Happy Thursday Critters! Today we have a fantastic interview with a debut author/illustrator whose book is simply stunning. I’m a huge fan of any ocean themed books (maybe it’s the Californian in me) and LLOYD FINDS HIS WHALESONG is absolutely lovely! I can’t wait for you to hear from our author/illustrator and more about this beautiful book.
So without further ado, please welcome Skylaar Amann!
Where do you live?
Portland, Oregon
How many years have you been in publishing?
As a published author, just about a year! Lloyd Finds His Whalesong is my debut and it came out in 2020. But I’ve been writing and illustrating (and revising!) for several years before that.
How did you first get published?
A few years ago, I sent a promotional illustration postcard to Page Street Kids, and Kristen Nobles responded with a very nice email about my work. Although we’re on opposite coasts, we connected over one of my ocean/boat scenes, which was really cool because the ocean is really important to me. Soon after that, I submitted a draft of Lloyd to her. I went through many (many, many, haha) drafts with Kristen and Courtney Burke (who became the acquiring editor). We eventually landed in a place where the story was solid, and I finally got that “yes.” I ran around my house screaming when I got the news!
Do you write/illustrate full-time?
No, while I would love to reach that goal at some point, right now I do a mish-mash of work. My writing and illustrating work takes up a lot of my time, but I also work as a freelance corporate copy editor.
What inspires you to create picture books?
I remember being inspired by picture books as a little kid. I wanted to write and draw them back then when I was first reading them. I was enraptured by the illustrations, which I would stare at for a long time, or I’d look at them repeatedly and always see new details.
As an adult, I’m inspired by a lot of current creators, especially illustrators, who make such magical and beautiful worlds, and images you can fall into. As a writer, I’m inspired by the misfit kids (myself included) who have feelings, stories, and adventures that I want to share. Things that don’t always fit the mold. Right now, I’m working on finding more authenticity in my writing voice, leaning into that weirdness and not worrying so much about what others will think of it or if it’s marketable (that’s future Skylaar’s problem).
Some of my stories are inspired by my real life and some are aspirational -- things I wish I had experienced as a kid. Creating some of that childhood joy is inspiring to me.
I’m also always and forever inspired by nature — especially the ocean. I grew up on the Oregon Coast and that wild and rocky Pacific shoreline was a darn-near religious experience for me. If I can put even a sprinkle of that sublime wonder in my stories, I’ll have succeeded.
What surprised you the most working as an author/illustrator?
The waiting! The timelines are slower than what I’m used to coming from a background in tech and marketing where projects often have to turn around the same day, or even the same hour. Now that I know the lay of the land, it’s a little easier to understand the timelines, although I can get anxious wondering what’s happening on the other side sometimes -- even just waiting to hear back from a critique partner! It’s not a lack of patience, it’s more the anxiety that builds up internally that makes waiting hard. Learning to chill and do other things (not be totally consumed by writing) has been helpful but I’m still learning to do that!
What is your favorite thing about being an author/illustrator?
Probably getting to take the worlds and stories that bounce around my head and put them to use, get them on paper. I spend a lot of time dreaming up worlds and ideas without realizing I’m doing it. Plenty are just random thoughts that aren’t stories, just daydreams or wonderings and so on. But when I’m lucky enough that one of those worlds connects with other people, and I get to then turn it into a book -- there’s nothing better!
What do you find difficult working as an author/illustrator?
Even before the pandemic, I was working alone most of the time. I actually like a lot of things about working alone, but sometimes it gets old. Connecting virtually with other writers has helped with that.
The work itself is also hard! Writing, rewriting, sketching, coloring -- it all takes work, continued learning, and practice. I tend to worry people won’t like anything I’m making, so I have to work on quelling that voice. But working on improving my skills also helps with growing my confidence. I feel like an imposter sometimes! I really put myself into my stories and want to create the best possible books I can, so I don’t like the idea of letting anyone down.
What do you do to shake the rust off or get new ideas?
I don’t really understand where my ideas come from! Sometimes they just pop up out of nowhere as little kernels, a random sketch, or a strange phrase that runs through my mind. And then I develop them from there. When those kernels aren’t popping up, I tend to stress out. If I get stressed like that, sometimes I need to take a break, not try to force it, read other books, do other fun things … maybe even get some sleep!
That said, I don’t believe in waiting around idly for inspiration to strike. If I’m really stuck, I’ll brainstorm ideas, just jot down concepts or lines, or sketch a random character and see if it goes anywhere. I also like to work on other stories or just paint or draw for fun (not with a story in mind) … and see where that goes.
Anything you are habitual about when it comes to creativity?
I tend to work at my desk or on my couch (or in coffee shops in the Before Times, sob). Having specific work spaces helps me focus on work. I’m not the type to say you should work every day -- life happens. But I do think consistency and self-discipline is important. So I set deadlines or goals for myself, especially when I’m developing an idea that no one else is yet invested in. Other than that, I try to be pretty flexible so my work doesn’t feel ritualistic. I feel that if you get too precious about it, it becomes a barrier to getting anything done.
