine. I need to show up in the studio and get in my hours. After so many years at this job, I know what works. I’m very good (an expert, actually) at breaking routine when I want to, but if I have too many days of distractions that take me out of the studio, I get very grumpy. Also exercise! It’s another way to get out of my own headspace and come back fresh.

Can you share a positive experience you’ve had in the kid lit community?

A few years ago I was asked to speak at Kindling Words East as a guest illustrator. I really didn't know what to expect but it was such a good fit for me, I ended up joining the committee and being their Resident Illustrator — and in many ways, finding a family. It truly is a safe and trusting place where we can discuss kid lit and the real nuts and bolts of living a creative life.

What is your favorite picture book?

A very tough question. I am going to skip listing the classics. But I can’t choose just one! I have so many favorites in different sub-genres of picture books and they change all the time. I do love I am Small by Emma Dodd. Swan by Laurel Snyder and illustrated by Julie Morstad, is a big favorite. Also Good Night Owl by Greg Pizzoli, and Days Like This by Simon James.

What has been the highlight of your career thus far?

Hmm, another tough question. In a way, living as an artist and spending my days in the studio, I am living the highlight every day. I’m grateful for the good reviews, the stars, the acknowledgements, and certainly when something happens like your book lands on the NY times list! But looking back at highlights can be tricky because comparison is inevitable. Comparing what was then, to this day in the studio. It just doesn't not feel right to me. There are things I am proud of. Firefly Hollow was a journey that required me to grow and change in different ways. Recently, I completed and sold my first picture book manuscript and I feel great about it. But really today, with all the possibility it offers, is the highlight.

What is something you wish someone had told you when you first started illustrating?

Don’t spend too much energy trying to prove yourself or working towards becoming something that you think that you should be. Allow the work to grow and to change. Just relax and have fun with it! Work hard at refining your tools but focus on allowing your individual, authentic voice to emerge.

Tell us about your newest book?

Bunny in the Middle written by Anika Aldamuy Denise!

We created Bunny in the Middle to celebrate the unique (sometimes challenging), but ultimately very special experience of being in the middle. Our middle is fearless but wise. She holds a unique place in the family. So we wrote a book to celebrate her — and all the middles out there.

What’s up next for you?

Oooo, I wish I could say more! Just last week we reached an agreement to publish my very first book that I have written and illustrated. Check the PW rights report-it may be in there this week!

Anything else you’d like to share with aspiring authors and illustrators?

Yes, the standard advice is true. Read tons of picture books. Your local librarian should be your best friend. If you can, volunteer to read at a story hour at your local independent bookstore. Reading aloud to an audience is one of the very best ways to really understand what makes picture books work. Once you get going, avoid the comparison game. I know that we all seek recognition for our efforts and award time can be tough for many. Don’t fall into that trap, it will not serve you. Celebrate great books and achievements by your fellow authors and illustrators — especially if they are underrepresented in the industry.

And last, but not least, favorite 80s movie?

I guess Star Wars falls in the wrong decade so I would say Back to the Future with Raiders of the Lost Ark being a close second.

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Huge thanks to Christopher Denise for stopping by Critter Lit today! Congrats on all your success and your first author/illustrator project— we can’t wait to check it out!

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CHRISTOPHER DENISE is an award-winning illustrator of many critically-acclaimed books for young readers including Alison McGhee’s Firefly Hollow, Rosemary Wells’ Following Grandfather, Anne Marie Pace’s Groundhug Day, as well as several in Brian Jacques’s Redwall series. His books have appeared on the New York Times bestseller list and have been recognized by Bank Street College of Education, Parents' Choice Foundation, and the Society of Illustrators. Christopher lives with his wife and collaborator, Anika Denise (Baking Day at Grandma’s, Bunny in the Middle). They live on the coast of Rhode Island with three exceptionally nice people who happen to be their daughters.

 FOR MORE INFORMATION about Christopher, visit him online at http://www.christopherdenise.com/ or follow him on social media:

Instagram: https://www.instagram.com/christopherdenise/

Facebook: https://www.facebook.com/Christopher-Denise-Illustrator-385062757194/

Twitter: https://twitter.com/cadenise

Blog: http://christopherdenise.blogspot.com/

TO ORDER Christopher’s books, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of BUNNY IN THE MIDDLE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, August 1st! US addresses only please.

Debut Interview with Jenn Harney

Happy Thursday Critters! It’s been a while— but it’s great to be back! I’ve had a crazy few weeks with ALA and deadlines— I’m trying to push through the rest of the summer until baby no. 3 arrives! BUT I’m so excited to be back to our interview schedule with fellow local author and illustrator Jenn Harney! I’m thrilled to be sharing Jenn’s work with you all today. Her debut, UNDERWEAR! just came out this past April with Disney/Hyperion and it is HILARIOUS— I just know you’re all going to love it!

So without further ado…please welcome Jenn Harney!

Where do you live?

Twinsburg, Ohio. I usually say “Clevelandish” because people know where Cleveland is. Twinsburg, not so much.

