Happy Thursday Critters! Today we have an interview with an author/illustrator whose gorgeous sophomore book, PETE AND LEONIE: THE GREAT BABY SWAP just released with Dial Books for Young Readers on August 15th! I’m thrilled to have her with us today to talk about her new book, process, and road to publication.

So without further ado, please welcome Zoe Tilley Poster!

Where do you live?

In a meadow in the woods, in central Vermont.

How many years have you been in publishing?

My first book, THE NIGHT WILD, was published in 2022.

How did you first get published?

I worked for a year or two on a rough draft of THE NIGHT WILD, and with that, was very lucky to sign on with my wonderful agent Andrea Morrison. She sold the project to Dial Books, so I got to work with my editor and art director there - Kate Harrison and Lily Malcom - on both THE NIGHT WILD and PETE AND LEONIE.

Do you write/illustrate full-time?

I have in the past, but not right now. I have a three year old son, so I’m enjoying spending a lot of time with him these days. Making books takes a lot of creative energy that I find hard to maintain if I’m doing it 40 hours a week. 20 hours (or under) is much more sustainable for me.

What inspires you to create picture books?

It used to be my own experiences in nature, and hanging out with animals. That’s still important, but now I read to my kid a lot, and am hugely inspired by the things he laughs at and is delighted by. He likes excavating machines a lot. Bonus points if they get themselves into some hilarious disaster, and are operated by maniac frogs. These are not things I know how to draw, but I’m workin’ on it.

What surprised you the most working as an author/illustrator?

It’s surprising how much of a story gets edited out - usually by me, often my favorite parts - because those elements simply aren’t serving the greater good of the story as a whole. It’s the difference between making single pieces of stand-alone art (or poetry or prose) and making a whole story.

What is your favorite thing about being an author/illustrator?

Hanging out in my studio, listening to my music, going down the weird and exciting rabbit holes in my head.

What do you find difficult working as an author/illustrator?

The isolation. Aside from a small amount of collaboration with agent, editor and art director, it’s pretty solitary and can be lonely.

What do you do to shake the rust off or get new ideas?

Take a break. Go on a road trip, indulge in the other things I love doing, notice what interests me or incites my emotions, and follow those paths.

Anything you are habitual about when it comes to creativity?

Setting limits on my day. I didn’t used to do that - I thought the harder/longer I worked in my studio, the more I’d get done. Now I know there are serious diminishing returns… and if I work too long, I become filled with self doubt and I can not see my work with any clarity. So stopping after X number of minutes/hours (whatever I decide in the morning) is critical to doing good work.

Can you share a positive experience you’ve had in the Kid Lit community?

I used to be part of a writers group, and everyone was so encouraging and helpful, genuinely wanting to boost each other up.

Recommended reading?

My son Iggy and I love these:

The ¡VAMOS! and EL TORO series by Raúl the Third and Elaine Bay

WONDROUS WONDERS by Camille Jourdy

STORIES OF THE NIGHT by Kitty Crowther

And for adults: BEAUTIFUL DARKNESS by Fabien Vehlmann and Kerascoët

What has been the highlight of your career thus far?

Reading my second book, PETE AND LEONIE: THE GREAT BABY SWAP, to my son and hearing him laugh out loud. Best stamp of approval ever.

What is something you wish someone had told you when you first started writing/illustrating?

Rules REALLY ARE made to be broken! People tell you a lot about what can and can’t be done (and I think they mean what a publisher will or will not buy). I think it’s way more important to think about what you as a writer/artist do well, and to keep getting better at those things. Break a rule well enough… and someone will buy your book because you broke it (you just have to get it in front of the right eyes). At least that is my hope… because I only like to read wonderfully weird books.

Can you tell us about your newest book?

PETE AND LEONIE is about two babies - a human and a coyote - who trade places for a day. It’s a book for people who like to roll around in mud puddles. Or eat blueberry muffins. Or try out one thing, and then change their mind.

What’s up next for you?

I’m working on a story about fear, a girl and a dog.

Anything else you’d like to share with aspiring authors and illustrators?

Dig deep and find the story in you that no one else can tell! Don’t shy away from the hard stuff! I’m talking about aesthetics, writing style, content, theme. If something matters to you, really explore that. I want to live in a world where artistic integrity means something, and where artists make others feel like they are less alone, by shining a light on what is weird but very human.

And last, but not least, who is your favorite children’s book character?

Pearl from William Steig’s THE AMAZING BONE.

Huge thank you to Zoe for stopping by Critter Lit today! Thank you for sharing your latest book with us!

Zoë Tilley Poster is an illustrator who lives in Vermont with her husband and dog. Her debut picture book The Night Wild came out in 2022.

FOR MORE INFORMATION about Zoe or her books, visit her online:

Website: https://zoeposter.com/

Instagram: https://www.instagram.com/zoetilleyposter/

BUY THIS BOOK To purchase Zoe’s books, click here.

WIN A COPY! Want to win a giveaway copy of PETE AND LEONIE THE GREAT BABY SWAP?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 7th.

Interview with Author + Illustrator Jane Smith Part 2

March 30, 2023Authors + Illustrators, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Author and illustrator Jane Smith is back with us today, and I couldn’t be more excited because her new book, NAKED BUTT BUSTS OUT!, is absolutely hilarious, silly, and full of lots of giggles— my favorite kind! (To read our first interview with Jane, click here.) Jane is here to talk to us about her new book, process, and approach to creativity.

So without further ado, please welcome back Jane Smith!

It’s great to have you back!

Thank you so much, Lindsay! I’m thrilled to pieces to be here chatting about my hilarious new children’s book, Naked Butt Busts Out!

Tell us about your latest book.

Naked Butt Busts Out! is a laugh-out-loud picture book about being true to yourself. The story follows the cheeky little bunny, Naked Butt, who just want to be himself. But for Naked Butt, being yourself, means literally baring it all, and he discovers that everyone wants him to cover up his tail again! Especially his momma. So, he tries this best to keep his true self tucked under shirts and shorts, but when his clothes start feeling itchier and scratchier and tighter and tighter, Naked Butt can’t keep himself under wraps anymore—he BUSTS out! And to everyone’s surprise, Naked Butt’s hilarious city streak shows momma that standing out in the crowd isn’t just a good thing, it’s a lifesaver, and that being yourself can inspire others to uncover a whole new view of the world, too.

*Interior art from NAKED BUTT BUSTS OUT! by Jane Smith*

What inspired you to create this book?

Naked Butt Busts Out! was inspired by the universal experience of kiddos just not wanting to get dressed!! This is such a hilariously familiar developmental stage for the age range that hits the picture book sweet spot that it felt like a solid heart for a story. And when I married it to the metaphorical concept of being yourself equaling being naked, the whole book began to come together.

Can you tell us a bit about your creative process? How do you approach new ideas?

I like to have multiple books projects in-progress at any given time! I generally work on a story as long and as far as I know what to do with it. Then I put it away and pick up another WIP, and then switch back later once I’ve thought thru what comes next. I find that the time away in-between intense bursts of activity on developing a project is actually the secret magic ingredient that brings it altogether and fuels my creative process.

I approach new ideas both playfully and seriously! Seriously in that I always right them down—no matter how ridiculous or off-the-wall. And playfully in that I like to give myself feel reign to explore an idea by doodling—maybe characters or little bits or bobs from the ideas—and by brainstorming word lists—like free word associations, little one liners of text, etc. Usually, it’s thru this exploration that I discover if I have the heart of something true that I can continue to build on.

How do you shake the rust off when you feel stuck creatively?

I have lots of little tricks for this—taking a walk, doing a little yoga, mediating, reading, going to the bookstore or library, watching a movie or TV show, baking, cooking a new recipe, visiting a friend who lives close by, calling a friend who lives far away, doodling with no expectations. And if all else fails, take a nap!!

What do you find inspiring right now?

Right now, I’m very inspired by the wide world of indie publishing possibilities available to authors and illustrators! I think in an industry where the labors of creative professionals are very undervalued, while also being the bedrock of the whole industry, it is exciting that indie publishing provides affordable, accessible opportunities to take the reins as both creative artists and professional businesspeople.

Any new books that you are loving right now?

Two books I read recently that I can’t stop thinking about are: Demon Copperhead by Barbara Kingsolver (newly released last fall) and The Haunting of Hill House by Shirley Jackson (classic published in 1959). Both are gorgeously written and stay with you long after you finish the final page.

What’s up next for you?

More children’s books!!! I can’t share any details yet, but I’m excited, so stay tuned…

Anything else you’d like to share with aspiring authors and illustrators?

Your creative work is meaningful! Your creative effort is meaningful! But it will never matter MORE to anyone else than it does to YOU. So do not ever shy away from being your own best advocate, regardless of whether or not you’re agented, regardless of whether or not you’re traditionally published.

And last, but not least, favorite book character?

This is so hard! I have so many favorites! Ha ha! Ok—today I’m going to say Max and Ruby from Rosemary Well’s beloved series. How can you not adore this hilarious pair?!

Huge thank you to Jane for stopping by Critter Lit today! It was so great to catch up with you and hear about your hilarious new book! Congrats!

JANE SMITH is the author-illustrator of nine children’s picture books, including the popular Chloe Zoe series, Hello, New House and Miss Meow. Naked Butt Busts Out! is her first self-published title. Jane enjoys knock-knock jokes, cartoons and making kiddos laugh. She lives in sun-kissed Wilmington, North Carolina with her husband and super star daughter.

FOR MORE INFORMATION ABOUT JANE SMITH follow her on social media:

• Web Site: www.superjane.com

• Instagram & Facebook: @SuperJaneSmith

• Twitter: @SuperJaneArtist

• Goodreads: https://www.goodreads.com/author/show/6302142.Jane_Smith

• Super Readers Club Newsletter: https://superreadersclub.substack.com/

ORDER THIS BOOK To order a copy of NAKED BUTT BUSTS OUT!, click here.

WIN A COPY! Want to win a copy of NAKED BUTT BUSTS OUT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 6th! US addresses only please.

Interview with Debut Author Ratha Tep

March 16, 2023Authors + Illustrators, Interviews, Debut Interviews, AuthorsLindsay Ward7 Comments

Happy Thursday Critters! Today we have an interview with author, Ratha Tep, whose debut book, WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, illustrated by Camilla Pintonato, published with Princeton Architectural Press last year. I’m thrilled to have her with us today to talk about her road to publication, process, and debut book!

So without further ado, please welcome Ratha Tep!

Where do you live?

After spending many years in New York City, and a four-year jaunt in Switzerland, I now live in Dublin, in a 180-year-old house by the sea.

When did you know you wanted to write picture books?

I’ve never wanted to be anything but a writer. My parents only read me a handful of picture books when I was a child, though, so I never thought about the genre until I was pregnant with my first child, and was gifted Where the Wild Things Are. That was my first time reading it, in my 30s, and I was blown away. It really opened up a new world, and showed me the extraordinary possibilities of the picture book. The artwork is, of course, phenomenal, but what I love even more is the layered text and its gorgeous rhythm. The book does so much with so few words, and really gets to the heart of a universal experience in a novel way. I’ve wanted to write my own picture books ever since.

Tell us about your road to publication, what did that involve for you?

While I had dabbled with the thought of writing picture books for a few years, life sort of got in the way. My children were still very young, and I was also contributing to the New York Times, and other newspapers and magazines. I would say I first seriously thought about picture book writing in 2019, when I went to London to take a Guardian Masterclass on the subject. I had written one story at that point. But it wasn’t until a year later that I really hunkered down and went “all-in.” I joined SCBWI, and a critique group, and showed my stories to friends for feedback. I got very lucky in that my wonderful agent, Debbie Bibo, saw promise in Wally. She paired me up with the super talented illustrator, Camilla Pintonato, who really brought the manuscript to life. She infused the book with so much energy and humor. Having Wally poke out from the page? Brilliant!

Can you share a bit about your process?

I don’t think I have much of a process. But I have come to learn that for every great story, there are probably a dozen if not more stories that have led up to it. In the Guardian Masterclass I took, I think it was the writer, Alex Milway, who said that your first story probably won’t be accepted, but maybe your twelfth might be. What I do now is have several different stories going on at once. And whenever I have a kernel of an idea, say, if I’m out doing something with my kids, I’ll email it to myself as a note. Sometimes a spark is all it takes!

What do you do to shake the rust off or get new ideas?

Listen to my kids! Wally literally came from my older daughter’s first experience with playing the piano at age 6. She started claiming—without seeing anyone else play—that she was the world’s greatest piano player. I thought it was both hilarious and exactly the kind of hyperbolic statement only a kid could make.

Anything you can’t live without while you write?

Make coffee. Emphasis on the making—not drinking. I literally make about five cups of coffee a day because I remember to only drink about a third of each cup before it gets cold.

Any authors and/or illustrators who inspire you?

I run a picture book recommendation site called Max’s Boat where I ask other writers and illustrators this very question, and am always learning about new (and old) books to dig into. There are so many authors that inspire me for different reasons that I don’t even know where to begin! So perhaps I’ll leave it at Maurice Sendak.

Dream project to work on?

My next book!

Tell us about your debut book.

Wally LOVES playing the piano, and starts claiming—without seeing anyone else play— that he’s the world’s greatest piano-playing wombat. So imagine his surprise when he realizes that there’s another piano-playing wombat who can play better than he can! Wally adds tap-dancing to his routine, then ball-twirling—just to be able to call himself the world’s greatest anything. But this other wombat outdoes him each and every time! Wally deals with the big and complicated feelings of envy and the all too human (or wombat-esque) desire to be the best—in a fun, madcap kind of way.

*Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press*

What’s up next for you?

While Wally came out in North America in October, it’s only coming out in Ireland and the UK in April. I’ve never actually seen it in a bookstore yet, so seeing it on a shelf will be a thrilling sight! I also have a bunch of school and library visits lined up, and I’m really excited to finally get to share Wally in person!

And last, but not least, who is your favorite children’s book character?

Amos McGee. I normally love humorous picture books but A Sick Day for Amos McGee is just quietly perfect. And for their cameo roles, the stick insect in Mina by Matthew Forsythe and the family of beetles in The Little Wooden Robot and the Log Princess by Tom Gauld.

Huge thank you to Ratha for stopping by CritterLit today! Congrats on your debut!

RATHA TEP was born in Cambodia and grew up in New York City, where her childhood consisted of, among other things, walking her rabbit on a leash on the concrete sidewalks, and weekly visits to the Children’s Reading Room at the Donnell Library. She went on to get degrees in English and in Economics at the University of Pennsylvania, and has also taken writing workshops and classes at Brown University and the New School.

Ratha is a frequent contributor to The New York Times. Her work has also appeared in print and online for publications such as The Wall Street Journal, T: The New York Times Style Magazine, Travel + Leisure, Afar, and Food & Wine, where she was an editor for seven years. Ratha has reported from New York, Paris, Milan, London, Zurich and Basel. She is now looking to create new worlds of her own, in which animal characters navigate their foibles and frailties with humor and spirit.

