Critter Lit

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Interview with Debut Author/Illustrator Lindsay Moore

Authors + Illustrators, Debut Interviews, Illustrators, AuthorsLindsay Ward3 Comments

Happy Thursday Critters! Can you believe it’s already the end of the year?! This year has flown by. We have just a couple interviews left in 2018 before we make the leap into the new year. One of the wonderful experiences I had this year was traveling to Bowling Green State University here in Ohio to speak with teaching students about writing and illustrating books. During my visit I had the opportunity to meet our guest on Critter Lit today, Lindsay Moore.

It’s rare in this business to get face time, so anytime I can connect with a fellow author or illustrator in person, it’s always lovely. And Lindsay is no exception. Her debut picture book, SEA BEAR: A JOURNEY FOR SURVIVAL will be released January 22, 2019 and has received a starred review from both Kirkus and School and Library Journal, with many other rave reviews. A lovely and lyrical text set against stunning watercolors and delicate line work, you won’t want to miss this book. I’m thrilled to be sharing her story and work with you today!

So without further ado, please welcome Lindsay Moore!

Just a couple of Lindsays hanging out.

Just a couple of Lindsays hanging out.

Where do you live?

I live in Bowling Green, Ohio. It is a small town south of Toledo, surrounded by corn, with a state university and railroad tracks running through it. I am new to town, but my family and I like it here.

When did you know you wanted to write/illustrate picture books?

This question has 2 answers. When I was in third grade my teacher, Mrs. McDonald pulled me aside and told me that I was good at writing and I could grow up to be a writer someday. It was the first time I thought of authors as actual people and I believed her. 

And then...

Around the age of 13 I was reading lots of books by Madeline L'Engle. She had become my favorite author and I came across a her biography at our school library. I read about the challenge she had finding a home for A Wrinkle in Time and the amount of rejection she had to push through in order to publish it. I came to the conclusion that if Madeline L'Engle had that much trouble, then there was no hope for me. Madeline L'Engle was special and I was completely aware of how absolutely ordinary and un-special I was. So, I put any real dreams of being published aside, but continued to enjoy writing for school and for whoever would read it.

It wasn't until I was five or so years out of grad school, living in Ann Arbor, when I went to a Caldecott panel with Brian Floca, Chris Raschka, Erin Stead and Phil Stead, that I really thought seriously again about publishing. I scribbled this quote into my notebook from Erin Stead about working on books:

"Constant state of anxiety with deep shades of regret."

It spoke to me because that summed up a good deal of my experience in the creative process. I didn't know you could be apprehensive and make books.

I read two really good books after that panel at the Kerrytown Bookfest: Writing With Pictures by Uri Shulevitz and Dear Genius: The Letters of Ursula Nordstrom by Leonard Marcus. They kind of confirmed that...I'm struggling on how to say this...making picture books made sense to me in a way that fine art didn't. I needed a story. I wanted there to be words. It was the way my brain/heart/hands worked. I felt like I found the perfect form of art.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Tell us about your road to publication, what did that involve for you?

It will have been about 4 years from the time I seriously decided to write to SEA BEAR coming out in January 2019. I think it is important to say that it wasn't clear from the get go that I would ever be published. I didn't believe in myself or even tell many people that I was writing.  

Ann Arbor is a great place for writers though. That is where I started. They have this wonderful program through the Ann Arbor District Library called The Emerging Writers Workshop. They meet twice a month and I met a few aspiring children book writers there. We formed a critique group and met every two weeks to work on our manuscripts. I owe all three of them so much because they patiently and attentively listened to draft after draft of the same story.

SEA BEAR was my first manuscript and I worked on it for about a year, but I was told that maybe it was a bit too serious for children. I put it aside to write manuscripts that were more "fun".  I wrote this really quirky one about a traveling lobster, but everyone my agent submitted it to said it was too off beat for them to follow. Probably the hardest critique I got was unsolicited from another agent that said my artwork looked dated. Her opinion came out of nowhere and it kind of stopped me in my tracks. Like, maybe I should just give up. I was looking up jobs online, thinking maybe I should find a job in the field of medical illustration. That is in fact what my degree is in.  

Around the same time I (somewhat reluctantly) shared my work with another author, Phil Stead.  He encouraged me to submit SEA BEAR and challenged me to experiment with new mediums in my illustrations. So, I finally got a dummy together, but my agent still had to call me for a pep talk because I was so deep in self doubt that I needed someone else to say it's time to submit. I went into the submission of SEA BEAR telling my husband to get ready for a suite of rejection and that it would probably lead to me crying in the shower like Tobias Fünke. Thankfully, that didn't happen. SEA BEAR found the perfect home at Greenwillow Books.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Can you share a bit about your process?

Sure! So, I'm really slow at the beginning. I research a lot. Even though SEA BEAR is fiction, it is based-off radio collar data that tracked the long swims polar bears make in the Arctic. I read a lot of journal articles and books. The library was an indispensable resource. Honestly, I get a little giddy when I find out that I have interlibrary loan holds ready for pick up. Then I read and think.  Like...I sit in silence and stare at walls and ceilings and light fixtures and focus.

My favorite part is storyboarding. I feel like if there was a job, just making story boards, I would be the happiest person.  

My illustrations are done with watercolor and two different kinds of drawing ink. The inks have slightly different properties and so they interact differently with the watercolor. I also use conte crayon and colored pencil.  My goal with SEA BEAR was to say, "I think the Arctic is a wonderful, mysterious, large, beautiful space, worthy of our awe and conservation." 

What do you do to shake the rust off or get new ideas?

Walking in the woods clears my mind. I also just try to keep my eyes and ears open to the world, because it's really full of small stories that are just waiting to be noticed. That all being said, I am currently suffering from a bit of writer's block. So….

Anything you can’t live without while you write/draw?

I really like silence and time. Also, I like to read the Psalms. 

Any authors and/or illustrators who inspire you?

Absolutely. There are so, so many. So many, Lindsay.

I'm going to name two, because otherwise there would be too many and I wouldn't want to leave anyone out.

1. Lynne Rae Perkins - When I read her books, I can feel my heart. She draws out very real childhood feelings and places them honestly on the page and its like she just explained to me something that I had been confused about since I was a kid. I really love The Broken Cat and the artwork in Snow Music makes me pause every time I read it.

2. Erin Stead-  Erin is just brilliant. The illustrations in The Purloining of Prince Oleomargarine made me weep because she handles her figures (both animal and human) with such care that you can feel their sorrow.  

Dream project to work on?

That is a good question. It would probably have to do with the water, but I'm really not sure.

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Interior spread from SEA BEAR: A JOURNEY FOR SURVIVAL

Tell us about your debut book.

SEA BEAR is a 48 page picture book about a long distance swim a polar bear makes from the pack ice to dry land. It's based on field research in the arctic. It focuses on the relationship between polar bears and their sea ice habitat.  

What’s up next for you?

I'm working on a second book with Greenwillow. It's in really early stages though...research phase, so I won't say too much, other than I need to go for a walk in the woods.

And last, but not least, favorite 80s movie?

Oh, I'm not much of a movie person, but "When Cameron was in Egypt's land......"


Thank you so much for stopping by Critter Lit today Lindsay! We are so excited to see SEA BEAR out in the world!


Lindsay Moore is an artist and writer with roots in Northern Michigan. She studied Marine Biology and Fine Art at Southampton College on Long Island and figure drawing at the Art Students League in New York City. Lindsay earned her Master of Science in Medical and Scientific Illustration from Medical College of Georgia (now Georgia Regents University) and has received recognition for her work from both the Association of Medical Illustrators and the Australian Institute of Medical and Biological Illustration. After 5 years spent primarily in Queensland and Ontario, then some time Ann Arbor, Lindsay now lives Bowling Green, Ohio with her family.

FOR MORE INFORMATION about Lindsay and her work visit her website: www.lindsaykmoore.com or follow her on Twitter @YesPlankton.

TO ORDER Lindsay’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of SEA BEAR: A JOURNEY OF SURVIVAL?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 27th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with debut author Monique Fields!


Interview with Author/Illustrator Corinna Luyken

Vet Interviews, Interviews, Illustrators, Authors + Illustrators, AuthorsLindsay Ward3 Comments

Happy Thursday Critters! Today CORINNA LUYKEN is here! I’m such a huge fan of Corinna’s work, as I know all of you will be too. Her first book, THE BOOK OF MISTAKES, was my favorite book of 2017. Corinna’s books are incredibly beautiful and insightful, and I can’t wait for all of you to see MY HEART, her newest picture book that will be released on January 8th. It is simply exquisite.

So without further ado, please welcome Corinna Luyken!

Author photo_Corinna Luyken.jpg

Where do you live?

In Olympia, WA, at the base of the Puget Sound.

How many years have you been in publishing?

My first book, THE BOOK OF MISTAKES, came out in 2017.

How many books have you published?

MY HEART is my third book as illustrator, second as author/illustrator.

Do you write/illustrate full-time?

I do!  It’s been an eighteen year dream of making picture books, and I feel incredibly grateful to be doing this full time.

Interior spread from MY HEART

Interior spread from MY HEART

What inspires you to create picture books?

I’m in love with the form of the picture book, the way that words and images can work together to make something bigger than either one alone. Although I love to draw, and I love to write, it’s the magic that happens when they come together that thrills me.

What surprised you the most working as an author/illustrator?

After having a debut book that was well received, it really surprised me (in retrospect, maybe I shouldn’t have been so surprised) how difficult the second book became. Because suddenly I started to worry about what other people would think, and if the second book would measure up to the first one. I stressed myself out about all of this a lot more than I thought I would. Doubt and self judgement can be useful tools as an illustrator, but they can also paralyze you if you don’t keep them in perspective. I re-started a morning meditation practice in the midst of my second book, which helped a lot. Sometimes it’s good to remember that we are tiny specks on a spinning planet in a vast universe. Which helps me to create from a place of love, instead of fear.

What is your favorite thing about being an author/illustrator?

Finding out that a book I’ve made has touched someone else’s heart.

What do you find difficult working as an author/illustrator?

Balancing my devotion to my work and the amount of time it takes to make beautiful books with being a mom can be very difficult. But being a mom has also opened up my heart in a very big way. It’s a balancing act, but worth it.

What do you do to shake the rust off or get new ideas?

Going for walks is great. Being near the ocean or any water also helps me to quiet my mind, which makes me more receptive to new ideas. Slowing down, in general, is a good thing. When I’m rushing around too much, it’s hard for me to make room for anything new. 

Anything you are habitual about when it comes to creativity?

I try to start every day with quiet meditation time. Whether things are going really well, or I’m struggling with something… either way it helps to keep it all in perspective. A hot cup of tea or coffee is also necessary!

Interior spread from MY HEART

Interior spread from MY HEART

Can you share a positive experience you’ve had in the kid lit community?

I’ve found this community to be full of many kind, generous people. Some of the most meaningful experiences have been small kindnesses early on in my career from people who were further along in the journey. Marla Frazee showed some interest in a dummy that I brought along to my first national SCBWI conference, and even went on to share it with an editor. The editor didn’t end up acquiring the story, but the fact that both of them saw potential in the project meant so much at the time. And then, a few years later (after many revisions) that dummy went on to win the SCBWI Don Freeman Work In Progress grant. And now, almost five years (and many more revisions) later, it is going to be my next book, MY HEART.