When did you know you wanted to write/illustrate picture books?

I met Tomie dePaola from a far at a Young Author’s Conference when I was, I think, in second grade. It was the first time it ever occurred to me that people could write and illustrate books as a job.

Tell us about your road to publication, what did that involve for you?

I was VERY VERY lucky. When I signed with my agent, Rachel Orr, she asked if I wrote. So, I started writing. My first story went nowhere. My second story was UNDERWEAR! It was picked up by Stephanie Lurie at Disney Hyperion on its first round of submissions. Right time. Right place. Right Editor. I was very lucky.

Can you share a bit about your process?

My process always starts with drawings. I love character design and that’s where I start. Just doodling characters and seeing if any of them have any merit. Then, I play with the story. I write everything on legal envelopes. Easy to throw out. Usually I thumbnail a dummy as I write. Everything is always visual with me. The words come afterwards.

What do you do to shake the rust off or get new ideas?

I’ve learned that if I’m having a bad drawing day to walk away from it. It’ll pass. If I force it, nothing looks good. I’ll get more done in a good drawing day than if I try to force it on a bad one. The Colour Collective weekly drawing challenge is a huge part of the rust shaking, too. Just a great group of illustrators. Just follow the #colour_collective tag on Fridays around 2:30 EST, and you’ll see what I mean.

Anything you can’t live without while you write/draw?

Something to listen to. Not music. Usually has to be an audiobook, or episodes of MST3K or RuPaul’s Drag Race. Have to have talking in the background.

Any authors and/or illustrators who inspire you?

So many! Bill Watterson, Paul Coker Jr., Tomie DePaola, Tom Yohe, Steven Kellogg, P.D.Eastman, Richard Scarry, David McKee, Alan Tiegreen....I could keep going.

Dream project to work on?

Little Golden Books. I’ve always wanted to do a Little Golden Book.

Tell us about your debut book.

UNDERWEAR! Started with a Colour Collective piece I did. The story worked itself out on a walk with my ever stubborn corgi lodged under a bush and my ever loud self yelling “Get out from under there.” And he looked up at me like “Under where?” and it clicked. Steve went on an extra long walk that day as I looked like a crazy person tapping out syllables and talking out loud about underwear.

UNDERWEAR! Is pretty much autobiographical. I am the frazzled parent who just wants to get their kid out of the tub, into PJs and off to bed. My daughter is said kid who finds ENDLESS ways to keep herself out of bed. I think every parent has been on both sides of this story. And, stories about underwear are never not going to be funny. It’s just a fun word to say.

What’s up next for you?

My second book SWIM, SWIM, SINK is slated for launch in early 2020. Fingers crossed I can just keep working along.

And last, but not least, favorite 80s movie?

Amadeus or Empire Strikes Back or Time Bandits. Don’t make me choose. (Oooo...Sophie’s Choice is good too!)

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Huge thank you to Jenn for stopping by Critter Lit today! We are so excited for you and your fantastically funny debut! Congrats!

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JENN HARNEY has illustrated several picture books, including Todd Tarpley’s HOW TO BECOME A KNIGHT (Sterling), NEVER CRUMPET WITH A TRUMPET (Boyd Mills Press), SMELLY KELLY (Boyd’s Mills Press). She has
also illustrated the covers and interiors for Jennifer Hamburg’s Hazy Bloom series (FSG), and Susan Lurie’s Wanda Seasongood series (Disney-Hyperion).

Jenn made her author-illustrator debut with UNDERWEAR (Disney-Hyperion) to be followed up by SWIM, SWIM, SINK in 2020 (Disney-Hyperion). She enjoys working at break-neck pace at her desk while binge watching old episodes of “Mystery Science Theater 3000” and “RuPaul’s Drag Race”. Jenn lives in Cleveland, Ohio, with her husband, her daughter, a dog named Steve and the ghost of the oldest living goldfish in North America.

FOR MORE INFORMATION about Jenn visit her online at jkharney.blogspot.com or follow her on social media:

Instagram + Twitter: @jennharknee

TO ORDER Jenn’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of UNDERWEAR?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, July 18th! US addresses only please.

What's up on deck? Tune in next week for an interview with author/illustrator Debbie Ridpath Ohi!

Interview with Author/Illustrator Scott Magoon

Happy Thursday Critters! Today we have an interview with the incredibly talented author and illustrator Scott Magoon! I’m so excited to share this interview with all of you as well as Scott’s newest book, LINUS THE LITTLE YELLOW PENCIL, which I think is his best work yet! I love the message in LINUS and the art is utterly spectacular.

Scott was one of the first people in the publishing industry who took the time to give me feedback on my illustration portfolio back when he was an art director at Houghton Mifflin Harcourt. He offered his time and advice when I was just starting out, which I will always be grateful for. I was lucky enough to have a few people, including Scott, offer their insight at the beginning of my career. Which is exactly what Critter Lit is all about!

