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Interview with Author Emma Pearl

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Friday Critters! Today we have an interview with author Emma Pearl who is with us today all the way from New Zealand! I’m thrilled to have Emma with us today to talk about her writing process, start in publishing, and new book, MENDING THE MOON, illustrated by Sara Ugolotti, which came out with Page Street Kids this past November.

So without further ado, please welcome Emma Pearl!

Where do you live?

New Zealand – in a tiny rural community in Taranaki (in the west of the North Island), but I grew up in England and have spent most of my adult life either traveling or ping-ponging between the UK and NZ.

When did you know you wanted to write picture books?

I’ve always written stories. Roald Dahl was my great uncle (and dedicated The Twits to me when I was 7 years old!), so I had plenty of inspiration to become an author! I worked in children’s publishing for a while in my twenties and that reinforced my love of children’s literature, but it wasn’t until I had my own kids that I really began to focus on writing it. I also write middle grade and young adult novels – it just happened that a picture book text was the first one to be picked up by a publisher.

 Tell us about your road to publication, what did that involve for you?

I began writing seriously in 2017, learning the craft and connecting with a wonderful online writing community. I started out writing a YA novel and then an MG, with a smattering of picture book manuscripts in between. I was selected as a WriteMentor mentee in 2020 for my MG novel and that was a huge confidence boost as well as a great learning experience. In October 2020, I entered #PBPitch and got a like for one of my picture books from Kayla Tostevin at Page Street Kids. We did a few rounds of revisions before I received an official book deal. It was all very exciting and unexpected, and I was so humbled and grateful. But it also felt a bit back-to-front – a book deal before I found an agent? I wasn’t sure how to deal with that and imposter syndrome was very real! But I kept plugging away – I focused on picture books in 2021, wrote many more texts and got a second book deal with the same publisher. I was also a WriteMentor mentor in 2021 and 2022 – a joyous experience where I learnt just as much being on the other end of the process. I wrote another YA novel towards the end of 2021 and signed with my agent in June 22. The novel is about to go out on submission!

 Can you share a bit about your process?

I write as often as I can, and I manage to squeeze in at least a couple of hours most days, although it’s not always writing per se – there’s so much peripheral stuff to do and never enough time! I have many different projects on the go at any one time, but when I’m in novel-writing mode I try to focus on that one thing until the first draft is completed.

 What do you do to shake the rust off or get new ideas?

I already have far too many ideas to turn into stories in one lifetime, thanks to many years of collecting them. I also have many projects that I’ve started but not finished, so if ever I feel rusty or lacking in inspiration I just read through my files until something shouts WRITE ME! If you’re struggling to generate new ideas, I recommend Tara Lazar’s Storystorm – it really helps to tune your mind into seeing story ideas everywhere.

 Anything you can’t live without while you write?

A keyboard. I often write notes by hand but the actual drafting has to be done on a computer of some kind. When I’m ‘in the zone’, the words flow from my fingers almost automatically, but that doesn’t happen when I’m writing by hand.

 Any authors and/or illustrators who inspire you?

Pat Zietlow Miller is a masterclass of picture book writing – I’ve learnt so much just by reading her texts. I also love Joanna Ho’s writing, Tom Percival’s books, Deborah Marcero and the O’Hara sisters.

 Tell us about your debut book.

Mending the Moon is the story of a little girl called Luna who sees the moon fall out of the sky one night. She drags her grandfather Poppa out of bed and they go out into the mountain forest where shattered pieces of the moon are glowing in the dark. They try to fix it together, but they need help from the animals before they can repair the moon and get it back into the sky. It’s beautifully illustrated by Sara Ugolotti, who has given it a truly magical setting and atmosphere.

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

 What’s up next for you?

Another story with the same characters will be published in September. In Saving the Sun, Luna, Poppa and the animals on the tropical island where they’re on vacation have to rescue the sun after it gets too hot and decides to go for a dip in the ocean. Sara’s illustrations are stunning again, with the warm summery vibes perfectly complementing the cold wintery mood of Mending the Moon. I’m so thrilled with how it’s turned out and can’t wait to share it!

 I also have a YA novel about to go out on submission, so will be tightly crossing my fingers and toes for that.

 And last, but not least, who is your favorite children’s book character?

I think it has to be Matilda. I’ve always felt a great affinity with her for many reasons (not least that I think my great uncle may have based Miss Trunchbull loosely on one of my teachers!). Matilda is such an inspirational, strong female character – she’s clever, kind and brave. And of course, she’s a bookworm, which may be the reason for her extraordinariness and also makes her very relatable (to me anyway!).



Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see SAVING THE SUN!


EMMA PEARL has written stories for as long as she can remember. She grew up in the UK, traveled the world and now lives with her family in New Zealand. Mending the Moon (illustrated by Sara Ugolotti, published by Page Street Kids) is her debut picture book. The sequel Saving the Sun will be published in September 2023. Emma also writes middle grade and young adult, is a WriteMentor picture book mentor, freelance editorial consultant, and is represented by Sera Rivers at Speilburg Literary. 

 FOR MORE INFORMATION follow Emma online:

Website: emmapearlauthor.com

Twitter: @emmspearl

Instagram: emmspearl

Mastodon: @emmspearl@mastodon.nz

BUY THIS BOOK To purchase a copy of Emma’s book, click here.

WIN A COPY! Want to win a giveaway copy of MENDING THE MOON?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 9th! US addresses only please.

Interview with Author Charlotte Offsay

Authors, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with a debut author who has had her first TWO books come out this year, followed by a THIRD which will come out in March of next year! I’m thrilled to have her with us today to talk about her work, road to publication, and writing process.

So without further ado, please welcome Charlotte Offsay!

Where do you live?

I was born in England, grew up in Boston and now live in Los Angeles California with my husband and two young children, Eliana (7) and Thomas (5).

When did you know you wanted to write picture books?

I have always loved creative writing, but I didn’t pursue it for a long time and actually worked in corporate finance for a number of years before leaving to become a stay at home mother after my daughter Eliana was born. After my son Thomas was born, I joined a parenting group where the coordinator encouraged us all to carve out time for ourselves and do something just for us. Everyone chose something different, and I decided to sign up for Writing Picture Books for Children: A Beginning Workshop, via UCLA extension online. My children were tiny, and I didn’t have time to attend an in-person class, but an online class seemed manageable and I knew my instructor was right that I needed something outside of caring for my family that was just for me. I fell head over heels for picture books in that class, kept writing and taking classes and never looked back. 

Tell us about your road to publication, what did that involve for you?

I took my first picture book class via UCLA extension’s online program in the summer of 2017 and fell in love with all things picture book. From there I joined numerous groups such as SCBWI, 12x12 and Inked Voices and spent the next couple of years attending conferences, taking webinars, enrolling in online classes (Children’s Book Academy, Lyrical Language Lab etc.), as well as reading every picture book and craft book (Big Magic, Ann Whitford Paul’s Writing Picture Books etc.) that I could get my hands on. 

Through these various groups and classes I connected with my invaluable critique partners and wrote countless manuscripts. In early 2019 I found myself between agents and while waiting to hear back on outstanding queries, I looked around to see how else I could get my work seen. I decided to pitch How to Return a Monster in a twitter pitch contest called #PBPitch to see if I could drum up any agent interest that way. 

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I didn’t get any agent requests but to my delight I did get one from a publisher! Andrew DeYoung at Beaming Books liked my tweet/pitch and asked me to send him the manuscript. Shortly after I sent the manuscript over to Beaming Books, I signed with the wonderful Nicole Geiger at Full Circle Literary and we signed a contract with Beaming Books for How to Return a Monster a few months later!

Can you share a bit about your process?

Every manuscript I write seems to follow its own path but usually an idea crawls under my skin and won’t let me rest until I write and rewrite and have a completed crummy first draft. Now that my kids are a bit older, I tend to write in the mornings after dropping them off at school but as anyone with young kids knows, I have to be flexible and often find myself writing in the cracks (school pickup line) or after my kids are asleep. Once I have a draft that isn’t too embarrassing, I share it with my closest critique partners who have become my dearest friends. They help me to see what is and isn’t working and we go back and forth via email and phone until I feel ready to share it with my agent Nicole Geiger of Full Circle Literary. From there, Nicole and I figure out if there are changes that still need making, if there is a market for the story and where in our submission schedule the story should go.

What do you do to shake the rust off or get new ideas?

Personally, my best stories tend to come from the things that take up the most room in my heart. I tend to mine the emotions and events in my life that I am currently consumed with and try to write about those events or emotions through a child lens. If my well is feeling particularly dry, I like to go back through my old manuscripts to see if I can take a nugget from one of them in a new direction (POV, story structure, different characters etc) as well as reading as many new picture books as I can get my hands on. 

Anything you can’t live without while you write?

I prefer to write when it is quiet, and I have a good few hours all to myself. Coffee and chocolate have been known to make regular appearances during those times. That said, I have learned to make the most of the carpool line so nothing is a must!

Any authors and/or illustrators who inspire you?

SO many. Julia Donaldson is my hands down favorite picture book author - I think the woman is a rhyming story telling genius. My critique partners continue to inspire me with the incredible projects they keep producing – I won’t list them though for fear of leaving anyone out. I am also continually inspired by the incredible illustrators that I follow on Instagram via accounts such as @theillustrationstation and @illustration_the_best.

Dream project to work on?

A true dream project would be any manuscript that doesn’t fight back in the revision process ☺. 

Tell us about your new book.

How to Return a Monster is a humorous how-to story about a girl who can't believe it when her parents bring home a fussy, stinky, attention-stealing monster. She hatches a plan to send it back to where it came from, with hilarious results . . . and along the way, she learns that maybe monsters--and baby siblings--aren't so bad after all. 

It is illustrated by Rea Zhai and publishes with Beaming Books on September 7, 2021. 

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

What’s up next for you?

I am excited to share that my next picture book, A Grandma’s Magic, illustrated by Asa Gilland publishes on March 1, 2022 from Doubleday Books for Young Readers/Penguin Random House.

Description from my publisher: 

"When a child is born, a grandma is born too. Grandmas aren't like regular grown-ups. Grandmas are filled with magic."

In this charming picture book tribute to grandmas, a grandma's magic bursts through the door as soon as she comes to visit and can be seen in every wonderful thing she does: playing, exploring, baking, gardening, and in all the many ways a grandma and grandchild connect.

Filled with adorable scenes featuring a diversity of grandmas and their grandkids, this is a book that will families can enjoy together. Grandmas will love snuggling with their grandchildren as they share their love and "magic" through cuddles, kisses, and many repeat readings.

And last, but not least, favorite 80s movie?

Fun question! The Princess Bride!


Huge thank you to Charlotte for stopping by Critter Lit today! Congrats on all your wonderful books!


CHARLOTTE OFFSAY was born in England, grew up in Boston, and currently lives in Los Angeles with her husband and two small children. Through her work, Charlotte hopes to make children laugh, to inspire curiosity, and to create a magical world her readers can lose themselves in time and time again. 

Charlotte is the author of The Big Beach Cleanup, illustrated by Kate Rewse (Albert Whitman, 2021), How to Return a Monster, illustrated by Rea Zhai (Beaming Books, September 2021), and A Grandma’s Magic, illustrated by Asa Gilland (Doubleday Books for Young Readers, March 2022). 

FOR MORE INFO about Charlotte's work at charlotteoffsay.com and follow her on Twitter at @COffsay and on Instagram at @picturebookrecommendations. Charlotte is represented by Nicole Geiger at Full Circle Literary.

BUY THIS BOOK To order copies of Charlotte’s books, click here.

WIN A COPY! Want to win a copy of HOW TO RETURN A MONSTER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 30th! US addresses only please.

Interview with Debut Author Corey Finkle

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have debut author Corey Finkle with us to talk about his road to publication, debut picture book, and much more! I’m so excited about Corey’s debut, YOUR FUTURE IS BRIGHT, illustrated by Shelley Couvillion, a rhyming, graduation themed picture book that follows a group of children as they dream about their futures, which just released with Henry Holt. It’s a fantastic new book and perfect for any little one who dreams big, getting ready for their bright futures!

So without further ado, please welcome Corey Finkle!

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Where do you live?

I live in Rhode Island, just outside of Providence.

 When did you know you wanted to write picture books?

Not only was I the oldest kid in my house, I was also the oldest in my generation of grandkids, so I grew up taking care of kids. When I was in college, while spending time with my two-year-old cousin, I read him one of his favorite picture books. At one point, the main character looks at the Northern Lights, and he said to me “Is that the Aurora Borealis?” I was blown away. I barely knew what that was, but because of a picture book, this little boy had it cemented into his mind. From that day on, I dreamed of one day writing a book that might inspire other little kids to learn something that they might not otherwise know.

 Tell us about your road to publication, what did that involve for you?

That very year, I wrote my first picture book manuscript for college credit, and then basically spent the next twelve years occasionally sending it out to a few agents, and waiting to be discovered.

 About ten years ago, I realized that I needed to get serious if I really wanted this dream to come true, so I finally started taking the advice that everyone always tells you, but I had theretofore ignored. I started writing (a LOT) more, joined a critique group, signed up for SCBWI and began attending their events, and really invested my time, energy (and occasionally money) into cultivating this skill.

 I got my first lucky break in 2016 when I attended a writer’s retreat, and hit it off with someone who turned out to be a guest speaker, who turned out to be an editor. He invited me to send him some manuscripts (I had dozens by this point), and when he liked what he read, he helped me get an agent. (I had spent five years querying constantly; one week after this interaction, I had three offers!)

 My agent (the great Sean McCarthy from McCarthy Lit) basically broke me down as a writer and built me back up again, only sending books out when they were READY. And while the first few didn’t sell, we seemed to get closer each time. After the fourth one, we received feedback that, while that book was a pass, the editor wanted a graduation book and liked how I wrote in rhyme, and so would I like to have a crack at it? I said yes, and about five months later, Your Future is Bright was sold.

Can you share a bit about your process?

In general, when I come up with an idea, the first thing I try to do is come up with an ending. Those are always the hardest part of any story, so if the idea can’t lead to a fun, satisfying, and hopefully surprising ending, I tend to let it go.

If the idea sticks, I then have to decide if it’s a rhyming book or not. To me some concepts benefit from the structure and discipline that comes with a rhyme scheme, while others need more freedom.

From there, I’ll begin writing. This means giving myself permission to write a terrible first draft, so that I can see what flows and works, and what doesn’t.

What do you do to shake the rust off or get new ideas?

