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Debut Interviews

Interview with Author Ryan Uytdewilligen

Authors, Debut Interviews, InterviewsLindsay Ward1 Comment

Happy Thursday Critters! Today we have an interview with a debut author, Ryan Uytdewilligen, to celebrate the release of his new book, THIS IS NOT MY STORY, illustrated by David Huyck, published by Kids Can Press in June. I’m a huge fan of meta picture books— especially ones that break the fourth wall, and this one does such a fantastic job! I’m thrilled to have Ryan and his wonderful new book with us today at Critter Lit.

So without further ado, please welcome Ryan Uytdewilligen!

Where do you live?

I live in York, Ontario, Canada – which is technically a part of Toronto! But it sounds fancier. 

When did you know you wanted to write picture books?

I’ve wanted to be a writer all my life. When I was six, I wanted to open my own bookstore called Pages and Pages and sell only my books! I had a lengthy journey coming around to the idea, working as a creative writer for a radio station, journalist, screenwriter, and finally novelist. But I always thought that the books that made me the happiest were the ones read to me as a kid. Fond memories. And I wanted to replicate that or provide others with that memory/connection. That would have only been about five or so years ago.

Tell us about your road to publication, what did that involve for you?

I had written and published fiction and non-fiction books beginning in 2015. I tried to write a children’s picture book at that time, but didn’t know the ins and outs. It rhymed and wasn’t very good to tell the truth. I matured and learned over the next three or four years and wrote This is Not My Story in 2018 while working in a bookstore. I sent it to a few publishers and finally KidsCan Press wrote back and said they loved it!

Can you share a bit about your process?

It’s different for every genre and project really, but children’s picture books are quite the challenge because you have to keep it entertaining for a young audience. You have to make every single word count. And above all, you have to be creative. That’s probably the best part is that creativity knows no boundaries when it comes to children’s picture books. So, all of my wackiest ideas sort of gravitate to that type to book.

What do you do to shake the rust off or get new ideas?

I’m not one to not have ideas. I always have new ideas. Every day. Every hour. Are most good? Nope. But every now and then, I’ll perk up and one of those ideas will really grab me. Or I’ll circle back to it a few months or even years later. If that idea keeps popping up and sounding more and more attractive, I know that’s one I simply must do!

Anything you can’t live without while you write?

I’m a coffee guy. Coffee in the morning. Coffee at lunch. It feels wrong not to approach a blank page without a cup of warm coffee. Beyond that, I can write just about anywhere with just about anything.

Any authors and/or illustrators who inspire you?

Is it corny and too obvious to say Dr Seuss? I mean, that’s kind of like saying The Beatles is your favorite band. Its pretty much a given! But Seuss is a genius. Plain and simple. Roald Dahl also is a very creative mind that I find myself getting inspiration from. If anything, those two provide me with the drive to be as creative as I can possibly be. 

Dream project to work on?

That’s a tough one, but I’m a big Hanna Barbara nerd. To do stories with characters from The Flintstones, The Jetsons, or Scooby Doo would be absolutely incredible. I get a lot of my sense of humor from those cartoons. If they ever brought them back or published books with those characters, I’d love to be a part of that!

Tell us about your debut book.

An author and his hero embark on a genre-bending journey to find the right story. It starts with this captain of a tiny spaceship who is surrounded by flying saucers. He stops the story to inform the author that he belongs in a different story. Not sci-fi. The author considers this. Then he begins again, with a story about the quickest cattle wrangler in the West. It’s still not the protagonist’s story! Is he a dragon-slaying knight? A vampire’s next victim? There is a lot of fourth wall breaks that follow the two as they trying many different stories, ultimately teaching young readers the concept of genre.

What’s up next for you?

I’ve been bitten by the children’s book bug, so I have been writing down lots of ideas. I am a giant classic film fan and have been exploring ideas to introduce tween-age readers to older movies through books. 

And last, but not least, who is your favorite children’s book character?

The Cat in the Hat! He’s so sly and slick and wild! It’s every child’s dream to have a giant fancy cat show up and lead you in mischief. Heck! I would love for that to happen right now!


Huge thank you to Ryan for stopping by Critter Lit today all the way from Canada! Congrats on your debut!


Ryan Uytdewilligen is a Canadian screenwriter, historian, author, editor, and journalist.

Born in Lethbridge, Alberta and raised on the family farm outside the town of Coaldale, Uytdewilligen studied Communication Arts with a major in Broadcast Journalism at Lethbridge College – leading to work as a radio news anchor, television reporter, and copywriter. 

He later studied Writing for Film and Television at Vancouver Film School where he wrote and produced the short films Tea Time and Even the Devil Swiped Right.

His first novel, Tractor, was published in 2016 by Sartoris Literary. Taking inspiration from Jack Kerouac and Larry McMurtry novels, the story follows a teenager in the early 1960s drive a tractor across the American south.

Uytdewilligen’s second novel, Akela, was published in 2019 by BHC Press – earning numerous accolades including a nomination for the Pushcart Prize. It followed the century-spanning life of an adventurous sea turtle that becomes entangled in historical events as he searches for his long-lost love.

He is also the author of numerous non-fiction works including the film history book 101 Most Influential Coming of Age Movies and The History of Lethbridge, a look at the unique story of his hometown. 

His latest non-fiction work, Killing John Wayne: The Making of The Conqueror, tells the story of how the worst movie ever made, a 1956 epic starring John Wayne and produced by Howard Hughes, became a deadly disaster. It was published by Rowman and Littlefield. 

Ryan’s third fiction novel, He’s No Angel, was released in July of 2022. It is an absurdist comedy book satirizing Hollywood and the afterlife.

His first children’s picture book, This is Not My Story, was published by KidsCan Press in June, 2023.