What is your favorite picture book?

I have SO many favorites!  I can’t choose just one…  but THE VERY PERSISTENT GAPPERS OF FRIP by Lane Smith and George Saunders is the book that made me want to make books.  

I also adore WHEN GREEN BECOMES TOMATOES by Julie Fogliano and Julie Morstad, EXTRA YARN by Mac Barnett and Jon Klassen, EMILY’S BALLOON by Komako Sakai, WAVE by Suzy Lee, MIGRANT by Isabelle Arsenault and Maxine Trottier, SCHOOL’S FIRST DAY OF SCHOOL by Adam Rex and Christian Robinson, DU IZ TAK by Carson Ellis, ALL THE WORLD by Marla Frazee and Liz Garton Scanlon, NOTHING by Jon Agee, THE IRIDESCENCE OF BIRDS by Hadley Hooper and Patricia MacLachlan …. and many many more.

What has been the highlight of your career thus far?

There have been so many highlights! Watching my daughter hug our first copy of THE BOOK OF MISTAKES tightly to her chest (the book was inspired by and is dedicated to her), getting my first packet of thank you art from a classroom full of kids in the mail, receiving a note that I had won the Leo Award for my first book (Leo is a young boy who has created his own award for his favorite book of the year!), and also hearing from Lane Smith, who illustrated the book that made me want to make books (see above) that he loved THE BOOK OF MISTAKES.

What is something you wish someone had told you when you first started writing/illustrating?

Persistence is more important than talent. Persistence, and truly loving the work.

Interior spread from MY HEART

Interior spread from MY HEART

Tell us about your newest book?

MY HEART is coming out January 8th. It's a celebration of the heart (in all its varied emotions), as well as an ode to love, and to keeping your heart open. 

What’s up next for you?

I’m just finishing up illustrations for WEIRD LITTLE ROBOTS, which is a middle grade written by Carolyn Crimi and coming out from Candlewick in fall 2019.  

I’ve got a few other exciting things lined up, but I can’t talk about most of them yet! But I will be making another book as author/illustrator with Dial that has a lot of arguing in it. And the next picture book I’m working on is called NOTHING IN COMMON by Kate Hoefler. It is about an old man, a hot-air-balloon-flying dog, and two kids who appear to have nothing in common, but perhaps do where it counts most.  

Anything else you’d like to share with aspiring authors and illustrators?

I think it’s really important to read as widely as possible. To fall in love with an enormous variety of work. Not just the work that is similar to what you want to make. The more books you love, the wider the pool of words and images that will filter through you and into your work. If you only love a few artists or writers, often, without even meaning to, the work you make will end up being overly influenced by them. And the world doesn’t need another Carson Ellis or Isabelle Arsenault or Jon Klassen. The world needs YOU and your voice. For me, the best way to create a unique style is to open your heart very wide and study the vast web of work that came before you. The more that you can find to love, the more varied your influences will be and the more you will, without even trying, develop a unique voice and style.

And last, but not least, favorite 80s movie?

Labyrinth!


Huge thank you to Corinna Luyken for stopping by Critter Lit today! We are so excited to see all of your upcoming books!


Corinna Luyken grew up in different cities along the West Coast, and after studying at Middlebury College, she settled in Washington State, where she draws inspiration from nature, her family, and the human form.

FOR MORE INFORMATION about Corinna and her work visit her website: www.corinnaluyken.com or follow her on Twitter or Instagram @CorinnaLuyken.

TO ORDER Corinna’s wonderful books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of MY HEART?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 20th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with author/illustrator Lindsay Moore!


Interview with Debut Author Hannah Holt

Debut Interviews, Authors, InterviewsLindsay Ward14 Comments

Happy Thursday Critters! This week we have an interview with debut author Hannah Holt! I’m so excited to be featuring a non-fiction picture book biography this week with Hannah’s debut book, THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS & THE LIFE OF H. TRACY HALL, illustrated by Jay Fleck. This is such an inventive picture book, told in two narratives, about Hannah’s grandfather, H. Tracy Hall, and the fascinating process of how diamonds are created.

So without further ado, please welcome Hannah Holt!

HannahHolt_small.jpg

Where do you live?

I live in Oregon with my husband, four children, and a pet cat.

When did you know you wanted to write picture books?

One Christmas during graduate school, my husband and I didn't have money for presents, so I created handmade comic books. While I worked I wondered: what if I gave myself year to write a children's book?

After a year, I realized I would need more time and gave myself a decade to pursue publishing a children's bookSeven years into that decade, I sold my first picture book, The Diamond & The Boy, to Balzer+Bray.

Tell us about your road to publication, what did that involve for you?

I began writing ten years ago. During my first year, I received only form rejections and non-replies. By my second year, I had started receiving personal rejections and requests for more work. 

Then my twins were born. With four children ages five and under, I took a year break from writing, so I could attempt sleep every now and then.

After a year away, the writing itch returned stronger than ever, and I joined Julie Hedlund's 12x12 challenge. Two years after my writing reset, I signed with agent Danielle Smith. That didn't work out, so we parted ways.

After another year of querying, I signed with my second agent, Laura Biagi. Oh my heavens, it was such a difference working with a real advocate for my work! We sold two books together. Then she left agenting to pursue her own writing.

Publishing is full of twist and turns, but I try to focus on things I can control, like improving my craft.

Can you share a bit about your process?

I'm the type of writer that needs to revise many times before I have a submission ready piece. I wrote more than eighty drafts of The Diamond & the Boy before it sold. Similarly I wrote more than forty drafts of A Father's Love before it sold. Some authors might find perfection after five or so drafts. It just doesn't work that way for me.

What do you do to shake the rust off or get new ideas?

I've never had a problem with ideas (knock on wood!). Ideas always seem to come in spades. It's the execution of those ideas that plagues me. It's not unusual for me to try a story from several different points of view or to write drafts in both verse and prose. I keep trying until I find a direction that resonates.

Anything you can’t live without while you write?

Snacks! When I get stuck, I take a snack break. Snacks make everything better.

Any authors and/or illustrators who inspire you?

There are so many legends I look up to, but here are two authors that might be new to your readers:

Jessie Oliveros has a beautiful picture book about sharing memories called The Remember Balloons. Dana Wulfekotte's limited palette illustrations are a perfect match for the text. I read a lot of picture books, and this one is something special.

Tina Cho recently released a picture book about a girl in South Korea trying to help her neighbors to the north called Rice From Heaven. The language is lyrical and moving.

Dream project to work on?

This isn't necessarily a dream project, but I hope to publish a middle grade novel one day. I've written two so far, but they were both so terrible I never sent them out. I would like to write a middle grade novel someday that doesn't stink.

Tell us about your debut book.

The Diamond & the Boy is a biography of my grandfather, inventor H. Tracy Hall. However, it's also the story of how graphite transforms into a diamond. This dual narrative story covers the two stories side-by-side. From the jacket flap:

"Before a diamond is a gem, it’s a common gray rock called graphite. Through an intense trial of heat and pressure, it changes into one of the most valuable stones in the world.

Before Tracy Hall was an inventor, he was a boy—born into poverty, bullied by peers, forced to work at an early age. However, through education and experimentation, he became one of the brightest innovators of the twentieth century, eventually building a revolutionary machine that makes diamonds.

From debut author Hannah Holt—the granddaughter of Tracy Hall—and illustrator Jay Fleck comes this fascinating in-depth portrait of both rock and man."

What’s up next for you?

My second book, A FATHER’S LOVE, comes out in 2019 just in time for Father’s Day. It’s a lyrical non-fiction picture book that celebrates different types of animal father’s from all around the world.

And last, but not least, favorite 80s movie?

Better Off Dead


Huge thank you to Hannah Holt for stopping by Critter Lit to chat today! We can’t wait to see all of your upcoming books!


Hannah Holt is a children’s author with an engineering degree. Her books, The Diamond & The Boy (2018, Balzer+Bray) and A Father’s Love (2019, Philomel) weave together her love of language and science. She lives in Oregon with her husband, four children, and a very patient cat named Zephyr. She and her family enjoy reading, hiking, and eating chocolate chip cookies.

FOR MORE INFORMATION about Hannah and her work visit her website: www.hannahholt.com or follow her on Twitter @HannahWHolt

TO ORDER a copy of Hannah’s wonderful books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS & THE LIFE OF H. TRACY HALL?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 13th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with author/illustrator Corinna Luyken!

Interview with Author Tricia Springstubb

Authors, Interviews, Vet InterviewsLindsay WardComment

Happy Thursday Critters! I’m so excited for today’s interview because it’s with none other than the fabulously talented Tricia Springstubb, who also happens to be a friend of mine and fellow local author here in the Cleveland area. Tricia writes early chapter books, middle grade, and picture books—she’s a triple threat! Many of you may know her from her latest series, the CODY books, which are wonderful! Here at my house, we are big fans of PHOEBE AND THE DIGGER. Her writing is lovely, insightful, and powerful. I’m honored to share her work with you today and give you all a sneak peek at her process.

So without further ado, please welcome Tricia Springstubb!

kentucky.jpg

Where do you live?

I live in Cleveland Heights with my husband, my garden and Billy the cat. We have three grown daughters and here’s how lucky we are--our two grandbabies live a bicycle ride away. 

How many years have you been in publishing?

I’ve been publishing since prehistoric times.  

Do you write full-time?

Yes--I told you I’m lucky! 

What inspires you to create books for children?

Children are the world’s most passionate readers—no one believes in and cares about story more deeply than they do. The world is still so new for them, and their hearts are wide open. I feel privileged to write for them. 

What surprised you the most working as an author?

That children treat you like a rock star!

What is your favorite thing about being an author?

I still get the craziest thrill when I find one of my books on a library or bookstore shelf. 

Also, I love working with illustrators. I’ve been so lucky (lucky!) to have many talented, visionary artists do the covers and spot art for my novels. The illustrators for my picture books and chapter books make the whole much greater than the sum of its parts. I’m always so excited getting those first sketches. You feel you know your story inside out, and then you see it through the artist’s eyes and it takes on a whole new, rich dimension.  

What do you find difficult working as an author?

When I’ve lost my way and know that I need to go back in for a major revision or possibly even start over from scratch. There’s a certain relief in scrapping something you know isn’t working, but it’s also hard to let go of all those weeks and months of writing.  

Anything you are habitual about when it comes to creativity?

I always write in the morning, when I’m closest to my dreams and before the world has a chance to make me cranky. After I finish, I go for a long walk or, in summer, a swim. Almost always I get another idea or two, or untangle some knot in the plot-- I make sure to carry pen and notebook in my pocket or swim bag! 

 Can you share a positive experience you’ve had in the kid lit community?

Kid lit has always been a warm and generous community, and it’s getting even better. Social media has allowed us to come together over so many wonderful causes. Just in the last few months, I’ve been part of #kidsneedbooks, where we donate books to teachers who need them for classroom libraries, and #kidsneedmentors, where we’re partnering with teachers and students to encourage writing and creativity of all kinds.  

What is your favorite picture book?

Yesterday I’d have said Sylvester and the Magic Pebble by William Steig. Today I’ll say Madeline by Ludwig Bemelmans. Tomorrow I might say Big Red Barn by Margaret Wise Brown. Can you tell I’m re-visiting the classics with my grandbabies? I couldn’t even begin to choose among contemporary picture books—one after another, they are breaking new ground in text and art. Breath-taking!  