So without further ado, please welcome Scott Magoon!

Where do you live?

I live in Reading, Massachusetts. 13 miles north of Boston. Amy Krouse Rosenthal once pointed out to me that my town’s name looks like it could be pronounced as in ‘reading a book.” As an author I liked that of course. But our town is in fact pronounced as in “Otis Redding.” Whom I also like. 

How many years have you been in publishing?

Scads. I joined Candlewick Press as a book designer way back in 2003. So, what’s that, 100 years? From there I went on to HMH as an art director. I was working as a freelance illustrator and writing all through those years until finally going full-time with writing and drawing in 2015.

Art from LINUS THE LITTLE YELLOW PENCIL

How many books have you published?

I’ve published 27 books. I don’t have a favorite but I tell students on my school visits when they ask that I love each book for a different reason. One I love for the characters, another for the setting, maybe another the experience I had drawing it. I try to LEARN SOMETHING from each book so that I’m always improving. 

Do you write/illustrate full-time?

Yes. It’s terrifying and exhilarating at the same time. Terrifying because my family’s relying on my creativity. What if it gives out? On the other hand, it’s exhilarating for all the reasons you’d think. Opening those doors of imagination and seeing what’s inside. More often than not they open to brick walls. Finding the doors that go somewhere takes time and that’s what going full-time has afforded me. That, and a very short commute. 

Art from LINUS THE LITTLE YELLOW PENCIL

What inspires you to create picture books?

Primarily, I love solving the puzzle. The discovering, developing of an idea. Then crafting the story alongside the the visual style of a book. 

Beyond that, I love putting story and art together for young readers because I remember how powerful reading was for me as a student. Being a part of someone’s reading adventure is a privilege and I find that keeps me going as well. 

What surprised you the most working as an author/illustrator?

The endless promotion of one’s own work. You’re always sort of on. Also that people have actually heard of and read my books. And in far-flung places like Taiwan or Australia. It’s nuts. I didn’t expect that kind of exposure.

What is your favorite thing about being an author/illustrator?

Visiting with students for my school visits. I get to talk about reading, drawing and writing and answering their questions. I draw digitally for them. I can only hope they learn and are inspired. I get a little nervous every time before I go onstage but once I’m on, its all good. Bottom line, it’s fun to do it.

What do you find difficult working as an author/illustrator?

Managing social media. Like so many of us, I like to genuinely engage with people. While I do my best with it, social media is designed for snippets of interaction I’ve yet to master. It all just leaves me feeling...cold. Surely I’m not alone in this! Sigh. If only there was some kind of online forum where I could reach out to people and discuss it. ;)

Art from LINUS THE LITTLE YELLOW PENCIL

What do you do to shake the rust off or get new ideas?

Change perspective. This usually involves travel near or far—or a trip to a museum. Take in as much new stuff/points of view as possible: books, movies, music, food, people, culture. A good night’s sleep helps too. 

Anything you are habitual about when it comes to creativity?

I stay organized. It allows me to have as much time as possible to be creative and not waste time looking for stuff. Also: I answer emails in the morning after I drop my boys off at school. I do this so that my correspondence has a first-thing verve—and so it’s out of the way and the rest of my day is for my creative stuff!

Can you share a positive experience you’ve had in the kid lit community? 

Our industry’s so supportive and positive. I’ll never forget how established authors and illustrators reached out to me when my first books were published with words of encouragement. I felt welcome. Also, I enjoy attending conferences and meeting my fellow authors and illustrators—of all experience levels. They are, more or less, my co-workers. As a digital illustrator, I find its pretty cool to dive deep and talk about our drawing tools with someone who knows them as well I do; someone who speaks your language. 

Art from LINUS THE LITTLE YELLOW PENCIL

What is your favorite picture book?

THE DOT by Peter Reynolds. It speaks to me every single day as a creative person. His philosophy in that book—make a mark and work it. See where it goes. That’s it. It’s a powerful notion. LINUS owes a debt to THE DOT. I think also it has something to do with how Peter’s been a force in my creative life; he and I have been friends for 15+ years.

What has been the highlight of your career thus far?

The journey I’ve been on—and continue on— with RESCUE & JESSICA has been a particular highlight. There’s been an overwhelming outpouring of love and good things from that book. But none of that would have come to pass if I hadn’t made the leap to full-time. I would not have had the time, its production timetable was too demanding. So to answer your question I’d say being able to write and illustrate full-time.

What is something you wish someone had told you when you first started writing/illustrating?

Feed your imagination more. Write more. Sketch more. Worry less. Don’t let the bastards get you down. 

Tell us about your newest book?

Linus the Little Yellow Pencil is about being creative and being kinder to our creative sides. The story is about a pencil who loves drawing. So when the art supply family art contest opens, he wants to win the Pencil Cup. He starts drawing his favorite things but no sooner does he finish his work than Ernie his eraser erases all of Linus’ drawings. “They’re not good enough,” Ernie says. Frustrated by this literal back and forth, Linus loses his faith in his abilities and it’s only after he meets the wise Smudge (a pencil shaving mystic who lives inside a cave [pencil sharpener]) does LInus realize how he and Ernie can work together. The story is literally drawn from my own feelings of frustration with drawing over the years. I hope it connects with artists young and old. 