FOR MORE INFORMATION about Ryan or his books, click here or follow him on social media:

Twitter - @R_Uytdewilligen

Facebook – Ryan Uytdewilligen Author

Instagram – RyanUytdewilligen

ORDER THIS BOOK To order a copy of THIS IS NOT MY STORY, click here.

WIN A COPY! Want to win a copy of THIS IS NOT MY STORY!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 13th!

Interview with Debut Author Ratha Tep

Authors + Illustrators, Interviews, Debut Interviews, AuthorsLindsay Ward7 Comments

Happy Thursday Critters! Today we have an interview with author, Ratha Tep, whose debut book, WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, illustrated by Camilla Pintonato, published with Princeton Architectural Press last year. I’m thrilled to have her with us today to talk about her road to publication, process, and debut book!

So without further ado, please welcome Ratha Tep!

Where do you live?

After spending many years in New York City, and a four-year jaunt in Switzerland, I now live in Dublin, in a 180-year-old house by the sea.

When did you know you wanted to write picture books?

I’ve never wanted to be anything but a writer. My parents only read me a handful of picture books when I was a child, though, so I never thought about the genre until I was pregnant with my first child, and was gifted Where the Wild Things Are. That was my first time reading it, in my 30s, and I was blown away. It really opened up a new world, and showed me the extraordinary possibilities of the picture book. The artwork is, of course, phenomenal, but what I love even more is the layered text and its gorgeous rhythm. The book does so much with so few words, and really gets to the heart of a universal experience in a novel way. I’ve wanted to write my own picture books ever since.

Tell us about your road to publication, what did that involve for you?

While I had dabbled with the thought of writing picture books for a few years, life sort of got in the way. My children were still very young, and I was also contributing to the New York Times, and other newspapers and magazines. I would say I first seriously thought about picture book writing in 2019, when I went to London to take a Guardian Masterclass on the subject. I had written one story at that point. But it wasn’t until a year later that I really hunkered down and went “all-in.” I joined SCBWI, and a critique group, and showed my stories to friends for feedback. I got very lucky in that my wonderful agent, Debbie Bibo, saw promise in Wally. She paired me up with the super talented illustrator, Camilla Pintonato, who really brought the manuscript to life. She infused the book with so much energy and humor. Having Wally poke out from the page? Brilliant! 

Can you share a bit about your process?

I don’t think I have much of a process. But I have come to learn that for every great story, there are probably a dozen if not more stories that have led up to it. In the Guardian Masterclass I took, I think it was the writer, Alex Milway, who said that your first story probably won’t be accepted, but maybe your twelfth might be. What I do now is have several different stories going on at once. And whenever I have a kernel of an idea, say, if I’m out doing something with my kids, I’ll email it to myself as a note. Sometimes a spark is all it takes! 

What do you do to shake the rust off or get new ideas?

Listen to my kids! Wally literally came from my older daughter’s first experience with playing the piano at age 6. She started claiming—without seeing anyone else play—that she was the world’s greatest piano player. I thought it was both hilarious and exactly the kind of hyperbolic statement only a kid could make.

Anything you can’t live without while you write?

Make coffee. Emphasis on the making—not drinking. I literally make about five cups of coffee a day because I remember to only drink about a third of each cup before it gets cold.

Any authors and/or illustrators who inspire you?

I run a picture book recommendation site called Max’s Boat where I ask other writers and illustrators this very question, and am always learning about new (and old) books to dig into. There are so many authors that inspire me for different reasons that I don’t even know where to begin! So perhaps I’ll leave it at Maurice Sendak. 

Dream project to work on?

My next book!

Tell us about your debut book.

Wally LOVES playing the piano, and starts claiming—without seeing anyone else play— that he’s the world’s greatest piano-playing wombat. So imagine his surprise when he realizes that there’s another piano-playing wombat who can play better than he can! Wally adds tap-dancing to his routine, then ball-twirling—just to be able to call himself the world’s greatest anything. But this other wombat outdoes him each and every time! Wally deals with the big and complicated feelings of envy and the all too human (or wombat-esque) desire to be the best—in a fun, madcap kind of way.

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

Interior art from WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT by Ratha Tep, illustrated by Camilla Pintonato, published by Princeton Architectural Press

What’s up next for you?

While Wally came out in North America in October, it’s only coming out in Ireland and the UK in April. I’ve never actually seen it in a bookstore yet, so seeing it on a shelf will be a thrilling sight! I also have a bunch of school and library visits lined up, and I’m really excited to finally get to share Wally in person!

And last, but not least, who is your favorite children’s book character?

Amos McGee. I normally love humorous picture books but A Sick Day for Amos McGee is just quietly perfect. And for their cameo roles, the stick insect in Mina by Matthew Forsythe and the family of beetles in The Little Wooden Robot and the Log Princess by Tom Gauld.


Huge thank you to Ratha for stopping by CritterLit today! Congrats on your debut!


RATHA TEP was born in Cambodia and grew up in New York City, where her childhood consisted of, among other things, walking her rabbit on a leash on the concrete sidewalks, and weekly visits to the Children’s Reading Room at the Donnell Library. She went on to get degrees in English and in Economics at the University of Pennsylvania, and has also taken writing workshops and classes at Brown University and the New School.

 Ratha is a frequent contributor to The New York Times. Her work has also appeared in print and online for publications such as The Wall Street Journal, T: The New York Times Style Magazine, Travel + Leisure, Afar, and Food & Wine, where she was an editor for seven years. Ratha has reported from New York, Paris, Milan, London, Zurich and Basel. She is now looking to create new worlds of her own, in which animal characters navigate their foibles and frailties with humor and spirit.

​Ratha is happily settled in a 180-year-old house in Dublin filled with books and creaky floorboards. She loves, in no particular order, Sunday roasts with her family, curling up to read with her girls in the evening (and morning), and weeping willow trees. She recently started Max’s Boat, a picture book recommendation site where writers and illustrators share their favorite titles.
Her first picture book is about a wombat named Wally, who was the World’s Greatest Piano-Playing Wombat, until he realized he wasn’t.