What is something you wish someone had told you when you first started writing?

What a slow, slow writer I am, and how there seems to be no help for it. I try to tell myself that I’m creating something that never existed before, something I hope will last for a long time—but I still wish I didn’t have to go through a zillion drafts every time!!! (Maybe it’s better that I didn’t know all this when I first started.) 

Tell us about your most recent book?

This past spring, the fourth and last book in my Cody series published. Cody and the Heart of a Champion rounds out a year in the life of Cody, her family, her neighbors and friends. The books are inspired by my own diverse, lively, Cleveland neighborhood. They’re about the things that loom big in kids’ lives: whether the teacher likes you; how to do the right thing even when it’s really hard; not being good at soccer. Every few pages there’s an illustration by the genius Eliza Wheeler, who gives the characters and settings the perfect comic and sweet (but never too sweet) touch. 

What’s up next for you?

I’m revising a new middle grade novel of which I must not yet speak, and looking forward to my new picture book, Khalil and Mr. Hagerty. Candlewick will publish it in 2020. It’s inspired both by my late grandfather and by an Iraqi refugee family with whom my family has become close friends. The illustrator is Elaheh Taherian and you really, really want to look up her work right now at elahehtaherian.com

And last, but not least, favorite 80s movie?

In the 80s we were raising our three kids and I swear we didn’t go to the movies more than twice the whole decade. I remember loving Tootsie but I’m not sure if that’s because it was good or I was so happy to get out of the house. I pretend to have seen The Goonies even though (ssh) I really haven’t.


Huge thank you to Tricia Springstubb for stopping by Critter Lit to chat today! We can’t wait to see all of your upcoming books!


Tricia has been publishing picture books, chapter books and middle grade novels for over thirty years. Her work has received many starred reviews and appeared on numerous Best of the Year lists. Her books have won the Parents Choice Silver Award and the Ohioana Award for Children’s Literature, been nominated for state reading awards, and been chosen by the Junior Library Guild. She is a frequent speaker at schools, libraries and conferences.

FOR MORE INFORMATION about Tricia and her work visit her website: triciaspringstubb.com or follow her on Twitter @springstubb.

TO ORDER a copy of any of Tricia’s wonderful books, ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a copy of CODY AND THE FOUNTAIN OF HAPPINESS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 6th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with debut author Hannah Holt!

Happy Thanksgiving Critters!

Authors + IllustratorsLindsay WardComment

Today is my absolute favorite holiday, I love Thanksgiving! The pies, the turkey, the stuffing, the sweet potatoes, the football, and of course being thankful that I get to share it all with friends and family. We cook Thanksgiving dinner here at the Tupta house (I’ll be running off to make a pie after this post), and spending a few days preparing food for the ones I love is one of my favorite things. I wish all of you a wonderful Thanksgiving this year!

xo

Lindsay


What’s up on deck? Join me next Thursday for an interview with the wonderfully talented Tricia Springstubb!

Book Reviews: the Good, the Bad, and the Ugly.

Authors + Illustrators, Authors, CraftLindsay Ward1 Comment

Happy Thursday Critters! Today’s post is all about handling reviews: the good, the bad, and the ugly. After almost ten years in this business, I’ve received them all. Glowing reviews, a starred review, bad reviews, and reviews that ripped my heart out. And I’ve learned something from all of them. Even the really bad ones.

Obviously, the glowing ones are fantastic. They give you confidence to keep creating and putting your work out there. Readers are connecting! It’s a wonderful feeling. But the bad ones…well those can leave you feeling angry, misunderstood, defensive, and make you want to crawl into a hole. I say that having felt that way myself. But here’s the thing— not everyone will love your work. And that’s okay. Truly. I took me a long time to understand this, and it’s something I wish I had known earlier in my career. If you created something that everyone loved, I’m not sure if it would really speak to the quality of the work, right? I mean, the point of storytelling is to spark a connection with your reader. That may not be every reader. And again, that’s okay.

So here are my tips for handling reviews, whether you’ve been doing this for a while or your first book is about to come out:

  1. Be proud of the creativity you put forth.

    Be proud of what you’ve done. You’ve published a book! That’s a tremendous accomplishment. Before I send in anything, whether it’s a manuscript draft, dummy, or finished art, I always ask myself if I’m proud of what I’ve done. If the answer is yes, I send it. If I’m hesitant, then I still have things to work out. Know that once your book has come out, you were at one point incredibly proud of what you’ve done. Hold onto that as reviews begin to come in.

  2. Decide if you are going to read your reviews. Then commit to that decision.

    I have friends who refuse to read their reviews. They have no interest in reading about someone else dissecting the work they’ve created. They know what they did, they don’t need to read about it. That’s one way to handle reviews. But if you are anything like me, then you can’t help but read them. You want to know. Do you people love it? Do they hate it? Either way, commit to how you want to handle reviews. Read them or not. But once you make that decision, stick to it. Don’t second guess yourself. If you choose to read them, see my next tip. (Also, please note, I don’t mean read every single one…that’s not a good idea. Online consumer reviews, for example, can be especially frustrating. Specifically when someone gives you a one star review because they can’t figure out how to read the e-book version on their tablet…seriously.)

  3. Take every review with a grain of salt.

    When reading reviews of your work, take them with a grain of salt. Constructive criticism can be great, it can push you to develop your craft further. Find what you connect with and leave the rest. At the end of the day, it’s your work and you have to be confident in what you’re doing. I can honestly say I’ve learned something from all the reviews I’ve ever read about my work. The great ones gave me a boost of confidence to try new things. And in a weird way, so did the bad ones. Those are the ones that taught me to get back to work and keep creating. Being kicked off the horse every once in the while is not a bad thing. It forces you to grow and really consider your work. Which leads to my next tip…

  4. Push yourself.

    How can these comments, good or bad, help you grow? I look at each book as another chance to push myself. To try something new. To stretch myself in a new direction.

  5. Keep creating.

    This is the most important thing. Don’t stop creating. Certainly not because of a bad review. Keep writing. Keep drawing. Keep putting yourself out there. You are capable of wonderfully creative endeavors.

Until next time,

Happy Creating!

Lindsay

Fighting the Writing

Craft, Authors, Authors + IllustratorsLindsay WardComment

Happy Thursday Critters! Today’s craft post is all about fighting the writing.

Being Type-A, I work around a pretty structured schedule, it’s the only way I can get anything done—and I stay pretty busy between all of the plates I’m spinning on any given day. That being said, there are days, more than I would like to admit, where getting words on the page is like pulling teeth. I sit, staring at the computer screen, waiting for something brilliant to come to me, which to be honest, never does when I try to force it. The cursor blinks at me, laughing. Or so it feels…

So how do you pull yourself out of that? How do you sit down and write when it’s the last thing you want to do? The answer is pretty simple, but you’re not going to like it: YOU JUST HAVE TO WRITE THROUGH IT. Write through the fog and the self-doubt and the fear. I’m a firm believer that you have to write a bunch of crap to get to the good stuff. I wish there was a more eloquent way to say that, but I’m sorry, there’s just not. The muse is fleeting and unpredictable, but when she shows up everything suddenly clicks into place and the magic starts to happen. Getting there…well, sometimes it’s hell.

I make the mistake of self-editing while I write. I want it to be perfect the first time I do it, which as anyone who writes knows, is just ridiculous! Writing is revision and inspection and constant consideration. We write because we have too. You wouldn’t put yourself through the agony of it all if you didn’t absolutely have to do it. If it wasn’t apart of who you are, right? Otherwise, you would be miserable constantly.

For me the trick is consistency. Make a commitment to your craft. Do it every day, in some form or another. Now, I say that because I’m not someone who physically writes every day. I tend to be very cerebral with how I work. I used to beat myself up over that, feeling as though I wasn’t writing enough. Conceptually, most of the framework for my books happens in thought, not with actual pen and paper. But I make time for contemplating my work every day, usually on walks with our dog. And when I say contemplating, I don’t mean procrastinating. I mean actual problem-solving. I generally only sit down to write and/or sketch when I feel ready (unless I’m trying to force it, as previously mentioned, which is never a good idea). Sometimes that’s days…months…or years (WHEN BLUE MET EGG is a perfect example of years).

Creatively, everyone works differently. Each manuscript is its own challenge and will require flexibility in variation from you. So don’t do that thing where you go on Twitter and you read about fabulous book deals while your blank document glares at you with its oppressively, blinding light. That certainly won’t help you get to the good stuff. Nor will it inspire you. As much as I love how connective and supportive social media can be, it can also be incredibly distracting and isolating. You have to learn to tune out the white noise. Which I realize is a lot easier said than done. Whether that white noise is you, your peers, or the internet, find a way to unplug and focus on the work.

So now that I’ve told you to make a commitment to your craft, I’m also going to tell you to take a break from it. Often. Creative work, and life for that matter, is all about balance. But it’s really easy to throw yourself off balance and continue stumbling around without even realizing it’s happening. So make time to get away. Experience the world. See new things. Spend time with loved ones. Read a book! Whether it’s for a ten-minute walk or month-long vacation, just step away. I can’t stress the importance of getting out of your own head and re-charging enough.

I’m a list person. They give me a sense of control and accomplishment in my busy life. Which, I know, sounds silly, but it’s oh so true. So I’m going to suggest this: write down your commitments. Your commitment to your craft and to taking a break. How much time will you allow yourself for both? Make a note of that. Then try to stick with it. I find that writing it down makes it more important and real. Preferably in a place where you can see it, first thing, every day.

I know how easy it is for life to get in the way. Day jobs, relationships, kids— they all require precious amounts of your time. But if you are really serious about writing (and/or illustrating) you have to make time for it amidst everything else. Because you have to. It’s what you are passionate about, right?

So go out there and write some good stuff!

Until next time…

Happy Writing!

Lindsay


What’s up on deck? Tune in next week for an interview with author/illustrator and art director at Simon & Schuster Books for Young Readers, Lucy Ruth Cummins!

Interview with Debut Author Aidan Cassie

Debut Interviews, Authors + IllustratorsLindsay Ward4 Comments

Happy Thursday Critters! Today, I’m very excited to share with you the work of debut picture book author and illustrator Aidan Cassie! I received an F&G of Aidan’s debut book, STERLING, BEST DOG EVER, this past summer and immediately fell in love with little Sterling.

Sterling the dog has always wanted a home. But no home has ever wanted him. So when Sterling sees a sign on the side of the Butlery Cutlery Company advertising free "shipping to homes around the world," he is determined to become the most terrific fork ever! For what home doesn't need flatware?

Sterling is delivered on time and undamaged to the Gilbert family's front door. He is not, however, what they ordered. . . . But he may be exactly what they need. A humorous, heart-tugging picture book about finding a family, who wants you just as you are.

Sterling is quite lovable. Just look at the adorable cover below. Our family dog, Sally, was a rescue, so I immediately connected with Sterling’s hope of finding the perfect family and home. The illustrations are wonderful and the story is charming. I hope you enjoy Aidan’s new book as much as I do.

So without further ado, please welcome Aidan Cassie!

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Where do you live?

I live on a west coast island, on the side of a small mountain, in Canada’s Salish Sea, just north of Seattle. It’s a quirky, rural pocket of co-op farmers, naturalists and artsy-folk, but most people here are urban-transplants, like myself. I love island life - our daughter takes a ferry to school while my husband and I work from our home studios (to the great delight of our big red dog, Sooka).