Ratha is happily settled in a 180-year-old house in Dublin filled with books and creaky floorboards. She loves, in no particular order, Sunday roasts with her family, curling up to read with her girls in the evening (and morning), and weeping willow trees. She recently started Max’s Boat, a picture book recommendation site where writers and illustrators share their favorite titles.
Her first picture book is about a wombat named Wally, who was the World’s Greatest Piano-Playing Wombat, until he realized he wasn’t.

FOR MORE INFORMATION about Ratha or her book, visit her online or follow her on social media:

https://www.rathatep.com/

https://www.maxsboat.com/

Instagram:

@rathatepbooks

@maxsboat

Twitter:

@sailingwithmax

BUY THIS BOOK To purchase a copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, click here.

WIN A COPY! Want to win a giveaway copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 23rd! US addresses only please.

DOUBLE Interview with Best Friends and Author/Illustrators Molly Idle and Juana Martinez-Neal!

February 16, 2023Authors + Illustrators, Interviews, Vet InterviewsLindsay Ward1 Comment

Happy Thursday Critters! Today we have a DOUBLE interview with real life besties Molly Idle and Juana Martinez-Neal! I’ve been a long time fan of their individual books— they are STUNNING and you should check them out immediately here and here if you haven’t already. I’m so excited to have them BOTH with us today to talk about their road to publication, creative process, and their newest book, I DON’T CARE, written by Julie Fogliano, published with Neal Porter Books this past November, which Molly and Juana illustrated together.

So without further ado, please welcome Molly Idle and Juana Martinez-Neal!

Idle-Molly_Headshot_Photo by Molly Idle.jpg

Juana Martinez-Neal_Photo by Jade Beall.jpeg

Where do you live?

As we are two, we’ll answer in a world-class-ping-pong game style!

Juana: I live in small coastal town in Southeastern Connecticut. Before moving here in February of 2021, I always lived in the city. I love small town living!

Molly: I can see why you do! Your small town is completely and utterly charming! It aaaaalmost makes me want to move there too… but right now the weather here in Arizona is perfect. 70 degrees in February. Ask me again in July :)

How many years have you been in publishing?

J: Let me see… I decided to start making children’s books in October of 2005. That does not mean I was published, but that I was determined to be. So, what? Seventeen and a half years here and counting. Moll?

M: Almost the same! I left animation with the idea that I’d like to start writing and illustrating in 2003. So… 20 years now?! Eek!

How did you first get published?

J: My work was first published by educational and small publishers. It is not until July of 2016 that I was published by one of the “Big-Five” (four now?) here in the United States. It was “La Madre Goose: A Nursery Rhymes for los Niños”, written by Susan Middleton Elya, published by Putnam/Penguin Random House.

M: We’re on the same page again! After years of juggling small illustration jobs, and caring for small people as a new mom, Penguin Random House gave me my first big break too! Viking Children’s Books published Tea Rex, in 2013.

Do you write/illustrate full-time?

J & M: Yes, we do!

What inspires you to create picture books?

M: I love creating and exploring the relationships between characters. In the process I not only get to know and better understand them, I get to know and better understand myself too.

J: And I make books about finding our own selves, our identities, our places in the world, the reason why we are in this world. That’s a constant personal search and what drives me to make new work.

What is your favorite thing about being an author/illustrator?

M: Ooooo, there are so many that it’s hard to pick a favorite! One of the things I love most is the feeling when something ineffable falls into place. Like when I’m sketching and sketching, trying to capture the essence of a character and then, suddenly, find them—“There you are! It’s you!”

J: I agree with Molly. That’s an amazing moment! I love being able to create the worlds that we want to see exist.

What do you find difficult working as an author/illustrator?

M: Deadlines. They’re my Achilles heel!

J: We are best friends for a reason! My biggest challenge is that we create our own schedules. It can be a trap when you are so easily distracted.

What do you do to shake the rust off or get new ideas?

M: For rust, I recommend WD40 — it really helps get things moving. For ideas, I recommend work. I used to worry all the time that I’d run out of new ideas. But then I noticed that as soon as I wrapped up one story another idea would present itself! Finishing one seems to get things moving for another. Work is the WD40 of my mind!

J: As I was saying, I can get distracted and bored easily which is the reason why I’m a mixed media artist. If I use different ways of making the art, I have to be present while I’m solving this new puzzle. A new puzzle I just made for myself.

Anything you are habitual about when it comes to creativity?

J: Same answer as above but with a contradictory twist, I need routine. Having my quiet walks outside, listening to my favorite music, making art in a room where natural light floods the space are all a-must.

M: Same. I love new puzzles, but I love to them with a fresh cuppa coffee in my favorite mug, next to my pencils organized by color, with my work mix playing, next to the sunny window… no wonder we’re besties!

Can you share a positive experience you’ve had in the Kid Lit community?

J: I have to say meeting Molly Idle. Have you met her? She’s pretty amazing!

M: Jinx! I was going to say meeting YOU!!!

Recommended reading?

Lightning-Ping-pong-round!

M: A Polar Bear In the Snow, by Mac Barnett and Shawn Harris

J: What is Love?, by Mac Barnett and Carson Ellis

M: Kafka and the Doll, by Larissa Theule and Rebecca Green (I’m so glad you introduced me to this one, Juana!)

J: I love that book! Give it a second read and then read I Talk Like A River, by Jordan Scott and Sydney Smith.

What has been the highlight of your career thus far?

M: I mean, we could say winning Caldecotts…that feels like bragging. But it was incredible to have our books honored!

J: They were a huge recognition for our work. Hooray for awards!

M: And Hooray for teachers, and librarians, and Readers!

J: Yes!!!

Can you tell us about your newest book?

J & M: Our newest book is “I Don’t Care”, written by Julie Fogliano and published by Neal Porter Books. We co-illustratred the book, a process that was both scary and fantastic at the same time. We have been critique partners for years but not until this story that we had worked on a book together!

*Juana’s Favorite Interior Illustration from I DON’T CARE, written by Julie Fogliano, illustrated by Molly Idle and Juana Martinez-Neal, published by Neal Porter Books*

*Molly’s Favorite Interior Illustration from I DON’T CARE, written by Julie Fogliano, illustrated by Molly Idle and Juana Martinez-Neal, published by Neal Porter Books*

What’s up next for you?

J & M: We’re making more books together, and we’re each making board books too!

J: Alma’s Words, two new bilingual board books, are releasing September 5, 2023: Alma and Her Family and Alma, Head to Toe, with two more books coming in 2024.

M: And I have Flora and Friends ABCs, publishing October 10, 2023, with an entire flock of new bird buddies, and Flora and Friends Colors flying off shelves in 2024!

Anything else you’d like to share with aspiring authors and illustrators?

J: Making children’s books requires drive, determination, and a thick skin. It is a matter of when, not if , it will happen. Your time will come!

M: Agreed! That’s one of the nicest things about the publishing industry. There’s no limit on how many stories can be told. If you make good work- there’s a place for it. There’s always room for one more!

And last, but not least, who is your favorite children’s book character?

J: If I have to pick just one, it is The Little Prince from El Principito (The Little Prince).

M: One?! I’ll pick two: Toot and Puddle. Two best friends who are very different and very similar at the same time. Remind you of anybody?

HUGE THANK YOU to Molly and Juana for stopping by CritterLit today! It was truly an honor!

MOLLY IDLE is the author and illustrator of the Caldecott Honor–winning book Flora and the Flamingo. She is also the creator of Tea Rex, the mermaid tales Pearl and Coral, and Witch Hazel. Molly lives with her fabulous family in Tempe, Arizona—where she can most often be found with a cup of espresso in one hand and a pencil in the other, scribbling away on her next book.

FOR MORE INFORMATION about Molly or her work visit IdleIllustration.com or follow her on social media:

@mollyidle on Instagram

@mollyidle on Twitter

JUANA MARTINEZ-NEAL is the author and illustrator of the Caldecott Honor–winning book Alma and How She Got Her Name. She also illustrated New York Times bestselling picture book Tomatoes for Neela by Padma Lakshmi; Fry Bread: A Native American Family Story by Kevin Noble Maillard, which won a Robert F. Sibert Medal; and La Princesa and the Pea by Susan Middleton Elya, for which she won a Pura Belpré Illustrator Award. Juana Martinez-Neal lives in Connecticut with her family.

FOR MORE INFORMATION about Juana or her work, visit juanamartinezneal.com or follow her on social media:

@juanamartinezn on Instagram

@juanamartinez on Twitter

Check out I DON’T CARE on the Holiday House website here or follow on social media: @holidayhousebks on all platforms.

BUY THIS BOOK To purchase a copy of I DON’T CARE click here.

WIN A COPY! Want to win a giveaway copy of I DON’T CARE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 23rd! US addresses only please.

Interview with Debut Author and Illustrator Becky Gehrisch

February 7, 2023Authors + Illustrators, Debut InterviewsLindsay WardComment

Happy Tuesday Critters! This week we have TWO fabulous interviews. Today we have a debut author and illustrator whose book, ESCAPE TO PLAY, released with Bookling Media in 2021. I’m thrilled to have her with us today to talk about her books, creative process, and upcoming projects.

So without further ado, please welcome Becky Gehrisch!

Where do you live?

I live in Delaware, Ohio. It is a picturesque Midwestern small town where I have found an abundance of inspiration for my art!

When did you know you wanted to write/illustrate picture books?

The interest has been stronger at some points in my life than others. When I was thirteen, I participated in a written and illustrated program, creating a picture book for competition. In my book jacket flap about the author, I wrote that I was considering writing and illustrating picture books as a career! It is funny now how it has come full circle!

In high school I focused on marching band and playing the clarinet, but art came back into my life at The Ohio State University. There, I fell in love with fine art and especially illustration and art history. I graduated with an art degree but didn’t quite know what I would do with it. After graduation, and moving to Delaware, Ohio, I began to paint for myself instead of for an assignment. I gave myself permission to create a silly, whimsical illustration of my dogs in the bathtub. That was the beginning of my debut picture book, Escape to Play.

Tell us about your road to publication, what did that involve for you?

After completing that silly painting of my dogs, I made another, then another. I felt this could be a great idea for a picture book. However, I needed to learn how the publishing industry worked to make that dream come true.

I spent years learning from industry experts, authors, and illustrators in the Central and Southern Ohio chapter of The Society of Children’s Book Writers and Illustrators (scbwi.com). In addition, I frequented Twitter writing communities, submitting to critiques, and creating multiple picture book manuscripts. All the while, I continued to prune and polish what would become Escape to Play.

Can you share a bit about your process?

Escape to Play was unique, in that, as my first picture book, I learned a great deal in the process. Ideally, my process is to create a manuscript and then add the illustrations. With my first book, I created some illustrations and then put to words, in poetry, the perspective of three rowdy dogs and their adventure on the farm.

My acrylic paintings began as an idea. From scratch I would lay out a perspective drawing, adding in elements for the scene- a tractor, a truck, a piano, and a lake. I then built the rest of the world. Adding layer upon layer of acrylic, each painting took roughly 40 hours to create. It was a very long project, but I loved almost every minute!

When I was studying Renaissance art history, I found it fascinating how artists used the triangle in their compositions. With three dogs as my subjects, I placed them on the page to mirror this design dynamic. Other objects in the same illustration are used similarly to pattern the triangle shape.

*Interior art from ESCAPE TO PLAY written and illustrated by Becky Gehrisch, published by Bookling Media*

What do you do to shake the rust off or get new ideas?

I can always rely on nature to bring inspiration! A breath of fresh air, a walk in the woods, or even relaxing on the front porch will rejuvenate my creativity. In addition, music is my immediate go-to for a pick-me-up. I am not sure how I would get through an artwork and the frustration it brings, without music to carry me along.

I love to be nonsensical. I may have watched Disney’s Alice in Wonderland one too many times, but I thrive on the absurd. Most of my story and illustration ideas either come from dreams or silly sessions with my family. I will say whatever comes to mind and play with those ideas. I often don’t feel like the idea is wholly mine, but rather something that just came to me.

Anything you can’t live without while you write/draw?

I require focus, music, and quiet space to create. Recently, I started posting “trust the process” on my worktable or easel. I tend to forget going into a new piece that it will be a mess for a while before it looks good! An upbeat music playlist is a must. Sometimes a podcast or a movie playing in the background are good enough. A good chunk of time is important, too! If the kids or daytime is too chaotic, I will work late into the night for the best focus. Once I’m in the groove with these things, I am lost in my work and time does not exist.

Any authors and/or illustrators who inspire you?

There are too many to mention, but some of the earliest inspirational author/illustrators are both Chris Van Allsburg and David Wiesner for their realistic and detailed style. Currently, Dan Santat has been a great inspiration in how I plan a picture book layout.

Dream project to work on?

I am excited to work on a picture book draft that I began in 2017. I won’t say too much about it, but I even took myself to Paris, France, to research the Eiffel Tower. The idea has not let me rest and I will stop in the oddest of places, to write down a new scene for it. The characters swim in my mind and it would be good for me to finally work on it!

Tell us about your debut book.

Escape to Play is a tale of three rambunctious dogs who escape to play while the farmer is away for the day. They explore each farmhouse room and exterior space, making a mess everywhere they go. The reader is left to imagine how the farmer will have to clean their disastrous mischief.

I included a little mouse, Norman, for kids to find on each page. In addition, there are twelve real-life, classic artworks on the farmhouse walls.

The back pages of the book share the artworks, questions, and art tidbits for kids to learn about! This has been a great element to have added for parents, teachers, and librarians to use for educational purposes.

What’s up next for you?

My publishing company, Bookling Media, will be choosing an author-illustrator to work with to publish their own work this year. In addition, I will work on my own book ideas and continue to teach and present to young and older audiences!

And last, but not least, who is your favorite children’s book character?

My favorite children’s book character as a child were the Berenstain Bears and the little critters. Amelia Bedelia is also amazing. I completely relate to her misinterpretations of things! More current characters that I love are the Pout-Pout Fish and Llama from the Llama, Llama series. I love a relatable character who isn’t perfect.

Huge thank you to Becky for stopping by Critter Lit today! Congrats on your debut!

Becky Gehrisch is an author, illustrator, and entrepreneur. Her debut picture book, Escape to Play, launched in 2021. Between picture book projects, she works as a portrait artist and manages her new publishing company, Bookling Media LLC. When she is not creating art, she speaks at schools, bookstores, and other venues. She is living her childhood dream by creating art and picture books that bring joy to the world.

FOR MORE INFORMATION about Becky and her work, visit her online:

www.gehrisch-arts.com

@GehrischArts (all platforms)

www.booklingmedia.com

@booklingmedia (all platforms)

BUY THIS BOOK To purchase a copy of Becky’s book, click here.

WIN A COPY! Want to win a giveaway copy of ESCAPE TO PLAY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 16th! US addresses only please.