FOR MORE INFORMATION about Ratha or her book, visit her online or follow her on social media:

https://www.rathatep.com/

https://www.maxsboat.com/

Instagram: 

@rathatepbooks

@maxsboat

Twitter:

@sailingwithmax

BUY THIS BOOK To purchase a copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT, click here.

WIN A COPY! Want to win a giveaway copy of WALLY THE WORLD’S GREATEST PIANO-PLAYING WOMBAT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 23rd! US addresses only please.

Interview with Debut Author and Illustrator Becky Gehrisch

Authors + Illustrators, Debut InterviewsLindsay WardComment

Happy Tuesday Critters! This week we have TWO fabulous interviews. Today we have a debut author and illustrator whose book, ESCAPE TO PLAY, released with Bookling Media in 2021. I’m thrilled to have her with us today to talk about her books, creative process, and upcoming projects.

So without further ado, please welcome Becky Gehrisch!

Where do you live?

I live in Delaware, Ohio. It is a picturesque Midwestern small town where I have found an abundance of inspiration for my art!

When did you know you wanted to write/illustrate picture books?

The interest has been stronger at some points in my life than others. When I was thirteen, I participated in a written and illustrated program, creating a picture book for competition. In my book jacket flap about the author, I wrote that I was considering writing and illustrating picture books as a career! It is funny now how it has come full circle!

In high school I focused on marching band and playing the clarinet, but art came back into my life at The Ohio State University. There, I fell in love with fine art and especially illustration and art history. I graduated with an art degree but didn’t quite know what I would do with it. After graduation, and moving to Delaware, Ohio, I began to paint for myself instead of for an assignment. I gave myself permission to create a silly, whimsical illustration of my dogs in the bathtub. That was the beginning of my debut picture book, Escape to Play

Tell us about your road to publication, what did that involve for you?

After completing that silly painting of my dogs, I made another, then another. I felt this could be a great idea for a picture book. However, I needed to learn how the publishing industry worked to make that dream come true. 

I spent years learning from industry experts, authors, and illustrators in the Central and Southern Ohio chapter of The Society of Children’s Book Writers and Illustrators (scbwi.com). In addition, I frequented Twitter writing communities, submitting to critiques, and creating multiple picture book manuscripts. All the while, I continued to prune and polish what would become Escape to Play.

Can you share a bit about your process?

Escape to Play was unique, in that, as my first picture book, I learned a great deal in the process. Ideally, my process is to create a manuscript and then add the illustrations. With my first book, I created some illustrations and then put to words, in poetry, the perspective of three rowdy dogs and their adventure on the farm. 

My acrylic paintings began as an idea. From scratch I would lay out a perspective drawing, adding in elements for the scene- a tractor, a truck, a piano, and a lake. I then built the rest of the world. Adding layer upon layer of acrylic, each painting took roughly 40 hours to create. It was a very long project, but I loved almost every minute!

When I was studying Renaissance art history, I found it fascinating how artists used the triangle in their compositions. With three dogs as my subjects, I placed them on the page to mirror this design dynamic. Other objects in the same illustration are used similarly to pattern the triangle shape.

Interior art from ESCAPE TO PLAY written and illustrated by Becky Gehrisch, published by Bookling Media

What do you do to shake the rust off or get new ideas?

I can always rely on nature to bring inspiration! A breath of fresh air, a walk in the woods, or even relaxing on the front porch will rejuvenate my creativity. In addition, music is my immediate go-to for a pick-me-up. I am not sure how I would get through an artwork and the frustration it brings, without music to carry me along.

I love to be nonsensical. I may have watched Disney’s Alice in Wonderland one too many times, but I thrive on the absurd. Most of my story and illustration ideas either come from dreams or silly sessions with my family. I will say whatever comes to mind and play with those ideas. I often don’t feel like the idea is wholly mine, but rather something that just came to me.

Anything you can’t live without while you write/draw?

I require focus, music, and quiet space to create. Recently, I started posting “trust the process” on my worktable or easel. I tend to forget going into a new piece that it will be a mess for a while before it looks good! An upbeat music playlist is a must. Sometimes a podcast or a movie playing in the background are good enough. A good chunk of time is important, too! If the kids or daytime is too chaotic, I will work late into the night for the best focus. Once I’m in the groove with these things, I am lost in my work and time does not exist.

Any authors and/or illustrators who inspire you?

There are too many to mention, but some of the earliest inspirational author/illustrators are both Chris Van Allsburg and David Wiesner for their realistic and detailed style. Currently, Dan Santat has been a great inspiration in how I plan a picture book layout. 

Dream project to work on?

I am excited to work on a picture book draft that I began in 2017. I won’t say too much about it, but I even took myself to Paris, France, to research the Eiffel Tower. The idea has not let me rest and I will stop in the oddest of places, to write down a new scene for it. The characters swim in my mind and it would be good for me to finally work on it!

Tell us about your debut book.

Escape to Play is a tale of three rambunctious dogs who escape to play while the farmer is away for the day. They explore each farmhouse room and exterior space, making a mess everywhere they go. The reader is left to imagine how the farmer will have to clean their disastrous mischief. 

I included a little mouse, Norman, for kids to find on each page. In addition, there are twelve real-life, classic artworks on the farmhouse walls.

The back pages of the book share the artworks, questions, and art tidbits for kids to learn about! This has been a great element to have added for parents, teachers, and librarians to use for educational purposes.

What’s up next for you?

My publishing company, Bookling Media, will be choosing an author-illustrator to work with to publish their own work this year. In addition, I will work on my own book ideas and continue to teach and present to young and older audiences!

And last, but not least, who is your favorite children’s book character?