For new ideas, I just try to keep my ears open, and workshop everything. In any given day, I’ll probably hear 3-5 turns of phrase that I think could be potential PB titles. Most of them won’t pan out at all, but I find that thinking them through keeps me in a creative space most of the time.

 As for rust, I am pretty forgiving of bad writing days. I was at a book signing years ago with Pulitzer Prize-winning author Michael Chabon, and someone asked him about his process. He said that he hated to START to write, but that once he got into it, he got over that initial feeling. This has always meant a great deal to me. If someone as accomplished as him can feel that way about something he is so great at, then it’s surely okay for me to feel the same way on occasion, right? But like him, once I get started, I always feel good, even if I only end up with one or two good lines. It’s a slow business, so there’s never any rush, you know?

 Anything you can’t live without while you write?

I am VERY strict with myself when I write in rhyme. It is a huge pet peeve of mine, when I’m reading rhyming books to kids, if the author has left a lot of work for the reader to do. In other words, if the meter changes halfway through, or the meter is inconsistent from line to line, verse to verse, or anything else happens to make you stop and have to figure out the right way the line flows, it drives me crazy!

So for me, I want my reader to hear my rhythm from the start and then get carried off into the story like a current on a river. For that reason, I always have a thesaurus and a rhyming dictionary (or a web equivalent) with me while writing, so that I can keep working with a verse or idea until it meets my requirements.

 Any authors and/or illustrators who inspire you?

I am honestly and truly inspired by all the writers I meet at conferences, both published and pre-published, who remain dedicated to their craft throughout all the ups and downs of this at times brutal industry.

But in terms of a singular writer or work, the truth is that I think Norton Juster’s The Phantom Tollbooth is just about the most brilliant piece of fiction I’ve ever read. (Seriously, if you only read it as a child, have another look). It’s not only a cool story, but it’s also clever, witty, and extremely profound. At some level, every book I write is an attempt to try (and fail) to write something even half as good.  

Dream project to work on?

While you can’t necessarily tell this from my debut book which is more of an “ode to childhood” than a traditional story, I tend to come up with high-concept plots for my ideas that I fall madly in love with, and then get told they’re too advanced for the PB audience. (I recently pitched a concept as “Indiana Jones meets Ocean’s Eleven, by way of Sliding Doors”). I would love to one day get the green light to prove that even younger kids would love a great story, even if they contain advanced concepts like pirate ghosts, or the Aurora Borealis.

And when I do, I hope Dan Santat gets to illustrate.

Tell us about your debut book.

Your Future is Bright is an ode to childhood and the potential that every kid has within them.

When I was first asked to come up with a graduation book, my first thing I thought of was how scared I was about the prospect of becoming an adult, and how much hard work was coming my way. So my first draft tried to address that fear by saying “Don’t be scared about how you’ll do in the future, because I’VE seen how far you’ve already come, and that journey was MUCH harder!” and then providing all the examples of how they’d developed from a helpless baby into the capable person they are today.

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

My agent gently pointed out that a graduation book should look to the future and not the past. That’s how the story evolved to what it is today, where we look at various gifts and interests that make kids special and unique today, and sort of speculate about how that MIGHT inform who they become as they grow up.

What’s up next for you?

I just recently signed my second book deal for Pop’s Perfect Present, a story about a girl who sets out to give her dad one perfect memory as a gift for being so great, but ultimately learns that she succeeded in her effort just by spending the day with him. In addition, I’m working on several concepts (I have 4-5 in various stages of development at this point), and we’re waiting to hear about a few others as well.

And last, but not least, favorite 80s movie?

I’m tempted to say The Goonies, or Superman II, or Batman, or any of the movies that I loved when I was young, but I can’t. Field of Dreams is the one. Amazing story with an ending that gets me EVERY SINGLE TIME.


Huge thank you to Corey for stopping by Critter Lit today! Congrats on your debut!


COREY FINKLE wrote his first children’s book as a senior project in college. From there he spent ten years tinkering with and pitching it, and finally put it aside after he realized it wasn’t actually very good at all. Corey sold his first book, Your Future is Bright, almost 20 years to the day after completing that senior project. Between those two decades were a lot of manuscripts, and a LOT of revisions. When not working on his next book, Corey spends his time writing business-y words for companies, enjoying life with his wife and two kids, or collecting t-shirts from unusual or lesser-known sports teams.

Visit Corey online at www.CoreyFinkle.com

ORDER THIS BOOK To order a copy of YOUR FUTURE IS BRIGHT click here.

WIN A COPY! Want to win a signed copy of YOUR FUTURE IS BRIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 17th! US addresses only please.

Interview with Debut Author Tina Shepardson

Debut Interviews, AuthorsLindsay Ward1 Comment

Happy Thursday Critters! Today we have an interview with a debut author whose book, WALKOUT, illustrated by Terry Sirrell, takes on the topic of school safety for kids. I’m thrilled to have her with us today to talk about her road to publication and process of taking on such a difficult topic in a picture book.

So without further ado, please welcome Tina Shepardson!

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Where do you live?

Syracuse, New York.

When did you know you wanted to write picture books?

Since grade school in the 70s, I wrote stories, tied them with string, and shared them with children I babysat for. After college, I started teaching. I was so busy teaching my students books, I didn’t have the time to write my own, but I did keep a journal of ideas for a some day. 

Tell us about your road to publication, what did that involve for you?

In 2016, I began to carve out consistent writing time. In addition, I began looking for courses to learn the craft and for critique and professional writing groups. This way i could learn from them as well as help them with their craft. I participated in The Children’s Book Academy The Craft of Writing Picture Books and joined the 12x12 Writing Group. Both were so instrumental in me learning from others and meeting my current critique partners. I wrote several different drafts and was open to all the ways the piece needed to improve as well as the ways I needed to grow as a writer. 

Can you share a bit about your process?

Sure! I have taught English Language Arts for 33 years so I have many planners to choose from when brainstorming a story. Once I have notes organized onto a graphic organizer, I let it sit while I look at several mentor texts to help me determine a possible structure or format that may work with a particular piece. After the first draft is written, I leave it alone for a week so that when I return, I am reading it with fresh eyes. Once I revise it to the best of my abilities, I submit it to my critiques groups and look forward to their wonderful suggestions. So often they see things that I may not see on my own. Once I have their feedback, I continue to revise and then write it out on Post-its. I have a PB template on my wall so once all the Post-its are on the pages of the template, I can read it aloud, listen to the pacing, etc. 

What do you do to shake the rust off or get new ideas?

Teaching and parenting have been amazing opportunities to find ideas. Simply listening  and working with children there are so many ideas. Also, participating in Tara Lazar’s Story Storm each January is such an inspirational experience. Each day, a different author presents an idea for finding ideas and topics to write about, These talented and diverse authors provide so many creative strategies for spotting more ideas. 

Anything you can’t live without while you write?

Great question! I have to have The Children’s Word Book and The Emotion Thesaurus. Of course there has to be a few snacks, so chocolate chip cookies or Lindt’s dark orange chocolate squares are nearby but only if I have completed section or accomplished a certain goal.

Any authors and/or illustrators who inspire you?

Yes! When I was a child, my favorite characters were found in E. B. White’s books Stuart Little and Charlotte’s Web, A. A. Milne’s Winnie The Pooh, and Arnold Lobel’s Frog and Toad series. These characters were staples in my life. I adored their stories, the illustrations and their journneys, and the messages they shared. Throughout my teaching career, I bring these stories into lessons and our character education programs.

Dream project to work on?

I would absolutely love for a book to become a series and eventually a program for kids. This would provide more opportunities to make a difference and be in contact with children in ways that help them grow and become their best version of themselves. I think about this all of the time!

Tell us about your debut book.

In 1999, when Columbine experienced tragic school violence, my students and I sent them (and other schools like Sandy Hook) care packages of poems and seed packets to express our care and compassion to the communities. By the time the shooting in Parkland, Florida occurred in 2018, I was taking children’s writing courses. I didn’t find picture books helping kids understand they could advocate for safe schools in positive, proactive ways that united others and thought perhaps I could write one. Once I did, around that same time, I found a NYT article that really helped me structure it the way it needed based on the true events of the article itself. I was so excited to find this.

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Walkout is a picture book inspired by a true story. Walkout shows democracy in action as Maddie organizes a safe school’s anti-violence walkout. Other kids throughout the States are walking out. But Maddie’s principal has announced that only older grades can participate. At the same time, Maddie’s best friend Stella is too scared to help. Readers wonder if Stella will find her courage and join Maddie in walking out. 

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

What’s up next for you?

In early 2022, I have a chapter book releasing with Clear Fork Publishing entitled Canines Unleashed. Hank, an Akita, finds himself in Canines Unleashed, a doggie daycare, when his owner starts kindergarten. He is nervous about this new adventure. How will he surf the kitchen counter for crumbs after lunch? Hank must find a way to face his fears, take responsibility for his actions and accept new challenges he never experienced in his once sheltered world. Follow the real Hank on Instagram @hank_madeleine. This project is near and dear to my heart because I was able to incorporate my daughter and akitas as main characters. I am working on creating a podcast to accompany this as well…. and hopefully more books!

And last, but not least, favorite 80s movie?

That is a tall order! I will have to go with 1989’s When Harry Met Sally. Billy Crystal and Meg Ryan together create such a heartwarming and hilarious story line. The soundtrack is beautiful. I love films that entertain and share a lesson.


Huge thank you to Tina for stopping by Critter Lit today! Congrats on your upcoming books!


An award-winning teacher for 33 years, TINA SHEPARDSON has shared thousands of books with children. As a passionate advocate for children and reading, she finds her best stories are inspired through her favorite roles in life: mother and teacher. Find her in Upstate New York with her family, enjoying the latest snowstorm with her akitas.

FOR MORE INFORMATION about Tina or her books, visit her website, or follow her on social media:

Twitter: @ShepardsonTina

Instagram: @hank_madeleine

Facebook: TinaShepardson

ORDER THIS BOOK To order a copy of WALKOUT click here.

WIN A COPY! Want to win a copy of WALKOUT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 2nd! US addresses only please.

Interview with Debut Author and Illustrator Amanda Davis

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I’m so excited for today’s interview! This is the very first time I’m sharing a book that I was lucky enough to see early on when it was submitted through Critter Lit as a manuscript critique. How exciting is that??! My hope with Critter Lit has always been to see these projects shaped into books one day. And today we get to celebrate one that made it through! I remember the first time I read this text, I got that feeling. I just knew this had legs, it just had to get in front of the right editor. I’m thrilled I got to be a part of the process of this book coming to fruition and I can’t wait for you all to hear about this incredibly special book in today’s interview.

So without further ado…please welcome Amanda Davis!

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Where do you live?

Thanks so much for having me on the blog, Lindsay! I’m excited to chat more about my journey and my debut 30,000 STITCHES! I live in Massachusetts. I grew up in a small coastal town and will always be a sea baby at heart. 

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When did you know you wanted to write/illustrate picture books? 

I didn’t always know I wanted to be an author but I DID know that I loved writing and art. Whether it was sketching in a sketchbook or writing poetry, it was something I always came back to. When I was twelve, my father passed away and (without knowing it) I began to use art and writing as a tool to process and cope with my feelings. This is when I realized the power of the arts to tell our stories and process the experiences in our lives. This is what led me to want to teach art, so I could help others recognize the power in it, too. Later, in 2012, I took a Continuing Education course on writing and illustrating for children, I realized this was an art form that captured all three of my passions—writing, art, and story-telling. I was hooked and never looked back.  

Tell us about your road to publication, what did that involve for you?

It was a long process! From the moment, I read and taught about the true story of the flag in 2011, I was intrigued and knew it was a special story. It stuck with me and lingered in my head, but needed time to flourish. After visiting the National September 11 Memorial & Museum in 2014, and being overcome with emotion at the artifacts and the stories, it was another reminder of the importance of telling this story. Inspired by my art lesson with students and my visit to the Museum, I decided to try my hand at crafting a manuscript for 30,000 STITCHES (originally called, THE FABRIC OF AMERICA). 

I began querying back in 2017 with other picture book manuscripts and didn’t have much luck. Once I had 30,000 STITCHES polished up, which was many months later, I began to query that story to agents and editors as well. The process of landing an agent and book deal for 30,000 STITCHS was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track. I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile when I was still unagented. After many months of not hearing back, I took that as a pass. I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to get there.

Can you share a bit about your process?

I tend to write first drafts as the muse strikes. I’m much more intentional with my revisions and schedule time to revise. Most of my ideas for revisions stem from suggestions and brainstorm sessions with my critique groups or paid critiques through services such as Critter Lit with you, Lindsay. With this feedback in mind, I often feel inspired to revise and schedule a time to do so.  For all of my stories, they always start with research. I love doing research and am naturally a very curious person. I love to ask questions and seek to understand. Because of this, I often find myself down rabbit holes that once in a while lead to inspiration for new story ideas. I think staying curious is so important when it comes to creativity. You never know where the next story idea is lurking so we must keep our minds open and in a state of wonder. I also love talking to people and as mentioned before, learning other people’s stories. I have a background in journalism so it’s been wonderful combining my love for interviewing people into my non-fiction children’s work.   

What do you do to shake the rust off or get new ideas?

I find that when my mind is free and clear, ideas flow more freely. Most of my ideas come when I let my mind wander. Most of my mind wandering takes place through meditation, nature walks, sitting near the ocean, in the shower, or when I’m driving, ha! I have oodles of notes and phrases in my Notes app on my iPhone for those moments when ideas strike. I also go in spurts. Sometimes I have lots of ideas for the art, and that is what comes first, and sometimes I have lots of ideas for the writing, and that comes first. Sometimes, too, I may have ideas for one and not the other. You never know how and when the muse will strike!!  

Anything you can’t live without while you write/draw? 

Some of my must-haves for creation include: Sunlight, candles, incense, a cracked window for some fresh air (even in the winter), my computer/iPad, a cup of tea, snacks, my sketchbook, and of course my favorite furry rescue pup, Cora by my side. 

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Any authors and/or illustrators who inspire you?