Interview with Author + Illustrator Amalia Hoffman

March 3, 2022Authors + Illustrators, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have a wonderful interview with an author and illustrator with fifteen years of experience in kidlit! I’m thrilled to have her with us today to talk about her newest book, MASHA MUNCHING (Yeehoo Press), her road to publication, and experiences in kidlit.

So without further ado, please welcome Amalia Hoffman!

Where do you live?

Larchmont, NY.

How many years have you been in publishing?

15 years.

How did you first get published?

I wrote a story and created a book dummy with a color cover and three finished interior pages. I really didn’t know what to do with it and how or where to send it. Then I met someone who told me about the Society of Children’s Books Writers & Illustrators (SCBWI). I joined the society and went to a mini local conference. There I met people who told me about the SCBWI conference in LA. I flew there and took a couple of classes.

I started sending my dummy to agents. I didn’t get an agent but I sent it to those publishers who accepted non-solicited submissions.

It was a lot of work, but I learned how to write a query letter and eventually I got a “Yes!” from a publisher, located in Israel that published children’s books in English. I have a lot of family in Israel so while I was there; I visited the publisher (Gefen Publishing) and signed my first contact.

Do you write/illustrate full-time?

At this point, it’s almost full time. I do other things related to publishing, such as promotions, presentations etc. so that takes some time of my day as well.

What inspires you to create picture books?

For me, creating children’s books is almost like going back to my own childhood, remembering what I did and thinking about when I was a child.

Also, for many years I worked as a visual merchandiser. I created fantasy store windows for big stores in NYC. Kids used to stare at the window and I felt like, in a way, I was creating stories for them so I was inspired to write books.

What surprised you the most working as an author/illustrator?

I was most surprised when I started presenting my books to kids. I realized how perceptive they are. Kids notice the tiniest details in a book illustration.

What is your favorite thing about being an author/illustrator?

Spending time with kids and feeling like I’m enriching their lives.

I also love sitting on a rock by the sound in my neighborhood and letting my imagination loose. I feel like a kid and that’s a most wonderful feeling.

What do you find difficult working as an author/illustrator?

Like most authors and illustrators, I often have to wait months before hearing back from a publisher.

Editors are very busy and they can’t look at every submission right away. But I’m aware of the fact that this is part of the business.

What do you do to shake the rust off or get new ideas?

I walk a lot and always end up in that wonderful park by the water. Sometimes I actually fall asleep. The Wi-Fi doesn’t work well in that area and that’s a blessing because I am completely detached and my mind opens up to new ideas.

Anything you are habitual about when it comes to creativity?

Every time I start a new project I clean up my studio and wipe up my work surface. This habit helps me to charge my creative battery and move on to something new and, hopefully, exciting!

Can you share a positive experience you’ve had in the Kid Lit community?

I have had many wonderful experiences in the Kid Lit community. I met incredible talented, amazing and caring folks. I had a great time at the SCBWI conferences where, before the pandemic, everyone showed up one night, dressed up in costumes. Some costumes were so creative and memorable. Everyone at the hotel was dressed in business attire and the SCBWI members showed up in feathers, sequins, beads, you name it.

Recommended reading?

Stories by Sholem Aliechem.

What has been the highlight of your career thus far?

I can’t think of one highlight. When I receive a box of any of my new books and smell the fresh ink and see my illustrations in a new book, I feel elevated. After working on a book or so long, it’s always a highlight when I see them for the first time.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me to be tough and not to fall apart at every rejection.

Can you tell us about your newest book?

Masha the goat is tired of eating the same boring farm food every day. She says goodby to her beloved friends and sets off on her search to find something else to eat.

Along the way, Masha discovers a wonderful restaurant where the waiter welcomes her in.

But Masha’s choices of “delicious foods” and her behavior doesn’t seem to be appropriate for restaurant dining. Masha realizes that everything is tastier when shared with good friends and the freedom to behave like a goat. She returns to the farm and delights her friends by using her experience at the restaurant to make new dishes for them.

The theme of the book is that sometimes, we need to explore outside of our own limited horizon, only to discover that home is where we feel the most comfortable and safe.

Masha is curious. She needs to leave her beloved friends in order to find out what’s out there. Her journey is one of discoveries and struggles along the way.

At the end, she chooses to go back home but the story makes it clear that the journey was well worth it.

Masha has gained knowledge that she can put to good use. Now, she can enrich her friends’ life by using her experiences at the restaurant and making new dishes from that wonderful basic ingredient—hay!

MASHA MUNCHING, by Amalia Hoffman, Chinese Edition, Yeehoo Press

What’s up next for you?

Besides Masha Munching, I have two other books launching in 2022 and I’m working on another story that was just acquired.

Anything else you’d like to share with aspiring authors and illustrators?

Stay true to yourself! Don’t write what you think will sell, because truth is, no one really knows what will sell. If you’re an illustrator, don’t try to mimic someone else’s style.

And last, but not least, favorite 80s movie?

9-5.

Thank you to Amalia for stopping by Critter Lit! Congrats on Masha!

AMALIA HOFFMAN is an author, illustrator and storyteller. She grew up in Jerusalem, Israel. She now resides in Larchmont, NY.

FOR MORE INFORMATION, visit Amalia’s website or follow her on social media:

Facebook: @Amalia.Hoffman.5

Twitter: @AmaliaHoffman

Instagram: https://www.instagram.com/hoffman.amalia/?hl=en

BUY THIS BOOK To order MASHA MUNCHING, click here.

WIN A COPY! Want to win a copy of MASHA MUNCHING and MY MONSTERPIECE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 10th! US addresses only please.

Interview with Author and Illustrator Carolina Farías

February 17, 2022Authors + Illustrators, Interviews, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with an author and illustrator, whose newest book, CHAMELEON CAN BE, came out this past fall with Yeehoo Press. I love Chameleon and all his friends and the message of the book is wonderful! The art is brilliant, bright, and charming and I can’t wait to share this fantastic book with you all!

So without further ado, please welcome Carolina Farías!

Where do you live?

I live in La Plata, Argentina, home of the beautiful National University of La Plata, 40 minutes away from Buenos Aires.

How many years have you been in publishing?
I have been working in children's illustration and editing books for nearly twenty years.

How did you first get published?

My First book was “En el Principio”, an adaptation of the Bible for kids. The main difference is that the story takes place in the room of Paco, a little kid whose mother is in charge of the Creation of the world that surrounds him. The book took two years of hard work and I had the privilege to work with the amazing art editor Daniel Goldín and be published by the “Fondo de Cultura económica”.

Do you write and illustrate full-time?

Yes, I do! And I also find the time to give classes both at the faculty and the high school of art in La Plata. I find teaching very inspiring and motivating for my daily illustration work.

What inspires you to create picture books?

Inspiration can strike at any time and anywhere, any moment in everyday life. Perhaps something that is visually interesting lights a spark, so I take a photo to reference later. My love and constant research on illustrated books also drives my work. There is a part of me that still enjoys going into those worlds contained within the pages of those beautiful books I used to read when I was a little girl.

What surprised you the most working as an author/illustrator?

The mere notion of working as an illustrator was a novelty to me!

I was fortunate enough to attend one of the best universities in the country and get a degree in fine arts, but I never thought as time went by that children's illustration was going to be the perfect place for me.

What is your favorite thing about being an author/illustrator?

I love telling good stories, and one way of achieving that is finding interesting characters. I take my time to give my characters some distinctive personality. It is funny because I try to get in their shoes and imagine what they are thinking or feeling, even if they turn out to be a dog or a lion!

As a teacher in illustration it’s great to interact with the kids and explore their imaginations. It’s amazing how unusual and interesting some of their ideas can be. I try to encourage them, especially the ones who think that they can’t draw. They are usually the ones who don’t come up with the obvious stuff.

What do you find difficult working as an author/illustrator?

Finding focus! There are so many options and so much work to do that sometimes you just have to force yourself to stop and take things slowly.

I’m very passionate about my work. Sometimes I get so many ideas floating around that I have to take a thousand notes, and filtering them to get the best ones is sometimes a really tedious task.

What do you do to shake the rust off or get new ideas?

Most ideas start small so the most important thing is to know that we shouldn't rely on an ideal ´eureka´ moment or a rush of sudden inspiration. Instead, ideas are to be found in our everyday activities and in the most random things we stumble upon in life.

When working on a book I always reflect on my own childhood memories, how I was feeling and reacting to the world around me. As a child, the only place where I felt safe and useful was in front of a blank sheet of paper.

Anything you are habitual about when it comes to creativity?

Although inspiration can strike anytime and anywhere, I play my part to create my ideal setting: random local coffee shops where to sip some cappuccino and enjoy chocolate cake. I usually make some notes and tuck them away. Then one day in the future a new story may begin to emerge. All the best ideas need time to brew by themselves.

Can you share a positive experience you’ve had in the Kid Lit community?

I love being able to share different experiences with colleagues. It’s always great to have another perspective and a different look regarding the same issues we encounter in our everyday work on an illustration. It’s wonderful to get so much help and support!

Recommended reading?

I have all of my favourite books here on the shelf of my studio. I love Argentinian Cartoonist and Illustrator Carlos Nine and I collect everything published by Quino. His humor and illustrations are amazing. I’m completely obsessed by his work!

What has been the highlight of your career thus far?

I think interacting with young students is always a joy. Apart from that, I would say that I loved working for the movie Where the Wild Things Are based on the books by Maurice Sendak and collaborating with Grandmothers of the Plaza de Mayo (Abuelas de Plaza de Mayo), an Argentine human rights organization with the goal of finding the children stolen and illegally adopted during the military dictatorship of the late seventies.

And of course my last book Chameleon can be has also been one of the most fulfilling experiences I’ve had.

What is something you wish someone had told you when you first started writing/illustrating?

Such a big question. I think it’s important sometimes to broaden your influences. It is fine sometimes to put aside picture books and start looking for inspiration in the work of writers, artists and directors who may not have much to do with illustration!

Can you tell us about your newest book?

Chameleon Can Be came to life in a very small room while having a session with my therapist. I was opening up to her and expressing some concerns I had about one of my kids, when she suddenly said something that has stuck in my head ever since: "Well, she will have to find out who she wants to be"

*Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press*

I carried that phrase with me for the next few days. I started working on a short word list. English is not my native language, but some words sounded perfect for what I had in mind: CAN BE… CHAMELEON…BEAUTIFUL …FLOWER… FRIENDS… and with those concepts in mind I started doodling on my iPad.

At some point I sketched this very messy drawing of a Chameleon as a beautiful flower. I really liked it, so I drew it over and over. Then some other characters came up: a ladybug, a bee and a frog. Chameleon and his friends were born!

I hope that kids and adults reading this book will fully enjoy the journey and take the trip to find out who they want to become.

What’s up next for you?

I have always been intrigued by writing about those romantic concepts that bring us together, such as love, kindness and connection. Currently I’m working on a book about the things that make us different, unique and special.

Anything else you’d like to share with aspiring authors and illustrators?

I think the best piece of advice I can give to someone starting out is to work really hard and follow your heart. And always trust your gut!

And last, but not least, favorite 80s movie?

I can’t pick just one. I love Forrest Gump, E.T. and Back to the future!

If I stumble upon them on TV I can’t resist watching them until the very end.

Huge thank you to Carolina for stopping by Critter Lit today! Congrats on your beautiful book!

Carolina Farías is an award-winning author and illustrator of over 40 books. After receiving her bachelor’s degree in art, she began teaching at the University of Graphic Design and Visual Communication in La Plata. Her artwork is created using a variety of mediums with traditional and digital techniques. Carolina is part of the White Ravens 2008 list for the Bologna Book Fair, where she has also been selected to represent Argentina. She currently lives in La Plata, Argentina.

FOR MORE INFORMATION visit Carolina online: www.carolinafarias.com/ar

Instagram: instagram.com/fariasillos

BUY THIS BOOK To order CHAMELEON CAN BE, click here.

WIN A COPY! Want to win a copy of CHAMELEON CAN BE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 24th! US addresses only please.

Interview with Author + Illustrator David Catrow

November 11, 2021Authors + Illustrators, Interviews, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with the incredible author and illustrator, David Catrow, whose books I’ve adored since wanting to become an author/illustrator myself. I remember the first time I discovered STAND TALL MOLLY LOU MELON and poured over the illustrations— so much to look at! One of my favorite details in his books are the dogs— they are fantastic and such accurately, hilarious portraits of canine behavior. I’ve always loved David’s books and I’m thrilled to have him with us today to talk about his experience in the industry and his new book, I WANT AN APPLE: HOW MY BODY WORKS, by David L. Harrison with Holiday House.

So without further ado, please welcome David Catrow!

Where do you live?

I live in Ohio but mostly I live inside my head. Being an artist is a 24/7 existence and there are times when it’s hard to separate what is actually happening around me and what I am imagining or wish was happening around me. Which is probably why I’m not in an occupation like brain surgery or being an airline pilot.

How many years have you been in publishing?

My First Book was published in 1990 which is well... a long time ago (you probably should do the math, I am a picture person)

How did you first get published?

It was completely unexpected actually, I was studying to be a doctor at the time and someone asked me if I could illustrate the procedure for doing an emergency cricothyrotomy on an un-anaesthetized patient in the middle of nowhere. My drawing was published in the Journal of Emergency Medicine and here I am.

Do you write/illustrate full-time?

Yes, I write and illustrate full-time, but I would happily do it more if I could figure out how to get the earth to rotate a little bit slower thus gaining me a few more hours of daylight.

What inspires you to create picture books?

Oh, anything and everything—you name it, I’ve been inspired by it... (Go ahead, name something, the first thing that comes into your mind and just shout it out!) I heard you! YUP, I’ve been inspired by that too.

What surprised you the most working as an author/illustrator?

What surprises me the most is that I’m never done. The minute I’ve finished a book that I think pretty much says it all, I’ll suddenly think of something else to say- (which is surprising because most people who talk to me think I’m a person of few words.)

What is your favorite thing about being an author/illustrator?

My Favorite thing about being an Illustrator is, that not only do I have something that I love to do, but I am able to keep doing it for as long as I wish. After I’m done being an artist I plan on devoting all of my time to learning how to catch a frisbee in my mouth.

What do you find difficult working as an author/illustrator?

For me the most difficult thing is trying to swat away all the pesky other ideas that buzz around my head and interfere with me doing my work that is front of me.

For me the most difficult thing is learning that I can get carried away sometimes and forget what it is that am supposed to be doing.

-which reminds me of a funny story about an elephant, a turnip, and a guy named Ned who all decide to go on a road trip together- Ned didn’t have a driver’s license so the turnip has to drive, because, honestly, whoever heard of an elephant driving a car.

(sorry, what the question again?)

What do you do to shake the rust off or get new ideas?

I get lots of sleep, I eat right and I take a multi-vitamin.

Anything you are habitual about when it comes to creativity?

I eat right, I get lots of sleep, and I take a multi-vitamin.

Recommended reading?

Everything and anything.

What has been the highlight of your career thus far?

Waking up and doing what I love to do—Oh and playing with my dog.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me that you can’t do it all.

Can you tell us about your newest book?