My favorite children’s book character as a child were the Berenstain Bears and the little critters. Amelia Bedelia is also amazing. I completely relate to her misinterpretations of things! More current characters that I love are the Pout-Pout Fish and Llama from the Llama, Llama series. I love a relatable character who isn’t perfect.


Huge thank you to Becky for stopping by Critter Lit today! Congrats on your debut!


Becky Gehrisch is an author, illustrator, and entrepreneur. Her debut picture book, Escape to Play, launched in 2021. Between picture book projects, she works as a portrait artist and manages her new publishing company, Bookling Media LLC. When she is not creating art, she speaks at schools, bookstores, and other venues. She is living her childhood dream by creating art and picture books that bring joy to the world.

FOR MORE INFORMATION about Becky and her work, visit her online:

www.gehrisch-arts.com

@GehrischArts (all platforms)

www.booklingmedia.com

@booklingmedia (all platforms)

BUY THIS BOOK To purchase a copy of Becky’s book, click here.

WIN A COPY! Want to win a giveaway copy of ESCAPE TO PLAY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 16th! US addresses only please.

Interview with Author Emma Pearl

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Friday Critters! Today we have an interview with author Emma Pearl who is with us today all the way from New Zealand! I’m thrilled to have Emma with us today to talk about her writing process, start in publishing, and new book, MENDING THE MOON, illustrated by Sara Ugolotti, which came out with Page Street Kids this past November.

So without further ado, please welcome Emma Pearl!

Where do you live?

New Zealand – in a tiny rural community in Taranaki (in the west of the North Island), but I grew up in England and have spent most of my adult life either traveling or ping-ponging between the UK and NZ.

When did you know you wanted to write picture books?

I’ve always written stories. Roald Dahl was my great uncle (and dedicated The Twits to me when I was 7 years old!), so I had plenty of inspiration to become an author! I worked in children’s publishing for a while in my twenties and that reinforced my love of children’s literature, but it wasn’t until I had my own kids that I really began to focus on writing it. I also write middle grade and young adult novels – it just happened that a picture book text was the first one to be picked up by a publisher.

 Tell us about your road to publication, what did that involve for you?

I began writing seriously in 2017, learning the craft and connecting with a wonderful online writing community. I started out writing a YA novel and then an MG, with a smattering of picture book manuscripts in between. I was selected as a WriteMentor mentee in 2020 for my MG novel and that was a huge confidence boost as well as a great learning experience. In October 2020, I entered #PBPitch and got a like for one of my picture books from Kayla Tostevin at Page Street Kids. We did a few rounds of revisions before I received an official book deal. It was all very exciting and unexpected, and I was so humbled and grateful. But it also felt a bit back-to-front – a book deal before I found an agent? I wasn’t sure how to deal with that and imposter syndrome was very real! But I kept plugging away – I focused on picture books in 2021, wrote many more texts and got a second book deal with the same publisher. I was also a WriteMentor mentor in 2021 and 2022 – a joyous experience where I learnt just as much being on the other end of the process. I wrote another YA novel towards the end of 2021 and signed with my agent in June 22. The novel is about to go out on submission!

 Can you share a bit about your process?

I write as often as I can, and I manage to squeeze in at least a couple of hours most days, although it’s not always writing per se – there’s so much peripheral stuff to do and never enough time! I have many different projects on the go at any one time, but when I’m in novel-writing mode I try to focus on that one thing until the first draft is completed.

 What do you do to shake the rust off or get new ideas?

I already have far too many ideas to turn into stories in one lifetime, thanks to many years of collecting them. I also have many projects that I’ve started but not finished, so if ever I feel rusty or lacking in inspiration I just read through my files until something shouts WRITE ME! If you’re struggling to generate new ideas, I recommend Tara Lazar’s Storystorm – it really helps to tune your mind into seeing story ideas everywhere.

 Anything you can’t live without while you write?

A keyboard. I often write notes by hand but the actual drafting has to be done on a computer of some kind. When I’m ‘in the zone’, the words flow from my fingers almost automatically, but that doesn’t happen when I’m writing by hand.

 Any authors and/or illustrators who inspire you?

Pat Zietlow Miller is a masterclass of picture book writing – I’ve learnt so much just by reading her texts. I also love Joanna Ho’s writing, Tom Percival’s books, Deborah Marcero and the O’Hara sisters.

 Tell us about your debut book.

Mending the Moon is the story of a little girl called Luna who sees the moon fall out of the sky one night. She drags her grandfather Poppa out of bed and they go out into the mountain forest where shattered pieces of the moon are glowing in the dark. They try to fix it together, but they need help from the animals before they can repair the moon and get it back into the sky. It’s beautifully illustrated by Sara Ugolotti, who has given it a truly magical setting and atmosphere.

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

 What’s up next for you?

Another story with the same characters will be published in September. In Saving the Sun, Luna, Poppa and the animals on the tropical island where they’re on vacation have to rescue the sun after it gets too hot and decides to go for a dip in the ocean. Sara’s illustrations are stunning again, with the warm summery vibes perfectly complementing the cold wintery mood of Mending the Moon. I’m so thrilled with how it’s turned out and can’t wait to share it!

 I also have a YA novel about to go out on submission, so will be tightly crossing my fingers and toes for that.

 And last, but not least, who is your favorite children’s book character?

I think it has to be Matilda. I’ve always felt a great affinity with her for many reasons (not least that I think my great uncle may have based Miss Trunchbull loosely on one of my teachers!). Matilda is such an inspirational, strong female character – she’s clever, kind and brave. And of course, she’s a bookworm, which may be the reason for her extraordinariness and also makes her very relatable (to me anyway!).



Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see SAVING THE SUN!


EMMA PEARL has written stories for as long as she can remember. She grew up in the UK, traveled the world and now lives with her family in New Zealand. Mending the Moon (illustrated by Sara Ugolotti, published by Page Street Kids) is her debut picture book. The sequel Saving the Sun will be published in September 2023. Emma also writes middle grade and young adult, is a WriteMentor picture book mentor, freelance editorial consultant, and is represented by Sera Rivers at Speilburg Literary. 