What’s up next for you?

 I’d like to branch out to other shelves. Middle grade, chapter books—I’d like to work on a graphic novel. I’ve got the beginnings of one now. 

Anything else you’d like to share with aspiring authors and illustrators?

As a marathoner I’ve learned to 1. pace myself and 2. run the mile I’m in. I’ve tried to apply those lessons to my professional life. I’ve learned that being in business for the long run is not a sprint. That to succeed we must persist, fail, sacrifice, be disappointed over and over (and over) again. We must be dedicated to hard work and good habits. Be enthusiastic and good to work with. It turns out all of these things require lots of energy and focus. So—I’ve found the trick is to find a sustainable pace and reasonable level of expectation for my books. Find that pace for yourself over time and you’ll reach that finish line, whatever it may be.

And last, but not least, favorite 80s movie?

Ferris Bueller’s Day Off. Favorite lines: “Never had one lesson!” “Ninnne Times.” “You’re not dying, you just can’t think of anything good to do.”

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Huge thank you to Scott Magoon for stopping by Critter Lit today! We are so excited for LINUS! Congrats!

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SCOTT MAGOON is a former art director turned full-time author/illustrator of several acclaimed picture books including the New York Times best-selling Rescue & Jessica: A Life-Changing Friendship by Jessica Kensky and Patrick Downes. It recently won ALA’s Schneider Family Book Award that honors books the expresses the disability experience for young readers. He also illustrated the Misunderstood Shark books by Ame Dyckman, the Nuts series with author Eric Litwin, Spoon and Chopsticks, by Amy Krouse Rosenthal, and I Have a Balloon By Ariel Bernstein. He's also the author and illustrator of Breathe, The Boy Who Cried Bigfoot and the forthcoming Linus The Little Yellow Pencil.

He lives with this family in Massachusetts.

FOR MORE INFORMATION about Scott, visit his website or follow him on social media:

Facebook.com/Scott-Magoon

Twitter: @smagoon

Instagram: @skortch

TO ORDER Scott’s books, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of LINUS THE LITTLE YELLOW PENCIL?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, May 30th! US addresses only please.

What's up on deck? Tune in next week for an interview with author/illustrator Mikela Provost!

Interview with Debut Author and Illustrator and Husband and Wife Team Megan and Jorge Lacera

Happy Thursday Critters! Today, we have an interview with debut author and illustrator Megan and Jorge Lacera! A husband and wife team, their debut picture book, ZOMBIES DON’T EAT VEGGIES!, released this week in both English and Spanish! I’m thrilled to share their work with you today!

So without further ado…please welcome Megan and Jorge Lacera!

Where do you live?

Our home is Cypress, Texas, y’all—a suburb of Houston. 

When did you know you wanted to write/illustrate picture books?

Collaborating has always been our jam. We met while we were both working in the kids’ entertainment studio at American Greetings in Cleveland, Ohio. It didn’t take long for us to realize that we both love everything about stories—reading them, watching them, critiquing them, arguing over them! Creating stories together is magical.

Once we got married, we started thinking more about picture books. We loved that we could create something from beginning to end and execute the full vision that we collectively dreamed up. Super appealing.

After Jorge attended a week-long illustration seminar with faculty that included amazing creators like Adam Rex, James Gurney, and Rebecca Leveille Guay, we were both inspired and excited so we started to really go for it. Our first attempts didn’t exactly come together (re: they were a mess), but we kept evolving. When a little zombie kid character named Mo shambled his way into Megan’s brain, we knew we were onto something that we couldn’t let go.   

Tell us about your road to publication, what did that involve for you?

We put a ton of time and energy into learning and sharpening our craft. Years. We attended local and national SCBWI conferences. Read countless books, studied their structures and forms. Founded a critique group that was very focused on achieving publication-level work. Completed a seminar with Mira Reisberg’s Children’s Book Academy. Made dummies, critiqued the heck out of them, threw them out, started over.

After all that we felt confident in querying agents. We’re now represented by John Cusick at Folio Jr. (he’s awesome!). ZOMBIES wasn’t on submission all that long before the offer from Lee and Low came in. We absolutely love Lee and Low and have so much respect for their integrity and dedication to multicultural stories and creators. Editor Jessica Echeverria’s offer letter was unbelievable….she got EVERYTHING we were going for with ZOMBIES and more. Perhaps cliché, but collaborating with Jessica and Lee and Low feels meant to be.

From signing the deal to the book’s release, two years have passed. Much of that time has been on revising, revising, revising. Some days were challenging, but holding the final book in our hands is totally worth it!

Can you tell us about how you work together as a husband and wife team? 

Usually when we tell people that we work together they look totally mystified. “On purpose?!?” they ask.