Your body is busy, busy, busy! Learn how it works in this funny-but-informative book.

I want an apple. Smart brain, help me find one. Sniffy nose, smell the apple. Bright eyes, help me see it.
Legs, feet, arms, teeth, tongue, tummy . . . and long intestine too . . . all snap into action when a child decides she wants an apple. A clever and humorous introduction to body parts and their function.

*Interior art from I WANT AN APPLE: HOW MY BODY WORKS by David L. Harrison, illustrated by David Catrow with Holiday House*

Anything else you’d like to share with aspiring authors and illustrators?

Keep working hard at what you love to do and eventually you will make it- no matter what it is that you want to do- whether it’s juggling on a tightrope, walking in space, writing poetry, or singing an aria, or anything in between- all the people that are doing those things now, were once like you.

And last, but not least, favorite 80s movie?

Turner and Hooch.

DAVID CATROW is a political cartoonist, artist for animated films, and illustrator of best-selling books for children, including two New York Times Best Illustrated books. His books for Holiday House, which he also wrote, are The Fly Flew In and Fun in the Sun. He lives in Ohio. Learn more about him at Catrow.com.

FOR MORE INFORMATION about David, visit him online: www.catrow.com

Or follow him on social media:

@DavidCatrow (Facebook, Twitter, Instagram)

BUY THIS BOOK To order David’s books, click here.

WIN A COPY! Want to win a copy of I WANT AN APPLE: HOW MY BODY WORKS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 18th! US addresses only please.

Interview with Debut Author and Illustrator Emma Reynolds

July 22, 2021Authors + Illustrators, debut interview, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview with author and illustrator Emma Reynolds, whose debut picture book, AMARA AND THE BATS just released with Atheneum Books for Young Readers. I’m such a fan of this book, and connected with it immediately. When my now six-year-old was a baby, he loved to watch the bats at the zoo— he would sit in the stroller staring up at them, fascinated. Now we have bats that live around us, and every once and while I catch him staring up just like he used to as a baby. Emma’s book is a wonderful story about activism, climate change, and how kids can make a difference in their own communities. There are also fun bat facts woven throughout the story too! I’m thrilled to have Emma with us today to chat about her new book, road to publication, and advice for up and coming authors and illustrators.

So without further ado, please welcome Emma Reynolds!

Where do you live?

Manchester UK!

How many years have you been in publishing?

I signed with my agent Thao Le in August 2018, and my first illustrated book came out in June 2020. My author-illustrator debut ‘Amara and the Bats’ is out now in July 2021! So about 3 years in total.

How did you first get published?

I got my first book deal as an illustrator shortly after signing with my agent, as Justin Chanda at Simon & Schuster had seen the announcement and my illustrations suited a book project.

‘Amara and the Bats’ began as a dummy book that I made when I was applying to agents, and was actually why my agent signed me. We then worked on the book some more, and pitched to publishers, and we announced the book deal with editor Julia McCarthy at Atheneum Simon & Schuster in May 2019!

Do you write/illustrate full-time?

Yes, and I currently also teach illustration one day a week at a university.

What inspires you to create picture books?

I absolutely love the format! For me they are the perfect balance of words and images, and I love how powerful picture books are, as humans first experiences of stories. They can change lives.

What surprised you the most working as an author/illustrator?

I used to work as a character designer for kid’s TV, and it was a very fast paced job. With publishing, I found the phrase ‘hurry up and wait’ to be true! It was a huge shock to me that a three week plus wait for the next round of feedback was normal, when I had been used to much quicker turnarounds. And then when final art is signed off it’s go go go! I am (almost haha) used to it now, but that was the hardest adjustment for me.

What is your favorite thing about being an author/illustrator?

I love love love telling my own stories! I am so excited that I get to craft a whole world, it is an amazing experience and job to have and I am so happy I get to do this.

What do you do to shake the rust off or get new ideas?

Live life! After a big project and a busy period, it’s good to take a break and live life, see friends, absorb some new experiences and remain curious. This is when I naturally find that I’m in a place for new ideas. It’s important to remember to take time off as a freelancer, or you’ll find yourself just working constantly, and that isn’t healthy or conducive to inspiration long term.

Anything you are habitual about when it comes to creativity?

I listen to the same music a lot. There are particular mixes I listen to a lot on YouTube, and I have listened to them so much there are no surprises that make me jump, so I can hyper focus and stay in the zone with them on.

Can you share a positive experience you’ve had in the Kid Lit community?

Yeah for sure – I met some absolutely lovely author-illustrators who are also repped by my agent, and we have become close friends. Having people in the industry to talk to, bounce ideas off and ask questions is so important, and I’m so grateful for this – they are my rocks!

Recommended reading?

Ooo so many! I recently really loved picture book ‘What Will You Be?’ written by Yamile Saied Méndez and illustrated by Kate Alizadeh. And for 16+ readers I love graphic novel ‘Woman World’ by Aminder Dhaliwal.

What has been the highlight of your career thus far?

Honestly, being able to make my dream book – ‘Amara and the Bats’, I have dreamed of making my own books since I was 5 years old, so 28 years later it is a reality and I am just so grateful and happy! Amara is my whole heart, and it was selected as a Junior Library Guild gold standard selection which is a huge honour and I am so proud of this.

What is something you wish someone had told you when you first started writing/illustrating?

Ooo definitely related to what I’ve said above – that long waits for feedback are normal, and to make sure to take down time, because you’ll need it! And, protect your weekends.

Can you tell us about your newest book?

'Amara and the Bats' is about a little girl who loves bats and is sad when she moves to a new town and finds out that the bats no longer live there due to losing their habitat. She is inspired by real life youth climate activists to take action, and rallies her friends to save the bats! It is all about bat conservation and rewilding, showing how amazing bats are, and giving hope for the next generation struggling with climate anxiety. Bat facts are weaved in throughout, and there are practical steps to take action to help bats and useful links in the back too.

*Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers*

What’s up next for you?

Since the beginning of this year I’ve been working on my next book. We got the offer a year ago but we haven’t announced it yet, and I can’t wait to be able to share more about it soon! Hint – fans of the themes in Amara will enjoy this too.

Anything else you’d like to share with aspiring authors and illustrators?

Make the art of your dream project that you want to be hired for, and post it online and send it to clients and agents you want to work with! Manifest :D That is exactly what I did with ‘Amara and the Bats’, and it worked!

And last, but not least, favorite 80s movie?

PREDATOR!

Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut!

EMMA REYNOLDS is an illustrator and author based in Manchester, UK. Amara and the Bats is her author-illustrator debut. Passionate about storytelling and creating unique characters, Emma has been dreaming of making her own books since she was five. Emma started the #KidLit4Climate illustrated campaign, bringing together thousands of children’s illustrators and authors from more than fifty countries in solidarity with the youth climate strikes. She is inspired by nature, animals, adventure, and seeing the magic in the everyday.

FOR MORE INFORMATION about Emma, visit her online or follow her on social media:

http://www.twitter.com/emmaillustrate

http://www.instagram.com/emmaillustrate

Amara and the Bats is out now in the US and UK editions, order worldwide here:

emmareynoldsillustration.com/amaraandthebats

ORDER THIS BOOK To order a copy of AMARA AND THE BATS, click here.

WIN A COPY! Want to win a copy of AMARA AND THE BATS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 29th! US addresses only please.

Interview with Debut Illustrator Erica De Chavez

June 3, 2021Authors + Illustrators, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! I’m so thrilled to be sharing today’s interview, because TODAY we have Erica De Chavez stopping by Critter Lit! She is super talented and one of the best book designers EVER— now I may be a little biased because she also happens to be my book designer. BUT she really is. I’m so grateful I’ve had the opportunity to work with someone as talented as Erica, and there is nothing better than completing a picture or board book and handing it off to a designer who you completely trust to make your work marry seamlessly with the text. I have also probably put her through the ringer lately with the type of books (hello nonfiction!) we’ve been working on together at HarperCollins so I’m so very grateful she had time to be with us today to talk about her debut illustrated book, her experience in the industry, and upcoming projects.

So without further ado, please welcome Erica De Chavez!

Where do you live?

I am a former Brooklyn, NY transplant that now resides in sunny Clermont, FL.

When did you know you wanted to write/illustrate picture books?

It was at the end of my junior year in art college. I was already planning for my illustration senior thesis project which was completely un-related to children's books. Fortunately, I took an elective class in my spring semester, Illustrating Children's Books. That class and my professor, Tom Casmer, literally changed my art journey trajectory. I went from not knowing what I was going to do with my passion for art and how I was going to make money or find a job doing art to becoming hyper-focused on the children's publishing industry, the picture book writing and creation process and all things picture books from then on. Though I always had a healthy interest in children's art and media which I voraciously consumed through my love for all animated shows, films, anime, comics, and manga very early in my life. I'm also blessed to have parents and grandparents who read to me often when I was a child and encouraged my appetite for reading and libraries.

Tell us about your road to publication, what did that involve for you?

I left FL after graduating with my BFA in Illustration and went to live with my brother in Queens, NY who is a graphic designer for men's fashion. I spent much of my early career doing freelance projects for small educational toy companies and picking up illustration commissions here and there. It was after my second attempt applying to HarperCollins Publishers for a design assistant position that I broke into the industry working under Martha Rago, who was already a well-known art director at the time. She taught me everything I needed to learn about children's book design and sharpened my design eye for meshing typography and children's book art. I met many children's book authors and illustrators as her assistant, many of them award-winning and others fledgling creators starting out their publication careers. I became a member of SCBWI, CBIG, and attempted to create many art critique groups until I finally met kindred spirits and formed The YEA Girls artist collective. My small, tight-knit artist community grew to include professors at NYC art colleges, other designers who also wanted to pursue illustration careers on the side and more prolific mentors and teachers who are active authors, illustrators, and editors themselves. It was through an SCBWI conference twitter thread that I met Annie Fox, the author of The Girls' Q&A Book on Friendship and co-founder of Electric Eggplant. A former artist I hired to illustrate a picture book returned the favor and hired me to illustrate for The Future Is Ours sticker book. And it was through my SCBWI.org portfolio page that Kendra and Claire-Voe OCampo found my art and decided to reach out to me to illustrate Mighty May Won't Cry Today.

You are now a Senior Designer for HarperCollins. Can you tell us about your experience working on both sides of the table in publishing?

It's been an education into the industry, the decision making process, the team collaborations, seeing and working daily with the tons of un-named people who read, edit, market, finance, manage, proof, and sell the books and countless more. It's literally like a curtain being pulled back. I realize how little most book creators know about how the decisions for some of the direction for their books come from. And that's honestly for the better, in my opinion. It helps save the creators' mental fatigue and emotional distress and allowing them to focus on what they do best, writing and illustrating. I find as a book designer, you're the glue to all the bookmaking departments, so that comes with a lot of personality managing, too. You work with and for a WIDE range of personalities inside a publishing house. It's also a day job that I depend on for my daily expenses; it's my livelihood. But it sometimes can feel like a drag, energy-wise. Many may not realize it, but designers are working on anywhere between 30-60 book titles all at the same time, managing books that are publishing on seasons sometimes three years out. It's a bit bonkers. No one told me the job required such heavy multitasking capabilities. Compartmentalizing can help, but it's hard to "turn off" at the end of a work day. I live and breath children's books now. It's literally my life. It can feel overwhelming and burn out is frequent. But it's fulfilling and satisfying work, especially when I flip through and read the books I helped create and guide. My knowledge and experience as a book designer better informs my own personal artwork and stories.

Can you share a bit about your process?

My artwork always starts with a sketch in a tiny sketch book. I love tiny sketchbooks that don't feel too precious or overly expensive. I draw from life and drot down bits of story ideas that come fast and fleeting. I often bounce ideas with my partner for characters and story beats that are half finished and are bookmarked for later days. When I focus in on an idea for a project I look up inspiration and reference photos and experiment with art materials. I try to create a series of images based on a theme or a piece of story I'm inspired by. Nothing is ever fully formed, it's more experimental. Then I sit down to write, which also starts very loose with a plot timeline and character biographies. The story and storyboarding thumbnails happen at the same time with pencil and paper, which is much faster for me than drawing on a tablet. I scan my drawings in along with some paint textures and redraw/edit final illustrations. Sometimes I transfer final drawings with a light pad to heavy watercolor paper and use a mix of watercolor, gouache, colored pencils, crayons, and graphite that I scan in to further edit digitally in Photoshop. I sometimes scan pen and ink hand lettering or line work from my sketchbook or loose drawing paper and incorporate those into my illustrations digitally as well. But my process always begin with pencil to paper.

What do you do to shake the rust off or get new ideas?

I consume a lot of media and art in all forms. I read books, comics, manga, graphic novels, biographies, and motivational texts. I watch movies, mostly animated films and tv shows. I listen to podcasts occasionally until I get tired of it and sometime I enjoy the hum of silence. I go out and enjoy nature. I like to run long distance, hike, throw a frisbee around, and kayak. I also garden and observe nature. I listen to live music and I love traveling to different countries. All of the things I enjoy in life outside of art and design inadvertently inspire my art and design work! Life is very cyclical. So as long as I live fully, I'm never without a good idea.

Anything you can’t live without while you write/draw?

A cup of good milk tea, black or green. A good music playlist that lists my mood and makes me smile. And a good snack! I'm a creative muncher.

Any authors and/or illustrators who inspire you?

Oliver Jeffers inspired my art and career as soon as I dove back into picture books in college. Erin Entrada Kelly inspires me to write stories about kids that are like me, colored and Filipino-American and just like every other kid with a dream. Simona Ciraolo and Lorena Alvarez Gomez continue to inspire me to make beautiful children's books because their books so gorgeous and the stories all feel like emotional little jewels. Their books feel like precious objects sitting on my book shelves.

Dream project to work on?

I dream of working on my first author-illustrated children's book debut, be it picture book or graphic novel or maybe even an illustrated chapter book. I dream of working on many projects in a long and fruitful children's artist career. I'd love to work with publishers big or small on stories that move readers emotionally and positively.

Tell us about your debut book.

Mighty May Won't Cry Today, is about an imaginative little girl named May who tries not to shed a tear on her first day of school. She navigates through unexpected challenges with clever positivity and mindful breathing techniques. With the help of her two moms May learns why it's OK to cry and that we all do sometimes. The story really hits home for me because I am a pretty emotional person (aren't all creatives?) and I was an emotionally sensitive kid. I cried through my short stint in daycare and cried through the first week of kindergarten during which my mother had to leave work daily and come eat lunch with me at the school cafeteria. I love that this story tells kids it is totally OK to cry. I wish I had been told that more often when I was young.

*Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez*

What’s up next for you?

I'm finishing up an illustration series I started last year in the middle of the pandemic creating portraits of some of my friends and family members who are health care workers and Asian-American. I'm also focusing on a series of mini illustrations from a set of rejected sketches that didn't make it into the final The Future Is Ours sticker book, taking the opportunity to experiment with new color palettes and try to evolve my digital illustration style. And I'm also reworking a picture book dummy into a sequential paneled book format—very much a work in progress.