 FOR MORE INFORMATION follow Emma online:

Website: emmapearlauthor.com

Twitter: @emmspearl

Instagram: emmspearl

Mastodon: @emmspearl@mastodon.nz

BUY THIS BOOK To purchase a copy of Emma’s book, click here.

WIN A COPY! Want to win a giveaway copy of MENDING THE MOON?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 9th! US addresses only please.

Interview with Debut Author Megan Litwin

Authors, Debut InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Can you believe it’s December 1st?! Where did the year go? We are in the final stretch of interviews for 2022, with just three left! Today we are starting off December with author Megan Litwin, whose debut picture book, TWINKLE TWINKLE WINTER NIGHT, illustrated by Nneka Myers just released in September with Clarion Books. I’m thrilled to have Megan with us today to kick off the last month of the year with a perfectly cozy and seasonal title.

So without further ado, please welcome Megan Litwin!

Where do you live?

I live in a lovely New England town about 45 minutes west of Boston. 

How many years have you been in publishing?

That depends on how you look at it! I joined SCBWI and started attending conference and critique groups in 2016. So, on one hand, it has been about 6 years of being “all-in” on my goal of publishing picture books. But before that, way back in the year 2000, I went to Simmons University for graduate school because of their amazing and unique program in Children’s Literature. After graduation, I went directly into teaching, but also published a dozen work-for-hire books in the educational market and continued to keep an interested eye on the children’s book world. I guess you could say I have danced in and out of publishing for 20 years now!

How did you first get published?

My publishing story is a happy slush pile one. After deciding it was time to find an agent, and after all the necessary research, I got ready to send out round one queries. I sent my very first, pie-in-the-sky query to Steve Malk at Writers’ House – someone I respect and who, I think, holds a lot of respect for picture books specifically. So obviously I was over-the-moon thrilled when he responded with a kind and personal email. He ended up connecting me with his colleague Lindsay Auld, who also shared a number of important values with me, and we went out on submission that same season. However, that manuscript, despite quite a few close calls, never sold. It wasn’t until our second submission that I landed my first book deal – this book we’re talking about today. 

Do you write full-time?

I do write full-time. But I also spend time visiting schools, both to celebrate reading and to offer classroom-based workshops on writing and revision and all sorts of things. I’m an author, but I’m very much a teacher-at-heart.

What inspired you to create picture books?

I LOVE picture books. Picture books are truly unique – a mix of story and art and theater and music. I love ALL those things! They also often hold some sort of emotional truth at their core, and as an emotional person with big feelings, picture books have always appealed to me. 

What is your favorite thing about being an author?

Being on the inside of the book-making process is just the most fascinating thing. I loved every step of the two-year journey making this book once the contract was signed. Seeing early sketches, watching details change, moving text around for perfect page turns, thinking about cover art and jacket copy and the DEDICATION (oh my goodness, was there ever a harder writing assignment?) – each step was thrilling. It is a truly collaborative process with the illustrator, editor, designer (and many more hands), and I just found the whole thing magical. I’ve always thought of myself as a team player, and making books is a very cool kind of teamwork!

What do you find difficult working as an author?

Controlling my book-buying urges! I spend a lot of time in libraries and bookstores, surrounded by beautiful books, and also reading book reviews and blogs and articles about all the best new books. I want ALL THE BOOKS! And I certainly buy plenty. But I do have to draw the line somewhere, and so I also look for other ways to support good books like writing reviews or telling others or taking it out of the library. Managing my book love is like a part-time job! ☺ 

What do you do to shake the rust off or get new ideas?

Getting outside is my go-to. I might take my dog for a walk or bring my notebook out to my porch. There is something about letting my mind wander out in nature, with all the sounds and smells, that opens things up for me creatively.

Anything you are habitual about when it comes to creativity?

I’m a morning writer, and it starts with coffee, a candle, and turning on the jar of twinkly lights that sit on my desk. I call them my “thinking lights” and I originally started using them during the remote-school phase so that my kids had a visual of when I was in “deep work” mode and was hoping not to be disturbed. But then I liked them so much (and the visual actually helped remind ME to stay focused), so I kept them around! 

Recommended reading?

My three favorite craft books that sit near my writing desk are Bird by Bird by Anne Lamott, On Writing by Stephen King, and Big Magic by Elizabeth Gilbert. I reread parts of them all the time whenever I need a little inspiration on the journey.

What has been the highlight of your career thus far?

The launch party for Twinkle, Twinkle, Winter Night at nearby bookstore An Unlikely Story was something I’ll never forget. That bookstore is such a special place to me – over the years I’ve spent time browsing the shelves (with magical brooms and books dangling from the ceiling overhead), writing and dreaming and meeting with other writers in the café, and attending events on their second-floor event room with authors and illustrators I admire. So then standing on the same stage where I saw kidlit greats like Matt de la Pena and Christian Robinson, Chris Van Dusen, Megan McDonald, and store owner Jeff Kinney himself…it was literally a dream coming true. 

What is something you wish someone had told you when you first started writing?

Well, someone DID tell me (way back in 2007 when I took a local writing class called “So You Want to be a Children’s Book Writer”), but I wasn’t ready to listen. The instructor told us about SCBWI and though it sounded interesting, I felt too busy with teaching and life and thought I would just continue writing on my own. I didn’t realize how important a writing community would be. I ended up joining SCBWI and a local writer’s group and attending events many years later in 2016, and made immediate strides forward. More importantly, I remember feeling like I had found my people – and that goes a long way toward sustaining creativity and resilience in this field. 

Can you tell us about your newest book?