I’ve often admired Nicola Davies lyrical writing and her ability to tackle tough topics in a way that is accessible to children. Some of my favorites include, THE DAY WAR CAME, KING OF THE SKY, THE POND, and her recent debut as author-illustrator, LAST: THE STORY OF A WHITE RHINO. Most recently, I’m feeling inspired by other lyrical texts such as ALL BECAUSE YOU MATTER by Tami Charles and Bryan Collier and THE TREE IN ME by Corinna Luyken. Back in 2018, I actually received funding for a visit with Bryan Collier for a school visit in my high school art room. It was an unforgettable event for not only the students but also for me. He talked about how he went around, door-to-door with his portfolio to the big five publishers in New York for SEVEN YEARS until he finally got his first book deal! That was truly inspiring and reminded me that with hard work and dedication, anything is possible! You can learn more about some of my teaching and student art projects here! 

Dream project to work on?

Honestly, this may sound corny, but Sally Wern Comport was on my dream collaborator list. I was a fan of her work and mixed media style ever since I saw it in Ada’s Violin and was ecstatic to be paired with her for my debut, 30,000 STITCHES. Happy I can check that box off!!  Another dream project would be to illustrate my own picture book one day. I have a picture book dummy that I am working on right now that is very close to my heart, and it would be a dream come true to see it come to life. 

Tell us about your debut book.

My debut creative nonfiction picture book is 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG. I love that you had a look at this story early on when I submitted it to Critter Lit for a critique. Your feedback helped solidify that I was on the right path and that there was a place for the story in the market. 

30,000 STITCHES tells the true story of the 30-foot American flag that was put up at Ground Zero in the days after 9/11. The flag became torn, tattered, and covered in dust and ash so it was taken down a few weeks later by a construction crew and tucked away in storage, where it stayed for nearly seven years. The flag was brought out of storage in 2008 when the New York Says Thank You Foundation headed to Greensburg, Kansas, a town nearly destroyed by a tornado. NYSTY brought the flag with them, sparking a grassroots restoration effort that traveled over 120,000 miles across all fifty states, bringing together thousands of people, and helping America heal and rebuild . . . hand by hand, thread by thread, one stitch at a time. The book is the story of that journey, a journey that ended at the opening of the National September 11 Museum, where the flag remains today. Along the way, the flag was restored using pieces of retired flags from every state—including a piece of the flag that Abraham Lincoln was laid on after he was shot at Ford's Theater and threads from the original Star-Spangled Banner flag, which flew at Fort McHenry in the War of 1812 and inspired Francis Scott Key to write the national anthem. The pieces and threads were stitched in by military veterans, first responders, educators, students, community-service heroes, and family members of 9/11 victims, among others. At each stop, communities came together to remember, to heal, and to unite.

What’s up next for you?

I have lots of new ideas in the works! Many informational fiction stories and a couple of new narrative nonfiction stories, too. As mentioned before, I also have a couple picture book dummies in progress that I hope to debut as author AND illustrator with. I hope to one day explore writing a middle grade novel in verse or even YA. 

Stay tuned for more exciting virtual events for 30,000 STITCHES, too. Next up is Mass Book Bites: Boston Book Festival. You can learn more and register HERE! And with the 20th remembrance of 9/11 approaching, I hope the story can be a great resource to help us discuss the events of that day and honor, remember, and reflect.  

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And last, but not least, favorite 80s movie? 

Ohh this is a hard one, I think I’d have to go with either Beetlejuice, Little Monsters, or the original Honey I Shrunk the Kids. 


Huge thank you to Amanda for stopping by Critter Lit today! CONGRATS on your debut book— we are all cheering for you over here at Critter Lit!


AMANDA DAVIS is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children's books. Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again. Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

ORDER THIS BOOK To order a copy of 30,000 STITCHES click here.

WIN A COPY! Want to win a copy of 30,000 STITCHES?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May27th! US addresses only please.

Interview with Debut Author Kira Bigwood

Authors, Debut InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Today we have an interview with author Kira Bigwood to celebrate the release of her debut picture book, SECRET SECRET AGENT GUY, illustrated by Celia Krampien. I’m so excited about this book, which just released with Atheneum Books for Young Readers this week! Being a secret agent was always at the top of my list when I was a kid— let’s be honest should this whole book thing not work out I would totally become a secret agent (nevermind the fact that I zero skills for that). Needless to say, I’m thrilled share this book with all of you…

…so without further ado, please welcome Kira Bigwood!

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Where do you live?

Just north of Chicago in idyllic Evanston, IL, home to THREE stellar independent bookstores. Shout-out to Booked, Bookends & Beginnings and Page 1!

When did you know you wanted to write picture books?

I’ve been a writer and a book lover all my life (a librarian mom will ensure that!), but I didn’t think about combining the two until my children came along (really original, right? 😆). It was seeing their reactions to different books…chatting with characters on a page, snort-laughing until they cried, asking really insightful questions…that got me thinking, “How can I do that?”

Tell us about your road to publication, what did that involve for you?

For me, it started in a class with Esther Hershenhorn at the Newberry here in Chicago, where I had my eyes opened wide. From there, I joined a critique group, SCBWI and the 12x12 Challenge. Then, after 6 years of reading, writing, revising, critiquing and submitting, I finally got my big break…acceptance into the RUCCL One-on-One Conference. I met Editor Alex Borbolla at the group lunch that day, where I was testing a theory, doing everything opposite of what I would normally do. So instead of retreating into my bagel and cream cheese (like any good introvert), I chatted up Alex about my spy story, and discovered…she loved spy stories! When I submitted to her afterwards, she said she was “charmed” by my manuscript, and the next thing I knew, I was signing a book deal. I couldn’t believe it (but Opposite Me could)!

Can you share a bit about your process?

Because of my background in advertising, I usually like to start with some concepting. I’ll pick a topic that interests my kids, like narwhals, or butts, or narwhal butts. Then I’ll do some brainstorming around my topic…word mapping, word association kind of stuff. Hopefully that shows me how to twist my idea and turn it into something completely unique. Once I have my concept good and tight, I’ll start the writing, editing and revising process, checking in often with my critique partners, and then towards the end with my agent. I’ve found it’s easier to revise projects that have a solid concept at the core.

What do you do to shake the rust off or get new ideas?

I’m a big believer in “filling the well.” Watching movies with the hubs, reading outside my genre, enjoying a glass of wine, hiking and biking, strolling museums, rocking (or mellowing) out to some tunes, playing with my kids, definitely not playing with my kids, hanging with friends, enjoying another glass of wine…heck, even literally filling a well might “fill the well!”

Anything you can’t live without while you write/draw?

Background music. I tend to listen to instrumentals that match the theme of whatever story I’m working on. So, for SECRET, SECRET AGENT GUY, it was a lot of Henry Mancini! Also, caffeine (again, really original, right? 😆).

Any authors and/or illustrators who inspire you?

James Marshall, if we’re throwing back. I love his brand of smart-funny. George & Martha had me hooked from the beginning. Currently, can’t get enough of Ame Dyckman and Lucy Ruth Cummins (also smart-funnies), and find myself saying, “I wish I had written that,” after I read EVERY SINGLE ONE of their books. 

Dream project to work on?

Oh gosh, to publish more books! Even just one more would be a dream! Especially one where I could partner with Illustrator Celia Krampien again! Wait until you see her visual storytelling for SECRET, SECRET AGENT GUY. Smart, funny (what can I say? I have a type), creative, a little vintage-y, and don’t even get me started on her color palette. She is downright masterful, and I would consider myself lucky to be able to collaborate with her on another project one day.

Tell us about your debut book.

It’s a spy twist on the classic, Twinkle, Twinkle Little Star. Your mission—should you choose to accept it—is to join Secret, Secret Agent Guy on his bedtime assignment, code name: Operation Lollipop. Equipped with night-vision goggles, a jetpack, and grappling hook, he is prepared for every eventuality...or is he? Will this 007-year-old complete his covert quest, or will he be outsmarted by an adversary he never saw coming?

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

What’s up next for you?

I’m touching up some manuscripts for my agent right now, including some non-fiction science. Maybe one of them will be my next book!

And last, but not least, favorite 80s movie?

We’ll go with the Rule of Threes on this one…Goonies, The Great Outdoors, and of course, National Lampoon’s Christmas Vacation (“Save the neck for me, Clark!”).


Huge thank you to Kira for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see what you come out with next.


KIRA BIGWOOD writes children’s books, TV commercials, and much to her 10-year-old’s dismay, notes for her kids’ lunchboxes. She was once edited out of a My Little Pony ad because she was missing her two front teeth (not that she’s still hanging on to that or anything). Luckily, she has all her teeth now, and a much more positive attitude toward the editing process. Kira is a graduate of the University of North Carolina (go Heels!), and lives in Chicago with her husband and three children. Secret, Secret Agent Guy is her debut picture book.

FOR MORE INFORMATION about Kira or her book, visit her website, or follow her on social media:

IG: @kirabigwood

Twitter: @KBigwood

ORDER THIS BOOK To order a copy of SECRET SECRET AGENT GUY click here.

WIN A COPY! Want to win a SIGNED copy of SECRET SECRET AGENT GUY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 20th! US addresses only please.

Interview with Debut Author Debra Shumaker

Authors, Debut InterviewsLindsay Ward12 Comments

Happy Thursday Critters! I hope you are all doing well! Today we have an interview with author Debra Shumaker whose debut picture book, FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH, illustrated by Claire Powell, just released this week with Running Press Kids! So exciting! I love the fun facts in this book— super interesting, illustrated with gorgeous art. A new nonfiction favorite in our house!

I’m so excited to share this book with all of you, so without further ado, please welcome Debra Shumaker!

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Where do you live?

In Sterling, Virginia about 45 minutes from Washington, D.C.

When did you know you wanted to write picture books?

When my boys were little, my favorite thing to do with them was cuddle up and read books. I fell in love with picture books and decided that I wanted to learn how to write them.

Tell us about your road to publication, what did that involve for you?

It was a very long, bumpy road lined with sweat and and a few tears, LOL. I started by taking a course through the Institute of Children’s Literature in 2005 when I was pregnant with my third child. We had three boys in 3 1/2 years so I didn’t write much at first. But once the youngest started preschool I dug in. I studied craft and wrote and submitted. Got lots of rejections and joined challenges, studied craft more, and wrote new things. It was 2015 before I started getting champagne rejections and revise and resubmit requests. I didn’t sign with an agent until 2017 and we didn’t get an offer until January of 2019. All told, it was about my 15th “serious” manuscript that finally got an offer.

Can you share a bit about your process?

I’m always juggling projects. One book I’ll be in polishing and submitting mode, while I’ll be thick in revisions with another, and starting the research and/or drafting phase of another. When I get stuck or frustrated with one project, I jump to a different one. I frequently put projects that don’t seem to be working on the back burner, sometimes for weeks, sometimes for months or even years. At times I’ll pull out something from that proverbial drawer to see if there is any life in some older manuscripts. In fact, the idea for FREAKY, FUNKY FISH is, in part, due to a fiction manuscript I wrote way back in 2013.

I’m also in four critique groups and do lots of swapping with various writing friends. So while I may not write 8 hours a day, I seem to be constantly doing something writing related.

What do you do to shake the rust off or get new ideas?

Reading - both adult and kidlit. I like to write nonfiction, so reading books, newspapers, online articles, trivia questions, etc. gives me tons of ideas. I’m constantly checking out picture books from the library to get the feel for what is out there and what’s missing. I also love Tara Lazar’s StoryStorm to kick start new ideas. But really, I have so many ideas I’ll have to live to be over 100 in order to write them all! 

Anything you can’t live without while you write?

It’s probably not in the “can’t live without” category, but 90% of the time when I’m writing, I play a “Classical for Studying Radio” station on Pandora. I don’t like complete quiet when writing, but yet I can’t have anything with words in the background. Outside words interfere with the “inside” words I’m trying to work with. But my laptop is something I can’t live without.

Any authors and/or illustrators who inspire you?

Oh my, SO many of them. For nature nonfiction authors, off the top of my head, I would say Melissa Stewart, Laura Purdie Salas, April Pulley Sayre, Maria Gianferrari. But so many authors inspire me in different types of picture books, I would need an entire page and too much time to list them all. I will say that the KidLit Community is bursting with inspirational and kind creators.

Dream project to work on?

I’m living my dream right now, writing all different styles of PB and finding an agent who loves my work and editors who have loved at least a few of them. Any current project I’m working on is my dream project at the moment.

Tell us about your debut book.

FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH is a rhyming nonfiction picture book about the weird and wonderful ways some fish look or act to survive in the waters they live in—one kind of fish has a see-through head, another kind coats itself in a mucus cocoon at night, and some fish play dead to lure prey or avoid being eaten. Fascinating stuff! After reading this book, I hope kids are as amazed as I am by the natural world. While the main text is sparse, I do include back matter that goes into more detail about how and why these fish do the things they do.

Interior Art for FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH by Debra Shumaker, Illustrated by Claire Powell

Interior Art for FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH by Debra Shumaker, Illustrated by Claire Powell

What’s up next for you?

My second picture book, TELL SOMEONE, comes out on October 1st with Albert Whitman, illustrated by Tristan Yuvienco. TELL SOMEONE encourages kids to talk about things—both the good stuff and the hard stuff.

And a companion to FREAKY, FUNKY FISH is in the works! PECULIAR PRIMATES is coming to bookshelves in Fall 2022 with Running Press Kids. From funny faces and colored butts, to flossing teeth and thumping chests, discover some peculiar ways primates look and act. Thankfully Claire Powell signed on to illustrate. I just saw the sketch of the cover. It will be another super fun book!

And last, but not least, favorite 80s movie?

When Harry Met Sally. I just rewatched it last summer and it still makes me laugh and cheer for Harry and Sally when they finally get together. That ending monologue by Billy Crystal? Um, yes. I’m a romantic at heart. :-)


Huge thank you to Debra for stopping by Critter Lit today! We are so excited about your debut!


Debra Kempf Shumaker loves weird and fascinating facts. When she isn’t reading or writing, Debra enjoys cooking, gardening, and watching Jeopardy. She lives in Northern Virginia with her husband, three sons, and two cats—who miss the days the youngest son had an aquarium full of fish.

FOR MORE INFORMATION about Debra or her book, visit her website or follow her on social media:

Twitter: https://twitter.com/ShumakerDebra

Instagram: https://www.instagram.com/debrakshumaker/

ORDER THIS BOOK To order a copy of FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH click here.

WIN A COPY! Want to win a copy of FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 13th! US addresses only please.

Interview with Author Rebecca Kraft Rector

Authors, debut interview, Debut Interviews, InterviewsLindsay Ward5 Comments

Happy Thursday Critters! This week we have an interview with author Rebecca Kraft Rector! Her newest picture book, SQUISH SQUASH SQUISHED, illustrated by Dana Wulfekotte just came out with Nancy Paulson Books in February. I’m thrilled to have Rebecca with us today to talk about her new book and her road to publication.