And last, but not least, favorite 80s movie?

My Neighbor Totoro. It epitomizes everything I love about children's stories and art made for children.

Huge thank you to Erica for stopping by Critter Lit today! We are so excited for your debut and can’t wait to see what you do next!

ERICA DE CHAVEZ is a Filipino-American children's book designer by day for HarperCollins Publishers and by night transforms into a freelance author-illustrator. She is the illustrator for the indie published middle grade advice book, The Girls' Q&A Book on Friendship by Annie Fox and contributed over 40 fun stickers to The Future Is Ours: Feminist Stickers to Express Yourself by Duopress Labs. Her latest publication is a picture book, Mighty May Won't Cry Today, by Kendra and Claire-Voe Ocampo, is a National Indie Excellence Award finalist.

FOR MORE INFORMATION about Erica or her books, visit her online at www.PandaErica.com or follow her on social media:

Instagram: @PandaErica

Twitter: @PandaErica

Facebook: www.facebook.com/PandaErica

ORDER THIS BOOK To order a copy of MIGHTY MAY WON’T CRY click here.

WIN A COPY! Want to win a signed copy of MIGHTY MAY WON’T CRY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 10th! US addresses only please.

Interview with Author/Illustrator Sandra Salsbury Part 2

March 11, 2021Authors + Illustrators, Debut Interviews, InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Isn’t it awesome when things come full circle? I love it. It just feels right. Like all is right with the world— which let’s be honest, is a rare feeling these days. Needless to say, today our interview is very full circle.

Back in 2018, I was lucky enough to get the opportunity to mentor Sandra Salsbury, an up-and-coming author/illustrator, through Writing With the Stars. If you don’t know about this fantastic mentorship, click here. It is very cool and an amazing opportunity for unpublished authors, illustrators, and author/illustrators. Hopefully, it will be up and running again in the near future.

When I first interviewed Sandra, she hadn’t found an agent yet and was unpublished— which I knew was only a matter of time. She is supremely talented (see stunning art below). So, I’m thrilled that today, I get to interview Sandra as an author/illustrator with a debut picture book, BEST FRIEND IN THE WHOLE WORLD, which just came out with Peachtree Publishing. This is the manuscript and book dummy that led me to select her to mentor. Like I said— full circle. So cool.

So without further ado, please welcome Sandra Salsbury!

Where do you live?

I live in Berkeley, California in a house full of ferns.

When did you know you wanted to write/illustrate picture books?

Drawing was always one of my favorite hobbies growing up, but I didn’t seriously consider art as a career until after I had already started college. One semester as a biology major and I realized that I should probably study art instead. I spent 4 years getting a BFA in illustration and it wasn’t until my last semester, when I enrolled in children’s illustration because it fit my schedule, that I realized picture book illustration might be something that interested me.

Tell us about your road to publication, what did that involve for you?

The funny thing about the road to publication is that it’s hard to pinpoint when it really starts. I took that first children’s illustration class in 2006, the semester I graduated with my BFA. I didn’t feel ready to go out there in the world, so I continued to get an MFA as well. In 2011, I started getting published as an illustrator, mostly with educational companies and small presses. Finally, in 2014, I realized that to get the kind of agent I wanted and the sorts of work I was interested in, I would need to try writing as well. In 2016, I came up with the idea for Best Friend in the Whole World and started developing it. In 2018, I won a mentorship with you and then went on to win the Don Freeman Grant from SCBWI. I also signed with my agent at the very end of the year and we went on submission in 2019. After 7 months of being on submission, we had offers from 2 publishers and selected to publish with Peachtree. From there, everything came together fairly quickly (at least, compared to the rest) and now the book is out! So, it only ended up taking about 15 years.

*Thumbnails, sketches, and final art from BEST FRIEND IN THE WHOLE WORLD by Sandra Salsbury*

Can you share a bit about your process?

When I begin working on a story, it spends a long time in my head at first. I like to figure out the major plot points, my middle, and my end, all before I even look at a piece of paper. I will sometimes begin by writing out the opening lines of my story in my head. Once I feel like I have a good understanding of where I am going, I will do character sketches and start working on the manuscript. After I have the words written out, I will do thumbnails of my pages and then go back and forth between the words and the pictures until I find the right balance. At this point, I usually realize there’s something impossibly broken with the story and I will agonize over how I didn’t see it sooner and how the story is terrible, but after a couple weeks of hand-wringing, the answer will smack me in the face and end up with something that works.

The process for my art involves many incremental steps from thumbnails (each stage getting more detailed), to value studies, to color roughs, then line art, and finally the final paintings. The paintings are done on Arches 140lb cold press watercolor paper with Prismacolor Col-Erase pencils in brown and Winsor & Newton paints in Cadmium Yellow, Scarlet Lake, French Ultramarine, and Burnt Umber.

What do you do to shake the rust off or get new ideas?

Read more books! I find that if I don’t read enough picture books, all my ideas slowly dry up. I start to worry that I will never get another good idea in my life. I tell all my friends that it’s over and I have to quit. And then finally, I go to the library and pick up a pile of new books and magically, inside those books are also new ideas.

Anything you can’t live without while you write/draw?

When I am writing or drawing, I actually need total silence and zero distractions. So much of the writing and drawing process is about thinking for me that I can’t work with music or tv in the background. However, once I get to the painting stage, I don’t need to think anymore and I love listening to audiobooks. When painting Best Friend in the Whole World, I finished fourteen audiobooks in six weeks.

Any authors and/or illustrators who inspire you?

My current picture book obsession is Pokko and the Drum by Matthew Forsythe. I also am in love with In A Jar by Deborah Marcero. Some illustrators I routinely look at are Julia Sarda, Rebecca Green, Jon Klassen, and Jessixa Bagley.

Dream project to work on?

The wonderful thing about being an author-illustrator is that if I can dream it up, I can work on it! I would love to someday do a middle grade graphic novel and right now the only thing really stopping me is my own fears (in my defense, graphic novels seem really scary).

Tell us about your debut book.

Roland lives a quiet life all by himself. One day, he stumbles across someone to be his new best friend. It’s fine it’s just a pine cone! But soon signs start popping up in the woods that make Roland realize someone else might be missing their best pine cone friend and Roland must make the choice between having a good friend and being a good friend.

*Interior Art from BEST FRIEND IN THE WHOLE WORLD by Sandra Salsbury*

The funny origin story of this book is that once when I was a child I found a perfect stick and then tragically lost it later that day. The inexplicable and irrational bond I felt with that stick has stayed with me into adulthood and I wanted to write a story that captured the bond children can have with their friends—real or imagined.

What’s up next for you?

Hopefully more books! I have a couple more ideas that feel could actually turn into something, so I’m currently coxing them to life. Some of them are being more stubborn than others.

And last, but not least, favorite 80s movie?

If I had to pick just ONE, it would definitely be The Princess Bride. I know a million people probably pick The Princess Bride, but that’s only because it’s SUCH AN AMAZING MOVIE!

Huge thank you to Sandra for stopping by Critter Lit again! We are so so proud of you over here at Critter Lit and can’t wait to see what you come up with next!

Sandra Salsbury grew up in the Santa Cruz mountains, where she made friends with many pine cones and sticks. She received a BFA and MFA in illustration from the Academy of Art University. She currently lives in Berkeley with her husband, a large collection of staghorn ferns, and countless spiders who provide moral support, as the great spiders in literature are known to do. For more information about Sandra or her book, visit her online or follow her on social media:

Website: www.sandrasalsbury.com

Twitter: www.twitter.com/sandrasalsbury

instagram: www.instagram.com/sandrasalsbury

ORDER THIS BOOK To order a copy of BEST FRIEND IN THE WHOLE WORLD, click here.

WIN A COPY! Want to win a copy of BEST FRIEND IN THE WHOLE WORLD?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 18th! US addresses only please.

Interview with Author and Illustrator Ginnie Hsu

February 4, 2021Authors + Illustrators, Illustrators, Interviews, Vet InterviewsLindsay Ward7 Comments

Happy Thursday Critters! Today we are joined by an incredibly talented author and illustrator. I’m a huge fan of her work— I love her compositions, details, and color palettes! And she also happens to be professor of illustration at my alma matter, Syracuse University. I can’t wait for all of you to check out all her books.

So without further ado, please welcome Ginnie Hsu!

Where do you live?

Upstate NY.

How many years have you been in publishing?

So far, two happy years. I am learning so much, and I am so grateful for the experiences.

Screen Shot 2021-02-03 at 9.26.10 AM.png

How did you first get published?

My agent, Anne, told me someone was interested in having me illustrate a farm book! I love farms, and it was perfect. The Farm that feeds us was out last July, and it was one of the happiest days last year.

Do you write and illustrate full-time?

Now I am! I am also teaching Illustration at Syracuse University.

What inspires you to create picture books?

Telling stories in a lovely way, and I love to draw.

What surprised you the most working as an author/illustrator?

The amount of time you have to put in to create, think and experiment. It’s fun and time-consuming at the same time.

What is your favorite thing about being an author/illustrator?

I get to tell the story and illustrate the way I want it to be.

What do you find difficult working as an author/illustrator?

Oh, there is never enough time for me. I wish there are 48 hrs a day. I will spend 28 hrs drawing and write stories! I don’t sleep a lot. haha

What do you do to shake the rust off or get new ideas?

Go out for a drawing adventure in the wild. I love walking and just walk in nature.

Anything you are habitual about when it comes to creativity?

I always start writing and play with the materials first if I want to play nowadays. And, I have to have tea, coffee, and some snack around.

Can you share a positive experience you’ve had in the Kid Lit community?

Yes. I met so many friendly people. I love all the editors I work with. They are some of the most amazing people I met. So encouraging.

Recommended reading?

From my reading list this year. The Bluest Eye by Toni Morrison! I am almost done with it and highly recommend it!

Also, poetry!

What has been the highlight of your career thus far?

I get to grow as an illustrator and be an illustrator. If you told me I get to draw for a living ten years ago. I would not believe you. Haha, It’s genuinely a dream that comes true.

What is something you wish someone had told you when you first started writing and illustrating?

There are going to be ups and downs, and your drawing will grow as you grow.

And, don’t focus on a style. Focus on how you draw and what you want to draw.

Can you tell us about your newest book?

Yes. My newest book is Lady Bird Johnson, That’s Who, written by Tracy Nelson Maurer.

It’s about the former first lady, Claudia Alta Johnson, aka Lady Bird Johnson, who help make America cleaner and greener!

Interior art from LADY BIRD JOHNSON, THAT’S WHO by Tracy Nelson Maurer, illustrated by Ginnie Hsu

What’s up next for you?

I am currently working on a couple of books now and am also researching the book I am writing. I am very excited to jump into the other areas, like creating fabrics and products for my shop. It’s a never-ending career that’s full of excitement and surprise.

Anything else you’d like to share with aspiring authors and illustrators?

Yes! Thank you all for creating! The world is so much better with stories you create and share.

And last but not least, favorite 80s movie?

My neighbor, Totoro!! I grew up watching Miyazaki movies. It’s still one my favorite.

Huge thank you to Ginnie for stoping by Critter Lit today! We are such a huge fan of your illustrations and can’t wait to see what you come out with next!

GINNIE HSU is an Illustrator, a Designer, an Educator, and a Maker living in Upstate New York. Her work is often inspired by my everyday life, human living, and her love for nature. She has received recognition in Creative Quarterly 55, 3x3 International Illustration Show No.15 (Picture Book Bronze, two Professional Merits), AI-AP International Motion Art Awards 6 (winner), and Uppercase Magazine No.38 “Fresh. Her clients and publications have included Macmillan, Henry Holt, Benchmark Education, Old Dungate Press, Breathe Magazine, American Greetings, and Babbel Magazine.

FOR MORE INFORMATION about Ginnie or her books, visit her online:

Instagram: @ginniehsu

Website: helloginniehsu.com

ORDER THIS BOOK To order a copy of any of Ginnie’s books, click here.

WIN A COPY! Want to win a copy of LADY BIRD JOHNSON, THAT’S WHO?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 11th! US addresses only please.

Interview with Author Gianna Ruggiero

November 12, 2020Authors + Illustrators, Debut Interviews, IllustratorsLindsay Ward3 Comments

Happy Thursday Critters! One of my favorite things is picture books that center around food. I love to cook and bake and I always enjoy a good food driven story. Today I’m sharing a new picture book that celebrates the joy of food: EVERY NIGHT IS PIZZA NIGHT, which released in September, written by New York TImes Bestselling chef J. Kenji Lopez-Alt and illustrated by Gianna Ruggiero. I’m thrilled to have Gianna join us today to talk about her debut picture book and road to publication.

So without further ado, please welcome Gianna Ruggiero!

Where do you live?

I currently live in Oakland, California, but originally hail from South Philadelphia. Proud of you, Philly.

When did you know you wanted to write/illustrate picture books?

I have always liked telling stories, and in college I remember doing a mock children’s book idea for a class. It was really fun and I experimented with photos and digital illustration. I knew then that this would be something I would like to pursue, but didn’t really know how. From that moment my career has mostly been in feature animation and video games. Children’s book illustration has always been on the back burner. In the past few years, I had finally started to pursue illustration more seriously by attending SCBWI events, networking with agents and publishers, and talking to published illustrators about their journey. That hard work seemed to pay off as it helped land me a spot with a literary agency.

Tell us about your road to publication, what did that involve for you?

Man, I wish I could be a little bit more inspiring and helpful, but it was pure luck and a backlog of portfolio work. I lost my job a couple years ago and tweeted out to the world wide webs sharing that I lost my job and was looking for work. Somehow that tweet landed on Kenji’s timeline and he took interest in me and my work. He later reached out to me asking if I would collaborate on a children’s book with him. I was optimistic, but I wasn’t aware of who Kenji was at the time, so to me he was a random stranger on the internet, thus it led me to be a bit hesitant. A lot of times internet strangers will email you asking for you to help do work on a screenplay they are writing, or their 5,000 page novel, and it goes nowhere. It’s a total crapshoot. But for me, I was lucky. Kenji not only turned out to be a famous chef, but a wonderful, talented, kind-hearted human that valued me and my work. I owe him many thanks.

Can you share a bit about your process?

My process usually starts out with a large amount of panicking, and what I can only describe as me flailing wildly around in circles, drawing things that somehow amount to an idea. Then I develop those half-baked ideas into a final concept.

Oh, boy. I feel like my process is always evolving. For some reason it is easier for me to conform to a style that is given to me from an art director than to form a style that I need to adhere to myself. For Every Night Is Pizza Night, it started out with a lot of reference gathering. Gathering styles from other illustrators I like, and photos of people I wanted to draw. From there it is a lot of scrappy sketching on paper or in the computer. I try to think a lot about the scope of the project, what kind of style I can commit to in a given time, what makes me happy, what the mood of the project is, things along that line that help inform how the final illustration will look.

What do you do to shake the rust off or get new ideas?