When did you know you wanted to make picture books?

While I was working on my degree in animation I started telling stories visually and fell in love with the process. After creating my wordless animated film, I thought I’d naturally write wordless picture books. Instead I discovered my voice, and the wonderful space between the text and illustrations.  I’m fascinated by the way readers/listeners/viewers construct what is happening with what is on the page, as well by the unsaid words and implied images. 

Can you share a bit about your process?

Assuming I’ve settled on a promising story idea nugget, I start by sketching characters to help me visualize the story. Then there’s the “walking and talking in the woods phase” as I envision it playing out like a little movie that I tell myself aloud… rewind, revise, and tell again. Sooka just chases sticks and is very non-judgmental. 

At the point my tale feels relatively solid I often enjoy a burst of drawing and writing. I pare things down to the important visual “shots” and make a series of thumbnail drawings, the same way I’d storyboard for animation. Later I might redraw with a bit more detail onto recipe cards, so I can reorder, add to, and edit the elements. I constantly flip between modifying drawings and editing words. Often the words are last to come.

 When I’m happy with the final flow I scan my sketches and create a digital dummy that has all the text in place for my crit group to read and edit. Later, many revisions later, if my agent likes it, I’ll make some final art samples for prospective publishers. I go back to the tiny 1’ drawings again, this time digitally. I experiment with the color narrative, palette and tonal balance for the whole book laid out on one page. I do each tiny spread’s colour very roughly so as to have a guide when doing final art. I use a Cintiq to create final art, usually with digital water color layers and textures that sit beneath my drawings. 

What do you do to shake the rust off or get new ideas?

Of course ideas must be caught and gathered as they show up. Sometimes they come from mining strong childhood feelings of my own, but most often they come from the outside; like overheard conversations, observing something strange, a great line in a song, bizarre news stories or by mashing together unlikely things, like dachshunds and forks. And sometimes I just need to put myself somewhere new; we just came back from taking a year to live in Provence; every day in France was brimming with “new”!

Art supplies you can't live without?

It’s a short list; my 2B pencils, and a good eraser.

Maybe some run-of-the-mill photocopy paper too.  All my creations are born of a pencil line on cheap photocopy paper. It allows me feel free to let loose and make oodles of useless doodles. And useless is important. For me, being too precious or careful cramps my creativity and exploration. I like the erasable nature of pencils, so when it comes to watercolor painting (not a forgiving medium), I find I take more risks when I work digitally, because I know there is an “undo”.

Favorite illustrators?

Oh, yes, I love sharing my art crushes!! Birgitta Sif, Isabelle Arsenault, Emily Gravett, Kady MacDonald Denton and, and, and… Chris Riddell, Carter Goodrich, Pierre Pratt and Shaun Tan!

Dream project or book to work on?

I’m feeling pretty lucky that I’m working on a bunch of my own books right now, so things are pretty dreamy as it is. One day I’d love to work collaboratively with a funny author (like Emily Jenkins or Aaron Reynolds), preferably on a ridiculous story jam-cram-packed with dogs - you know, if we’re talking DREAM project.

Tell us about your debut book.

My debut book was inspired by a childhood dog I had, an odd little dachshund. Sterling, Best Dog Ever is about a dog who’s had a hard time finding a home, so he lives in a damp box. When he discovers a fork factory that ships to good homes he thinks he’s found his ticket to happiness. When it occurs to him that the new family, surprised by the little stow-away, may not need a fork, Sterling decides he could be anything if they would just keep him. He’s an expert at adapting, but it takes him a while to understand what this loving family really wants.

What’s up next for you?

I’ve just finished up the final cover art for my second book, Little Juniper Makes It Big, about a wee raccoon who feels too small for everything, and that will come out in 2019. While waiting for edits and feedback on that book I’ve been working on my third book (still at the untitled dummy-book stage) that will come out the following year, both with FSG Macmillan.

And last, but not least, favorite 80s movie?

Wow, “80s movie” feels like a genre in itself – like I need an answer that features the Neutron Dance. But I have to go with animation! As a 9 year old I was completely spell bound by the The Secret of Nimh in 1982. 


Aidan Cassie studied animation and earned a media arts degree at the Emily Carr University of Art and Design as well as Edinburgh College of Art. Sterling, Best Dog Ever is her first picture book.

FOR MORE INFORMATION about Aidan and her book, visit her website at www.aidancassie.com.

TO ORDER a copy of STERLING, BEST DOG EVER, ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of STERLING, BEST DOG EVER?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 18th! US and Canadian addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post.

Halloween Book Picks | October 2018

Recommended Reading, Holiday BooksLindsay WardComment

Happy Halloween Critters! I know it’s a little early, and we still have the rest of October to go, but Halloween is big in our house. It’s my husband’s favorite holiday (I’m more of a Thanksgiving kinda gal…) but I do love a good Halloween story. So, this month, instead of two new book reviews, I’m sharing a round-up of Critter Lit’s Favorite Halloween Books.

I’m a huge fan of holiday books and now that I have kids, it’s so much fun share them throughout the month with my kiddos. Some of these books are new, some are old, all are wonderful! I hope you take the time to check them out. Enjoy!



What's up on deck? Tune in next week for an interview with debut author and illustrator Aidan Cassie!

Interview with Picture Book Author Anika Denise

Interviews, Vet Interviews, book releaseLindsay Ward1 Comment

Happy Thursday Critters! Today we are joined by the fabulously talented Anika Denise. I had the pleasure of meeting Anika and her husband, illustrator Christopher Denise, a little over three years ago at a writing workshop. It turned out we were represented by the same agent. Both are such lovely and talented people, and I’m thrilled to be sharing Anika’s books with you today.

I was first introduced to Anika’s work through her book MONSTER TRUCKS, illustrated by Nate Wragg, which is one of my oldest son’s absolute favorites. So much so that it was the theme of his 2nd birthday party. I mean you can’t beat monsters and trucks in the same book! Seriously—we are on our third hardcover copy. That’s how much we read this book. Thankfully, MONSTER TRUCKS is now available as a board book too, should we need a fourth copy….

Needless to say, we are big fans of Anika’s books in my household!

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So, without further ado, please welcome Anika Denise!

Where do you live?

We live in Barrington, Rhode Island — a tiny town in the tiniest state.

How many years have you been in publishing?

Gosh *counts on fingers* nearly 12 years! 

How many books have you published?

I have six books out in the world right now, and four more coming soon.

Do you write full-time?

Up until recently, yes! For the next year, I’ll be working in-house as a copywriter for a toy company. It’s fast-paced, fun, and different. But I haven’t abandoned my personal writing projects. I do my best to schedule in writing time on my days off. 

What inspires you to create picture books?

My kids, for sure! Having children allows me to experience the world through their lens. It also makes me pause and really consider the world they’re inheriting. In the current climate of divisiveness and isolationism, I’m inspired to create (and support) diverse stories of hope, empathy, and inclusion — especially “own voices” books that invite readers to step outside themselves and see the world through the perspective of marginalized communities.  

What surprised you the most working as an author, illustrator, or author/illustrator?

I think at first I was surprised by how much the work of promoting a book and connecting with readers falls to the author. Now that I’ve been doing this awhile, I have a greater understanding of how many books are on a publisher’s list and the limited resources a single title might have. I’ve come to embrace and enjoy making my own connections.

What is your favorite thing about being an author?

The fame and money. HAHAHA! (Just kidding.) What I love most is the feeling of creating something that didn’t exist until I put in on a page. It’s the closest I’ll ever come to having a super-power. There’s magic in it. And most magical of all is the fact that a kid somewhere is sitting and enjoying a story I conjured. It’s truly rewarding.

What do you find difficult working as an author, illustrator, or author/illustrator?

Well, I suppose (as evidenced in my recent acquisition of a day job) it is making a sustainable living with writing. I’m married to a children’s book illustrator, so supporting a family in a two-freelance income household can be challenging at times.

What do you do to shake the rust off or get new ideas?

I love creativity journaling. I just received an early copy of a book written by my friend and mentor, Leigh Medeiros, called The 1-Minute Writer (forthcoming from Simon & Schuster.) The book offers a series of unique 1,10, and 20-minute writing prompts. It’s amazing how the ritual of a daily writing practice, even at 1 minute a day, can clear the cobwebs and provide fertile ground for your next story idea. If you’re a doodler—check out Peter Reynolds’s Start With A Dot journal.

Anything you are habitual about when it comes to creativity?

Before I write, I light a candle and get the essential oil diffuser in my studio going. I sit for a few quiet minutes and express gratitude. I ask my muses/ angels to show up to support me. It’s a little like prayer, a little like mediation, and a little like visualization. I’m always happier and more productive when I begin this way.

Can you share a positive experience you’ve had in the kid lit community?

The kid lit community has been such a gift, it’s tough to pick just one — but last March, I traveled to the UK with a group of writers and illustrators. We visited famous children’s book sites in England the first week; then spent the next week writing in a castle in Scotland!

And oh! I flew an eagle owl on the castle’s falconry grounds.

What is your favorite picture book?

The Snowy Day is one of my favorite books from childhood. 

What has been the highlight of your career thus far?

There have been many highlights, but perhaps the most special was holding the first copy of my forthcoming book Planting Stories: The Life of Librarian and Storyteller Pura Belpré, illustrated by Paola Escobar. My husband brought the envelope to me as a surprise at my book launch party for Lights, Camera, CARMEN!. For many reasons, but particularly as an author with Puerto Rican heritage, this book is dear to my heart. It took me several years to write. My only regret is my father didn’t live to see it published. He knew I was working on it, and he was very proud. 

What is something you wish someone had told you when you first started writing?

Don’t ever compare your career to others. In the age of social media, it can be difficult not to. But comparison almost always leads to unnecessary suffering. You do you.

Tell us about your newest book?

My newest book is Lights, Camera, CARMEN! illustrated by the amazing Lorena Alvarez Gómez. It’s the follow-up to Starring Carmen! (Abrams 2017). In this installment, everyone’s favorite one-girl sensación is back, and has her sights on winning a contest to be in a commercial. She enlists the help of her adoring hermanito, Eduardo, but things don’t go exactly to plan.

What’s up next for you?

2019 will be a busy year for book releases. Planting Stories: The Life of Librarian and Storyteller Pura Belpré will be on-shelves January 15. Bunny in the Middle, a new picture book collaboration with Chris, releases July 2. And in December, The Love Letter, illustrated by the incomparable Lucy Ruth Cummins, will be out in the world. I’m also revising a new picture book biography on Rita Moreno!

Anything else you’d like to share with aspiring authors and illustrators?

Keep going, you’re almost there!

And last, but not least, favorite 80s movie?

The Goonies

Thanks so much for stopping by Critter Lit to chat with us today, Anika! We can’t wait to check-out all of your upcoming books!


Anika Denise is the celebrated author of many picture books, including Lights, Camera Carmen!Starring Carmen!, Monster Trucks, Baking Day at Grandma’s, Bella and Stella Come Home, and Pigs Love Potatoes. In 2019, to coincide with Women’s History Month, HarperCollins will publish her forthcoming book, Planting Stories: The Life of Librarian and Storyteller Pura Belpré illustrated by Paola Escobar. Other new titles coming in 2019 include Bunny in the Middle illustrated by Christopher Denise, and The Love Letter illustrated by Lucy Ruth Cummins. Anika lives in Rhode Island with her family.