So without further ado, please welcome Rebecca Kraft Rector!

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Where do you live?

I live in Tidewater Virginia. I grew up in Maryland and have also lived in Georgia and Florida.

When did you know you wanted to write picture books?

I’ve always been a voracious reader and have been writing stories and poems since I was a child. I delighted (?) my friends with stories about fleas on a dog and a girl who was a strawberry. I love horses and wrote many horse stories. It wasn't until I worked with fellow librarian and author Mary Downing Hahn that I realized that real people could have their stories published.

Tell us about your road to publication, what did that involve for you?

My first publications were in magazines, followed by a slush pile acceptance of my middle grade science fiction novel TRIA AND THE GREAT STAR RESCUE with Delacorte Random House. When my later novels and picture books were rejected, I started writing for educational publishers and had about 25 fiction and nonfiction leveled readers published. Finally, at a Highlights Foundation workshop, SQUISH SQUASH SQUASHED attracted the attention of Cecilia Yung who showed it to Nancy Paulsen who agreed to publish it. Nancy Paulsen Books is an imprint of Penguin Random House. I also acquired an agent as a result of the Highlights workshop and she sold my forthcoming picture book LITTLE RED WRITING HOOD to Aladdin/Simon & Schuster.

Can you share a bit about your process?

I’m trying to streamline my process, but at the moment it’s write, revise, revise, revise, let it sit, revise, revise, revise, repeat endlessly. My ideal process would be to know up front the best character, goal, and conflict, in order for the story to resonate with emotion, theme or takeaway. But for now, my writing process is also a discovery process.

What do you do to shake the rust off or get new ideas?

Read, take a walk, listen to people and kids.

Anything you can’t live without while you write?

Dark chocolate chips.

Any authors and/or illustrators who inspire you?

Almost every author I read is an inspiration. Some for humor, some for heart, some for structure, and most for fun.

Dream project to work on?

It would be wonderful to interest a publisher in one of my picture book or middle grade horse stories.

Tell us about your debut picture book.

SQUISH SQUASH SQUISHED is about Max and Molly who complain about not having enough room in the back seat of their gracious-spacious automobile. Their mother invites animal friends to ride along until the kids really are squish squash squished. The book is filled with wordplay, refrains, and animal noises. I had a great time writing it and I hope it becomes a popular read-aloud to share with children.

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

What’s up next for you?

I’m working on companion stories for SQUISH SQUASH SQUISHED and LITTLE RED WRITING HOOD, as well as other picture books. I’m also on my five hundredth draft of a middle grade fantasy.

And last, but not least, favorite 80s movie?

Back to the Future.


Huge thank you to Rebecca for stopping by Critter Lit today! Congrats on your debut picture book! We can’t wait to read your next book!


REBECCA KRAFT RECTOR is a retired librarian and the author of more than thirty fiction and nonfiction books for children. Her cats Ollie and Opal keep her company while she writes. When she isn’t writing and eating chocolate, she’s trying to keep deer out of her garden.

SQUISH SQUASH SQUISHED is her first picture book. Her second picture book LITTLE RED WRITING HOOD is coming from Aladdin in Spring 2022.

FOR MORE INFORMATION about Rebecca or her books, visit her online: RebeccaKraftRector.wordpress.com

Or follow her on social media:

@RebeccaKraftRector on Facebook

@RebeccaKRector on Instagram and Twitter

ORDER THIS BOOK To order a copy of SQUISH SQUASH SQUISHED click here.

WIN A COPY! Want to win a copy of SQUISH SQUASH SQUISHED? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 6th! US addresses only please.

Interview with Debut Author Sita Singh

Authors, Interviews, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with author Sita Singh. Her debut picture book, BIRDS OF A FEATHER, illustrated by Stephanie Fizer Coleman, released this week with Philomel Books. I love the message of this book and the art is fantastic! A new picture book perfect for any collection.

So without further ado, please welcome Sita Singh!

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Where do you live?

I was born and raised in India and moved to the United States in 1999. I have been living in the suburbs of South Florida since then. But my dream is to someday live in a small town where everything is walkable.

When did you know you wanted to write picture books?

I was never a writer, but I was always a reader. I grew up reading illustrated stories from Panchatantra, Ramayana, and Mahabharat. These were mainly fables and mythological tales, and my favorite type of books to read as a child. Luckily, my husband also grew up reading illustrated stories in form of comic books. So when we moved to the United States, it was only natural for us to look for similar form of stories to read with our own children. While searching the libraries and book stores, we were both pleasantly surprised to have discovered the magical genre of “picture books”. Additionally, every time we went to India, we came back with stacks of illustrated stories. As a family, we enjoyed reading “stories with pictures”. I’d say the seed to becoming a picture book writer was planted early. But I didn’t take up writing until my children were much older and I felt the need to have a creative pursuit of my own. By that time, I had also discovered a lack of representation in children’s literature and was excited to explore the possibilities of writing illustrated stories. How hard can it be to write picture books? With that naïveté, I jumped into writing!

Tell us about your road to publication, what did that involve for you?

My road to publication wasn’t relatively long, but I wouldn’t call nine years, a short time either. As mentioned earlier, I jumped into writing without any knowledge about the craft. Initially, I was writing only in rhymes and my writing was all over the place. But once I discovered SCBWI, one thing led to another, and in 2014, I attended my first conference which left me in awe of the talent and resources the Kid Lit community had to offer. There, I also found my critique partners, and I clearly remember coming home with a zest to learn and connect. Soon, I was a participant of PiBoIdMo, 12 x12, Making Picture Book Magic, and Children’s Book Academy. And within no time, I felt confident enough to start seeking representation. Of course, I was wrong again! I got rejection after rejection, but I kept learning and revising, and in 2017, my story won the Florida SCBWI Rising Kite award. With that, I soon landed an agent, and in 2019, we sold Birds Of A Feather

Can you share a bit about your process?

When I have an idea, I start by studying mentor texts. As the idea brews in my head, words and lines come to me, and a story begins to take shape. I start with a synopsis. Of course, it changes through the process of writing, but a synopsis helps me stay on track. I write in long sentences and paragraphs, without any inhibition. It’s more like a story I’m telling myself. Then, with the process of elimination, I turn it into a picture book manuscript. I let it simmer for days and after a few revisions, I read it to my critique group. Their feedback helps me revise further, and once I’m happy with the story, I share it with my agent. 

What do you do to shake the rust off or get new ideas?

I step away from the computer and engage myself in other things I like to do—reading a book, trying a new recipe in my kitchen, styling and taking food pictures, or simply hanging out with the family helps me shake the rust off. In terms of getting new ideas, it hasn’t been a struggle, yet. I have a long list of ideas waiting to be explored. 

Anything you can’t live without while you write?

A water bottle, and a window.

I’m always armed with a water bottle and I have to be sitting by a window, when I write. 

Any authors and/or illustrators who inspire you?

This one is hard. There are so many! But if I had to pick, I’m inspired by the works of Jacqueline Woodson, Amy Krouse Rosenthal, and Beth Ferry.  

Tell us about your debut book.

Birds of a Feather is the story of Mo, a colorless peacock who learns to love himself in a jungle full of color. It is a story about finding strength in the things that make us different, and beauty in all its forms. 

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

What’s up next for you?

I have two picture books on submission and I’m working on a few more manuscripts.

And last, but not least, favorite 80s movie?

When Harry Met Sally.


Huge thank you to Sita for stopping by Critter Lit today! Congrats on your debut!


SITA SINGH was born and raised in India, and moved to the United States in 1999. She currently lives in South Florida with her husband, three children, and an immensely cute and curious dog. An architect in the past, Sita now enjoys writing heartwarming picture books with a South Asian backdrop. When Sita isn’t reading or writing, she can be found trying new recipes in the kitchen, experimenting with food photography, walking with the dog, or movie-marathoning with the family. Her debut picture book, BIRDS OF A FEATHER, illustrated by Stephanie Fizer Coleman, will be published on March 2nd, 2021 by Philomel Books. Find out more about Sita on www.singhsita.com and connect with her on Instagram and Twitter @sitawrites.

ORDER THIS BOOK To order a copy of BIRDS OF A FEATHER, click here.

WIN A COPY! Want to win a copy of BIRDS OF A FEATHER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 11th! US addresses only please.

Interview with Debut Author Saira Mir

Authors, Debut InterviewsLindsay Ward2 Comments

Happy Thursday Critters! I hope this post finds you all healthy and well as we head into the holiday season! Today, I’m thrilled to have debut author and doctor, Saira Mir, stop by Critter Lit! Her debut book MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME, illustrated by Aaliya Jaleel, features a collection of 19 Muslim women who’ve made history. These stories are inspiring, incredible, and share some of the amazing contributions that Muslim women have made.

So without further ado, please welcome Saira Mir!

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Where do you live?

I'm a Florida native transplanted in the DC Metro Area. I enjoy living a stone's throw away from museums and national landmarks.

When did you know you wanted to write books for children?

My older sister and I dreamt of writing a book together when we were college students. She would write, I would illustrate. Fast forward 10 years, I finally did it, but solo. My sister is still my biggest cheerleader and critique partner. 

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Tell us about your road to publication, what did that involve for you?

I sought out Muslim female biographies to inspire and build my young daughters' self-confidence, but there was little available. I knew this had to change and began researching how to fill this gap.

Can you share a bit about your process?

My first step was brainstorming the book's structure and a list of my personal heroes. Once I had a preliminary draft, I queried agents and connected with Saba Sulaiman at Talcott Notch. I couldn’t wish for a more supportive agent. She helped push the manuscript further. In the process, I interviewed women I've looked up to my whole life! It was surreal! Once the manuscript was polished and on submission, we received offers within weeks. My daughter needed these women's stories and my experience with publication showed that the world did too. 

What do you do to shake the rust off or get new ideas?

I tap into the things that bring me joy: science, South Asian culture, family, social issues, food, and art. I also think about how I want my children to grow. There's such a huge need for social justice kidlit. I'm thrilled to see more books focused on teaching future generations about self-love and equity.   

Anything you can’t live without while you write?

Snacks, Spotify, and solitude. With pandemic parenting, I don't think I'll have the luxury of solitude anytime soon. I write in fits and starts between tiny elbow pokes and baby spit-up. It's unglamorous, but my hope is that my kids are watching me push through it all and they’ll grow to do the same. 

Any authors and/or illustrators who inspire you?

I'm honored to be in a wonderful debut picture book group, The Soaring 20s. I’ve learned so much from this talented crew. We created a beautiful bookish gift guide for the holidays! You can find it on our website. I’m also a member of a published Muslim kidlit group founded by Saadia Faruqi, Jamilah Thompson-Bigelow, Reem Faruqi, and Aya Khalil. Its membership has grown in the past months, which is a heartening reflection of publishing. Both groups are special because they offer support and inspiration that extends beyond writing. 

Dream project to work on?

I’d love to couple my background in women’s health with kidlit. I’m an OBGYN by training and provide grade school sexual health education. I love challenging antiquated societal norms so that children can live healthy, happy, empowered lives.

Tell us about your debut book.

Muslim Girls Rise introduces young readers to the diverse and important contributions of modern-day Muslim women. Through short, information-rich biographies and vibrant illustrations, readers discover role models whose childhood events shaped who they are today. These are women readers may not have known, but whose stories they will never forget.

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

Interior art from MUSLIM GIRLS RISE: INSPIRATIONAL CHAMPIONS OF OUR TIME by Saira Mir, illustrated by Aaliya Jaleel

What’s up next for you?

I'm working on a book that has yet to be announced. It’s a story close to my heart, a celebration of family love that endures through loss. I hope it brings caregivers and children comfort during difficult times. 

And last, but not least, favorite 80s movie?

Labyrinth. It’s 80’s perfection: fantasy, pop music, David Bowie, elaborate costumes, and goblins. I vividly remember watching it on videodisc at my friend’s sleepover. Now I’m going to jam to the soundtrack! Thanks for the nostalgia!


Huge thank you to Saira for stopping by Critter Lit today! Congratulations on your fantastic book! We can’t wait to see what you do next!


SAIRA MIR is a southern-born, Pakistani-American Muslim author and physician. She’s always on the hunt for sunny reading spots and former Top Chef contestant restaurants. She has four beautiful children and hopes to add a cat into the mix soon. Her picture book, MUSLIM GIRLS RISE, is an anthology of modern-day Muslim women's biographies.

FOR MORE INFORMATION about Saira or her work, visit her online, or follow her on social media:

Twitter, IG, FB: @sairamirbooks

ORDER THIS BOOK To order a copy of MUSLIM GIRLS RISE, click here.

WIN A COPY! Want to win a copy of MUSLIM GIRLS RISE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Wednesday, November 25th! US addresses only please.

Interview with Author Gianna Ruggiero

Authors + Illustrators, Debut Interviews, IllustratorsLindsay Ward3 Comments

Happy Thursday Critters! One of my favorite things is picture books that center around food. I love to cook and bake and I always enjoy a good food driven story. Today I’m sharing a new picture book that celebrates the joy of food: EVERY NIGHT IS PIZZA NIGHT, which released in September, written by New York TImes Bestselling chef J. Kenji Lopez-Alt and illustrated by Gianna Ruggiero. I’m thrilled to have Gianna join us today to talk about her debut picture book and road to publication.

So without further ado, please welcome Gianna Ruggiero!

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Where do you live?

I currently live in Oakland, California, but originally hail from South Philadelphia. Proud of you, Philly. 

When did you know you wanted to write/illustrate picture books?

I have always liked telling stories, and in college I remember doing a mock children’s book idea for a class. It was really fun and I experimented with photos and digital illustration. I knew then that this would be something I would like to pursue, but didn’t really know how. From that moment my career has mostly been in feature animation and video games. Children’s book illustration has always been on the back burner. In the past few years, I had finally started to pursue illustration more seriously by attending SCBWI events, networking with agents and publishers, and talking to published illustrators about their journey. That hard work seemed to pay off as it helped land me a spot with a literary agency. 

Tell us about your road to publication, what did that involve for you?