Ever since I was a kid, I walked a lot. I walked to school, I walked to friends houses, the bus. Wherever I walked it was usually accompanied by a CD player. I found myself lost in daydreams. Whatever I would listen to would conjure up a mood, a style, characters, scenarios, and stories. I would visualize little snippets between characters or come up with story arcs. Still to this day, I do that mostly walking my dog or commuting to work. The only thing that has changed is the CD player.

That was a very long-winded way of saying: Music. Music gets me in a creative mood.

Another thing I do is get rid of my shame and turn off the judgemental side of my brain. When I am sketching and trying to enjoy whatever it is I am creating on paper, I try not to judge it or shame it. I just enjoy it and see where my brain takes me in that moment.

Anything you can’t live without while you write/draw?

The internet.

Any authors and/or illustrators who inspire you?

So many to name. I am a big fan of Emily Carroll and her short story horror comics. Big fan of Emily Hughes, John Bond, Amélie Fléchais, Joe Todd-Stanton, and Christian Robinson.

Dream project to work on?

I would love to work on a strange silly adventure, or some sort of fantasy book. I really like books that feature animal characters meeting strange characters. I loved “The Phantom Tollbooth” as a kid, and I just loved the strange and creative worlds; ones that have never been explored or thought up before.

Screen Shot 2020-11-11 at 8.52.44 PM.png

Tell us about your debut book.

Every Night is Pizza Night is about a young girl named Pipo who believes pizza is the best food in the world, that is until her parents tell her to go investigate. Pipo takes that as a scientific challenge, and goes on a journey in her neighborhood tasting different foods from different cultures. Pipo tries a whole range of foods from bibimbap to rice and beans. It is a book that celebrates different cultures, and diversity. It inspires kids and families to be adventurous, and try different foods while understanding that food can hold different traditions and meanings to us.

The book is light-hearted and funny. It also features pages that are explosive and whimsical whenever Pipo takes a bite of a new food she has never tried. It even features a pizza recipe in the back of the book for parents and kids to make together.

What’s up next for you?

Kenji and I are taking a much-needed break for right now, but I expect that sometime next year we might begin exploring a new book idea. Currently, I am enjoying just sketching and learning how to get better at roller skating. I am also coming up with a video game idea that I might pitch to my studio. So nothing too exciting, but that is fine for me.

And last, but not least, favorite 80s movie?

The Thing! It is the best!

Huge thanks to Gianna for stopping by Critter Lit today! Congrats on your debut!

Gianna Ruggiero is a concept artist, video game developer, and illustrator. Every Night Is Pizza Night is her debut children’s book. She lives in Oakland, California.

FOR MORE INFORMATION about Gianna or her work, visit her online: www.giannaruggiero.com or follow her on social media:

Instagram/Twitter @immagigi

ORDER THIS BOOK To order a copy of EVERY NIGHT IS PIZZA NIGHT click here.

WIN A COPY! Want to win a SIGNED copy of EVERY NIGHT IS PIZZA NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 19th! US addresses only please.

Interview with Debut Author and Illustrator Julie Rowan-Zoch

October 8, 2020Authors + Illustrators, Debut Interviews, InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with Julie Rowan-Zoch, whose illustration debut, LOUIS, written by Tom Lichtenheld, is receiving rave reviews! I adore this book and I’m so excited to introduce you all to Julie’s work.

So without further ado, please welcome Julie Rowan-Zoch!

Where do you live?

In sunny northern Colorado! If I sound excited about the sun, it's because winter in CO has many sunny days, and especially this winter it will really come in handy for sanity!

When did you know you wanted to write/illustrate picture books?

I talked about it a lot when my kids were small, but finally put serious effort into it upon joining Julie Hedlund's 12x12 Picture Book Challenge in its inaugural year, 2012.

Tell us about your road to publication, what did that involve for you?

When I started out I naively assumed my drawing talents were good enough, so I set about learning how to write, first by reading (100 PBs/wk for 3 yrs!), then writing, then critiquing - I formed a crit-group locally, but I also used to belong to an online group. Very soon I realized how overconfident I was about my own illustration skills! That's about the time I started the practice of drawing daily. All elements were vital - especially the naiveté!! No joke! I started submitting to multiple agents, but my agent actually found me!

Can you share a bit about your process?

I try to start every day with a warm-up sketch which I post with birthday greetings for facebook friends. It allows me to draw with blithe abandon at least once every day, and almost all of my characters have developed directly from that exercise. All my illustration work is now done digitally, thanks to advice I got during a portfolio critique from illustrator Michael Garland in 2013. Never looked back! I use the Procreate app on an iPad for all the work, from sketches to finished art. Even some revisions for art on LOUIS were done in a hospital waiting room on the iPad.

What do you do to shake the rust off or get new ideas?

Last month I actually wrote a short article about just that HERE, but it's the daily practice of drawing every day that really helps keep juices flowing. I post just about all of them on Instagram.

Anything you can’t live without while you write/draw?

Quiet. Once I am in later stages of drawing, I do like to run a movie I have already seen just so that I might look up now and again. but for writing I would even prefer to be alone in the room - VERY quiet.

Any authors and/or illustrators who inspire you?

So many! And my taste varies widely. I keep a list of illustrators I like on my website, with links to theirs, but it's really just a drop in the bucket! Some of the picture book authors I admire off the top of my head are William Steig, Russell Hoban, Arnold Lobel, Janet and Allen Ahlberg, Julie Fogliano, Fannie Britt, Suzy Lee, and Michael Rosen.

Dream project to work on?

I would love to create a book for young people experiencing the hospital, as a patient or a visitor, that communicates the pain and sadness along with a BIG dose of humor and art.

Tell us about your debut book as an illustrator:

Louis the bear has had enough. From day one, life has been one indignity after another. If he's not being used as a hankie, he's being hung out to dry—literally. (No one likes clothespins used on their ears!)

Early sketch for dedication/title page for LOUIS, written by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

Dummy page from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

This teddy is sneaking away just as soon as he can. Then again, no use running off in the rain . . .or during a show-and-tell routine. Maybe Louis has something to lose, after all.

Character studies from LOUIS by Tom Lichtenheld, illustrated by Julie Rowan-Zoch

What’s up next for you?

My author-illustrator debut is with HMH, I'M A HARE, SO THERE!, and releases in March 2021, and have hopefully completed all final revisions for the art. I will soon get to work on coloring/activity sheets and other graphics for social media for it. Otherwise, revising more stories to submit!

And last, but not least, favorite 80s movie?

An Angel at My Table or Brazil or Room with a View? Sorry! Can't decide!

Huge thank you to Julie for stopping by Critter Lit today! Congrats on your fantastic debut!

Author, illustrator, bookseller, and activist: JULIE ROWAN-ZOCH grew up collecting freckles and chasing hermit crabs in NY, and spent years slicing rich breads in Germany before waking up to 300 days of blue Colorado skies. If she doesn’t answer the door, look in the garden!

FOR MORE INFORMATION visit Julie online or follow her on social media:

Twitter @JulieRowanZoch

ORDER THIS BOOK To order a copy of LOUIS, click here.

WIN A COPY! Want to win a copy of LOUIS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 15th! US addresses only please.

Interview with Debut Author and Illustrator Sarah Kurpiel

May 14, 2020Authors + Illustrators, Interviews, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! I hope you are all staying healthy and safe. Today, we have an interview with author and illustrator Sarah Kurpiel, whose debut picture book, LONE WOLF, comes out on May 19th. Congrats Sarah! I adore Sarah’s illustrations and I can’t wait to share this sweet book about belonging and family with all of you today.

So without further ado, please welcome Sarah Kurpiel!

Where do you live?

A suburb outside of Chicago. I’ve lived in the Midwest all my life.

When did you know you wanted to write and illustrate picture books?

I’ve been drawing for as long as I can remember, but it was always just a hobby, a way to relax. Then, in college, one of my English professors included graphic narratives in his course. Those books had a profound effect on me. That was the first time I started thinking seriously about drawing stories. Flash forward a few years to my first library job as a part-time cataloger. A Sick Day for Amos McGee by Philip Stead and illustrated by Erin Stead crossed my desk. I read it on the spot. It had such heart and reminded me how much I loved picture books growing up. I knew that was the kind of story I wanted to make. It wasn’t until a few years later that I started drawing with the goal of publication, but these were the moments that set me on that path.

Tell us about your road to publication, what did that involve for you?

In 2018, a popular illustration account on Instagram shared one of my drawings. Thanks to that stroke of luck, I was contacted by Allie Levick and Rebecca Sherman at Writers House, who became my agents later that year. Their guidance and expertise was (and continues to be) invaluable. They helped me get my story, Lone Wolf, submission ready and secure a book deal with a great editor. In the months that followed, I went through several rounds of revision before starting the final art. The publication process is long and fluctuates between rushing and waiting. It’s helpful to have another project to focus on during the downtime.

Can you share a bit about your process?

I mostly use dry media brushes in Photoshop on a Wacom tablet connected to my computer. I started drawing digitally in 2016 and it clicked for me right away. I love the flexibility and possibilities of digital. I do a lot of sketching with pencil and pen on paper too. I always have a sketchbook.

What do you do to shake the rust off or get new ideas?

Doodle. I love drawing for no reason at all. I love not knowing what I’m going to make before I begin. Sometimes I doodle a character who sparks a story idea. I also keep a list of things I could draw a thousand times without getting tired of drawing them and then use that to limit the possibilities of stories I might tell. That said, I’m very new to this. I’m still learning my own process.

Anything you can’t live without while you write or draw?

Nothing in particular, but I do enjoy having coffee close at hand!

Any authors and/or illustrators who inspire you?

So many. Erin Stead, Molly Idle, Christian Robinson, Oge Mora, Richard Jones and Rebecca Green, to name a few. I follow artists of all kinds on Instagram, and seeing their work brings me so much joy.

Dream project to work on?

I’d love to make a wordless picture book one day. I admire those who’ve done it well. Some of my favorite picture books are wordless. I’m also fascinated by the wordless woodcut novels of the 1920s and 30s.

Tell us about your debut book.

Lone Wolf is about a Siberian husky mistaken for a wolf so many times that she starts to believe she is one. The main character, Maple, is inspired by my childhood dog, a husky who was goofy and stubborn in all the best ways. Lone Wolf is about identity, belonging, and family. I’m honored that it received a starred review from The School Library Journal. Lone Wolf will be published by Greenwillow/HarperCollins on May 19, 2020.

What’s up next for you?

I’m currently working on final art for my next picture book which hasn’t been formally announced yet.

And last, but not least, favorite 80s movie?

Back to the Future. (Part 1. Definitely not Part 2.)

Huge thank you to Sarah for dropping by Critter Lit today! Congrats on LONE WOLF, we love it! We can’t wait to see what you create next!

SARAH KURPIEL is a librarian and author/illustrator from the Midwest. Her stories are inspired by nature, animals, and everyday life. Sarah has been doodling in the margins of notebooks for as long as she can remember. She started drawing digitally in 2016 and never stopped. Sarah uses a power wheelchair and considers her disability an important part of her identity. Her debut picture book, Lone Wolf, will be published by Greenwillow/HarperCollins in May 2020.

FOR MORE INFORMATION on Sarah, visit her online or follow her on Twitter @SarahKurpiel and Instagram @sarah.kurpiel

BUY THIS BOOK To purchase a copy of Sarah'’s book, click here.

WIN A COPY! Want to win a giveaway copy of Sarah’s debut book, LONE WOLF?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 21st! US addresses only please.

Interview with Debut Author Kelly Carey and Illustrator Qing Zhuang

April 9, 2020Authors + Illustrators, book release, Authors, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! I hope you are all staying healthy and keeping yourselves busy. I’m so excited to feature a DOUBLE interview today with Kelly Carey and Qing Zhuang, whose debut picture book, HOW LONG IS FOREVER, came out with Charlesbridge this week. Please give Kelly and Qing a warm welcome!

Kelly_Carey_Carter_Hasegawa (2 of 2).jpg

Where do you live?

Kelly: I live in Massachusetts in a rural town with one stoplight.

Qing: I live in Manhattan but might move soon to some place not too far away.

Kelly: I’m the country mouse and Qing is the city mouse!

When did you know you wanted to write/illustrate picture books?

Kelly: When I was in grade school I used to make up bios and backstories for the teddy bears on my bed. Yes, while my friends were learning the dance moves on the latest MTV videos, I was deciding that one of my stuffed bears was a fifty-one year old retired physicist who enjoys salmon fishing and coin collecting. I even typed that up on a typewriter! It’s still embarrassing now and I told no one about it then! But looking back, I think that was me wanting to make up stories and be a storyteller. I got serious about writing picture books about 15 years ago. I took a correspondence class through the Institute of Children’s Literature and I’ve been writing ever since. (Oh my gosh, I just realized that I am now the same age as that retired physicist bear who liked salmon fishing!)

Qing: As a lonely kid with busy parents, I found a lot of comfort and entertainment in drawing, writing and reading. When I was in 6th grade, I won a book writing and illustration contest and got $250 for it. I so enjoyed making the book and the prize made me feel excited and seen. Foolishly or fatefully I started pursuing this career.

Tell us about your road to publication, what did that involve for you?

Kelly: I took my first real step on this journey when I took the correspondence class through the Institute of Children’s Literature in 2007. That class made me ravenous for more workshops and classes that could help me improve my craft and understand the industry. I was very lucky to have a magazine fiction story published that same year and I’ve had a magazine story published every year since. I funneled the payments for those stories into more conferences and workshops.

I joined The Society of Children’s Book Writers & Illustrators (SCBWI), participated in Julie Hedlund’s 12x12, Tara Lazar’s Storystorm, and ReFoReMo. All offered a wonderful way for me to get feedback on my work and to improve my craft. It was through SCBWI that I met my first critique partners and we started a blog for writers, 24 Carrot Writing, that has been offering help and advice to fellow writers for almost 6 years. I think pushing back from the desire to write, alone, and in isolation, and really getting out into the community of fellow writers made a big difference in my success. Going to all those conferences and workshops allowed me to find writing buddies, critique partners and this whole amazing KidLit community. I thought I was going to learn about craft and become a better writer, who knew I was also going to find colleagues and friends! That has been a wonderful bonus.

I joined The Writers’ Loft in Sherborn, MA and took classes offered by Karen Boss, Editor at Charlesbridge Publishing. Karen is now the editor for How Long Is Forever?. I could argue that How Long is Forever? would have found its path to publication on its own merits, but I think connecting with Karen and forming a professional relationship through that class, and applying her excellent teaching to my manuscript, certainly helped speed up the process.

I wrote the first draft of How Long Is Forever? in 2013. It went through major revisions over the course of two years with the help of my critique group. I took two classes at The Writers’ Loft taught by my future editor Karen Boss at Charlesbridge. The MS went through more revisions and was under contract in 2017. This book was four years from first draft to contract and seven years from first draft to published book. But my journey to publication was fourteen years. Persistence is key.