Twinkle, Twinkle, Winter Night is a celebration of wintertime magic. A slight twist on a familiar song, the refrain says it all: “Twinkle, twinkle, winter night. Everywhere you look’s there light.” It was inspired by a cold, dark nighttime drive one December with my own children, when they were suddenly mesmerized by all the magic around them. No matter what you celebrate or how you do so, the world shines bright for all to see. I’m hoping this inclusive and poetic ode to the season of lights, with luminous and festive artwork from Nneka Myers, is one children will want to read again and again.

Interior art from TWINKLE TWINKLE WINTER NIGHT by Megan Litwin, illustrated by Nneka Myers, published by Clarion Books, September 2022

Interior art from TWINKLE TWINKLE WINTER NIGHT by Megan Litwin, illustrated by Nneka Myers, published by Clarion Books, September 2022

What’s up next for you?

Right now, I’m reading and celebrating Twinkle, Twinkle, Winter Night all around Massachusetts – ‘tis the season! Then in February, I have the first of two early readers coming out. Dirt & Bugsy: Bug Catchers, illustrated by Shauna Lynn Panczyszyn and published by Penguin Young Readers, is about two best buds who catch all kinds of bugs together. It is based on some real-life bug-tastic adventures in my household, but more importantly, I got to combine my teacher and writer hearts to create a story that would be just-right for budding readers. I also recently signed a second picture book contract, and we’ve got another on submission, so stay tuned!

And last, but not least, who is your favorite children’s book character?

MUDGE! I love so many literary dogs, but Mudge from Cynthia Rylant and Suçie Stevenson’s beloved Henry and Mudge series is my all-time favorite. Big, sloppy, sweet, lovable, and the most loyal best friend you could ever ask for.


Huge thank you to Megan for stopping by Critter Lit today! Congrats on your wonderful debut!


MEGAN LITWIN is a children’s book author, a former classroom teacher, and a forever believer in book magic. She holds a Master of Arts in Children’s Literature from Simmons University and lives in Massachusetts with her family.

FOR MORE INFORMATION about Megan or her books, visit her online or follow her on social media:

Twitter: @Meg_Litwin

https://twitter.com/Meg_Litwin

IG: @meganlitwinbooks

https://www.instagram.com/meganlitwinbooks/

BUY THIS BOOK To purchase Megan’s book, click here.

WIN A COPY! Want to win a giveaway copy of TWINKLE TWINKLE WINTER NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, December 8th! US addresses only please.

Interview with Author Amy Baron

Authors, Debut InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have our second post of the week, an interview with author Amy Baron, whose debut picture book, THE GENTLE BULLDOZER, illustrated by Rogério Coelho, published with Yeehoo Press in August. This story features a gentle giant with a fantastic art and story. I’m thrilled to have Amy with us today to talk about her road to publication, process, and debut book.

So without further ado, please welcome Amy Baron!

Where do you live?

I live in Cambridge, Massachusetts. I’m originally from Florida, but have lived in the Boston area for the past fifteen years.

How did you first get published?

After submitting my manuscript to publishers and literary agents, I was thrilled to hear back from Zhiqiao Wang, an editor at Yeehoo Press, saying he liked the manuscript! Zhiqiao asked me to revise a few parts, which I did. We emailed back and forth a few times, and the manuscript kept growing stronger. I could tell he believed in the story, and it meant so much to me.

Prior to this manuscript, I had pitched several young adult novels and picture books to literary agents and publishers without success. In hindsight, the novels weren’t quite query-ready anyway.

Do you write full-time?

I’m an optometrist, but I’m currently home with my two kiddos. I write full-time when I’m not busy with them.

What inspires you to create picture books?

I think there’s something magical about a picture book that has layers of depth. It might mean one thing to a four-year-old, and something different to a five or six-year-old, and something different to an adult. If a picture book can do all that while staying short and fun, I’m hooked.

What surprised you the most working as an author?

How much I learned by going through the process of development editing, line editing, and copy editing with the team at Yeehoo Press. It made me a better writer, and I’m able to bring those skills to future projects.

What is your favorite thing about being an author?

At my book launch event, the kids in the audience were eager to participate and answer questions. It was so rewarding. The wonderful illustrator, Rogerio Coelho, definitely hooked the readers on his book with his amazing artwork, too. I wish he could have been there!

What do you find difficult working as an author?

I’m prone to self-doubt, like “who am I to write a book?” I remind myself that if you love doing something, your enthusiasm will shine through and others might just love it, too ;)

What do you do to shake the rust off or get new ideas?

Spend time with my kids. They have such creative minds. When I hear the specific things they remember—what actually stood out to them about an activity or a day—I realize their view of the world is different than mine.

Can you share a positive experience you’ve had in the Kid Lit community?

Prior to getting a book deal, I wasn’t on social media at all. In some ways I think that was cool—I wrote THE GENTLE BULLDOZER for fun, without worrying too much about it.

I joined the Kid Lit community after receiving an offer of publication. I found it really supportive and I learned a lot from other writers. I’m lucky to have a few writer friends in real life, too, and it’s nice to talk to them about the whole process of writing and marketing a book. I really enjoy those friendships.

Recommended reading?

I love reading middle grade. My favorite book is There’s a Boy in the Girl’s Bathroom by Louis Sachar. I’ve had the same copy for over thirty years. I can still remember the parts of the book that stuck with my as a child—even some of the character descriptions. Some of my newer favorite middle grade authors are Tae Keller and Sarah Allen. I definitely go for books with heart.

What has been the highlight of your career thus far?

When I opened my email, and saw Rogerio’s first illustration for the book. It was beautiful! I loved how expressive Bulldozer was.

What is something you wish someone had told you when you first started writing?

Your writing skills will improve naturally over time, with practice. Writing is never wasted because it’s all practice.  

Can you tell us about your book?