Can you share a positive experience you’ve had in the Kid Lit community?
I’ve had some great support over the last couple of years from the KidLitCollective group. We were formerly called the Perfect2020PBs as a group of debut picture book authors in 2020, and it’s nice having that support system.
I also have to give a shout out to my critique partner Nora Nickum who is a fabulous writer and fellow ocean lover. She’s an incredible editor, and (I don’t know if she realizes this) she helped me believe I could write middle grade. If you’re reading this, Nora — thank you, it means so much to me!
I’ve also been working as a picture book mentor with WriteMentor for the last few years, and I’ve found that community to be really supportive of each other, no matter what stage of the journey anyone is at. It’s really cool to see people (myself included) progress and I enjoy helping others with the knowledge I’ve gained -- and then see them do the same!
Recommended reading?
I just read Seaside Stroll by Charles Trevino and illustrated by Maribel Lechunga. Geez, that book is gorgeous!
What has been the highlight of your career thus far?
Getting the news that I had an offer on Lloyd was such an exciting moment. It felt like a huge turning point after years of struggle. Signing with my incredible agent Jessica Watterson last year was also amazing, and another big milestone. Even though there are still ups and downs to this day, every celebratory moment I have, like selling Smile, Sophia, feels like the newest and best highlight.
What is something you wish someone had told you when you first started writing/illustrating?
I don’t know that anyone could have convinced me by telling me (I think I needed to experience it myself) but I’d say: The process takes time and everyone is on their own path. That’s cold comfort when you’re struggling or getting tons of rejections, (or watching others succeed) but if you keep developing your skills and improving bit by bit, you can move forward.
Can you tell us about your debut book?
My current book out right now is Lloyd Finds His Whalesong. It’s the story of a little humpback whale whose voice is too quiet to sing the whalesong. He seems destined for silence until he finds a mysterious ukulele in the kelp forest and must use it and his newfound voice to help his family out of danger.
Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids
Lloyd is fiction, but the story includes some real-life whale things, like the way humpbacks communicate with each other and the effects of noise pollution. The book has some fun back matter too about how real whalesong works and how other noises in the ocean can affect whales.
Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids
Growing up on the Oregon Coast, the ocean was a huge part of my life. I was lucky to see whales like Lloyd migrating offshore, as well as orcas that would occasionally come into the bay, plus tons of other marine life. My illustration work has always centered on the ocean, whales, the biodiversity of tidepools, and marine science/conservation. I’ve drawn whales for years. Eventually one of them started to become Lloyd, and that was the start of the idea behind the story. I also learned to play ukulele some years ago, and it was really cool to have this new way to communicate and share stories. I guess that rubbed off on Lloyd, and the rest is history.
What’s up next for you?
My next book is called Smile, Sophia and it’s coming out in 2022 from Feiwel & Friends! It’s about a girl who loves dinosaurs and science -- but she only smiles when she wants to, not when grownups expect her too. It’s filled with lots of fun STEM visuals, and I’m really excited to share it with the world!
Anything else you’d like to share with aspiring authors and illustrators?
The journey can be really long, winding, and hard. And it doesn’t have an end point. It’s not like reaching a certain milestone (like getting an agent, selling a book, etc.) is the end. Each is just a new beginning. I’m always trying to improve my illustration skills and my ability to tell stories, and I don’t see that stopping no matter what I achieve. So I’d just say keep learning and be persistent. Find avenues that help your mental health when it gets hard. Be kind too. Kindness is very important.
And last, but not least, favorite 80s movie?
So hard to pick, but probably Beetlejuice (although The Last Unicorn left a lasting impression, lol. The Red Bull really scared me!).
Huge thank you to Skylaar for stopping by Critter Lit today! Congrats on your beautiful debut book! We can’t wait to see Smile, Sophia when it comes out!
SKYLAAR AMANN is the author-illustrator of Lloyd Finds His Whalesong, (Page Street Kids, 2020). Her next book, SMILE, SOPHIA, is forthcoming from Feiwel & Friends in 2022. She is an affiliated artist with the Climate Science Alliance, a picture book mentor for WriteMentor, and a member of SCBWI and Women Who Draw. Skylaar specializes in children's and science-themed art, with clients including Surfrider, Pinna, Sitka Sound Science Center, 826 Seattle, Adventure! Children's Museum, Scientific American, and Paxton Gate. She has fifteen years of experience in communications and now works as an author, illustrator, and editor. Skylaar is represented by Jessica Watterson of Sandra Dijkstra Literary Agency.
FOR MORE INFORMATION visit Skylaar online: www.skylaaramann.com.
Or follow her on social media:
Twitter: www.twitter.com/skylaara
Instagram: www.instagram.com/skylaara
ACTIVITY SHEETS: Lloyd freebies (coloring pages, music, and more info): www.skylaaramann.com/lloyd
ORDER THIS BOOK To order a copy Skylaar’s books click here.
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