My advice to other writers, based on my journey, would be to get out into the writing community. Meet fellow writers, take classes and workshops, offer your own help and advice, listen to editors and agents, and become a part of the community. I think the community will reward you for your efforts – it did for me.

Qing: For many years, I had to grow as a person in more ways than I can list here before I could even build some level of confidence. I worked many odd jobs and saved up to pay for SCBWI conferences. Every year I would hear a little more feedback but no more than that. It was always so mysterious to me how people find their agents and editors, but I did know that I needed to keep getting better and continue to get my work out there so I kept showing up.

I love working as a teacher and it was essential in my understanding of children and their world. I think many of us who make children’s books are very in tune with our own childhoods, but it is so important to observe all kinds of children today. One year, I decided to venture out of NYC over to the great state of NJ for their summer SCBWI conference for the first time. That turned out to be an excellent decision since the NJ conference was where I got to display my work more intimately and even won a juried show for a piece I had submitted. I also got to meet many editors, including the one I have the fortune of working with at Charlesbridge for my debut book. Kelly saw more of my work online and referred it to the editor.

What do you do to shake the rust off or get new ideas?

Kelly: I find that one of the best ways to shake the rust off is to move on to a new project. Usually, if I can’t find the right way to revise a problematic manuscript or tease the story out of a kernel of inspiration, it’s best to put that manuscript aside for a week or two and pick up a different one.

Of course this only works if you have some ideas and manuscripts on standby that can jump in during an emergency. That’s why I jot down ideas all the time. I’m always grateful to have those backup stories to work on. I pop ideas into a note on my phone the minute they come to me and then I transfer them over to a computer file titled “story ideas”. I love being able to lean into those files when I feel stuck.

Another great resource to fight through writer’s block is a critique group. If you really want to bust through a blocked moment with a manuscript and the thought of putting it aside for a few days seems tragic, I reach out to my critique partners for help. Often they offer up just the right piece of advice or ask the perfect question to reset a blocked moment.

And if none of this works – I call it a day and go grab a good book to read or go do laundry. There is always an abundance of both in my house!

Qing: A lot of it is to just get started. Get it all out on paper or on the computer and deal with the mess later. Listening to music and doodling until a sketch excites me. It’s always a surprise when you hit your groove or when a creative solution comes, I think the key is to calm down and not be afraid of this messy process.

Tell us about your debut book.

Kelly: In How Long Is Forever? Mason is waiting for the first blueberry pie of the season and it’s taking forever. At least that’s what Mason thinks, until Grandpa asks him to prove it and sends Mason searching the family farm to find the meaning of forever.

Every child and adult has been in a situation where something feels like it is taking forever. This story is an invitation to really think about how we throw around that word and what things really deserve to be labeled forever.

I hope Mason’s search encourages kids to go on their own hunt for their forevers. It’s a wonderful gift when you notice and call out those people, places and things that will forever hold a special place in your heart. It might be a flavor of ice cream, a grandparent, or a favorite slide on a playground. Whatever it may be, I hope kids take a moment to pause and feel good about the forevers in their lives.

Interior Spread from HOW LONG IS FOREVER, Written by Kelly Carey, Illustrated by Qing Zhuang

Qing: For me, How Long Is Forever? is really about how not forever everything is. The closest thing to forever is the memories and love that gets passed down, in the case of this book, through a scrumptious homemade blueberry pie. When my editor first sent me the manuscript, I read it with my now husband, who was very moved because the relationship between little Mason and Grandpa reminded him of his own grandfather who had passed when he was a teenager. For my husband, his “blueberry pie” is the humble Chinese scallion pancake his grandfather used to make for him whenever the fridge was empty. The memory of his grandfather cooking this treat is simple and mundane, but it held something special just like our sweet story.

And last, but not least, favorite 80s movie?

Kelly: Star Wars and Princess Bride. I don’t care if the love story takes place in space or in the days of castles and knights, if the princess is strong and independent and the prince is brave and hunky – I’m happy.

Qing: The Goonies! Or Beetlejuice!

Huge thank you to both Kelly and Qing for stopping by Critter Lit today! We are so excited for you and your debut book HOW LONG IS FOREVER! Congrats!

FOR MORE INFORMATION

Visit Kelly Carey at www.kcareywrites.com

Visit Qing Zhuang at www.qingthings.com.

To order an author signed copy, click here.

Interview with Debut Author and Illustrator Rob Justus

February 6, 2020Authors + Illustrators, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! We are officially back for 2020 and I can’t wait to share all the fantastic interviews we have scheduled this year. So let’s kick things off with the first debut interview of the year…

Please welcome Rob Justus!

Screen Shot 2020-02-05 at 8.46.16 PM.png

Where do you live?

I live in the capital of Canada, Ottawa. In fact I’m fortunate enough to actually just live a few blocks away from the Parliament buildings, which to me, is pretty nerdy-cool!

When did you know you wanted to write/illustrate picture books?

Growing up all I wanted to do was draw comic books. It was all I read, and all I drew was superheroes. Fast forward almost twenty years, I started writing and drawing simple, very bad, stories for my sister’s children. I shared them with some friends and their children, and they all seemed to enjoy them, so I thought I’d take a serious stab at doing this professionally.

Tell us about your road to publication, what did that involve for you?

I feel like my journey to publication started before I even knew I wanted to work in children's books.

Like many people, I wasn’t happy with where I was in life - I just didn’t know what it was that I wanted. Then I started drawing again...and I remembered how much I loved it!

Life took several very difficult turns for me, but at the same time I felt it pushed me more and more towards a creative lifestyle. I had played it safe, and that hadn’t worked for me. So I thought I’d take a chance seriously pursue writing and illustration as a career. I went to SCBWI conferences, landed an awesome agent, Molly O’Neill, and started sending out submissions. I had a lot of rejection, but tried to learn from every pass that I got.

Then I took a shower...and during that magical shower I came up with what would eventually become Kid Coach. I shared it with my agent and several dozen revisions later we had something to share with publishers.

Soon after, I was fortunate enough to be able to sit down and have lunch with Kristen Nobles of Page Street Kids. I drove five hours to have a GREAT two hour lunch only to turn around and drive five hours back home. It was the best decision I had ever made. A few days later, hours after a tornado or two had ripped through the city where I live - leaving me without electricity for a few days. I received a call from my agent saying that Page Street Kids would like to offer me a two book deal! Oddly enough, all my friends and family were out of town that weekend so I celebrated my long journey to publication alone and in the dark. It was the best.

What do you do to shake the rust off or get new ideas?

I step back for a day or two. Get out and see friends.

Most new ideas come to me when I’m not really thinking about writing or in places where you zone out, like when I’m running. These ideas are either just an image of a character in a certain setting, or a turn of phrase, or bouncy line, but from that stories blossom and snowball.

Tell us about your debut book.

Kid Coach is a slamtastic book about a son who is determined to change his dad from a couch potato to a champion. Of course the only way to do this is by signing Dad up for WRESTLE-RUMBLE-MANIA-KINGDOM TOURNAMENT OF CHAMPIONS!!! Surprisingly, Dad is really good at wrestling, but not so good at sportsmanship. It’s up to Kid Coach to help Dad become a better winner and right his wrongs, and hopefully make some friends along the way.

Kid Coach is a fun, action packed, read-out-loud book with colours and colourful characters that pop right off the page! Not gonna lie, I’m really proud of this book.

*Illustration from KID COACH by Rob Justus*

And last, but not least, favorite 80s movie?

Does it have to be just one? The 80s were a pretty good time for sci-fi ...So if I have to pick just one it’d be...Aliens. No wait. It’d be Back to the Future. Wait! It’s definitely Ghostbusters...Or is it E.T? Actually you want to know what? When it doubt, you gotta go with the bacon...Kevin Bacon that is, and the best movie of all time: Footloose.

Huge thank you to Rob for stopping by Critter Lit to chat with us today. Congrats on your debut book! We can’t wait to see what you’ll create next!

ROB JUSTUS chopped his way out of a career in market research and slammed into the publishing ring with his jammin’ debut book, KID COACH! Wrestling words and art as the Screaming Scribbler, Rob has wrangled many big guys, bad guys and bald guys with his signature move: THE DOUBLE-DARE DOODLE DEVASTATOR! Rob trains to be a true champion in Ottawa, Canada. He’s rep’d by Molly O’Neill at Root Literary.

FOR MORE INFORMATION on Rob, visit him online at www.robjustus.com or follow him on Instagram: @robjustus

BUY THIS BOOK To purchase a copy of Rob’s debut book, KID COACH, click here.

BOOK GIVEAWAY!

Want a chance to win a copy of KID COACH?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 13th. US addresses only please.

Interview with Author Carole Gerber

December 5, 2019Authors + Illustrators, Authors, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! I’m so excited to be back— it’s been a while! Apologies for the time off, but I’ve been on maternity leave with baby number three so things have been a little hectic around our house. I’m thrilled to be back sharing interviews with lots of fabulously talented authors and illustrators with all of you. So let’s kick off December with author Carole Gerber and her new book THE GIFTS OF ANIMALS, beautifully illustrated by Yumi Shimokawara. Carole is an incredibly accomplished children’s book author with over eighteen picture books and many, many other publications under her belt. I’m happy to have her with us today to share her experience in the industry and tell you about her lovely new book.

So without further ado…please welcome CAROLE GERBER!

Where do you live?

I was born, raised and educated in Ohio. In August 2019, my husband and I became full-time residents of Mount Pleasant, South Carolina, a suburb of Charleston. We live just a few miles from our younger daughter, Jess; her husband, Ben, and (the main attraction), our three-year-old granddaughter, Joanna.

How many years have you been in publishing?

My first book, The Golden Christmas Tree, was published in 1994 by Willowisp Press. The company is now out of business, but it was based in Columbus and put out many titles.

How did you first get published?

I graduated from Princeton High School in Cincinnati, where I had a wonderful creative writing teacher named John Engle. Through him, I (and other students) submitted poems and stories to various publications. My first poem was published in a weekly paper, The Millcreek Valley News. With my teacher’s help in placing my work, I continued to be published (and paid!)

Do you write full-time?

I now write, or engage in writing-related research and emails, nearly every weekday. But I no longer put in the hours I did during the years when clients paid me to write. After earning an M.A. in journalism from OSU, I worked full-time for an ad agency, as a magazine editor, and then as a marketing director. After those in-house jobs I began freelancing for businesses, and gradually moved into writing elementary science and reading books for McGraw-Hill (for whom I had first free-lanced textbook ad copy) and other educational publishers. This winding path led me to write picture books.

What inspires you to create picture books?

Children love picture books! Unlike adults, they want to hear or read the same stories over and over again. And they love the authors who write them. I am sure you have experienced how excited kids are to meet you when you visit schools. “Are you the ARTHUR?” always cracks me up!

What surprised you the most working as an author?

I continue to be shocked at how slow the process is. It usually takes a long time to even hear back on submissions, even though I have an agent. If a manuscript is eventually accepted, it usually takes two years before it is illustrated and published.

What is your favorite thing about being an author?

I enjoy the creative process of coming up with and following through with an idea or a subject. Even if it doesn’t ultimately work out, there is a flow to this process that is satisfying.

What do you find difficult working as an author?

It can be a lonely job in a field where rejections are far more common than acceptances. Unlike my previous writing jobs, I am not out and about interviewing people and gathering facts. I may send emails or talk on the phone, but it is all from my desk. I would love to swap and critique manuscripts with others who have my approximate level of experience, but most seem to already belong to established groups.

What do you do to shake the rust off or get new ideas?

I put aside manuscripts that aren’t working. I print them and keep them in a folder and weeks or months later, I look at them with fresh eyes. I also continually read books written by others. This gives me fresh perspectives and often influences my own writing of choices of what I’ll write.

Anything you are habitual about when it comes to creativity?

Ha! Yes! It’s an expensive habit, but every morning I feel the need for a Starbucks chai latte to sip when I sit down at my desk. When feeling unmotivated, I buy a grande; otherwise, a tall is enough of a stimulus (or more precisely, stimulant.) I have been doing this for 15 years and shudder to think what it adds up to!

Can you share a positive experience you’ve had in the Kid Lit community?

Kid Lit writers are usually kind, generous and helpful. I met two picture book writers I bonded with at a conference in 2015 and, across the miles, we continue to offer one another encouragement and support.

Recommended reading?

Critter Lit, of course! And Celebrate Picture Books, as well as Writing and Illustrating, Picture Books Heal, Will Write for Cookies, Perfect Picture Book Friday, and other blogs and sites for writers. There are also many books about story structure and other basics. To see what’s available, I suggest using “writing picture books” as a search term on Amazon. Check the reader reviews and choose based on how useful the books have been to others.

What has been the highlight of your career thus far?

I was selected for inclusion last year in a reference called Something About the Author, a print and digital resource published by Gale/Cengage Learning. Each entry includes a personal/career overview (hometown, education, family, awards, hobbies, professional background) and a bibliography. The editors “follow” my career and will update it annually with reviews of my new books.

What is something you wish someone had told you when you first started writing?

Don’t take it personally! Manuscripts are rejected for many reasons, many of which writers can’t control. Editors may have one on a similar topic in production. Or it may be something as simple as they don’t like the subject. I had one rejected by an editor who commented, “This is sweet but I don’t like cats.” Another editor who had published one of my books, rejected the next one submitted because she didn’t like stories about fairies. And then there are the cases where editors championed my manuscript but the acquisitions committee rejected it.

Can you tell us about your newest book?

The idea for The Gifts of the Animals came to me after I stumbled over a reference to a 12th Latin hymn (translated into French and later into English) called “The Animal Carol.” Another title was “The Friendly Beasts.” Here are a couple of the verses:

Jesus, our brother, kind and good, was humbly born in a stable rude;
and the friendly beasts around Him stood. Jesus, our brother, kind and good.

"I," said the Cow, all white and red, "I gave Him my manger for His bed;
I gave Him my hay to pillow His head." I," said the Cow, all white and red.

"I," said the Sheep, with the curly horn, "I gave Him my wool for His blanket warm;
He wore my coat on Christmas morn. "I," said the Sheep, with the curly horn.

My story sounds nothing like this (thank goodness!), but does feature some of the same animals.

This is one of my favorite books because the illustrations are incredible! Illustrator Yumi Shimokawara lives in Japan and was discovered two years ago by the art director for my book at the Bologna Children’s Book Fair. He worked with her through a translator and there were some funny miscommunications. For example, her first baby Jesus had fair skin and blonde hair. She quickly corrected this and a few other small issues, and the book is spectacular! I am hoping an illustrator’s agent in the U.S. will want to represent her. She was named “Illustrator of the Year” in 2016 by the Japan Illustrators’ Association.

*Spread from THE GIFTS OF ANIMALS by Carole Gerber, Illustrated by Yumi Shimokawara*

What’s up next for you?

My agent recently sold a manuscript very dear to my heart titled, How You Came to Be. It’s about a mother’s love for her unborn child and the sweet, funny month-by-month overview about how the child developed in her womb.