Yep. We really do love working together. 

We work at home. After we get our son off to school, we talk over coffee and breakfast. Usually that includes some debate over the latest news stories or a movie we watched the night before. But there’s also a review of our goals for the day, ways to divide up the work, reminders of our big vision and where we’re headed. In addition to our books, we also consult and freelance for companies together—so there are those projects that require collaboration and sometimes quite a bit of negotiation on how it will all get done on time.

The day from there depends on where we are in the process. At the concept stage of a book, we’re together a lot….sketching out ideas, outlining a plot, building art reference, watching movie clips. Once we’re on the same page, we both go off separately; Megan to write the manuscript, Jorge to draw. Then we come back together to review and critique everything we’ve both done. 

People often want to know if we argue. Of course we do! Part of we’ve learned while collaborating at companies is how important healthy disagreement and creative conflict are to the process. Ideas and stories get better when you can push each other to go even further. Respectfully, while keeping your focus on the work. We welcome the “conflict” now because we know it means there’s room to grow…our standards are pretty high and holding each other accountable to those standards is key to our process.

What do you do to shake the rust off or get new ideas?

Consistent exercise is really important to both of us. Jorge does Cross-fit and Megan does hot yoga. Sweat seems to clear space for creative work. We take walks most days and talk about where we’re at with a project or hammer out details of what’s working and what isn’t. 

It isn’t always easy to remember (okay, you might have to drag us kicking and screaming) but taking days off from working to go see a movie, eat Torchy’s Chips and Queso (it’s amazing and totally dangerous), or just do a whole lot of nothing can open up room for ideas and fresh energy. 

Getting new ideas isn’t really an issue; it’s zeroing in on the ones that speak to us most urgently, knocking them around enough to slough off the dust and craggly parts, and then carefully cultivating them into the special somethings that they become.

Anything you can’t live without while you write/draw?

Jorge: I work digitally primarily. I recently made the switch to a Dell Canvas and I’m not sure how I survived before. It’s upped my game and I love it. 

Also, Cuban crackers. Nom, nom.

Megan: My Macbook Air. So not unique, but I love me some coffee while clicking and clacking away. 

Any authors and/or illustrators who inspire you?

Gosh, there are tons. To name just a few…

Adam Rex

Paulo Coelho

Yuyi Morales

Kate DiCamillo

Judy Blume

Peter Brown

Mac Barnett

William Joyce

Tony and Angela DiTerlizzi

Alice and Martin Provensen

Jon Klassen

Dream project to work on?

This is our dream. We loved creating ZOMBIES, we love our current projects, and we really can’t wait to get started on all the stories we have popcorning around in our heads. We’ve been planning for this time in our lives, working day and night to make it happen. So eternally grateful!

Tell us about your debut book.

Mo Romero is a zombie who loves nothing more than growing, cooking, and eating vegetables. Tomatoes? Tantalizing. Peppers? Pure perfection! The problem? Mo's parents insist that their niño eat only zombie cuisine, like arm-panadas and finger foods. They tell Mo over and over that zombies don't eat veggies. But Mo can't imagine a lifetime of just eating zombie food and giving up his veggies. As he questions his own zombie identity, Mo tries his best to convince his parents to give peas a chance.

The Spanish edition ¡Los Zombis No Comen Verduras! is also available and features details exclusive to that edition. Our story has a lot of puns and zombie jokes that wouldn’t work with a straight translation. Yanitzia Canetti adapted ZOMBIES and did a wonderful job!

We hope you’ll love our quirky story about family, self-discovery, and the power of acceptance!

 What’s up next for you?

We signed a two-book deal with Lee and Low Books (their first for picture books!) so we are already working on book #2 (monsters may or may not be involved). We also have several other projects in the works, including more picture books and illustrated middle grade series.

We’ve also created several animated series for kids. One is currently in development…stay tuned for more news on this in the coming months!

And last, but not least, favorite 80s movie?

Megan: A hard choice of epic proportions, but I have to go with The Neverending Story. What I wouldn’t do for a luck dragon like Falcor!

Jorge: Impossible to pick just one. Okay, fine! Monster Squad.

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Huge thank you to Megan and Jorge for stopping by Critter Lit today! Congrats on your wonderful new book, we can’t wait to see all your upcoming projects!

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JORGE LACERA was born in Colombia, and grew up in Miami, Florida, drawing in sketchbooks, on napkins, on walls, and anywhere his parents would let him. After graduating with honors from Ringling College of Art and Design, Jorge worked as a visual development and concept artist for companies like American Greetings and Irrational Games. As a big fan of pop culture, comics, and zombie movies, Jorge rarely saw Latino kids as the heroes or leads. He is committed to changing that, especially now that he has a son. 

MEGAN LACERA grew up in the suburbs of Cleveland, Ohio, with a book always in her hands. She became a writer and creator of characters and worlds for entertainment companies like American Greetings, GoldieBlox, and Hasbro, and later formed her own creative company (Studio Lacera) with husband Jorge Lacera. After reading many stories to their son, Megan realized that very few books reflected a family like theirs--multicultural, bilingual, funny, and imperfect. She decided to change that by writing her own stories.