THE GENTLE BULLDOZER is about an unfulfilled bulldozer living at a construction site with his family. He’s capable of destroying, but he doesn’t enjoy it. He sets off on a journey, and by the end…drum roll…he finds his true calling. He shares this new passion with his family, and together, they create something amazing!

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

Interior art from THE GENTLE BULLDOZER written by Amy Baron, Illustrated by Rogério Coelho, published by Yeehoo Press

What’s up next for you?

I’m writing a middle grade novel for children eight through twelve. The working title is FEROCIOUS. It’s pretty messy right now, and will likely take a bunch of drafts, but I’m excited about it.

Anything else you’d like to share with aspiring authors and illustrators?

Celebrate your accomplishments, no matter how small. Finishing a rough draft, or even a chapter, or finding that missing piece of your character’s arc…that’s all good stuff.

And last, but not least, favorite 80s movie?

When Harry Met Sally because I love the dialogue. Or Ferris Bueller’s Day Off! You can’t make me pick just one.


Huge thank you to Amy for stopping by Critter Lit today! Congrats on your debut!

AMY BARON fell back in love with her childhood hobby of writing while reading stories to her kids. Now she's excited to introduce her debut book to the world. Amy is an optometrist, but she promises not to recite children's stories during your eye exam. Born and raised in Florida, she now lives in Cambridge, MA with her husband and their children.

FOR MORE INFORMATION about Amy, visit her online: www.amybaronbooks.com or follow her on social media: Twitter: @amygbaron

BUY THIS BOOK To purchase a copy of THE GENTLE BULLDOZER, click here.

WIN A COPY! Want to win a giveaway copy of THE GENTLE BULLDOZER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 3rd! US addresses only please.

Interview with Author + Illustrator Berrie Torgan-Randall

Authors, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today I’m interviewing a fellow Syracuse alum, and I’m so thrilled to have her with us today! Berrie Torgan-Randall’s debut BELLA & BLUE: BELLA MEETS BLUE is the first in a new graphic early reader series with Blue Bronco Books, Jr., which just released this month. I love the art and limited palette for this series, it’s incredibly sweet and charming.

So without further ado, please welcome Berrie Torgan-Randall to Critter Lit!

Where do you live?

I live in a small town, Media, southwest of Philadelphia, PA. It’s a lovely Philly suburb with a thriving downtown with shops and restaurants. Water is pronounced “Wooder” and you can order a cheesesteak “Wit or Witout (cheez whiz).”

When did you know you wanted to write and illustrate picture books?

I loved everything about art class – the burlap and glue collages, the linoleum prints, and the smell of the Tempera paint. In pursuit of this passion, I went to art school where I took all sorts of fine arts classes. I loved being in the art room, and there was one other special place where I loved to be—the school library. After working odd jobs after art school that weren’t very gratifying, I reconsidered my career options and remembered the joy of my time spent in the school library. I went to grad school to become an elementary school librarian.   

Being a librarian is my bread and butter, a profession that I love. However, my true passion is illustrating and writing children’s books.  It wasn’t until later after my kids went to school did I really pursue my dream of writing and illustrating for children.

Tell us about your road to publication, what did that involve for you?

Every Monday (sometimes it’s a Tuesday), I participate in a self ritual of “Marketing Monday” where I send out a portfolio query. Most often I hear crickets from my queries but one day I got a, “yes, we are interested in having you write and illustrate an early reader graphic novel.”

Can you share a bit about your process?

I set a timer for six minutes and write down as many ideas as I can in my sketchbook. I choose one or two of the ideas and then sketch very loose thumbnails on a storyboard. I write a script to go along with the thumbnails so that my editor can figure out the sketchy thumbnails. Once the script and thumbnails are approved, I start working on the character sketches and tighten up my thumbnail sketches. 

What do you do to shake the rust off or get new ideas?

I don’t allow my mind to stew and obsess about a story. Allowing only six minutes for an initial idea helps my ideas stay fresh. That being said,  I have several manuscripts that I have stewed over which are now shelved and waiting for me to see them with fresh eyes.

Anything you can’t live without while you write/draw?

Podcasts. My favorites are mysteries, docudramas, swindlers, and sci-fi. 

Any authors and/or illustrators who inspire you?

Melissa Iwai, Dan Santant, Judy Byron Schachner, Patrice Barton, Jennifer Hansen Rolli, Monica Carnesi, Michael Rex, Jennifer E Morris, Zachariah Ohora, Maurice Sendak, Steph Fizer Coleman, to name a few!

Dream project to work on?

I would love to illustrate and write an early chapter book - much like the Owl Diary series and to write and illustrate a book for babies and toddlers. I would also love to license my illustrations and my surface pattern designs so that I can see my illustrations on cards, fabrics, and gifts. I would love to illustrate for Highlights Magazine and continue receiving assignments for Ladybug Magazine. Oh and I like to garden so I would like to have a flower garden with flowers that are showie and beautiful and give away bouquets to everyone - currently my garden is a deer smorgasbord.

Tell us about your debut book.

Bella & Blue: Bella meets Blue  is a graphic early reader series that celebrates life's everyday struggles, silliness, and surprises. Eight year old Bella has anxiety. Small things aren't so small for Bella. But with the help of her colorful dog, Blue, and her grandma, Gigi, who has a flair for all things French and over-the-top hats, Bella can handle every day's twists and turns. Blue is the companion children dream of having. He's the therapy dog that plays paddy-cake to calm Bella's nerves & take away her blues. Celebrate the beauty of being blue, in this first of the graphic early reader series, Bella & Blue. Book 1 contains 3 short stories, perfect for the stamina of emerging readers ages K-3rd grade.

Sample art from BELLA & BLUE: BELLA MEETS BLUE written and illustrated by Berrie Torgan-Randall, published by Blue Bronco Books, Jr.

What’s up next for you?