Man, I wish I could be a little bit more inspiring and helpful, but it was pure luck and a backlog of portfolio work. I lost my job a couple years ago and tweeted out to the world wide webs sharing that I lost my job and was looking for work. Somehow that tweet landed on Kenji’s timeline and he took interest in me and my work. He later reached out to me asking if I would collaborate on a children’s book with him. I was optimistic, but I wasn’t aware of who Kenji was at the time, so to me he was a random stranger on the internet, thus it led me to be a bit hesitant. A lot of times internet strangers will email you asking for you to help do work on a screenplay they are writing, or their 5,000 page novel, and it goes nowhere. It’s a total crapshoot. But for me, I was lucky. Kenji not only turned out to be a famous chef, but a wonderful, talented, kind-hearted human that valued me and my work. I owe him many thanks. 

Can you share a bit about your process?

My process usually starts out with a large amount of panicking, and what I can only describe as me flailing wildly around in circles, drawing things that somehow amount to an idea. Then I develop those half-baked ideas into a final concept.

Oh, boy. I feel like my process is always evolving. For some reason it is easier for me to conform to a style that is given to me from an art director than to form a style that I need to adhere to myself. For Every Night Is Pizza Night, it started out with a lot of reference gathering. Gathering styles from other illustrators I like, and photos of people I wanted to draw. From there it is a lot of scrappy sketching on paper or in the computer. I try to think a lot about the scope of the project, what kind of style I can commit to in a given time, what makes me happy, what the mood of the project is, things along that line that help inform how the final illustration will look.

 What do you do to shake the rust off or get new ideas?

Ever since I was a kid, I walked a lot. I walked to school, I walked to friends houses, the bus. Wherever I walked it was usually accompanied by a CD player. I found myself lost in daydreams. Whatever I would listen to would conjure up a mood, a style, characters, scenarios, and stories. I would visualize little snippets between characters or come up with story arcs. Still to this day, I do that mostly walking my dog or commuting to work. The only thing that has changed is the CD player. 

That was a very long-winded way of saying: Music. Music gets me in a creative mood.

Another thing I do is get rid of my shame and turn off the judgemental side of my brain. When I am sketching and trying to enjoy whatever it is I am creating on paper, I try not to judge it or shame it. I just enjoy it and see where my brain takes me in that moment.

Anything you can’t live without while you write/draw?

The internet.

Any authors and/or illustrators who inspire you?

So many to name. I am a big fan of Emily Carroll and her short story horror comics. Big fan of Emily Hughes, John Bond, Amélie Fléchais, Joe Todd-Stanton, and Christian Robinson. 

Dream project to work on?

I would love to work on a strange silly adventure, or some sort of fantasy book. I really like books that feature animal characters meeting strange characters. I loved “The Phantom Tollbooth” as a kid, and I just loved the strange and creative worlds; ones that have never been explored or thought up before. 

Tell us about your debut book.

Every Night is Pizza Night is about a young girl named Pipo who believes pizza is the best food in the world, that is until her parents tell her to go investigate. Pipo takes that as a scientific challenge, and goes on a journey in her neighborhood tasting different foods from different cultures. Pipo tries a whole range of foods from bibimbap to rice and beans. It is a book that celebrates different cultures, and diversity. It inspires kids and families to be adventurous, and try different foods while understanding that food can hold different traditions and meanings to us. 

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The book is light-hearted and funny. It also features pages that are explosive and whimsical whenever Pipo takes a bite of a new food she has never tried. It even features a pizza recipe in the back of the book for parents and kids to make together. 

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What’s up next for you?

Kenji and I are taking a much-needed break for right now, but I expect that sometime next year we might begin exploring a new book idea. Currently, I am enjoying just sketching and learning how to get better at roller skating. I am also coming up with a video game idea that I might pitch to my studio. So nothing too exciting, but that is fine for me.

And last, but not least, favorite 80s movie?

The Thing! It is the best!


Huge thanks to Gianna for stopping by Critter Lit today! Congrats on your debut!


Gianna Ruggiero is a concept artist, video game developer, and illustrator. Every Night Is Pizza Night is her debut children’s book. She lives in Oakland, California.

FOR MORE INFORMATION about Gianna or her work, visit her online: www.giannaruggiero.com or follow her on social media:

Instagram/Twitter @immagigi

ORDER THIS BOOK To order a copy of EVERY NIGHT IS PIZZA NIGHT click here.

WIN A COPY! Want to win a SIGNED copy of EVERY NIGHT IS PIZZA NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 19th! US addresses only please.

Interview with Author Erin Silver

Authors, Debut Interviews, Interviews, publishingLindsay Ward1 Comment

Happy Tuesday Critters! Today we have a fantastic interview with the incredibly talented Erin Silver who is jumping into Kidlit with TWO debut books this month! How exciting is that?! JUST WATCH ME, a middle grade novel, released October 7th with Common Deer Press and WHAT KIDS DID: STORIES OF KINDNESS AND INVENTION IN THE TIME OF COVID-19 releases TODAY with Second Story Press. I’m thrilled to be sharing Erin’s work, road to publication, and insights with all of you today.

So without further ado, please welcome Erin Silver!

Erin Silver favourite by Renata Kaveh.jpg

Where do you live?

I live in Toronto, Canada.

When did you know you wanted to write?

I’ve always wanted to be a writer—since I was a little kid. I can’t remember wanting to do anything else. The path to having my first book published took 40 years but I’m finally doing what I love!

Tell us about your road to publication, what did that involve for you?

The road to publication was a long one! I went to journalism school, after my undergraduate degree, and worked in communications for several years until I had my kids. All of a sudden, they gave me the inspiration to write other things! I worked as a magazine editor and wrote articles (mostly about them!) for newspapers, magazines and blogs before deciding it was time to pursue my dream of becoming an author. I went back to school when I was 35 to get my Master’s of Fine Arts in Creative Nonfiction. 

Even after I graduated, it was tough going. I took writing workshops, went to conferences and retreats and submitted work to agents, editors and publishers. I wrote and wrote and wrote. I even experimented with writing romance novellas under a pen name before realizing I wanted to write books my kids could read! I got lots of rejections—and I mean lots—but I knew if I gave up I would never get the one “yes” I needed to become an author. I kept at it. There was nothing else I wanted to do or was qualified to do, so I kept writing things I was interested in or things I thought my kids wanted to read. Things I thought would make a difference to young readers. I wanted to show my kids what it meant to be resilient and persevere. 

Less than two years ago, I finally got a yes from a small Canadian publisher to write a nonfiction book for kids about Canadian LGBTQ athletes. Called Proud to Play, it was such a thrill to write stories that mattered. It was going to be my first book. Then the pandemic hit and the book was put on hold. Someone told me that it’s always good to be working on several things at once, and I took that to heart. While I was working on Proud to Play, I had also submitted a middle grade novel, Just Watch Me, to a contest held by Common Deer Press, another small Canadian publisher. (They are all so great to work with!) My book won third place and a publishing contract! It was published earlier this October. 

It was also during the pandemic that I was emailing back and forth with an editor at Second Story Press. They asked if I wanted to write a book about kids around the world who helped during the pandemic. I said “yes,” of course! I had a month to scour the whole internet and tell some amazing stories so the book could be published this fall. I’m so thrilled and honoured to have a middle grade novel and a picture book published in the same month.

Spread from WHAT KIDS DID by Erin Silver

Spread from WHAT KIDS DID by Erin Silver

Spread from WHAT KIDS DID by Erin Silver

Spread from WHAT KIDS DID by Erin Silver

Can you share a bit about your process?

When I have an idea or a deadline, I sit down and just write. I write until I can’t think straight and my eyes blur and my fingers cramp from typing so much. I get really motivated, inspired and energized when I have a project that I know will make a difference. Nothing makes me happier than working on a book. It’s honestly the thrill of a lifetime for me and there’s nothing else I’d rather do. When I don’t have a deadline or I’m just working on my own projects that I hope will one day be published, I end up moving at a slower pace and making time for other things, like going to yoga class and for walks with friends. I also enjoy being involved in the writing community and going to critique groups, writer’s meetings, conferences and taking writing workshops. It’s all online these days, though, so most often I’m sitting at my desk in my office!

What do you do to shake the rust off or get new ideas?

Ideas are everywhere. I listen to what my kids are talking about or what they’re interested in. I jot down funny stories I hear from friends. I was even in traffic one day, complaining about how slowly we were moving—and how late my son would be for baseball practice—when I got the idea for a nonfiction book about traffic. I did some research, pitched it to an editor at Orca, and ended up getting a book contract. Another time, I was overwhelmed by how much food I had in my fridge. Between the overripe fruit and leftover chicken, I didn’t know how we’d eat it all. It felt wasteful. I searched up “food waste” online and was shocked at how much food gets wasted. I typed up a proposal, sent it to my editor at Orca, and got another book contract. Ideas are all over—even in your fridge.

Anything you can’t live without while you write?

Coffee!

Any authors and/or illustrators who inspire you?

Oh gosh there are honestly so many. I don’t know where to begin. I read as many middle grade books as I can. I really love Canadian authors Susin Nielsen, Kira Vermond, Tanaz Bhathena and Heather Camlot. I recently discovered Meg Medina, Kate Messner and Sharon M. Draper. I just read Draper’s book, Out of My Mind, and Wow! I will never forget that title.

Dream project to work on?

I am particularly proud of What Kids Did. There are so many amazing kids who used their skills, abilities and tenacity to help other people at a time when even adults were paralyzed by fear and anxiety. To be able to write a book that highlights their accomplishments and puts it on display for other kids to emulate is really meaningful. And I’ve really enjoyed working with the Second Story Press team to pull it all together in such a short time. I love the concept, the design, how we’re promoting it. They even created an e-book version, since how else will kids read it when many are learning virtually and even school libraries are closed? My publisher made it happen and I’m beyond excited to share these inspiring stories.

But honestly, every project that an editor or publisher wants me to write is a dream project. I’m 40, but I’m very much a new children’s author at the beginning of my career. I have so much to learn and accomplish, but I never thought I’d get this far. It’s surreal. It felt like it took forever to get that first “yes,” and now I’m looking ahead with several book projects underway and hoping for a whole career. I will never take it for granted. I hope I can continue to write books kids like, books that inspire people, make them laugh or help them see things in a new light. I’m learning as I go, too!

Tell us about your debut book.

My debut book is my middle grade novel called Just Watch Me. It’s about social media, video games and divorce. I started it a few years ago when my kids were younger and struggling with my divorce from their dad. I remember reading to my kids when they were small and noticing that all the books had a mom and a dad. I was mad that my kids were growing up thinking that having divorced parents wasn’t “normal.” I wanted them to know that even if they lived in a single-parent home, they would be ok. And since there was nothing for them about the topic written in a way that interested them, I decided to write it myself. I made it really funny, with lots of embarrassing bloopers, and I based it around the themes of social media and video games because these are really important in the lives of pre-teens today, but if you read until the end, you’ll see that there’s a bigger message. It’s dedicated to my boys and to every other kid whose parents have gone through a divorce.

What’s up next for you?

I’m so excited to be promoting my books. Especially during a pandemic, What Kids Did is particularly relevant and timely. The world feels like it’s been turned upside down, and there’s a lot of anxiety. I hope this book teaches kids that they can make a big difference, even if they’re small. I hope readers are inspired to help someone and that they realize that even the tiniest gestures can have a huge impact. I’m also working on a few other projects with some amazing Canadian publishers. I have a picture book and three nonfiction books in the pipes, plus other books I’m pitching or working on for fun. I always like to have something on the go.

And last, but not least, favorite 80s movie?

I can’t pick just one! Princess Bride, Grease, Dirty Dancing…there were so many. My sister and I had dance routines and knew the lines for all of them!


Huge thank you to Erin for stopping by Critter Lit today! Congrats on all your success!


ERIN SILVER is a children’s author and freelance writer with nearly 20 years of professional industry experience. Her work has appeared in Good Housekeeping, The Globe and Mail, The Toronto Star, Today's Parent, Chatelaine, ParentsCanada, Best Health and Clean Eating magazine, among others.

Erin’s middle grade novel, Just Watch Me, won a publishing contract with Common Deer Press and is available in October 2020. What Kids Did, a picture book about the amazing ways kids around the world helped during the pandemic, is available in October as well (Second Story Press). Proud to Play (Lorimer, spring 2021) is about the experience of LGBTQ athletes in Canadian sports. Erin also has two more books coming out with Orca in 2022.

Erin has a Masters of Fine Arts in Creative Nonfiction from King's College in Halifax, a postgraduate journalism degree from Ryerson University and a Bachelor of Arts from the University of Toronto.

She is a member of IBBY, The Writers Union of Canada, CANSCAIP, SCBWI, and Authors Booking Service.

FOR MORE INFORMATION visit Erin online at www.erinsilver.ca or on social media:

www.facebook.com/erin.dym

ca.linkedin.com/in/silvererin

twitter.com/1ErinSilver

www.instagram.com/erinsilver1/

ORDER THIS BOOK To order a copy of WHAT KIDS DID or JUST WATCH ME click here.

WIN A COPY! Want to win a copy of WHAT KIDS DID?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 5th! US addresses only please.

Interview with Debut Author and Illustrator Julie Rowan-Zoch

Authors + Illustrators, Debut Interviews, InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with Julie Rowan-Zoch, whose illustration debut, LOUIS, written by Tom Lichtenheld, is receiving rave reviews! I adore this book and I’m so excited to introduce you all to Julie’s work.

So without further ado, please welcome Julie Rowan-Zoch!

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Where do you live?

In sunny northern Colorado! If I sound excited about the sun, it's because winter in CO has many sunny days, and especially this winter it will really come in handy for sanity!

When did you know you wanted to write/illustrate picture books?

I talked about it a lot when my kids were small, but finally put serious effort into it upon joining Julie Hedlund's 12x12 Picture Book Challenge in its inaugural year, 2012.

Tell us about your road to publication, what did that involve for you?

When I started out I naively assumed my drawing talents were good enough, so I set about learning how to write, first by reading (100 PBs/wk for 3 yrs!), then writing, then critiquing - I formed a crit-group locally, but I also used to belong to an online group. Very soon I realized how overconfident I was about my own illustration skills! That's about the time I started the practice of drawing daily. All elements were vital - especially the naiveté!! No joke! I started submitting to multiple agents, but my agent actually found me!

Can you share a bit about your process?

I try to start every day with a warm-up sketch which I post with birthday greetings for facebook friends. It allows me to draw with blithe abandon at least once every day, and almost all of my characters have developed directly from that exercise. All my illustration work is now done digitally, thanks to advice I got during a portfolio critique from illustrator Michael Garland in 2013. Never looked back! I use the Procreate app on an iPad for all the work, from sketches to finished art. Even some revisions for art on LOUIS were done in a hospital waiting room on the iPad.