FOR MORE INFORMATION about Megan and Jorge and their work, visit them online here or follow them on social media:

Twitter: @Jlacera @MeganLacera

Instagram: @Jlacera

Facebook: @MeganAndJorgeLacera

LinkedIn: @Jlacera @MeganLacera

TO ORDER Megan and Jorge’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of ZOMBIES DON’T EAT VEGGIES?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, April 11th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Cathy Ballou Mealey!

Interview with Author/Illustrator Corinna Luyken

Happy Thursday Critters! Today CORINNA LUYKEN is here! I’m such a huge fan of Corinna’s work, as I know all of you will be too. Her first book, THE BOOK OF MISTAKES, was my favorite book of 2017. Corinna’s books are incredibly beautiful and insightful, and I can’t wait for all of you to see MY HEART, her newest picture book that will be released on January 8th. It is simply exquisite.

So without further ado, please welcome Corinna Luyken!

Where do you live?

In Olympia, WA, at the base of the Puget Sound.

How many years have you been in publishing?

My first book, THE BOOK OF MISTAKES, came out in 2017.

How many books have you published?

MY HEART is my third book as illustrator, second as author/illustrator.

Do you write/illustrate full-time?

I do!  It’s been an eighteen year dream of making picture books, and I feel incredibly grateful to be doing this full time.

Interior spread from MY HEART

What inspires you to create picture books?

I’m in love with the form of the picture book, the way that words and images can work together to make something bigger than either one alone. Although I love to draw, and I love to write, it’s the magic that happens when they come together that thrills me.

What surprised you the most working as an author/illustrator?

After having a debut book that was well received, it really surprised me (in retrospect, maybe I shouldn’t have been so surprised) how difficult the second book became. Because suddenly I started to worry about what other people would think, and if the second book would measure up to the first one. I stressed myself out about all of this a lot more than I thought I would. Doubt and self judgement can be useful tools as an illustrator, but they can also paralyze you if you don’t keep them in perspective. I re-started a morning meditation practice in the midst of my second book, which helped a lot. Sometimes it’s good to remember that we are tiny specks on a spinning planet in a vast universe. Which helps me to create from a place of love, instead of fear.

What is your favorite thing about being an author/illustrator?

Finding out that a book I’ve made has touched someone else’s heart.

What do you find difficult working as an author/illustrator?

Balancing my devotion to my work and the amount of time it takes to make beautiful books with being a mom can be very difficult. But being a mom has also opened up my heart in a very big way. It’s a balancing act, but worth it.

What do you do to shake the rust off or get new ideas?

Going for walks is great. Being near the ocean or any water also helps me to quiet my mind, which makes me more receptive to new ideas. Slowing down, in general, is a good thing. When I’m rushing around too much, it’s hard for me to make room for anything new. 

Anything you are habitual about when it comes to creativity?

I try to start every day with quiet meditation time. Whether things are going really well, or I’m struggling with something… either way it helps to keep it all in perspective. A hot cup of tea or coffee is also necessary!

Interior spread from MY HEART

Can you share a positive experience you’ve had in the kid lit community?

I’ve found this community to be full of many kind, generous people. Some of the most meaningful experiences have been small kindnesses early on in my career from people who were further along in the journey. Marla Frazee showed some interest in a dummy that I brought along to my first national SCBWI conference, and even went on to share it with an editor. The editor didn’t end up acquiring the story, but the fact that both of them saw potential in the project meant so much at the time. And then, a few years later (after many revisions) that dummy went on to win the SCBWI Don Freeman Work In Progress grant. And now, almost five years (and many more revisions) later, it is going to be my next book, MY HEART.

What is your favorite picture book?

I have SO many favorites!  I can’t choose just one…  but THE VERY PERSISTENT GAPPERS OF FRIP by Lane Smith and George Saunders is the book that made me want to make books.  

I also adore WHEN GREEN BECOMES TOMATOES by Julie Fogliano and Julie Morstad, EXTRA YARN by Mac Barnett and Jon Klassen, EMILY’S BALLOON by Komako Sakai, WAVE by Suzy Lee, MIGRANT by Isabelle Arsenault and Maxine Trottier, SCHOOL’S FIRST DAY OF SCHOOL by Adam Rex and Christian Robinson, DU IZ TAK by Carson Ellis, ALL THE WORLD by Marla Frazee and Liz Garton Scanlon, NOTHING by Jon Agee, THE IRIDESCENCE OF BIRDS by Hadley Hooper and Patricia MacLachlan …. and many many more.

What has been the highlight of your career thus far?

There have been so many highlights! Watching my daughter hug our first copy of THE BOOK OF MISTAKES tightly to her chest (the book was inspired by and is dedicated to her), getting my first packet of thank you art from a classroom full of kids in the mail, receiving a note that I had won the Leo Award for my first book (Leo is a young boy who has created his own award for his favorite book of the year!), and also hearing from Lane Smith, who illustrated the book that made me want to make books (see above) that he loved THE BOOK OF MISTAKES.