FOR MORE INFORMATION about Anika and her books, visit her website at www.anikadenise.com.

TO ORDER a copy of LIGHTS, CAMERA, CARMEN! ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a copy of LIGHTS, CAMERA, CARMEN!?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 4th! US addresses only please.

What's up on deck? Tune in next week for Critter Lit’s Must Reads for October!


The Subtle Art of Pagination

Craft, Authors + Illustrators, AuthorsLindsay Ward3 Comments

Hello Critters! This week’s craft post is all about pagination, something that I think can make or break a picture book. All great picture books demonstrate a strong grasp of pacing, which is ultimately determined through the final pagination of the text and development of the manuscript itself.

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Take, for example, WHERE THE WILD THINGS ARE. Maurice Sendak has some seriously long, run-on sentences in that book that would even give Nathaniel Hawthorne a run for his money. But it doesn’t matter, because Sendak is a genius. He understood that it wasn’t the structure of the sentence that mattered so much as how he broke it up amongst the pages. WHERE THE WILD THINGS ARE is the greatest picture book of all time for many reasons, but pagination is a big part of that. Sendak breaks sentences in the middle, straddling them across the pages throughout the book, not necessarily in conjunction with the punctuation. In 1963, that was pretty revolutionary for a picture book. Even today, I rarely see authors do that without an ellipsis.

I remember the first time I re-read WHERE THE WILD THINGS ARE as adult. On the final page, the text reads “and it was still hot.” The line is in reference to Max’s dinner, which we know Max’s mother sends him to bed without in the beginning of the story. The pagination of this line is brilliant. It’s the perfect ending. It leaves the reader wondering how much time has actually passed? Did Max really leave? So many questions arise from this simple collection of words. It’s satisfying, and yet leaves us wanting to know more. It allows the reader to understand that even at our worst, there is still love. Max misbehaves and lets his inner monster out, but it doesn’t change his mother’s unconditional love for him.

Sometimes I wonder what Ursula Nordstrom, Sendak’s editor, thought of his manuscript the first time she saw it. I imagine it would have looked a bit like a short paragraph. The entire book is only made up of 10 sentences, totaling about 338 words. But it’s how Sendak broke those 10 sentences that created such dynamic pacing and anticipation for the reader.

For me, pagination is a feeling. I sit down with my manuscript and read it aloud to myself over and over and over again. I like to test raw manuscripts out on my three-year-old too. I’m always surprised by the lines or details he connects with instantly. As I read, I make a mental note of all the places I naturally pause in my speech to formulate or process the next set of words. Those pauses become part of my timing. I also note any hiccups I come across. Places where I stumble over my own words, or find myself self-editing as I read them aloud. Those are sections that still need revision work, which I finesse until I no longer struggle with them. The placement of one word can make all the difference.

I can’t stress enough the importance of reading your work aloud, whether it’s to yourself or a group. It’s the easiest, fastest way to hear issues in your manuscript. You have to understand how your words sound together when read aloud. It’s absolutely impearative as a picture book author.

Once I feel like the text is in great shape, I consider the reveal. I think of the page turn as a curtain on a stage. Every time the reader turns the page, I’m pulling back the curtains. Showing them what’s coming next. It’s my job to get them excited about turning that page. This is where pagination really helps. As an illustrator, I have the advantage of visualizing the illustrations as I do this, which is incredibly helpful. However, if you are an author-only, practicing and understanding how to paginate your own text will help your writing tremendously. It forces you to really look at your pacing and how it works in relation to your story.

Here’s a great exercise to try for this:

Print out three copies of your manuscript. Paginate each manuscript differently. Cut up the text and paste/tape them down inside of a dummy mock-up. You can use copy paper stapled together for this. Read each version aloud and see how the pagination has changed the pacing of your story. Is there a version you gravitate towards? A version that surprised you? A version that clarified a problem area for you? Usually one pagination will just feel right when you read it aloud.

Generally, if you are an author-only, you most likely won’t need to paginate your own text, the editor or illustrator will do that. BUT, that doesn’t mean you shouldn’t learn to do it and get so darn good at it that it becomes second nature. It will only help you improve as a writer and storyteller.

Until next time, happy paginating!

Lindsay


What's up on deck? Tune in next week for an interview with picture book author Anika Denise!

Interview with Debut Picture Book Author/Illustrator Jen Betton

publishing, Illustrators, Book Reviews, book release, Authors + Illustrators, AuthorsLindsay Ward4 Comments
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Happy Thursday Critters! Today, I’m thrilled to share an interview with Jen Betton, the debut author and illustrator of HEDGEHOG NEEDS A HUG. I met Jen while we were both in school at Syracuse. I was working towards my BFA in Illustration when I took an intro class on Adobe Photoshop and Illustrator, taught by Jen, who was an MFA Illustration student at the time. Adobe Illustrator is actually the only program that I use when I work digitally…which I have Jen to thank for. I’m not sure I would have learned it otherwise. Thanks Jen!

I'm so excited to share Jen’s work with you all today, and I’m sure you’ll see why. Her watercolors are GORGEOUS! And she has this tremendous ability capturing light….I’m a huge fan of her work and I hope you will all go out and read HEDGEHOG NEEDS A HUG!

So without further ado…please welcome Jen Betton!

Where do you live?

I recently moved to the Dallas area, so I’m still getting connected with the Kid Lit community here.

When did you know you wanted to make picture books?

I always loved picture books; I never really grew out of them. It just took a while to give myself permission to pursue it because I thought I needed to do something more practical! I loved painting and I loved stories, so creating picture books was a natural combination of those loves.

Tell us about your debut book as an author and illustrator?

HEDGEHOG NEEDS A HUG is the first book I’ve written as well as illustrated! It is about a Hedgehog who feels down in the snout and droopy in the prickles and so goes looking for a hug, but other creatures don’t want to get close to his spines! Fortunately, he finds someone else who is feeling the same way. 

 I came up with this story while I was brainstorming story ideas that involved animals who have a physical characteristic that is at odds with what they want. I love stories where the character has a goal that inherently creates conflict!

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One thing that helped me figure out my story structure was understanding the heart of the story. This is the essential, core theme of the story, beneath the surface-level action. I was brainstorming the ending and I had to decide how Hedgehog would finally get his hug. Hedgehog could have hugged another hedgehog (someone just like him) or a turtle (someone who would not be hurt) but I had an “aha” moment where I understood that empathy was important to the story, and I quickly realized that Hedgehog needed to give Skunk a hug.

Can you share a bit about your process?

If I’m writing the story, then I start with an outline. I really have to get the structure of the story right, and the first draft is almost in bullet points. After that I might start weaving small thumbnail sketches into a storyboard while concurrently revising my manuscript. After I have the basic story arc hammered out, I keep writing, tweaking, polishing. At the same time I’m working on the storyboard with rough sketches, trying to get the composition, the page turns, the expressions right. I try to not to get too far into the drawings until the manuscript is fairly firm, because it’s like working a Rubik’s Cube – every change affects every other part of the puzzle. 

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Next, I start working on finished drawings. For this stage I usually gather a lot of reference materials, sometimes getting friends to pose for photos or taking a trip to the zoo. Then I’ll do some color studies. After all those steps are approved by the art director, I’ll start on the finished paintings. I transfer the drawings to my illustration board, and then I jump in with watercolor. After I’ve taken the painting as far as I can, I’ll often add a bit of colored pencil or pastel for details. Once it is scanned, I’ll touch it up a little bit in Photoshop. 

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What do you do to shake the rust off or get new ideas?

Inspiration, community, and perspiration! I get inspired by both books and people. Reading the beautiful books that others have created and seeing how they solved problems teaches me a lot. I find conferences to be energizing - rubbing shoulders with creative pals. My imagination also responds well to discipline, so participating in Storystorm or checking in with critique buddies for some accountability really helps me. And sometimes it’s really helpful to just do something for fun without expectations of how it will turn out. 

Any art supplies you can't live without?

Strathmore 500 Illustration board. Totally different way to watercolor, and I love it! 

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Favorite authors/illustrators?

Soooo many!! John Singer Sargent’s watercolors are stunning. I love Trina Schart Hyman, Min Ji Kim, Lizbeth Zwerger, Christian Birmingham, Scott Gustafson, Greg Manchess. A couple newer illustrators I love are Jessica Lanan and Corinna Luyken. 

Dream project or book to work on?

Something with a sense of wonder or otherworldliness, like Ocean Meets Sky by the Fan Brothers or The Brilliant Deep by Kate Messner and Matthew Forsythe.

What's up next for you?

I’ve been working on a new story, called ANITA’S FLOWERS, which is about perseverance, failure, friendship, and finding your gift. Hopefully it will be ready to submit soon!

I’ve also been working on some goodies for HEDGEHOG NEEDS A HUG: coloring pages, an activity kit, bookplates, etc. There is also a teacher’s guide by Marcie Colleen. You can download them here. 

And last, but not least, favorite 80s movie?

Princess Bride and Adventures in Babysitting


Jen Betton loves to draw and make up stories with her pictures. In Kindergarten she got into trouble for drawing presents on a picture of Santa, and she has been illustrating ever since. She wrote and illustrated HEDGEHOG NEEDS A HUG, published with Penguin-Putnam, and she illustrated TWILIGHT CHANT, written by Holly Thompson, published with Clarion.

She has a BA in English, and a BFA and MFA in Illustration. She lives in the Dallas area with her husband and two children.

For more information about Jen Betton and her books, visit her online at www.jenbetton.com or follow her on Twitter: @JenBetton.

TO ORDER a copy of HEDGEHOG NEEDS A HUG ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a copy of HEDGEHOG NEEDS A HUG?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, September 20th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post.

Interview with Debut Picture Book Author Beth Anderson

Interviews, Authors, Debut InterviewsLindsay Ward10 Comments
Photo Credit: Tina Wood

Photo Credit: Tina Wood

Happy Thursday Critters! I'm so excited for today's interview with debut author Beth Anderson, whose debut book AN INCONVENIENT ALPHABET: BEN FRANKLIN AND NOAH WEBSTER'S SPELLING REVOLUTION (illustrated by incredibly talented Elizabeth Baddeley) is a non-fiction picture book about how two patriots teamed up to create a uniquely American spelling system. I'm a huge fan of non-fiction picture books, they are a wonderful resource for kids and a great way to expose them to interesting and important topics in an approachable way.

An Inconvenient Alphabet: Ben Franklin & Noah Webster's Spelling Revolution  written by Beth Anderson, Illustrated by Elizabeth Baddeley

An Inconvenient Alphabet: Ben Franklin & Noah Webster's Spelling Revolution written by Beth Anderson, Illustrated by Elizabeth Baddeley

So what's AN INCONVENIENT ALPHABET: BEN FRANKLIN & NOAH WEBSTER'S SPELLING REVOLUTION all about?

Once upon a revolutionary time, two great American patriots tried to make life easier. They knew how hard it was to spell words in English. They knew that sounds didn’t match letters. They knew that the problem was an inconvenient English alphabet.

In 1786, Ben Franklin, at age eighty, and Noah Webster, twenty-eight, teamed up. Their goal? Make English easier to read and write. But even for great thinkers, what seems easy can turn out to be hard.