Doll sketches by Julie Rowan-Zoch

Doll sketches by Julie Rowan-Zoch

What do you do to shake the rust off or get new ideas?

Last month I actually wrote a short article about just that HERE, but it's the daily practice of drawing every day that really helps keep juices flowing. I post just about all of them on Instagram.

Anything you can’t live without while you write/draw?

Quiet. Once I am in later stages of drawing, I do like to run a movie I have already seen just so that I might look up now and again. but for writing I would even prefer to be alone in the room - VERY quiet.

Any authors and/or illustrators who inspire you?

So many! And my taste varies widely. I keep a list of illustrators I like on my website, with links to theirs, but it's really just a drop in the bucket! Some of the picture book authors I admire off the top of my head are William Steig, Russell Hoban, Arnold Lobel, Janet and Allen Ahlberg, Julie Fogliano, Fannie Britt, Suzy Lee, and Michael Rosen.

Dream project to work on?

I would love to create a book for young people experiencing the hospital, as a patient or a visitor, that communicates the pain and sadness along with a BIG dose of humor and art. 

 Tell us about your debut book as an illustrator:

Louis the bear has had enough. From day one, life has been one indignity after another. If he's not being used as a hankie, he's being hung out to dry—literally. (No one likes clothespins used on their ears!)

Early sketch for dedication/title page for LOUIS, written by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

Early sketch for dedication/title page for LOUIS, written by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

Dummy page from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

Dummy page from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

This teddy is sneaking away just as soon as he can. Then again, no use running off in the rain . . .or during a show-and-tell routine. Maybe Louis has something to lose, after all.

Character studies from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

Character studies from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

What’s up next for you?

My author-illustrator debut is with HMH, I'M A HARE, SO THERE!, and releases in March 2021, and have hopefully completed all final revisions for the art. I will soon get to work on coloring/activity sheets and other graphics for social media for it. Otherwise, revising more stories to submit!

And last, but not least, favorite 80s movie?

An Angel at My Table or Brazil or Room with a View? Sorry! Can't decide!


Huge thank you to Julie for stopping by Critter Lit today! Congrats on your fantastic debut!


Author, illustrator, bookseller, and activist: JULIE ROWAN-ZOCH grew up collecting freckles and chasing hermit crabs in NY, and spent years slicing rich breads in Germany before waking up to 300 days of blue Colorado skies. If she doesn’t answer the door, look in the garden!

FOR MORE INFORMATION visit Julie online or follow her on social media:

Twitter @JulieRowanZoch

ORDER THIS BOOK To order a copy of LOUIS, click here.

WIN A COPY! Want to win a copy of LOUIS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 15th! US addresses only please.

Interview with Debut Author Lindsay H. Metcalf

Authors, Interviews, Debut InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Today we have an interview with a debut picture book author that has not one, not two, BUT THREE picture books coming out this year! What a debut year! I’m thrilled to have today’s author with us and I can’t wait for you to read about her fantastic lineup of books this year.

So without further ado, please welcome Lindsay Metcalf!

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Where do you live?

I live in rural Kansas, just three miles from the wheat, corn, and soybean farm where I grew up. My whole family lives here now, so my kids are blessed with abundant grandparent and cousin time. 

When did you know you wanted to write picture books?

I knew the day my youngest went to preschool and I finally had a few hours to myself. I had left my job as a newspaper reporter and editor a few years earlier to be a stay-at-home mom. In those early years caring for my sons, we read together constantly. The irreverent, funny new picture books we found surprised and delighted me. I wanted to try writing one, especially for my oldest, who was born with microtia/atresia—a malformed ear and no ear canal. I wanted him to see himself in a book. The day my youngest son went to preschool, I snuggled up with my Cavalier King Charles puppy in a cozy armchair and drafted the picture book of my heart, which spilled out way too long, descriptive, and didactic. But I couldn’t stop scratching the itch to write. I read up on how the heck people got published, and later that fall, in 2015, I found SCBWI and my first critique partners. The rest is herstory.

Tell us about your road to publication, what did that involve for you?

Because I had been writing daily for many years, I hoped my trajectory would be shorter than others who had less experience in writing. Ha. Pretty pompous, eh? Picture books spare no one, and my learning curve was steep!

I submitted that first story to all the editors and agents on faculty at my first regional SCBWI conference in 2015. Of course I submitted waaaay too soon. Fortunately, all those rejections included glimmers of kindness and encouragement. I began to understand what I had to do: attend more conferences and small, craft-focused workshops; collect critique partners; and devour craft books such as Ann Whitford Paul’s Writing Picture Books. I learned the basics in Susanna Hill’s Making Picture Book Magic course, began to thread nonfiction narratives in Kristen Fulton’s Nonfiction Archaeology course (which is no longer offered, unfortunately), and refined my craft in Renee LaTulippe’s Lyrical Language Lab. In the meantime I signed up educational webinars and participated in ReFoReMo, Storystorm (which was called PiBoIdMo at the time), KidLit Summer School, and other free craft challenges. I subscribed to newsletters such as KidLit 411 and joined writer-focused Facebook groups such as Sub It Club while following every kidlit blog I could find. 

Then in 2017, on the same day I won a mentorship through Tara Luebbe and Becky Cattie’s Writing with the Stars contest, I had “the call” with my agent. That was probably the best day of my kidlit career thus far. It took another year and a half to sell my first book. 

What do you do to shake the rust off or get new ideas?

I get a lot of my ideas from reading the news. I subscribe to four newspapers — two local ones as well as the digital editions of the New York Times and the Washington Post. Email newsletters are also essential for nonfiction ideas. My favorites include the Smithsonian, JSTOR, Library of Congress, and the National Archives. I shake off the rust by playing with my kids. Whenever they say something clever, I sneak away to record it on my phone.

Tell us about your debut books.

I have three nonfiction picture books coming out in fall 2020. I consider all of them my debuts, so I hope you don’t mind if I tell you about all three.

BEATRIX POTTER, SCIENTIST, illustrated by Junyi Wu (September 1, 2020, Albert Whitman & Company), is a picture-book biography focused on the interplay between the author's foundational love of science and burgeoning talent as an artist. As a child, Beatrix kept a meticulous cabinet of labeled and pinned insect specimens, and even boiled her pets after they died so she could articulate and study their bones. Then, as she traveled northern England and Scotland as a young woman, she fell in love with fungi and fell down a decade-long rabbit hole of obsession that ended with her breakthrough science on spore germination being presented to the Linnean Society, which wouldn’t allow her to attend because she was a woman. 

NO VOICE TOO SMALL: Fourteen Young Americans Making History (September 22, 2020, Charlesbridge) is a picture-book poetry anthology co-edited by me, Keila V. Dawson (THE KING CAKE BABY) and Jeanette Bradley (LOVE, MAMA), and illustrated by Bradley. It features short biographies about contemporary young activists who are taking the lead where grown-ups aren’t moving fast enough. Subjects include literacy activist Marley Dias, water protector Jasilyn Charger, Scout for Equality founder Zach Wahls, and immigration reformer Viridiana Sanchez Santos. Contributors include Nikki Grimes, Joseph Bruchac, Lesléa Newman, Guadalupe García McCall, Carole Boston Weatherford, Traci Sorell, Hena Khan, G. Neri, and more. You can find a complete list of our amazing contributors at the link above. 

FARMERS UNITE! Planting a Protest for Fair Prices (November 10, 2020, Calkins Creek) will be illustrated with archival photos and targeted toward more of a middle-grade audience. In the late 1970s, grain prices had tanked, farm auction notices filled newspapers, and people had forgotten that food didn’t grow in grocery stores. So, on February 5, 1979, thousands of tractors from all parts of the US took to the highways and flooded Washington, DC, in protest. Farmers wanted fair prices for their products and demanded action from Congress. After police corralled the tractors on the National Mall, the farmers and their tractors stayed through a snowstorm and dug out the city. Americans were now convinced they needed farmers, but the law took longer. I grew up on a Kansas farm, so this rarely told story of grassroots perseverance and economic justice hits home for me. I wrote it imagining that it would be illustrated traditionally and reach an audience of children about age 5-9. My editor, Carolyn Yoder, saw the potential for a 9-12 audience using photos, and although my manuscript hasn’t changed fundamentally, the book now spreads over 64 pages! It’s strange how these three are all coalescing at the same time. I started writing FARMERS in October 2016 as part of the Nonfiction Archaeology class. That story has been through thirty-plus major revisions. I began researching BEATRIX a year later. NO VOICE TOO SMALL sold first, though—on proposal in a whirlwind collaboration in 2018 that began in a private Facebook group for #kidlitwomen. 

And last, but not least, favorite 80s movie?

Eighties me would say it’s a toss-up between “Mannequin” and “Girls Just Want to Have Fun.” These were my go-to sleepover flicks. My friends and I would fantasize about winning a TV dance contest or being a time-traveling mannequin while we played on a three-in-one pool, table tennis, and air hockey table and ate greasy pizza.


Huge thank you to Lindsay for stopping by Critter Lit today! Congratulations on your THREE debuts! We can’t wait to see what you write next!


LINDSAY H. METCALF is a journalist and author of nonfiction picture books: Beatrix Potter, Scientist; Farmers Unite! Planting a Protest for Fair Prices; and No Voice Too Small, her co-edited poetry anthology about young change-makers. Lindsay lives in north-central Kansas with her husband, two sons, and a variety of pets. You can reach her at lindsayhmetcalf.com.

FOLLOW LINDSAY ON SOCIAL MEDIA:

Twitter and Instagram: @lindsayhmetcalf

Subscribe for updates: lindsayhmetcalf.com/newsletter

BUY THIS BOOK To order a copies of Lindsay’s new books, click here.

WIN A COPY! Want to win a copy of BEATRIX POTTER, SCIENTIST?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 10th! US addresses only please.

Interview with Debut Author Carrie Finison

Authors, Debut InterviewsLindsay Ward20 Comments

Happy Thursday Critters! Today we have an interview with Carrie Finison, whose debut picture book is one I’ve been excited about all year, DOZENS OF DOUGHNUTS, illustrated by Brianne Farley! It’s got math, it’s got animals, it’s got rhyme, AND it’s got DOUGHNUTS— one of my absolute favorite treats (seriously, they were the favors at my wedding, that’s how much I love them)! What more could you ask for?! I’m thrilled to have her stop by Critter Lit today to talk about her road to publication, process, and upcoming books. So without further ado, please welcome Carrie Finison!

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Where do you live?

I live in Arlington, Massachusetts. The town’s former name is Menotomy, which the teenagers snarkily call Monotony. But it’s actually a fun and interesting town filled with fun and interesting people. Especially the teenagers.

When did you know you wanted to write picture books?

I think I always thought writing picture books would be a really cool thing to do, but kind of in the same way that you think of climbing Mount Everest or going to the moon as a really cool thing to do. It was probably around 2010 that I started to think I could actually try to write picture books and maybe even get one published. I was already writing for children on a work-for-hire basis for educational publishers at that point, and I was reading TONS of picture books with my own two kids. I think the combination of those two factors made it feel slightly possible — or at least slightly *more* possible than climbing Everest or going to the moon.

Tell us about your road to publication, what did that involve for you?

It’s been a long and bumpy road. I took my first picture book writing class in 2010. I had been doing work-for-hire writing as I mentioned above, and also had some success getting acceptances with children’s magazines so it felt like a natural next step. I joined a few writing groups including SCBWI, and took more classes like Susanna Hill’s Making Picture Book Magic. I started going to conferences. I joined several critique groups. I kept writing, sending a few manuscripts to editors, but set my sights on landing an agent. I was honored to win the Barbara Karlin Work-in-Progress grant from SCBWI in 2014. I thought for sure that manuscript would sell and, while it came very close at several houses, it didn’t. It wasn’t until 2017 that my agent was able to sell the first manuscript — one that I never thought would be my debut — and DOZENS OF DOUGHNUTS was on its way to publication.

Can you share a bit about your process?

I tend to write in spurts, so once I have an idea I’m off to the races with a rough draft. Then I share with my critique groups for feedback, revise, share again, and so on. At some point I usually get stuck and then it goes in a drawer for anywhere from 2-6 months so I can look at it with fresh eyes later.

Also, even though I’m a writer-only, I always make a dummy book by folding together half-sheets of paper and taping my cut-up manuscript to them. Sometimes I draw little stick-figure pictures on each page, or just pencil in a written description of what I think could appear there. I carry this little mini-book around with me for several weeks so that whenever I’m sitting around at a kid’s soccer game or dentist appointment, I can take it out and page through it, making edits to the text as they occur to me.

Since I often write in rhyme, a big part of my process involved staring off into space trying to come up with different ways to say the same thing, and combing through Rhymezone.com and other rhyming dictionaries to come up with interesting rhymes. I also ask other people to read the manuscript aloud to me so I can hear it in someone else’s voice. My family is very patient!

What do you do to shake the rust off or get new ideas?

There’s an exercise that Ann Whitford Paul mentions in her book Writing Picture Books, that I do quite often. Her recommendation is to type out the text of an already-published picture book in order to study the page turns, how much text is on each page, and so on. I find it valuable for that kind of study, but also to ease myself into the writing mood — just the act of typing sentences written by someone else gets my ear, voice, and fingers ready to do my own writing.

Anything you can’t live without while you write?

Rhymezone.com for sure, if I’m writing in rhyme! 

I also like to make myself a cup of decaf coffee or tea, take a few sips, and then let it go stone cold while I get absorbed in what I’m doing. Then I reheat it in the microwave, but forget that I have done so and rediscover it around dinner time. It’s all part of the process.

Any authors and/or illustrators who inspire you?

There are so many! 

Picture book authors: I love Ame Dyckman’s work. It’s always clever and unexpected. Pat Zietlow Miller gets heart on every page. Laura Gehl is an incredible writer with great language, and her humor really appeals to me.

Illustrators: Oge Mora is my favorite author/illustrator at the moment. I loved Saturday and Thank You, Omu, and her illustrations for Rita Lorraine Hubbard’s The Oldest Student were brilliant. Ekua Holmes’s work in The Stuff of Stars by Marion Dane Bauer blew me away, and I was equally starry-eyed over Diana Sudyka’s illustrations in Hayley Barrett’s gorgeous book, What Miss Mitchell Saw.