What is something you wish someone had told you when you first started writing/illustrating?

Persistence is more important than talent. Persistence, and truly loving the work.

Interior spread from MY HEART

Tell us about your newest book?

MY HEART is coming out January 8th. It's a celebration of the heart (in all its varied emotions), as well as an ode to love, and to keeping your heart open. 

What’s up next for you?

I’m just finishing up illustrations for WEIRD LITTLE ROBOTS, which is a middle grade written by Carolyn Crimi and coming out from Candlewick in fall 2019.  

I’ve got a few other exciting things lined up, but I can’t talk about most of them yet! But I will be making another book as author/illustrator with Dial that has a lot of arguing in it. And the next picture book I’m working on is called NOTHING IN COMMON by Kate Hoefler. It is about an old man, a hot-air-balloon-flying dog, and two kids who appear to have nothing in common, but perhaps do where it counts most.  

Anything else you’d like to share with aspiring authors and illustrators?

I think it’s really important to read as widely as possible. To fall in love with an enormous variety of work. Not just the work that is similar to what you want to make. The more books you love, the wider the pool of words and images that will filter through you and into your work. If you only love a few artists or writers, often, without even meaning to, the work you make will end up being overly influenced by them. And the world doesn’t need another Carson Ellis or Isabelle Arsenault or Jon Klassen. The world needs YOU and your voice. For me, the best way to create a unique style is to open your heart very wide and study the vast web of work that came before you. The more that you can find to love, the more varied your influences will be and the more you will, without even trying, develop a unique voice and style.

And last, but not least, favorite 80s movie?

Labyrinth!

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Huge thank you to Corinna Luyken for stopping by Critter Lit today! We are so excited to see all of your upcoming books!

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Corinna Luyken grew up in different cities along the West Coast, and after studying at Middlebury College, she settled in Washington State, where she draws inspiration from nature, her family, and the human form.

FOR MORE INFORMATION about Corinna and her work visit her website: www.corinnaluyken.com or follow her on Twitter or Instagram @CorinnaLuyken.

TO ORDER Corinna’s wonderful books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of MY HEART?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 20th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with author/illustrator Lindsay Moore!

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Interview with Picture Book Author + Illustrator Betsy Snyder

Photo Credit: Donna Von Bruening

I'm very excited for today's interview because it's with the lovely and incredibly talented Betsy Snyder, who also happens to be one of my critique partners and a very good friend. I actually knew Betsy's books before I knew her. As a bookseller, I fell in love with HAIKU BABY, Betsy's debut book, the first time I saw it. The art is charming, bright, and fresh. Anyone who walked in to the bookstore looking for a baby gift walked out with a copy of HAIKU BABY. 

Skip ahead a few years later. I had just moved from Boston to Cleveland with my future husband and started making connections with other writers and illustrators in the area. And who did I meet? Betsy Snyder. Sometimes it's really amazing how small the world can be. We had lunch and I clicked with her instantly. Eventually Betsy and I, along with three other lovely and talented women, created a critique group together, which we've been doing for almost seven years now.

Spread from HAIKU BABY by Betsy Snyder

I have learned so much from Betsy, watching her come up with creative new ways for kids to interact with books, and I'm thrilled to share her work with you today!

So without further ado, please welcome Betsy Snyder! 

Where do you live?

Independence, OH

How many years have you been in publishing?

12 (What? Twelve?!)

How many books have you published?

21

Do you write and illustrate full-time?

Yes (mostly). My life is a mix of mothering my books and my small children and that balance changes as it needs to. But I write/illustrate as full-time as I can.

What inspires you to create picture books?

I love the way kids learn and explore the world and I seek to make books that support that process and inspire a similar sense of wonder. I was lucky to have a childhood filled with good books and I can remember poring over the pages, studying the details of the pictures and getting lost in the magical worlds books create.

What surprised you the most working as an author/illustrator?

I didn’t anticipate that along with becoming published would come requests for author programs and needing to get comfortable with public speaking. Being in the spotlight can feel intimidating for somewhat introverted creative-types like me that are most cozy in their quiet studios—YIKES! But now, I can genuinely say I LOVE getting out and sharing what I do with schools, libraries, museums and the author/illustrator community. More experience, consulting with educators to hone my programs, and seeing those eager little (and big) faces in the audience have really helped grow my confidence and minimize the jitters.

What is your favorite thing about being an author/illustrator?

Every project is a new adventure! I like the feeling of immersing myself in whatever I’m working on—I learn a little (or a lot) more with each new book I make. It’s so rewarding to be able to help a vision evolve from start to finish and then to finally see a book in print and be able to share it with others.

What do you find difficult working as an author/illustrator?