Children today will be delighted to learn that when they “sound out” words, they are doing eg-zakt-leewhat Ben and Noah wanted.

How cool does this book sound?! I can't wait for you all to check it out September 25th when it hits bookstores near you!

So without further ado...please welcome Beth Anderson!

Where do you live?

First of all, thank you so much for inviting me to visit your blog!

I live in Loveland, Colorado, but have been fortunate to experience life in various parts of the country. I grew up in Grayslake, Illinois, then moved to Wisconsin, Ohio, Connecticut, Georgia and Texas. Now, I’m a flatlander who wakes up every morning and marvels at the beauty of the Rocky Mountains.

When did you know you wanted to make picture books?

I was a kid who always enjoyed writing and received a lot of encouragement from teachers. I took a few feeble cracks at writing for children during my adult life, but (pre-internet) never learned about the industry, studied specifics of the craft, or found my path. 

Then for years, as an ESL teacher, I used literature as a medium for language learning as well as teaching curriculum objectives. I experienced picture books on many levels and witnessed the magic they offered in the classroom and connections they built for learners from every corner of the world. When I retired from teaching, my students asked me what I was going to do. That old “someday” idea bubbled to the surface, and I came clean and admitted I’d always wanted to write for children. Their excitement at the prospect stuck with me. How could I tell them to chase their “someday” if I wasn’t willing to do it?

Can you share a bit about your process?

Once I discovered the joys of narrative nonfiction and historical fiction, I dove in. To start with, I look at various news feeds and other sources for interesting bits of history and current events. If an idea intrigues me, I read everything I can find online first to get an overview, then dig into other sources once I have a bit more direction. Often, what first interested me is the tip of the iceberg, and I discover that there is a more important story behind it. So I gather and organize information (a post on my method HERE), then brainstorm on vital ideas, kid hooks, and structure possibilities.

After all that, I start drafting and revising, getting the story down. Then I examine it, share with critique partners, and start asking the hard questions. How can I frame it to create a marketable hook? How can I enhance the story and emotional arcs? How can I make it matter? (the list goes on…)  Then I dive back into the research for specifics. I read other random articles about the topic or theme or a concept within the story – looking for something that will spark new thoughts. I search out more quotes from the main characters to understand them better. And the revisions continue.

An example of a second dive into research - After revising AN INCONVENIENT ALPHABET per an editor critique, I felt like I had lost some of the emotion. So, I reread and looked at additional sources for evidence of just how strong Ben Franklin and Noah Webster’s friendship really was.

What do you do to shake the rust off or get new ideas?

As I mentioned above, newsfeeds from various sources can spark ideas. Also, I often stumble upon interesting tidbits for more stories while researching a manuscript. New ideas can spring from something I randomly read or saw or heard. 

When I’m stuck, really stuck, in the midst of a manuscript, it helps to widen my understanding – reading related articles, checking for You Tube videos on setting or another aspect of the story. And recently I’ve realized (I don’t know why it took this long) that when consulting sources, I need to go beyond the chapters related to the topic and read the introduction and concluding chapter. As writers we know this is where the essence, interconnections, and implications are discussed.  

One example of how exploring related articles can help a story – While revising what will be my second picture book, LIZZIE DEMANDS A SEAT: ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS, an article on how we tell our hero stories caught my attention. I was already seeing Lizzie’s story as a centerpiece in the context of “standing on the shoulders of those who came before us,” but this article had something more. We tend to portray heroes as super capable people who bring about change on their own. But in reality, no one does it alone. Kids need to know that. The idea that these super people take care of things leads kids to think they don’t have a role. Each of us may not be a leader, but we all can participate.

Anything you can't live without while you write?

A computer with an internet connection, of course! Coffee and snacks also help. 

And taking “while you write” in a larger sense, I can’t live without my critique partners!

Favorite authors?

As I seek out mentor texts and learn from other picture book writers, I’ve definitely found some favorites who help me along this narrative nonfiction path: Barb Rosenstock, Mara Rockliff, Suzanne Slade, Deborah Hopkinson, Jen Bryant, Andrea Pinkney, Michelle Markel, Candace Fleming, and Lesa Cline-Ransome come to mind immediately.

Dream project or book to work on?

I can’t think of any specific project. Just any idea that grabs my heart, knocks my socks off with an urgency to be written, and has a hook that no editor can resist. (And no one has already written it!) 

Tell us about your debut book?

AN INCONVENIENT ALPHABET hit me in the heart from the very beginning. Franklin’s quote, “Those people spell best who do not know how to spell,” brought to mind the endearing spelling of young children learning to write using “invented spelling.” I connected as a teacher, as a parent, as a linguistics major, as a history lover. I thought, wow, kids are writing just as Ben Franklin had hoped! 

In many ways, Ben and Noah are opposites, drawn together by their love of language and education and their determination to make reading and writing English easier. When their revolutionary attempts are rejected by the public, Noah keeps trying, and in the process learns that neither fame nor force can sell an idea that people see as just too inconvenient. Though the two great patriots don’t achieve their initial goal, Noah does end up with his great success, the first real American dictionary.

Children deal with our inconvenient alphabet every day as they learn to read and write. This book is my answer to all those students who asked why English spelling is so crazy. Another layer that drew me was “sounds easy, does hard.” I think it’s a great example for kids of how one seemingly simple, sensible idea may have so many consequences. The historical layer not only gives a hint of what life was like in the 18th century, but also introduces the idea that revolutions are not only military, but seep into daily life in varied forms. Elizabeth Baddeley’s creative illustrations enhance every layer of the story and bring a spirit of spunk and joy. 

The manuscript seemed to have special messages for me as a writer about the need to be flexible, patient, and persevere. But what I really internalized was the need to let our ideas “take a chance in the world,” and that often, no matter how hard we push, others will decide the success of our endeavors. So I offer up the book in hopes kids will laugh and learn, connect and question, and be inspired to share their ideas and let them morph and grow into something they didn’t imagine. 

What’s up next for you?

I’m looking forward to sharing AN INCONVENIENT ALPHABET with children and experiencing a few more picture books come to life with illustrations and an editor’s magic…

A civil rights story from 1854, LIZZIE DEMANDS A SEAT: ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS with Calkins Creek is scheduled for spring 2020. I’m currently in suspense waiting to see E.B. Lewis’ sure-to-be fabulous illustrations! 

Then comes “SMELLY” KELLY AND HIS SUPER SENSES: THE MOSTLY TRUE STORY OF AN ORDINARY MAN AND HIS EXTRAORDINARY NOSE, also with Calkins Creek, illustrated by Jenn Harney, scheduled for fall 2020.  Set in the labyrinth of the 1930s New York City subway, a humble immigrant learns to use his natural talents for the benefit of all—and also finds out what it takes to be a true hero.

And there’s one more under contract that hasn’t been announced…

And last, but not least, favorite 80s movie?

Definitely, The Princess Bride! A classic! Masterful storytelling, unforgettable characters, for young and old, the joy of story, grandfather and grandson, twoooo love, lines that live forever.

AND there just happens to be one line in AN INCONVENIENT ALPHABET that was inspired by a line in the movie…can you find it?

Thank you for chatting with us today Beth! We can't wait to see your upcoming titles!


Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. Armed with linguistics and reading degrees, a fascination with language, and penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Colorado where she laughs, wonders, thinks, and questions; and hopes to inspire kids to do the same.

For more information about Beth Anderson and her books, visit her online at www.bethandersonwriter.com or you can follow her on Twitter @BAndersonWriter, Facebook, or Pinterest.

TO PRE-ORDER AN INCONVENIENT ALPHABET ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of AN INCONVENIENT ALPHABET: BEN FRANKLIN AND NOAH WEBSTER'S SPELLING REVOLUTION?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, September 13th! US addresses only please.

What's up on deck? Tune in next week for Critter Lit's interview with debut author/illustrator Jen Betton!

Interview with Picture Book Author Josh Funk

Vet Interviews, Interviews, AuthorsLindsay Ward4 Comments
Photo Credit: Carter Hasegawa

Photo Credit: Carter Hasegawa

I had the pleasure of meeting Josh Funk for the first time this past June at ALA in New Orleans. My husband and I attended a party hosted by Two Lions for their authors, librarians, and other book-loving folks. Hours later, in the heart of the French Quarter, I ended up sitting around a table with my husband, Josh, and Sue Fliess (another Two Lions picture book author) talking about books, publishing, writing, and all the bits in between.

For those of you who are in this business, you know how rare it is to get face time with other writers and illustrators, we are usually holed up in our offices or studios, in our own heads, spread out all over the country. Needless to say, it was such a treat sitting around chatting about books that night.

We are big fans of Josh's books in our house and I'm thrilled to share his work with you today!

So without further ado, please welcome Josh Funk! 

Where do you live?

Outside Boston, Massachusetts (in the United States … on the planet Earth)

How many years have you been in publishing?

My first book (Lady Pancake & Sir French Toast) came out in 2015, but I started writing my very first really really horrible picture book manuscript in the summer of 2011.

How many books have you published?

As of today, I have seven books published (but my 8th and 9th will be released within the next month).

Do you write full-time?

Nope. I’m a software engineer during the day. I write books in the evenings, over weekends, and during bathroom breaks.

What inspires you to create picture books?

I really enjoyed reading with my kids - and I think they enjoyed reading with me. I just want to create entertaining picture books for kids and the adults that read with them.

What surprised you the most working as an author?

Every time I see the art for one of my books for the first time, I am blown away by how amazing it is! Picture book illustrators are the most talented artists in the world today!

What is your favorite thing about being an author?

Connecting with readers. There’s no question that this is my favorite aspect of being an author.

What do you find difficult working as an author?

The worst is when you have to cut something out of a story that you really liked (like a good joke or a clever rhyme), but you know the book will better as a whole without it.

What do you do to shake the rust off or get new ideas?

I think about what I want to see illustrated. As someone who can’t draw, but gets silly ideas in my head, I try to think about what I’d want to see a really talented artist create - and then write a story about that!

Anything you are habitual about when it comes to creativity?

Very little. I kind of just work on things whenever and wherever the mood and idea strikes. As I’m writing books that generally have fewer than 500 words, I can write them on my phone, edit a few words as I’m falling asleep, or change a line in the car (when I’m not driving). I’m kind of a haphazard writer.

Can you share a positive experience you’ve had in the Kid Lit community?

The kid lit community is pretty amazing. I have to say that most people I meet are super supportive. I’ve been a member of a local writing community called The Writers’ Loft (in the Boston suburb of Sherborn, MA). I’ve met so many people who’ve given me critiques, advice, and support that really pushed me in the right direction on the way toward publication.

What is your favorite picture book?

Today, I’m gonna go with Iver and Ellsworth by Casey W. Robinson and Melissa Larson. But I frequently have new favorites as there are so many amazing books created all the time.

What has been the highlight of your career thus far?

The fact that I’ve published a book at ALL! How crazy is it that there’s a book in libraries, bookstores, and even bookshelves in kids’ bedrooms with words that I wrote?! How did this happen?!?

What is something you wish someone had told you when you first started writing?

Keep writing new things. You may feel very strongly about your first story - but as you revise and get feedback and learn about the craft and business of writing for children, you’re going to improve as a writer. So your second story will start off in a much better position than the first. And the third will be even better. So don’t revise that first story to death. Write something new. And then write something newer.

