Happy Thursday Critters! Today, I’m very excited to share with you the work of debut picture book author and illustrator Aidan Cassie! I received an F&G of Aidan’s debut book, STERLING, BEST DOG EVER, this past summer and immediately fell in love with little Sterling.
Sterling the dog has always wanted a home. But no home has ever wanted him. So when Sterling sees a sign on the side of the Butlery Cutlery Company advertising free "shipping to homes around the world," he is determined to become the most terrific fork ever! For what home doesn't need flatware?
Sterling is delivered on time and undamaged to the Gilbert family's front door. He is not, however, what they ordered. . . . But he may be exactly what they need. A humorous, heart-tugging picture book about finding a family, who wants you just as you are.
Sterling is quite lovable. Just look at the adorable cover below. Our family dog, Sally, was a rescue, so I immediately connected with Sterling’s hope of finding the perfect family and home. The illustrations are wonderful and the story is charming. I hope you enjoy Aidan’s new book as much as I do.
So without further ado, please welcome Aidan Cassie!
Where do you live?
I live on a west coast island, on the side of a small mountain, in Canada’s Salish Sea, just north of Seattle. It’s a quirky, rural pocket of co-op farmers, naturalists and artsy-folk, but most people here are urban-transplants, like myself. I love island life - our daughter takes a ferry to school while my husband and I work from our home studios (to the great delight of our big red dog, Sooka).
When did you know you wanted to make picture books?
While I was working on my degree in animation I started telling stories visually and fell in love with the process. After creating my wordless animated film, I thought I’d naturally write wordless picture books. Instead I discovered my voice, and the wonderful space between the text and illustrations. I’m fascinated by the way readers/listeners/viewers construct what is happening with what is on the page, as well by the unsaid words and implied images.
Can you share a bit about your process?
Assuming I’ve settled on a promising story idea nugget, I start by sketching characters to help me visualize the story. Then there’s the “walking and talking in the woods phase” as I envision it playing out like a little movie that I tell myself aloud… rewind, revise, and tell again. Sooka just chases sticks and is very non-judgmental.
At the point my tale feels relatively solid I often enjoy a burst of drawing and writing. I pare things down to the important visual “shots” and make a series of thumbnail drawings, the same way I’d storyboard for animation. Later I might redraw with a bit more detail onto recipe cards, so I can reorder, add to, and edit the elements. I constantly flip between modifying drawings and editing words. Often the words are last to come.
When I’m happy with the final flow I scan my sketches and create a digital dummy that has all the text in place for my crit group to read and edit. Later, many revisions later, if my agent likes it, I’ll make some final art samples for prospective publishers. I go back to the tiny 1’ drawings again, this time digitally. I experiment with the color narrative, palette and tonal balance for the whole book laid out on one page. I do each tiny spread’s colour very roughly so as to have a guide when doing final art. I use a Cintiq to create final art, usually with digital water color layers and textures that sit beneath my drawings.
What do you do to shake the rust off or get new ideas?
Of course ideas must be caught and gathered as they show up. Sometimes they come from mining strong childhood feelings of my own, but most often they come from the outside; like overheard conversations, observing something strange, a great line in a song, bizarre news stories or by mashing together unlikely things, like dachshunds and forks. And sometimes I just need to put myself somewhere new; we just came back from taking a year to live in Provence; every day in France was brimming with “new”!
Art supplies you can't live without?
It’s a short list; my 2B pencils, and a good eraser.
Maybe some run-of-the-mill photocopy paper too. All my creations are born of a pencil line on cheap photocopy paper. It allows me feel free to let loose and make oodles of useless doodles. And useless is important. For me, being too precious or careful cramps my creativity and exploration. I like the erasable nature of pencils, so when it comes to watercolor painting (not a forgiving medium), I find I take more risks when I work digitally, because I know there is an “undo”.
Oh, yes, I love sharing my art crushes!! Birgitta Sif, Isabelle Arsenault, Emily Gravett, Kady MacDonald Denton and, and, and… Chris Riddell, Carter Goodrich, Pierre Pratt and Shaun Tan!
Dream project or book to work on?
I’m feeling pretty lucky that I’m working on a bunch of my own books right now, so things are pretty dreamy as it is. One day I’d love to work collaboratively with a funny author (like Emily Jenkins or Aaron Reynolds), preferably on a ridiculous story jam-cram-packed with dogs - you know, if we’re talking DREAM project.
Tell us about your debut book.
My debut book was inspired by a childhood dog I had, an odd little dachshund. Sterling, Best Dog Ever is about a dog who’s had a hard time finding a home, so he lives in a damp box. When he discovers a fork factory that ships to good homes he thinks he’s found his ticket to happiness. When it occurs to him that the new family, surprised by the little stow-away, may not need a fork, Sterling decides he could be anything if they would just keep him. He’s an expert at adapting, but it takes him a while to understand what this loving family really wants.
What’s up next for you?
I’ve just finished up the final cover art for my second book, Little Juniper Makes It Big, about a wee raccoon who feels too small for everything, and that will come out in 2019. While waiting for edits and feedback on that book I’ve been working on my third book (still at the untitled dummy-book stage) that will come out the following year, both with FSG Macmillan.
And last, but not least, favorite 80s movie?
Wow, “80s movie” feels like a genre in itself – like I need an answer that features the Neutron Dance. But I have to go with animation! As a 9 year old I was completely spell bound by the The Secret of Nimh in 1982.
Aidan Cassie studied animation and earned a media arts degree at the Emily Carr University of Art and Design as well as Edinburgh College of Art. Sterling, Best Dog Ever is her first picture book.
FOR MORE INFORMATION about Aidan and her book, visit her website at www.aidancassie.com.
TO ORDER a copy of STERLING, BEST DOG EVER, ring up your local bookstore, or click here.
Want a chance to win a SIGNED copy of STERLING, BEST DOG EVER?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 18th! US and Canadian addresses only please.
What's up on deck? Tune in next week for a Critter Lit Craft Post.