All genres: I always look for anything new by Grace Lin, in any genre. I also love Kelly Starling Lyons’s work. Linda Sue Park blew me away equally with her picture book Xander’s Panda Party (rhyme I can aspire to) and the middle-grade A Long Walk to Water. Cece Bell cracks me up, always.

SOMEBODY STOP ME!!! Really, I could go on all day.

Dream project to work on?

I don’t know that I’ve dreamed it up yet! I tend to get very enthusiastic about whatever I’m working on currently, which actually makes the inevitable rejections that roll in a little easier to take. My advice to picture book writers is, always be so in love with your current project that rejections on your older projects don’t sting so badly. That’s been true for me so far.

Interior spread from DOZENS OF DOUGHNUTS written by Carrie Finison, illustrated by Brianne Farley

Interior spread from DOZENS OF DOUGHNUTS written by Carrie Finison, illustrated by Brianne Farley

Tell us about your debut book.

My debut is called DOZENS OF DOUGHNUTS. It’s about a bear named LouAnn whose getting ready for hibernation by making herself a giant batch of doughnuts (as one does). However, her neighbors begin to drop by and she ends up dividing all her doughnuts between them and forgetting to save any for herself. Then she runs out of ingredients. LouAnn expresses her feelings about this rather loudly, scaring her friends. But (surprise!) they come back with an apology, and pitch in to make a giant doughnut party with plenty for everyone. So it’s about sharing, friendship, math (as each batch of 12 doughnuts is divided by the factors of 12 – 2, 3, 4, and then 6) and of course DOUGHNUTS! And, the illustration by Brianne Farley are absolutely delectable. Fair warning – if you read it, you will want a doughnut!

What’s up next for you?

My second book, DON’T HUG DOUG, comes out in January, 2021, from Putnam. It’s about a boy who says “no, thanks!” to hugs, and is meant to (humorously) spark conversations about consent and bodily autonomy with children. Daniel Wiseman is the illustrator and his child characters are colorful and full of fun.

After that, HURRY, LITTLE TORTOISE will hit the shelves in 2022 from Random House. It’s about a little tortoise who has grand illusions of herself as speedy. She tries her hardest to get to school on time, but keeps getting passed by her classmates. There’s a funny twist at the end that I hope will bring a smile to readers faces. Erin Balzer is illustrating the story. She recently posted some hint on Instagram that she’s beginning the illustration work and I CAN’T WAIT TO SEE IT. Also, I love it when illustrators do that.

And last, but not least, favorite 80s movie?

Pretty tough to pick just one! But if I had to, I think I’d say Ferris Bueller’s Day Off. Ohhhh YEAH!


Huge thank you to Carrie for stopping by Critter Lit today! Congrats on your debut and all your upcoming books! We can’t wait to read them all!


CARRIE FINISON began her literary career at the age of seven with an idea, a box of markers, and her father’s typewriter. She has been writing off and on ever since, though she has (somewhat regretfully) traded in the typewriter for a laptop. Her debut picture book is DOZENS OF DOUGHNUTS (July, 2020), and a second picture book, DON’T HUG DOUG, will follow in January, 2021. She also writes for children's magazines including Babybug, Ladybug, High Five, and Highlights. When she’s not writing, Carrie enjoys reading mystery novels, trying new recipes, and curling up on the couch for family movie nights. She lives outside Boston with her husband, son, daughter, and two cats who permit her to write in their cozy attic office. Find her online at www.carriefinison.com or follow her on social media:

Website: https://www.carriefinison.com

Facebook: https://www.facebook.com/carrie.finison

Twitter: https://twitter.com/CarrieFinison

Instagram: https://www.instagram.com/carriefinison/ 

BUY THIS BOOK To order a copy of Carrie’s debut picture book, DOZENS OF DOUGHNUTS, click here.

WIN A COPY! Want to win a copy of DOZENS OF DOUGHNUTS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, August 20th! US addresses only please.

Interview with Debut Author AJ Irving

Authors, Debut InterviewsLindsay Ward10 Comments

Happy Thursday Critters! Today I’m not only celebrating my oldest son’s fifth birthday BUT we also have a fabulous interview with debut picture book author AJ Irving! I’m thrilled to have her with us today to talk about her new book, DANCE LIKE A LEAF, illustrated by Claudia Navarro, which comes out with Barefoot Books in August. This book has received a starred review from School and Library Journal (woo-hoo!). It’s a lovely, beautiful story about the connection between a child and grandmother. Make sure to check out DANCE LIKE A LEAF!

So without further ado…please welcome AJ Irving!

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Where do you live?

My family moved from Seattle to Etna, Wyoming, in late December 2019. Etna is a tiny town 45 miles south of Jackson Hole. It’s a gorgeous area. I recently went on a hike in Grand Teton National Park. My friend and I saw waterfalls, moose, and a grizzly cub. The cub was only a few feet away from us. We couldn’t see the mama bear so we were pretty freaked out! 

When did you know you wanted to write picture books?

I’ve always wanted to be a writer, but I rediscovered my love of kidlit after I became a mother. I started writing picture books after my twelve-year-old son was born. 

Tell us about your road to publication, what did that involve for you?

Honestly, I didn’t know what I was doing at first. My stories were too long and didn’t leave room for art. I submitted to a few houses that accepted unsolicited manuscripts. I received one form rejection. In 2014, I discovered the online kidlit community. I joined SCBWI, attended my first conference, signed up for 12x12, and connected with critique partners. My craft slowly improved. In 2017, I was selected for a mentorship with Laura Gehl through Writing with the Stars. In 2017 and 2018, I was a #PBParty finalist. I pitched my debut picture book, DANCE LIKE A LEAF, in #KidPit in 2018, and received a heart from my fabulous editor, Kate DePalma. I signed with my wonderful agent, Jordan Hamessley, shortly after I received an offer from Barefoot Books. 

Can you share a bit about your process?

First of all, I think it’s important to read a wide variety of recent picture books, and really study them. My story ideas come from everywhere: things my kids say, photos, videos, life experiences, relationships with my friends and family. 

Word strings come to me out of the blue, especially when I’m hiking or walking by myself. I type these lines on my phone immediately. When I get home, I piece them together on paper. I almost always write a first draft on paper. I feel more connected to my pen. There’s something magical about the hand moving across the page. It’s the best feeling in the world when words just flow out of you. Never stop writing when you’re in the zone! I usually revise a manuscript several times before I send it to my critique group. If my critique group is excited about a project, I send it to my agent.  

What do you do to shake the rust off or get new ideas?

I couldn’t create anything at all when the pandemic started. I watched a lot of webinars which definitely inspired me. I’m thankful the kidlit community has offered so many free resources during this time. Little bits of good news also help me shake the rust off. They give me hope and remind me that this is what I’m meant to do. I got out of my writing funk and was excited to return to my craft after I received requests for more work from two editors and a starred review from School Library Journal.   

Anything you can’t live without while you write?

I have grown close with three of my agent sisters. We have a private group called The Candle Coven. Now, I always light a candle when I write. 

Any authors and/or illustrators who inspire you?

Is there a word limit for this interview? So many! Laura Gehl will always be one of the most inspirational authors to me. She is prolific. She had two books come out on the same day last week! She sends me inspirational emails, which I print off and put in my writing space. We swap manuscripts, and I ask her for advice all the time. She’s a wonderful friend and an incredibly talented picture book author. 

Arree Chung! Arree gives so much time and energy to help kidlit creators. He is a brilliant author/illustrator and a beautiful human being. I worked closely with Arree on a manuscript in Storyteller Academy. He boosted my confidence and taught me how to make dummies. I’m sure he’d be excited to learn that the manuscript he helped me with is currently on submission. 

I also have to give a shoutout to all the members of my debut group. I’d be lost without Perfect2020pbs. It has been an honor to share my debut year with all of you!

Dream project to work on?

The fastest manuscript I’ve ever written was inspired by our Weimaraner, Charlie. She passed away from lymphoma in March. Charlie shared so many first experiences with my children. I just had to tell this story. I’ve always admired Loren Long. He is an amazing author/illustrator, and he has a Weimaraner. It would be a dream come true to work on this book with him. 

Tell us about your debut book.

DANCE LIKE A LEAF was inspired by my grandma. I spent summers with her in Montana every year when I was growing up. We were also pen pals for most of my life. I wrote a letter for her when I learned that her life was nearing the end. I read this letter at her service. Several folks approached me after the service to let me know how much they were moved by my words. That’s when I knew I needed to write DANCE LIKE A LEAF. Autumn was my grandma’s favorite season. She loved tea and scarves and dancing. The story shows the special bond between a grandmother and granddaughter as they enjoy autumn together. Grandma’s health gradually declines, and after she passes away, the granddaughter continues their autumn traditions. I think it shows children a lovely way to remember loved ones after they are gone. 

What’s up next for you?

There’s so much waiting in publishing. I’m crossing my fingers and toes for my submissions. In the meantime, I am excited to revise my queer girl picture book, revisit some old manuscripts, and go on a lot of hikes before the snow returns.

And last, but not least, favorite 80s movie?

Pretty in Pink! I was obsessed with Molly Ringwald when I was a kiddo. And Duckie is pretty much the best character ever. One of my favorite scenes is when he lip syncs “Try a Little Tenderness” by Otis Redding. That song used to be my ringtone. My dad still teases me about forcing him to watch this movie SO many times, but he admits he enjoyed it much more than Rainbow Brite. I introduced my daughter to Pretty in Pink. She loves it, too. 


Huge thank you to AJ for stopping by Critter Lit today! Congrats on your debut!


AJ Irving grew up in Boise, Idaho, writing stories and daydreaming about becoming an author. Now, she writes picture books and poetry on her big back porch in a tiny town near Jackson, Wyoming. AJ reads kidlit every day and dances every chance she gets. Her debut picture book, DANCE LIKE A LEAF, releases from Barefoot Books on August 21, 2020.

As an author and former bookmobile librarian, AJ is passionate about inspiring children to read. She received a B.A. in journalism and women’s and gender studies from the University of Oregon. AJ is represented by Jordan Hamessley of New Leaf Literary.

Learn more at www.ajirving.com or follow her on social media:

TWITTER: https://twitter.com/aj_irving

FACEBOOK: https://www.facebook.com/ajirvingauthor/

INSTAGRAM: https://www.instagram.com/aj_irving/?hl=en

BUY THIS BOOK To order a copy of AJ’s debut picture book, DANCE LIKE A LEAF, click here.

WIN A COPY! Want to win a copy of DANCE LIKE A LEAF?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, August 6th! US addresses only please.

Interview with Debut Author Frank Tupta

Authors, Debut InterviewsLindsay Ward11 Comments

Happy Thursday Critters! Today is a very exciting day! TODAY I’m interviewing my husband, Frank Tupta. Most of you know Frank as the other half of Critter Lit. He helps me handle all the critiques we get and run the site. But today we are celebrating his new book!

His debut picture book, HOW TO BUILD A HAUNTED HOUSE, illustrated by Kyle Beckett, comes out with Two Lions this month. I love this book so much. And I say that not as Frank’s wife, but as the mom of three boys, who this book is tailor made for. It’s funny, silly, and oh so clever. Kyle’s art truly brings the story to life— I’m not sure which spread is my favorite!

As you know, this is a really tough business to break into and survive in. I have worked in publishing for the last ten years, and let me tell you, it is completely different to watch someone you love go through the trials and tribulations of this business with a full understanding of what it all means. To say I’m proud of Frank and his debut book would be an understatement. We work together on nearly every manuscript, going back and forth and helping edit each other’s work. I wouldn’t be the writer I am today without him. I’m thrilled his debut book is finally coming out and I can’t wait for all of you to see how fantastic it is! Okay, I’m done gushing now….

Without further ado, please welcome Frank Tupta!

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Where do you live?
I am snuggled in the Cuyahoga Valley National Park in Peninsula, Ohio.

When did you know you wanted to write picture books?
I never actually wanted to do children’s books. My first foray into writing started in the medical business as an EMT. It was then followed by the appraisal business, assessing personal property. I wrote my first novel series in a month in downtime between jobs. Since then, I’ve been trying to break in wherever I could. After eight novels and zero interest, I decided to try my hand at a kid’s story. I thought about what I would’ve wanted to see as a kid. Then I realized that may’ve been a little too psychotic (child of the ’80s— that was a different time). So I tapered back some and thought more of what my kids would like to see and found a happy medium. And that’s how I came up with How to Build A Haunted House.

Tell us about your road to publication, what did that involve for you?
It has been a bumpy road, and that road continues. Never a dull moment, with the exception of the down time trying to figure out new ideas. There are constant ups and downs. Phases of grieving post rejection and finding a way to get after it again. I will say those initial phases where you have to thicken your skin are the toughest. Being sensitive about your work is something I would think everyone struggles with, myself included. Being angry after a bad review or a rejection is comforting but only for so long. Eventually, you just move on to the next one. I think that’s when you know you’re battle-hardened, and it’s something more people should face. You don’t know who you are until someone crushes you and you get back up.

Can you share a bit about your process?
Oh, the process. I wish I could say it was always the same. The one thing I can say is a constant for me is listening. Listening is the best way to hear what is going on in the world around you. Some like to talk; I like to listen. Listen to kids, listen to adults, listen to politicians (okay, maybe don’t listen to politicians). I was told once, let no man be your enemy, and let every man be your teacher. Hearing the bounce and melody in people’s voices is key to finding your own rhythm and voice. Another thing for me is music is key. Music is something I’ve always loved. If you can sing, I have nothing but praise for you. My mom was a singer; it could be where I get my rhythm in my rhyming pattern.

What do you do to shake the rust off or get new ideas?
The key to shaking off rust is never stopping. If you fight through terrible writing, then rust is an edit or a delete away. This writing will be terrible. It will make you question your choices in life, but you can always learn something from it. How to Build A Haunted House came on the heel of a crime fiction novel series I was working on. That’s just how it happens sometimes. New ideas come from anywhere and anything. Architecture, nature, farms, the grocery store, the old man in a hat doing 25 in a 50. You don’t know when that sledgehammer of creative exuberance is going to smash you right over the head, and you have the next great idea.

Anything you can’t live without while you write?
Music and headphones. If there is any other kind of noise, I can’t write anything. Some people can do radio or books on tape— no, not me, never. There’s a time to listen, and there’s a time to go into autopilot.

Anything you are habitual about when it comes to creativity?
Early wake-ups, a priming routine of pull-ups, pushups, and sit-ups. And Most recently, I’ve made a switch from coffee to tea. This was mind-blowing for my friends. But I also didn’t start drinking coffee until I was 30.