Tell us about your newest book?

Lost in the Library: A Story of Patience & Fortitude, illustrated by Stevie Lewis comes out on August 28th! This is the first picture book about Patience and Fortitude, the two lion statues that faithfully guard the New York Public Library (in fact, this book is published in partnership with the NYPL). When Patience goes missing, Fortitude realizes that Patience has ventured inside the library. So for the first time ever, Fortitude abandons his post to search for Patience before the sun rises and we, the readers, get to explore the library for the first time alongside Fortitude.

What’s up next for you?

Next month the third book in the Lady Pancake & Sir French Toast series, Mission Defrostable, illustrated by Brendan Kearney, comes out (on September 25th). In this action-packed adventure, the fridge is freezing over - and Lady Pancake and Sir French Toast have to travel to parts of the fridge they’ve never ventured ... and need to enlist the help of one of their fiercest rivals. Dun. Dun. DUN!

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Anything else you’d like to share with aspiring authors and illustrators?

Have fun. Keep learning. And don’t give up.

And last, but not least, favorite 80s movie?

Spaceballs.

Thanks for inviting me to chat!

Thank you Josh for stopping by Critter Lit to chat with us today!


Josh Funk writes silly stories and somehow tricks people into publishing them as books - such as the Lady Pancake & Sir French Toast series (including The Case of the Stinky Stench and the upcoming Mission Defrostable), How to Code a Sandcastle (and the upcoming sequel How to Code a Rollercoaster), It's Not Jack and the BeanstalkDear DragonAlbie NewtonPirasaurs!, and the forthcoming Lost in the Library: A Story of Patience and Fortitude (in conjunction with the New York Public Library), It's Not Hansel and Gretel, and more coming soon!

Since the fall of 2015, Josh has visited (or virtually visited) over 300 schools, classrooms, and libraries. Josh is a board member of The Writers' Loft in Sherborn, MA and was the co-coordinator of the 2016 and 2017 New England Regional SCBWI Conferences.

Josh grew up in New England and studied Computer Science in school. Today, he still lives in New England and when not writing Java code or Python scripts, he drinks Java coffee and writes manuscripts.

OR MORE INFORMATION about Josh Funk, visit him at www.joshfunkbooks.com and on Twitter at @joshfunkbooks.

TO ORDER A COPY of LOST IN THE LIBRARY or MISSION DEFROSTABLE visit your local book store, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of LOST IN THE LIBRARY or MISSION DEFROSTABLE by Josh Funk?! Comment on this post below or share it on Twitter. Two lucky winners will be announced Thursday, September 6th! US addresses only please.

What's up on deck? Tune in next Thursday for an interview with debut picture book author Beth Anderson!

Interview with Picture Book Author + Illustrator Betsy Snyder

Interviews, Vet Interviews, Authors + IllustratorsLindsay Ward2 Comments
Photo Credit: Donna Von Bruening

Photo Credit: Donna Von Bruening

I'm very excited for today's interview because it's with the lovely and incredibly talented Betsy Snyder, who also happens to be one of my critique partners and a very good friend. I actually knew Betsy's books before I knew her. As a bookseller, I fell in love with HAIKU BABY, Betsy's debut book, the first time I saw it. The art is charming, bright, and fresh. Anyone who walked in to the bookstore looking for a baby gift walked out with a copy of HAIKU BABY. 

Skip ahead a few years later. I had just moved from Boston to Cleveland with my future husband and started making connections with other writers and illustrators in the area. And who did I meet? Betsy Snyder. Sometimes it's really amazing how small the world can be. We had lunch and I clicked with her instantly. Eventually Betsy and I, along with three other lovely and talented women, created a critique group together, which we've been doing for almost seven years now.

Spread from HAIKU BABY by Betsy Snyder

Spread from HAIKU BABY by Betsy Snyder

I have learned so much from Betsy, watching her come up with creative new ways for kids to interact with books, and I'm thrilled to share her work with you today!

So without further ado, please welcome Betsy Snyder! 

Where do you live?

Independence, OH

How many years have you been in publishing?

12 (What? Twelve?!)

How many books have you published?

21

Do you write and illustrate full-time?

Yes (mostly). My life is a mix of mothering my books and my small children and that balance changes as it needs to. But I write/illustrate as full-time as I can.

What inspires you to create picture books?

I love the way kids learn and explore the world and I seek to make books that support that process and inspire a similar sense of wonder. I was lucky to have a childhood filled with good books and I can remember poring over the pages, studying the details of the pictures and getting lost in the magical worlds books create.

What surprised you the most working as an author/illustrator?

I didn’t anticipate that along with becoming published would come requests for author programs and needing to get comfortable with public speaking. Being in the spotlight can feel intimidating for somewhat introverted creative-types like me that are most cozy in their quiet studios—YIKES! But now, I can genuinely say I LOVE getting out and sharing what I do with schools, libraries, museums and the author/illustrator community. More experience, consulting with educators to hone my programs, and seeing those eager little (and big) faces in the audience have really helped grow my confidence and minimize the jitters.

What is your favorite thing about being an author/illustrator?

Every project is a new adventure! I like the feeling of immersing myself in whatever I’m working on—I learn a little (or a lot) more with each new book I make. It’s so rewarding to be able to help a vision evolve from start to finish and then to finally see a book in print and be able to share it with others.

What do you find difficult working as an author/illustrator?

Starting a new book is exciting, but with that, there is also a murky place where I have way TOO many ideas and no direction or anchor. That’s when I feel lost and stuck and unsure—and sometimes it’s hard to see a way out of that. Each book is a new challenge, so I don’t think this process gets easier—but I am getting better at trusting that my good ideas will eventually take shape and get there with practice and persistence. As Dory would say, “Just keep swimming!”

What do you do to shake the rust off or get new ideas?

I find inspiration in my kids, browsing at the library or a bookstore, creative chats (like with my critique group), nature walks, and travel.

I especially look at what’s out there and what’s not—my best ideas are often born around opportunities.

Anything you are habitual about when it comes to creativity?

Making lists (and losing them—ha!). But seriously, I love making lists and when I broke the index finger of my writing hand earlier this year, I almost went crazy. I have actually found that for me, this brainstorm process is less about holding on to the ideas, and ironically, more about letting them go to clear up more creative space in my head. 

Can you share a positive experience you’ve had in the Kid Lit Community?

Having work from Tons of Trucks (written by Sue Fliess) accepted into the Society of Illustrators Original Art Show and attending the opening in NYC was definitely a kid lit highlight for me. Mingling with that much talent and passion in one space was pretty dreamy.

What is your favorite picture book?

Do you really think I can pick just one? 

As a kid: Make Way for Ducklings by Robert McCloskey, The Velveteen Rabbit by Margery Williams, and The Funny Thing by Wanda Gag

Now: The Very Hungry Caterpillar by Eric Carle, All the World by Liz Garton Scanlon and Marla Frazee, and When Green Becomes Tomatoes by Julie Fogliano and Julie Morstad

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What has been the highlight of your career thus far?

It’s still hard to beat my first-ever submission becoming a 3-book (and later 5-book) contract with Random House. I’ll never forget my agent’s email with the subject line “Get out the champagne!!!” I’m so grateful my editor Heidi Kilgras saw something in me and helped me get my start with writing my own books.

What is something you wish someone had told you when you first started writing and illustrating?

It’s supposed to feel hard—but that struggle doesn’t mean you aren’t good enough. 

Tell us about your newest book?

I Can Dream and I Can Explore (May 2018) are the two newest books in the interactive series published by Chronicle Books. In terms of a theme, I Can Dream is centered around aspirational occupations, like a firefighter, astronaut, marine biologist, artist and more. I Can Explore is about being on-the-go—traveling by land, water, air and even snow.

The entire series shares the same format solution, text direction, and empowering message celebrating both independence and teamwork. Touch-and-feel covers and interactive holes on every page invite the reader to animate the characters by wiggling their fingers. Every book ends with a surprise gatefold finish, bringing all the characters together for an inclusive grand finale. 

I had so much fun developing this format and rolling it out over four books (and I still have more ideas!). Working with my Chronicle team was a dream (special shout-out to Ariel Richardson, Tara Creehan and Amelia Mack)—our visions were on the same page from the beginning, so our partnership felt easy and effortless.

What’s up next for you?

I’m working on a picture book with Susanna Leonard Hill. And thinking up new book ideas!

Anything else you’d like to share with aspiring authors and illustrators?

There is no one secret path (and certainly no shortcut) to getting published. It’s a journey and experience unique to each person, because we each come from different places and bring along our own influences and talents.

Networking with other authors and illustrators (via SCBWI, critique groups, workshops, etc.) is a great way to learn from the paths of others—and begin to forge your own. Plus, it can be a long road, so wouldn’t you rather have some travel buddies on your journey?

And last, but not least, favorite 80s movie?

The Princess Bride and Dirty Dancing

Thank you so much for stopping by Critter Lit today Betsy!


Author and illustrator Betsy Snyder has twenty years of experience creating for the children's market. Her smile-inspiring art can be found on everything from social expressions products, board games, plush, decor, fabric, wallpaper, and of course—children’s books! Since making her publishing debut in 2007, Betsy has teamed with a diverse mix of publishers, earning recognition from groups including the Society of Illustrators, The New York Times, Scholastic Parent & Child Magazine, Indie Next List, the Cooperative Children’s Book Center and Please Touch Museum. Her newest titles, I Can Dream and I Can Explore (May 2018), join the earlier I Can Dance and I Can Play in an innovative board book series with Chronicle Books.

Betsy lives in Independence, Ohio, where she enjoys cozying up to doodle with her art-loving family of four and venturing out to schools and libraries to encourage kids (and even grown-ups) to share their stories and chase their dreams.

For more information about Betsy and her books, visit her online at www.betsysnyder.com. Follow her on Twitter @betsysnyderart or on Facebook: www.facebook.com/betsysnyderart.

TO PURCHASE A COPY of I CAN DREAM or I CAN EXPLORE visit your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of I CAN DREAM or I CAN EXPLORE by Betsy Snyder?! Comment on this post below or share it on Twitter. Two lucky winners will be announced Thursday, August 30th! US addresses only please.

What's up on deck? Tune in next Thursday for an interview with picture book author Josh Funk!

Interview with Debut Picture Book Author Marcy Campbell

Authors, book release, Book Reviews, publishingLindsay Ward3 Comments
Adrian Simcox Blog Tour.jpg
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I was lucky enough to meet Marcy Campbell a couple years ago at the Buckeye Book Fair in Wooster, Ohio. I was participating as an author/illustrator when Marcy walked up and introduced herself. She told me how she'd just signed with an agent and they'd recently sold her first picture book, ADRIAN SIMCOX DOES NOT HAVE A HORSE. It's funny because at the time, I remember getting a feeling that the book she was describing was going to be special, different, maybe even make a mark. And I was right. It's been wonderful to watch the word spread about this book. It has gained incredible buzz. In addition to Marcy's wonderfully powerful text (I cried the first time I read it), the illustrations are by the extremely talented Corinna Luyken, whose debut picture book last year, THE BOOK OF MISTAKES, was my absolute favorite of the year. Needless to say ADRIAN SIMCOX DOES NOT HAVE A HORSE is a must read!

I'm incredibly honored to interview Marcy and thrilled for you all to hear about her stunning, poignant, and extremely relevant debut picture book: ADRIAN SIMCOX DOES NOT HAVE A HORSE.