Anything else you’d like to share with aspiring authors and illustrators?

Publishing is a tough business run by very nice people. Don’t give up!

And last, but not least, favorite 80s movie?

ET. He is the cutest Extra Terrestrial ever!

Thanks for stopping by Critter Lit today Carole! We are so excited about your new book and look forward to the next! Congrats!

CAROLE GERBER has written 18 picture books, three chapter books, and more than one hundred elementary science and reading texts for major publishers. Her most picture recent book, A Band of Babies, was named a 2017 Best Book for Children by Amazon editors. She holds a BS in English education and an MA in journalism from Ohio State, and has taught middle school and high school English as well as college newswriting and factual writing at OSU. Learn more at www.carolegerber.com.

BOOK GIVEAWAY!

Want a chance to win a copy of THE GIFTS OF ANIMALS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 12th. US addresses only please.

Interview with Debut Author and Illustrator Mikela Prevost

May 30, 2019Authors + Illustrators, Interviews, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have a fabulous interview with debut author and illustrator Mikela Prevost whose book, LET’S HAVE A DOG PARTY! came out in March. I adore this book so much! It’s cute, funny, and oh so charming with a lot of heart— my favorite combination. Here’s a sneak peek for those of you who haven’t read Mikela’s wonderful debut yet…

Kate and Frank are best friends. To celebrate Frank's birthday, Kate throws him a party with all her favorite things: lots of friends, dancing in circles, loud singing, and sparkly confetti everywhere. But best friends don't always have the same taste in parties. Frank prefers quiet, sun-drenched naps on his favorite rug. So he hides. Kate must find a way to bring Frank back to the party--on his own terms.

I’m thrilled to have Mikela with us today, so without further ado…please welcome Mikela Prevost!

Where do you live?

In the Valley of the SUN! Phoenix, Arizona.

When did you know you wanted to write/illustrate picture books?

As a kid, I wasn't terribly good at reading but I always had the pictures in books to help guide me through the story in one way or the other. But by 2nd grade, I had started to grow in my reading abilities and at that point, the Harry Potter books of my day were Shel Silverstein's Where the Sidewalk Ends and The Light in the Attic. I devoured these books, for the brevity of the poems and the child-like pen and ink illustrations.

Silverstein's illustrations seemed so approachable, something that I could do. Drawing came much easier to me than reading, so seeing how a story could be encapsulated in such a brief poem along with an outlandish drawing was so attractive to me. The worlds he created through his poems always had me wondering what else happened beyond that last sentence.

As a writer and illustrator now, I want to try and give young readers that sense of "seen" as Shel Silverstein did for me.

Tell us about your road to publication, what did that involve for you?

Signing with a literary agent was the best way for my work to evolve. I attended SCBWI's Winter Conference in 2017 where Rebecca Sherman of Writer's House came across my work. She loved my illustration work and knew that my writing had potential. Over the course of several months, I was writing stories and sending sketches to Rebecca but she really wanted to start my career off on the right foot, so she pushed me to produce my best work. I'm so thankful she did, as I look back and see those earlier stories - I would not want them out in public! When the story idea for Let's Have a Dog Party! came, Rebecca made me feel like I had struck gold! We sent the text, dummy and two finished illustrations out, it went to auction and we found a great home for the story with Joanna Cardenas who (at the time) was the editor for Viking/Penguin.

Can you share a bit about your process?

Writing and illustrating is such a balancing act - having just enough of the best words while allowing the illustrations to do some heavy lifting. I try to write more than I need then weed out what is superfluous to the story.

What do you do to shake the rust off or get new ideas?

I "squeeze the sponge dry" on a topic until I've exhausted every possible story idea. I write out ideas until I reach the end of the page. 95% is garbage worthy, but I will stumble on a gem that makes me so excited, I won't sleep at night.

Anything you can’t live without while you write/draw?

While writing, I listen to a curated instrumental playlist that cues up my brain to stay focused on just that story. While illustrating I binge podcasts and watch/listen to old Mystery Science Theater 3000 episodes. And I keep the coffee flowin'.

Any authors and/or illustrators who inspire you?

My illustration friends Molly Idle, for her graceful, luscious line work and joyful colors and Juana Martinez-Neal, who captures the essence of children so innately. Also, her talent with patterns is second to none! An author I aspire to emulate is Jon Agee - his humor is so wry yet it translates to children in the perfect way. My Rhinoceros was my own personal masterclass in writing.

Dream project to work on?

Anything that results in a kid loving a book so much, it falls apart. That, to me, is the true mark of a successful book.

Tell us about your debut book.

With Let's Have a Dog Party! I was sitting in my office, wracking my brain for a good story idea, while my kids and a few neighbor kids were running back and forth by my door chasing our little dog Pepper. She's a good-natured dog that will tolerate anything, but I knew eventually the chaos would reach a crescendo and she would take off running. If I wasn't there to stop this fiasco, I imagined a party breaking out. That's where the idea came from - I liked the idea of the kid characters just deciding out of the blue that "today" was Frank's birthday and using whatever they had on hand to celebrate. Like my kids, I knew a point would come that the characters would realize the poor dog had hit his limit and need to de-escalate the situation.

What’s up next for you?

I can't say just yet - but I can say I'm excited!

And last, but not least, favorite 80s movie?

Ghostbusters! And it still is my favorite movie! I saw it in the theater with my Dad, so I'll always have the good memories to associate with the movie.

Huge thank you to Mikela for stopping by Critter Lit today! We can’t wait to see your debut book and all that you do!

MIKELA PREVOST is an author and illustrator currently residing in Phoenix, Arizona with her husband and their three kids. Born and raised in Southern California, she received her BFA from the University of Redlands, and an MFA in Illustration from California State University of Fullerton. Writing and illustrating for children has been her life-long pursuit and passion. Her work is driven by the desire to capture the whimsical innocence and unique perspective from which a child sees the world.

FOR MORE INFORMATION about Mikela visit her website or follow her on social media:

Instagram

Twitter

Facebook

TO ORDER Mikela’s books, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of LET’S HAVE A DOG PARTY?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, June 6th! US addresses only please.

Interview with Debut Author Aidan Cassie

October 11, 2018Debut Interviews, Authors + IllustratorsLindsay Ward5 Comments

Happy Thursday Critters! Today, I’m very excited to share with you the work of debut picture book author and illustrator Aidan Cassie! I received an F&G of Aidan’s debut book, STERLING, BEST DOG EVER, this past summer and immediately fell in love with little Sterling.

Sterling the dog has always wanted a home. But no home has ever wanted him. So when Sterling sees a sign on the side of the Butlery Cutlery Company advertising free "shipping to homes around the world," he is determined to become the most terrific fork ever! For what home doesn't need flatware?

Sterling is delivered on time and undamaged to the Gilbert family's front door. He is not, however, what they ordered. . . . But he may be exactly what they need. A humorous, heart-tugging picture book about finding a family, who wants you just as you are.

Sterling is quite lovable. Just look at the adorable cover below. Our family dog, Sally, was a rescue, so I immediately connected with Sterling’s hope of finding the perfect family and home. The illustrations are wonderful and the story is charming. I hope you enjoy Aidan’s new book as much as I do.

So without further ado, please welcome Aidan Cassie!

Where do you live?

I live on a west coast island, on the side of a small mountain, in Canada’s Salish Sea, just north of Seattle. It’s a quirky, rural pocket of co-op farmers, naturalists and artsy-folk, but most people here are urban-transplants, like myself. I love island life - our daughter takes a ferry to school while my husband and I work from our home studios (to the great delight of our big red dog, Sooka).

When did you know you wanted to make picture books?

While I was working on my degree in animation I started telling stories visually and fell in love with the process. After creating my wordless animated film, I thought I’d naturally write wordless picture books. Instead I discovered my voice, and the wonderful space between the text and illustrations. I’m fascinated by the way readers/listeners/viewers construct what is happening with what is on the page, as well by the unsaid words and implied images.

Can you share a bit about your process?

Assuming I’ve settled on a promising story idea nugget, I start by sketching characters to help me visualize the story. Then there’s the “walking and talking in the woods phase” as I envision it playing out like a little movie that I tell myself aloud… rewind, revise, and tell again. Sooka just chases sticks and is very non-judgmental.

At the point my tale feels relatively solid I often enjoy a burst of drawing and writing. I pare things down to the important visual “shots” and make a series of thumbnail drawings, the same way I’d storyboard for animation. Later I might redraw with a bit more detail onto recipe cards, so I can reorder, add to, and edit the elements. I constantly flip between modifying drawings and editing words. Often the words are last to come.

When I’m happy with the final flow I scan my sketches and create a digital dummy that has all the text in place for my crit group to read and edit. Later, many revisions later, if my agent likes it, I’ll make some final art samples for prospective publishers. I go back to the tiny 1’ drawings again, this time digitally. I experiment with the color narrative, palette and tonal balance for the whole book laid out on one page. I do each tiny spread’s colour very roughly so as to have a guide when doing final art. I use a Cintiq to create final art, usually with digital water color layers and textures that sit beneath my drawings.

What do you do to shake the rust off or get new ideas?

Of course ideas must be caught and gathered as they show up. Sometimes they come from mining strong childhood feelings of my own, but most often they come from the outside; like overheard conversations, observing something strange, a great line in a song, bizarre news stories or by mashing together unlikely things, like dachshunds and forks. And sometimes I just need to put myself somewhere new; we just came back from taking a year to live in Provence; every day in France was brimming with “new”!

Art supplies you can't live without?

It’s a short list; my 2B pencils, and a good eraser.

Maybe some run-of-the-mill photocopy paper too. All my creations are born of a pencil line on cheap photocopy paper. It allows me feel free to let loose and make oodles of useless doodles. And useless is important. For me, being too precious or careful cramps my creativity and exploration. I like the erasable nature of pencils, so when it comes to watercolor painting (not a forgiving medium), I find I take more risks when I work digitally, because I know there is an “undo”.

Favorite illustrators?

Oh, yes, I love sharing my art crushes!! Birgitta Sif, Isabelle Arsenault, Emily Gravett, Kady MacDonald Denton and, and, and… Chris Riddell, Carter Goodrich, Pierre Pratt and Shaun Tan!

Dream project or book to work on?

I’m feeling pretty lucky that I’m working on a bunch of my own books right now, so things are pretty dreamy as it is. One day I’d love to work collaboratively with a funny author (like Emily Jenkins or Aaron Reynolds), preferably on a ridiculous story jam-cram-packed with dogs - you know, if we’re talking DREAM project.

Tell us about your debut book.

My debut book was inspired by a childhood dog I had, an odd little dachshund. Sterling, Best Dog Ever is about a dog who’s had a hard time finding a home, so he lives in a damp box. When he discovers a fork factory that ships to good homes he thinks he’s found his ticket to happiness. When it occurs to him that the new family, surprised by the little stow-away, may not need a fork, Sterling decides he could be anything if they would just keep him. He’s an expert at adapting, but it takes him a while to understand what this loving family really wants.

What’s up next for you?

I’ve just finished up the final cover art for my second book, Little Juniper Makes It Big, about a wee raccoon who feels too small for everything, and that will come out in 2019. While waiting for edits and feedback on that book I’ve been working on my third book (still at the untitled dummy-book stage) that will come out the following year, both with FSG Macmillan.

And last, but not least, favorite 80s movie?

Wow, “80s movie” feels like a genre in itself – like I need an answer that features the Neutron Dance. But I have to go with animation! As a 9 year old I was completely spell bound by the The Secret of Nimh in 1982.

Aidan Cassie studied animation and earned a media arts degree at the Emily Carr University of Art and Design as well as Edinburgh College of Art. Sterling, Best Dog Ever is her first picture book.

FOR MORE INFORMATION about Aidan and her book, visit her website at www.aidancassie.com.

TO ORDER a copy of STERLING, BEST DOG EVER, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of STERLING, BEST DOG EVER?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 18th! US and Canadian addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post.

H E L L O C R I T T E R S !

My name is Lindsay Ward. I'm a children's book author + illustrator, wife to author Frank Tupta, mama to three wild boys, and an 80s baby who loves to bake. Most days you can find me writing and drawing in my studio at home in Peninsula, Ohio.

Welcome to Critter Lit! A place where you can receive real advice from practicing authors, illustrators, and author/illustrators like me.

Tune-in to Critter Lit's Curated Content every Thursday for interviews and information about writing and illustrating picture books.

Like what you see? Subscribe below:

Critter Lit is always looking for debut and veteran authors, illustrators, and author/illustrators to interview. We want to share your work!

To schedule an interview, please click on the button below:

Reach out

lindsaymward

RT @SuperJaneArtist: So excited 2 B chatting up my #hilarious new #funnybunny #picturebook, NAKED BUTT BUSTS OUT w/ @lindsaymward on the… https://t.co/mzVTSPK9Kg
Mar 31, 2023, 9:50 PM

New to CRITTER LIT? Check out the critiques we offer below:

Featured

Picture Book Manuscript Critique

$125.00

Manuscript Critiques include comments on the following:

strengths of the manuscript
areas for improvement
character development
plot + structure
word choice
voice
marketability in the current children’s picture book market
Manuscript Critiques are returned within 2 weeks.

Dummy Critique

$300.00

For author/illustrators looking for insightful feedback regarding their picture book dummy. Dummy Critiques include notes on the following:

a general review of both text and art
line comments
composition
pacing of the dummy as a whole.
All Dummy Critiques are returned within 2 weeks.

Picture Book Manuscript Critique THREE ROUNDS

$500.00

For the writer who would like to delve in a bit more to the revision process.

Includes (1) 30 minute video chat critique session, plus two rounds of revisions with feedback provided after each revision via email.

Manuscript Critiques include comments on the following:

strengths of the manuscript
areas for improvement
character development
plot + structure
word choice
voice
marketability in the current children’s picture book market
Manuscript Critiques are returned within 2 weeks.

Interview with Zoe Tilley Poster

Interview with Author + Illustrator Jane Smith Part 2

Interview with Debut Author Ratha Tep

DOUBLE Interview with Best Friends and Author/Illustrators Molly Idle and Juana Martinez-Neal!

Interview with Debut Author and Illustrator Becky Gehrisch

Interview with Author + Illustrator Amalia Hoffman

Interview with Author and Illustrator Carolina Farías

Interview with Author + Illustrator David Catrow

Interview with Debut Author and Illustrator Emma Reynolds

Interview with Debut Illustrator Erica De Chavez

Interview with Author/Illustrator Sandra Salsbury Part 2

Interview with Author and Illustrator Ginnie Hsu

Interview with Author Gianna Ruggiero

Interview with Debut Author and Illustrator Julie Rowan-Zoch

Interview with Debut Author and Illustrator Sarah Kurpiel

Interview with Debut Author Kelly Carey and Illustrator Qing Zhuang

Interview with Debut Author and Illustrator Rob Justus

Interview with Author Carole Gerber

Interview with Debut Author and Illustrator Mikela Prevost

Interview with Debut Author Aidan Cassie

Powered by Squarespace