Any authors and/or illustrators who inspire you?
I grew up with Syd Hoff, Steven Kellogg, and Maurice Sendak. For me, they are the greatest. In the current market, I don’t think you can beat Julie Fogliano. Honestly though, I get most of my inspiration from film and music. Oh, and children under the age of 5. They have the best ideas, the smallest filter, and they are relentless.

Dream project to work on?
My dream project would be a middle-grade thriller/adventure/mystery graphic novel. Think Goonies. I know— I try to think of it all the time.

Tell us about your debut book.
My debut picture book titled HOW TO BUILD A HAUNTED HOUSE brings the world of classic horror movie monsters into the real world. Well, maybe not the real world, but they have real-world jobs. They are owner/operators of their own contracting businesses, and when a Vampire Family is chased out of their house by zombie garlic plants, the town monsters work together to build them a new house. It’s trucks, it’s monsters, it’s chainsaws and tools, and a shrunken head wind chime. It rhymes, and it’s awesome. Shout out to Kyle Beckett for an outstanding job illustrating my text.

What’s up next for you?
As anyone who’s got one book knows, you’re only as good as the second one, and then the third one and then the fourth one, and so on, and so on. Right now, I’m working on a graphic novel series idea with my wife.

Anything else you’d like to share with aspiring authors and illustrators?
Never join the pity party when you’re down and never smell the perfume when you’re up.

And last, but not least, favorite 80s movie?
This is by far the hardest question you have asked. There’s a massive part of me that wants to drop Tango and Cash right here, right now, but I won’t. There’s also Predator which I could watch any day at any time. But I’m going to have to say Beetlejuice. Judge how you will.


Huge thank you to Frank for sharing with us on Critter Lit today! Congrats on your wonderful book!


FRANK TUPTA (TUP like UP) grew up in a haunted house in Cleveland. His favorite holiday is Halloween. He still dresses up every year. He currently lives in Peninsula, Ohio surrounded by the Cuyahoga Valley National Park with his wife, children's book author + illustrator Lindsay Ward, their three boys, and Sally, a rambunctious pit-bull\lab mix who keeps things interesting by chasing coyotes in their backyard.

If you'd like to know more about small Frank and the kind of shenanigans he used to get into, read BROBARIANS by his wife, Lindsay. The character Otto is based on him.

Most days you can find Frank writing, walking Sally with his family, driving around on his tractor, or co-running www.critterlit.com with his wife, a website offering free critiques and advice for up-and-coming authors and illustrators.

For more information about Frank, visit him online at www.uptasomething.com or follow him on social media:

Twitter: @FTupta

BUY THIS BOOK To pre-order a copy of Frank’s debut picture book, click here.

WIN A COPY! Want to win a SIGNED copy of HOW TO BUILD A HAUNTED HOUSE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 16th! US addresses only please.

Interview with Author Rajani LaRocca

Authors, Debut Interviews, InterviewsLindsay Ward9 Comments

Happy Thursday Critters! I hope you are all doing well— staying healthy and safe. Today we have an interview with debut picture book author Rajani LaRocca! Although this is Rajani’s first picture book, her debut book, a middle grade novel, MIDSUMMER’S MAYHEM, came out last summer and received rave reviews, a starred Kirkus review, and was on many ‘best of 2019’ lists! Rajani’s debut picture book, SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, illustrated by Archana Sreenivasan, comes out with Lee & Low Books on October 20, 2020! Make sure to pre-order this one!

Here is the description of the book:

In this clever, convivial picture book, an Indian boy untangles a mathematical conundrum to win a place at the Rajah's court.

In ancient India, a boy named Bhagat travels to the Rajah's city, hoping to ensure his family's prosperity by winning a place at court as a singer. Bhagat carries his family's entire fortune--a single coin and a chain of seven golden rings--to pay for his lodging. But when the innkeeper demands one ring per night, and every link snipped costs one coin, how can Bhagat both break the chain and avoid overpaying? His inventive solution points the way to an unexpected triumph, and offers readers a friendly lesson in binary numbers--the root of all computing.

How wonderful does this book sound?! The story and art are fantastic! I’m so excited to be sharing Rajani’s work with you all today.

So without further ado, please welcome Rajani Larocca!

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Where do you live?

I live in the beautiful (and literary) town of Concord, MA.

 When did you know you wanted to write picture books?

When I started writing a few years ago, I didn’t intend to write picture books. I saw myself as a novelist. But then I took a workshop on different types of children’s literature at Grub Street, a creative writing center in Boston, where the instructor showed us some mind-blowing picture books, including The Jupiter Stone by Owen Paul Lewis. That book, and the intersection of words and pictures, blew my mind, and inspired me to write my very first picture book. I went on to write many more, and each one has brought its own special joy…including my debut picture book, SEVEN GOLDEN RINGS.

 Tell us about your road to publication. What did that involve for you?

I’ve always loved books but spent a very long time away from writing while I went to medical school, residency, and started working as a physician. A few years ago, when my children were in school and I was established in my medical practice, I started taking writing classes online and in person. In about 2013, I got more serious about pursuing publication. After writing four to five picture books I thought were “ready,” I first started querying agents in 2015. I had some close calls but no offers, and in the meantime, I revised a middle grade novel and started querying it in 2017. When I received offers of representation, I also shared five picture books with the agents and got their feedback. I signed with my wonderful agent, Brent Taylor of Triada US, in November 2017. The past couple of years have been incredible, and I now have five picture books coming between 2020-2022!

 What do you do to shake the rust off or get new ideas?

I feel like ideas are all around me if I allow myself to be open to them. Participating in Storystorm is super helpful to generate new ideas, and I sometimes jot notes in my phone when inspiration strikes. The idea for a book may come in the form of an image, a title, or a memory. I’m always inspired by my children and our sweet little dog. In fact, taking a walk in nature, especially with my dog, often gets the creative juices flowing.

 Tell us about your debut book.

SEVEN GOLDEN RINGS is set in ancient India and tells the story of a boy named Bhagat who wants to save his family from poverty by earning a place at the Rajah’s court as a singer. He travels to the Rajah’s city with all the wealth he and his mother have left in the world: a single coin and seven tiny golden rings. But when he gets to an inn, and the innkeeper demands one ring per night and breaking a ring costs one coin, Bhagat must figure out a way to stay in the city while not wasting any of the rings. Bhagat succeeds in solving this mathematical conundrum, and the story introduces the concept of binary numbers—the basis of how computers work—in a fun and accessible way.

Interior Art from SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, written by Rajani Larocca!, illustrated by Archana Sreenivasan

Interior Art from SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, written by Rajani Larocca!, illustrated by Archana Sreenivasan

 And last but not least, your favorite 80s movie?

THE EMPIRE STRIKES BACK!


Huge thank you to Rajani for stopping by Critter Lit today! Congrats on all your success! We can’t wait to see what story you share with us next.


RAJANI LAROCCA was born in India, raised in Kentucky, and now lives in the Boston area with her wonderful family and impossibly cute dog. After graduating from Harvard College and Harvard Medical School, she spends her time writing novels and picture books, practicing medicine, and baking too many sweet treats. Her middle grade debut, Midsummer’s Mayhem (Yellow Jacket/Little Bee Books 2019), is an Indian-American middle grade mashup of A Midsummer Night’s Dream and competitive baking. Her debut picture book, Seven Golden Rings (Lee & Low, 2020) introduces binary numbers through a story set in ancient India. She is also the author of Bracelets for Brothers (Charlesbridge, 2021), I’ll Go and Come Back (Candlewick, 2022), Where Three Oceans Meet (Abrams, 2022), and other forthcoming books.

For more information on Rajani, visit her online at www.rajanilarocca.com or follow her on social media:

Twitter and IG: @rajanilarocca, Facebook

BUY THIS BOOK To pre-order a copy of Rajani’s debut picture book, click here.

WIN A COPY! Want to win a copy of SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 9th! US addresses only please.

Interview with Debut Author Paulette Bochnig Sharkey

Authors, book release, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! It’s so nice to be back with you all. I hope you are staying healthy and safe during this quarantine.

I’m thrilled to be sharing today’s interview with you because today is the very first time I’m interviewing a debut published author who I had the chance to work with through Critter Lit’s critique service! It’s so wonderful to see a project come full-circle. Frank and I receive lots of critique requests through the site, sometimes we get to work with people again, but most of the time we have no idea what happens to the manuscripts we critique. Generally, we are a stop along the publishing journey for many picture book authors. But with Paulette’s manuscript, I’m thrilled to say she got published! I was so excited to hear she sold her manuscript when she reached out to let me know. It’s wonderful to be apart of that process. I’m so excited for Paulette and can’t wait to share her debut book, A DOLL FOR GRANDMA, illustrated by Samantha Woo, with all of you today.

So without further ado, please welcome Paulette Bochnig Sharkey!

Paulette Sharkey headshot.jpg

Where do you live?

I live in East Lansing, Michigan, home of Michigan State University. Go Green! 

When did you know you wanted to write picture books?

I didn’t grow up with picture books. The first childhood books I remember are the ones I read to myself, starting probably around 4th grade, like Nancy Drew mysteries and the Betsy-Tacy series by Maud Hart Lovelace. I still have all my hardcover copies.

My introduction to picture books came much later, when I became a mom, which was in 1984. My daughter and I shared huge stacks of books every bedtime. I loved the minimalism of picture books and decided I wanted to write one. But decades passed before I made that happen.

Tell us about your road to publication, what did that involve for you?

When I was a stay-at-home mom, I sold a lot of nonfiction articles and word games to children’s magazines like Highlights, Ladybug, Cricket, and Hopscotch.

But it wasn’t until I retired from my job as a reference librarian that I got back to my goal of writing a picture book. I joined SCBWI and took a Writer’s Digest University course, “Writing the Picture Book.” During that 4-week course, I drafted a manuscript that, after many critiques (including a very helpful one from you, Lindsay!), became my debut picture book. 

Can you share a bit about your process?

Because I write more nonfiction than fiction, my process usually starts with research. I like hunting for interesting, even elusive nuggets of information. I think it’s the reference librarian in me. The problem is, I enjoy it so much that I sometimes have a hard time stopping the research and getting to the actual writing!

I like to have a fairly good opening line before I start writing. Of course, the opening often changes multiple times, but I seem to need it to get me going on a story. Recently, I’ve started writing a pitch before I write my first draft. I put the pitch at the top of my WIP to keep me on point.

What do you do to shake the rust off and get new ideas?

Like many others, I often get ideas when I’m not at my desk. I find walking helps clear my mind to make room for new ideas. I read a lot for inspiration, heeding the advice of poet Jane Kenyon that writers need to "Read good books, have good sentences in your ears." 

During the Covid-19 pandemic, when it has been hard to focus on writing at all, I’ve turned to one of my favorite anxiety-tamers for word lovers: crossword puzzles. It’s hard to worry about your problems when you’re solving a crossword.

Anything you can’t live without while you write?

I need my computer, a good light source, and complete quiet. It’s nice if I have a cup of hot green tea, too, but that’s not a requirement! And I prefer to write first thing in the morning, before my mind gets cluttered with concerns of the day. I’m not a go-to-a-coffee-shop-to-write kind of person (and we can’t do that right now anyway). Too many distractions there. I’m happiest writing in my upstairs home office, with a nice view of squirrels scampering through the evergreens. 

Any authors who inspire you?

Oh, there are so many! I adore the writing of Kevin Henkes. So much humor and heart. A Weekend with Wendell is the first picture book I remember reading with my daughter that made us both laugh. In fact, I’m sure I laughed harder than she did. 

I’m a big fan of picture book biographies and am working on one myself. Two titles that I greatly admire and return to again and again for their lyrical language are Margarita Engle’s Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln and Jennifer Berne’s On a Beam of Light: A Story of Albert Einstein.

And there have been some beautiful picture books about memory loss published in the last few years, like The Remember Balloons by Jessie Oliveros, The Tide by Clare Helen Welsh. Travels with My Granny by Juliet Rix, Finding Grandma’s Memories by Jiyeon Pak.

Dream project to work on?

I’m a pianist and have written several music-themed picture book manuscripts, including a biography of 19th century pianist Clara Schumann. I like projects that let me shine a light on lesser-known female musicians.

I also have an idea for a book about adoption that’s dear to my heart but I have not yet been able to find a way into that story. 

Tell us about your debut book.

A Doll for Grandma: A Story about Alzheimer’s Disease, illustrated by Samantha Woo (Beaming Books, May 2020), is a picture book about a little girl named Kiera, whose grandmother develops Alzheimer’s disease and moves into a memory-care home. There, Kiera embraces Grandma’s altered sense of reality and figures out a new way for the two of them to play together and sustain their close relationship. It’s a story about empathy, kindness, and the special bond between grandparent and grandchild. It’s about loving and accepting people as they are, even when they change.

My inspiration to write A Doll for Grandma came from many years working as a volunteer pianist in memory-care homes and from caring for family members with dementia. The best way to interact with people living with Alzheimer’s is to enter their reality, rather than trying to bring them back into our world. My main character models this behavior when she gives Grandma a baby doll. Kiera and Grandma care for their baby dolls together, sharing moments of joy and meaningful connection.

I’m fortunate to be able to donate all my author proceeds from the book to support Alzheimer’s research. We must find a cure.

What’s up next for you?

I’m querying agents and hope that 2020 is the year I receive an offer of representation!

And last, but not least, favorite 80s movie?

Big, from 1988, a sweet, funny Tom Hanks movie, directed by Penny Marshall. There’s a great scene where Hanks and Robert Loggia play “Chopsticks”—with their feet—on a giant keyboard at an FAO Schwarz toy store.


Huge thank you to Paulette for joining us on Critter Lit today! Congratulations on your debut!


PAULETTE BOCHNIG SHARKEY worked for many years as a librarian, first in her home state of Michigan, and later in Australia, Nevada, and Wisconsin. She is the author of two library reference books and dozens of articles for children’s magazines. Paulette has also worked as a recipe indexer, braille transcriber, developmental editor, proofreader, and ghostwriter. A DOLL FOR GRANDMA is her first children’s book.

FOR MORE INFORMATION on Paulette, visit her online or follow her on Twitter @PBSharkey

BUY THIS BOOK To purchase a copy of Paulette’s book, click here.

WIN A COPY! Want to win a giveaway copy of Paulette’s debut book, A DOLL FOR GRANDMA?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 14th! US addresses only please.