So without further ado....please welcome Marcy Campbell!

Where do you live?

Wooster, Ohio.

When did you know you wanted to make picture books?

I’ve always been a writer, since my preschool years when I taped books of my pictures together, but I was never encouraged to pursue it as a “career” and so I did other things first, primarily marketing and public relations. I finally decided to take the leap and got a graduate degree in creative writing. I wrote strictly for adults, however, and after publishing a bunch of short stories, started working on what I’d hoped would be a great literary novel. Then, I became a parent and filled my home with picture books. I think any writer, after spending a lot of time with a certain type of book, will entertain the thought of writing those books. Still, it took me quite awhile to set aside my adult novel projects. I kept a list of picture book ideas and kept adding to it. Then, one rainy afternoon, I was sick and tired of editing my novel, and I opened that idea file and got to work on Adrian. It felt right almost immediately. I won’t say that writing for kids is any easier than for adults (and in many ways, it’s more difficult), but it feels natural, like what I’m supposed to be doing.

Can you share a bit about your process?

I have a very different process for picture books versus novels (I just finished drafting a middle grade.) I’m very methodical about novels and have all sorts of steps throughout the phases of outlining, drafting and revising, but so far, my best picture book ideas have come in a moment of inspiration and were written pretty quickly. I think about the idea for awhile and jot down some notes, but then I wait for that moment when I hear the voice in my head and have a sense of the story’s arc. The writing can then happen in a day. After that, I’ll sit on it for a few weeks, revisiting, tweaking individual lines. I’ve found that the picture book drafts that took me a long time to write tend to not work out in the end. Of course writing processes are very different for each writer, and even different for the same writer across different types of books. It can take some experimentation to find what works best.

What do you do to shake the rust off or get new ideas?

Nothing beats surrounding myself with a stack of new books. When I’m in idea generation mode, I’ll be at the library a lot, and you’ll see towering stacks of picture books on my coffee table. Inevitably, something grabs me and turns me onto a new idea. I also find that long walks in the woods help a great deal (for many maladies, not just a lack of book ideas). I like to clean or paint (walls and furniture, not canvases) or rearrange things in my house, anything that keeps my hands busy while letting my mind wander. When I’m coming up with ideas, I have a spotless house! When I’m finishing a manuscript…not so much.

Anything you can't write without?

I’m pretty adaptable in terms of location. I write nearly everything on my laptop, so I’m kind of lost without that, though I’ve certainly been known to jot down ideas on scraps of napkin in a pinch. The most important thing to my writing, and general well-being, is a great cup of coffee.  

Favorite authors/illustrators?

Oh gosh, such a hard question. I will say that the picture book that I found most inspirational while writing ADRIAN was Matt de la Pena and Christian Robinson’s Last Stop on Market Street. There are so many fabulous picture book authors and illustrators out there, and, having entered the kidlit world kind of late, I’m discovering new ones every week. Jacqueline Woodson’s books have really touched me. When I want some fun, I love Mac Barnett and Bob Shea and Ame Dyckman (especially her work with Zach O'Hora, whose illustrations I love). Lane Smith is a perennial favorite of mine. I’m certainly partial to Corinna Luyken’s illustrations (and I loved her before she did my book, so I’m only a little bit biased). I’m beyond fortunate to be working with her. The most recent picture book I can’t put down (from both a text and illustration perspective) is Julián Is a Mermaid by Jessica Love.

Tell us about your debut book. What inspired you to write it?

I did know a boy when I was a kid who said he had a horse, but he said he had a lot of things, and his family seemed to be doing well financially, so there was probably some truth to his boasting. I remember, however, that I thought he was lying about the horse in particular. That childhood memory became one line in a list of picture book ideas I started keeping after having my own kids. “Boy says he has a horse and girl doesn’t believe him.” One rainy afternoon, I was struggling with a rewrite of an adult novel and decided to try my hand at a picture book. Chloe's voice came to me quite clearly, and the story took off from there. Over the last few years, I’ve put in a lot of time volunteering at my kids’ public elementary school, which has a high percentage of children with economic need, and I believe those experiences helped shape the story beyond just a couple of kids arguing about a horse and toward issues of class and empathy.

Dream project or book to work on?

That’s a tough one. Thankfully, my dream book is usually the one I’m working on right now. I do think it would be fun to collaborate on some kind of science series with my husband some day (he’s a biologist).

And last, but not least, favorite 80s movie?

Hands down, Back to Future (the first one; I don’t care much for the sequels). I had a huge crush on Michael J. Fox, and there was a year where my friends and I were listening to all this old 50s and 60s music for some reason. It hit all the right buttons. I still get chills when he’s playing “Earth Angel” at the dance, and his parents kiss, and his hand reappears.

Thank you Marcy for chatting with us today! Wishing you heaps of success with your stunning debut and future projects!


Marcy Campbell lives in Ohio with her family and menagerie of rescued pets. Her writing for adults has been published widely in journals and magazines, including Salon. She grew up on a farm filled with cows, chickens, cats, and dogs, but she never had a horse. Adrian Simcox Does NOT Have a Horse is her debut picture book.

For more information about Marcy Campbell and her books, visit her online at www.marcycampbell.com or follow her on Twitter @marcycampbell.

TO PURCHASE A COPY of ADRIAN SIMCOX DOES NOT HAVE A HORSE visit your local bookstore, or click here.


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Get That Raccoon Off the Table: Why Voice Matters in Picture Books

Authors, Authors + Illustrators, CraftLindsay Ward2 Comments

Sometimes I think one of the hardest parts of my job as a children’s book author is to keep my own voice in check when I’m writing. I’m constantly asking myself, would a kid say that? I think this is one of the reasons that creating a strong voice is incredibly difficult. We, as children’s book authors and illustrators, have this wonderful task to create meaningful literary experiences for children. We get to introduce them to new places, experiences, and voices. But in doing so create a new challenge for ourselves. How do we keep our own feelings, opinions, and reactions out of the voices in our books? How do you write a character that can make their own decisions, without your bias?

Now, that’s not to say you shouldn’t write your own experiences into a character. Obviously writers do that all the time. I myself do it. But what I’m talking about are the characters we write that aren’t us, who have an entirely different experience than we had, intentionally. It’s our job to offer up a fully developed voice in the context of the world we’ve created for them. And that’s no easy feat! 

Many times, I have read manuscripts where I see authors infiltrate the text. A character starts saying or doing something that seems odd or inconsistent with what we know about them. It’s really easy to let yourself slip in under the radar without realizing it. I've done this many times. For me, it’s not until I read the words aloud that I can catch myself and make the correction. To avoid this, I try to get to know my characters as best I can so they become fully independent from me.

I start by determining who they are. What are their likes? Dislikes? Hobbies? What is their environment? Who surrounds them? What do they care most about? Least about? How do they fit within the story I'm trying to tell? The list goes on and on. I make an entire character chart with this information. Keep in mind I write picture books. I don’t write novels. But I try to approach my characters as if I do.

I can tell you that Dexter T. Rexter’s favorite ice cream is Mint Chip, with rainbow sprinkles. I’ve never used this detail about him in any of the Dexter books, but I’ve spent enough time getting to know him, writing and rewriting him, that I know without a doubt, he's Mint Chip all the way. This may sound silly. But there is a method to the madness. The more you know your characters the better you will be able to write them and, in my case, draw them, independent of yourself.

When I sit down to write Dexter’s voice, I don’t even feel like I’m writing anymore. It’s as if he’s sitting beside the computer, telling me what to type, and I'm simply listening. He's very indecisive, neurotic, and slightly bossy because that’s just who he is. It isn’t so much that I can hear his voice when I'm writing, but I can hear the pacing, syntax, and structure of how he would speak. I know immediately if he would or wouldn't say something and if he would, how he would deliver it. Which takes time to develop with a character. I’m three books in with Dexter and I’m still learning things about him.

Age is equally important in developing voice too. Especially when you write for kids. You need to understand the age group you are writing for. How old are they? Where are they cognitively and behaviorally? What is challenging for them? How can they connect with your story? If you’ve written a character, who's supposed to be four years old, but acts and talks like an adult, then you aren’t paying attention to age and you won’t connect with your readers.

Before I had kids, I wrote about my experiences as a kid. I am an only child, so my voice seeped into my work. When Blue Met Egg is my love letter to New York City, after living there one summer during college. I was inspired to write Please Bring Balloons because my parents met painting carousels at an amusement park. This worked for me then because that was the point. I was trying to speak to the type of kid that I was. My early books are all about adventure and escapism because that's what I loved to read about as a child.

But now, it’s become more about being a witness, than first hand experience. I’m watching my kids see the world for the first time. And in doing so, I’m seeing things in ways I haven't since I was a child. As an adult it's really easy to forget how small moments can be so impactful when you're young. I find myself writing about their experiences as I witness them unfold. My books have become more and more voice driven, because those are the type of books that make my kids laugh and connect.

Recently, I was reading Secret Pizza Party by Adam Rubin, illustrated by Daniel Salmieri, (the same creators of Dragons Love Tacos) with my oldest son, who’s three. He loves that book. The first time I read it to him, I thought, I don’t get this. Why does he think this is so funny? And then it dawned on me. Duh! It’s silly. There isn’t anything to get. That’s the point. It’s a ridiculous book about a raccoon who loves pizza but rarely gets to have any because he’s always being chased off by the pizza man wielding a menacing broom. Thus the Raccoon Sniffing Broom Bots. I could continue the synopsis…but you should probably just read Secret Pizza Party because it is silly, ridiculous, and your kids will love it. The narrator's voice is written in a way that not only makes my son laugh, but it makes me laugh too because phrases like 'sweet sassy molassy' are hilarious. If that doesn't make you laugh when you read it, then I don't know what will. When driving to get pizza recently, my son shouted "GET THAT RACCOON OFF THE TABLE!" I couldn’t stop laughing. It was random and completely out of the blue. Just like Secret Pizza Party. And I knew exactly what he was talking about when he said it. 

My son also sings the Dexter song constantly (so much so there are days I regret writing it in the first place.) He doesn't understand that I wrote Don't Forget Dexter, or even the song for that matter. He doesn’t care. He’s three. But he’s my barometer now. He's in my target age group. If he likes it, then I must be doing something right. Right?

I mean isn’t that the ultimate test? Not how much you love your work? That's easy. But a kid. A real, live kid, who doesn’t get caught up in the bias. They just like it because they like it. It makes them laugh. Or think. Or feel connected. They are seeing your book for the first time, fresh and new, absorbing everything you have to offer them. And that's the best part about this job. Writing a book that a kid wants to read over and over again and becoming apart of their reading experience with their family.

I have read Secret Pizza Party more times that I can count. It's got 'pizza' and 'party' in the title. This book was always going to go over well with my son (who loves pizza). But the narrator's voice is what really sells it. It's the way the narrator tells Raccoon's story, empathizing with Raccoon's plight in life (lack of pizza), while pointing out the humor of it all. Kids connect with Raccoon. They get him. They are him. Because voice matters. Always.

So go out there and write some amazing voices. 

Until next time, happy writing!

Lindsay

What's Up On Deck? Adrian Simcox Does Not Have a Horse Blog Tour Stops by Critter Lit! Check back next Thursday to read my interview with debut author Marcy Campbell.