Starting a new book is exciting, but with that, there is also a murky place where I have way TOO many ideas and no direction or anchor. That’s when I feel lost and stuck and unsure—and sometimes it’s hard to see a way out of that. Each book is a new challenge, so I don’t think this process gets easier—but I am getting better at trusting that my good ideas will eventually take shape and get there with practice and persistence. As Dory would say, “Just keep swimming!”

What do you do to shake the rust off or get new ideas?

I find inspiration in my kids, browsing at the library or a bookstore, creative chats (like with my critique group), nature walks, and travel.

I especially look at what’s out there and what’s not—my best ideas are often born around opportunities.

Anything you are habitual about when it comes to creativity?

Making lists (and losing them—ha!). But seriously, I love making lists and when I broke the index finger of my writing hand earlier this year, I almost went crazy. I have actually found that for me, this brainstorm process is less about holding on to the ideas, and ironically, more about letting them go to clear up more creative space in my head. 

Can you share a positive experience you’ve had in the Kid Lit Community?

Having work from Tons of Trucks (written by Sue Fliess) accepted into the Society of Illustrators Original Art Show and attending the opening in NYC was definitely a kid lit highlight for me. Mingling with that much talent and passion in one space was pretty dreamy.

What is your favorite picture book?

Do you really think I can pick just one? 

As a kid: Make Way for Ducklings by Robert McCloskey, The Velveteen Rabbit by Margery Williams, and The Funny Thing by Wanda Gag

Now: The Very Hungry Caterpillar by Eric Carle, All the World by Liz Garton Scanlon and Marla Frazee, and When Green Becomes Tomatoes by Julie Fogliano and Julie Morstad

What has been the highlight of your career thus far?

It’s still hard to beat my first-ever submission becoming a 3-book (and later 5-book) contract with Random House. I’ll never forget my agent’s email with the subject line “Get out the champagne!!!” I’m so grateful my editor Heidi Kilgras saw something in me and helped me get my start with writing my own books.

What is something you wish someone had told you when you first started writing and illustrating?

It’s supposed to feel hard—but that struggle doesn’t mean you aren’t good enough. 

Tell us about your newest book?

I Can Dream and I Can Explore (May 2018) are the two newest books in the interactive series published by Chronicle Books. In terms of a theme, I Can Dream is centered around aspirational occupations, like a firefighter, astronaut, marine biologist, artist and more. I Can Explore is about being on-the-go—traveling by land, water, air and even snow.

The entire series shares the same format solution, text direction, and empowering message celebrating both independence and teamwork. Touch-and-feel covers and interactive holes on every page invite the reader to animate the characters by wiggling their fingers. Every book ends with a surprise gatefold finish, bringing all the characters together for an inclusive grand finale. 

I had so much fun developing this format and rolling it out over four books (and I still have more ideas!). Working with my Chronicle team was a dream (special shout-out to Ariel Richardson, Tara Creehan and Amelia Mack)—our visions were on the same page from the beginning, so our partnership felt easy and effortless.

What’s up next for you?

I’m working on a picture book with Susanna Leonard Hill. And thinking up new book ideas!

Anything else you’d like to share with aspiring authors and illustrators?

There is no one secret path (and certainly no shortcut) to getting published. It’s a journey and experience unique to each person, because we each come from different places and bring along our own influences and talents.

Networking with other authors and illustrators (via SCBWI, critique groups, workshops, etc.) is a great way to learn from the paths of others—and begin to forge your own. Plus, it can be a long road, so wouldn’t you rather have some travel buddies on your journey?

And last, but not least, favorite 80s movie?

The Princess Bride and Dirty Dancing

Thank you so much for stopping by Critter Lit today Betsy!

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Author and illustrator Betsy Snyder has twenty years of experience creating for the children's market. Her smile-inspiring art can be found on everything from social expressions products, board games, plush, decor, fabric, wallpaper, and of course—children’s books! Since making her publishing debut in 2007, Betsy has teamed with a diverse mix of publishers, earning recognition from groups including the Society of Illustrators, The New York Times, Scholastic Parent & Child Magazine, Indie Next List, the Cooperative Children’s Book Center and Please Touch Museum. Her newest titles, I Can Dream and I Can Explore (May 2018), join the earlier I Can Dance and I Can Play in an innovative board book series with Chronicle Books.

Betsy lives in Independence, Ohio, where she enjoys cozying up to doodle with her art-loving family of four and venturing out to schools and libraries to encourage kids (and even grown-ups) to share their stories and chase their dreams.

For more information about Betsy and her books, visit her online at www.betsysnyder.com. Follow her on Twitter @betsysnyderart or on Facebook: www.facebook.com/betsysnyderart.

TO PURCHASE A COPY of I CAN DREAM or I CAN EXPLORE visit your local bookstore, or click here.

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BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of I CAN DREAM or I CAN EXPLORE by Betsy Snyder?! Comment on this post below or share it on Twitter. Two lucky winners will be announced Thursday, August 30th! US addresses only please.

What's up on deck? Tune in next Thursday for an interview with picture book author Josh Funk!