I  have a six-panel illustration in the Nov/Dec issue of Ladybug Magazine. I will continue to query my art and stories and put myself out there on “Marketing Monday - sometimes Tuesday.” Also, I will plan and dream about next year’s garden.

And last, but not least, favorite 80s movie?

The Breakfast Club - I was (and still am) the Ally Sheedy character - weird by lovable.


Huge thank you to Berrie for stopping by Critter Lit today! Congrats on your debut!


BERRIE TORGAN-RANDALL has been passionate about children’s literature since she was a little girl and has fed her desire by becoming a children’s librarian and by pursuing a career as an illustrator and writer of children’s books. Berrie studied at Syracuse University earning a BFA in Media Arts and Surface Pattern Design. Pursuing her desire to work with children, she returned to school and earned a Masters Degree in Information Studies at Drexel University. As a teacher/librarian and mother of three, Berrie has created and developed her stories drawn from real-life experiences and her imagination. Berrie is the Illustrator Coordinator for Eastern Pennsylvania Society of Children’s Book Writers and Illustrators (SCBWI) where she coordinates events and classes for illustrators. Bella & Blue is Berrie’s debut early reader graphic novel.

FOR MORE INFORMATION about Berrie, visit her online at www.berrietr.com or follow her on social media:

Twitter | Instagram

ORDER THIS BOOK To order a copy of BELLA & BLUE: BELLA MEETS BLUE, click here.

WIN A COPY! Want to win a copy of BELLA & BLUE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 13th! US addresses only please.

Interview with Author Kimberly Wilson

Authors, Interviews, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! I’ve been in the blackhole of deadlines for the past few weeks— but I’m thrilled to be back this week with an interview with author Kimberly Wilson. I was lucky enough to read Kimberly’s manuscript a couple years ago as a Critter Lit critique submission— and now it’s a published book! (Congrats Kimberly, we are so excited for you!). A PENNY’S WORTH, illustrated by Mark Hoffmann, published by Page Street Kids just released in April. Don’t you just love when things come full circle like that?!

So without further ado, please welcome Kimberly Wilson!

Where do you live?

I’ve lived in Charlotte, NC, for almost 22 years, but I grew up in Upstate NY.

When did you know you wanted to write picture books?

I knew I wanted to write from the time I was in third grade. Inspired by reading L.M. Montgomery’s Anne of Green Gables, I spent many days outdoors, pouring my imagination onto the paper. My favorite subject in high school was English and I continued studying creative writing through college. Though it wasn’t until my girls were born that I experienced a spark of interest in picture books. 

Tell us about your road to publication, what did that involve for you?

A decade after that initial spark, I finally decided to dive into following my dream. That’s when I joined the SCBWI, took every picture book craft class I could, found my amazing critique groups, and began attending conferences. In fact, a critique for A Penny’s Worth at the SCBWI NJ Conference in June 2019 turned into an R&R with Page Street Kids. And a few rounds of revision later, it became an offer! After four years of working full time on writing, revising, critiquing, and querying, my debut picture book hit the shelves!

Can you share a bit about your process?

I like to start with a pitch. This way, I have all the elements of the story formulated before I begin writing––character, setting, problem, stakes, solution, and the hooks. Sometimes this can evolve over the course of months, and other times it comes quickly. Once I have it fleshed out, I paste it at the top of the page and refer to it while I write my first draft and all the way through revision.

I’m also a list maker, so I write down every pun and idiom I can find about my topic so I can puzzle piece them into the manuscript as I write. Many times, I add too many and end up cutting some later––but at least I’m never short on this type of word play!

The first draft is my biggest challenge! I do a lot of legwork before I’m able to get my story on the page (75% preparation, 25% procrastination). It also really helps to have a critique meeting on the calendar to give me a deadline.

Revision is my favorite part of the process. I love layering in the emotional arc, sneaking in educational tidbits, and infusing characters with their own unique personalities. Writing and revising dialogue is so much fun!

What do you do to shake the rust off or get new ideas?

I have several go-to moves to get my brainstorming juices flowing. I either head outside for a walk, dive into an online pun and idiom search, or take a shower (this one is the clear winner!).

Anything you can’t live without while you write?

The biggest must-have, without a doubt, is coffee. My most-used tools are a Thesaurus, the Idioms by Free Dictionary site, the Charlotte Mecklenburg Library app, my bookshelf, and my TUL colored gel pens. 

Any authors and/or illustrators who inspire you?

I could go on all day answering this question! 

I’m so lucky to be in a community with super-talented critique partners and an incredible debut group who inspire me daily.

I’ve always been captivated by Ame Dyckman’s humor. Reading books like Misunderstood Shark, Dandy, and You Don’t Want a Unicorn made me realize one of my goals is to make kids giggle through my writing. 

I also connect with books like Ben Clanton’s Rot, The Cutest in the World! and Jory John and Pete Oswald’s The Good Egg. I really love reading and writing about anthropomorphized inanimate objects! 

Some mentor texts I admired while writing A Penny’s Worth were Linus the Little Yellow Pencil, by Scott Magoon, Eraser, by Anna Kang and Christopher Weyant, Brick: Who Found Herself in Architecture, by Joshua David Stein and Julia Rothman, and Oliver: The Second Largest Living Thing on Earth, by Josh Crute and John Taesoo Kim. The last two have an informational spin, another thing I enjoy including in many of my manuscripts.

Dream project to work on?

Gosh, every project is a dream to me! I have an informational manuscript with a twist that is very close to my heart, and another one in the works. I find it’s these connections with stories that make them dream projects for me. It’s also a goal of mine to collaborate on a humorous early graphic novel series. It’s such a fun genre––and I get a kick out of writing the dialogue!

Tell us about your debut book.

A PENNY’S WORTH (Page Street Kids), illustrated by Mark Hoffmann, is a pun-filled story of a shiny new cent who feels like a million bucks. But when she’s told she’s not enough to slot-surf like Quarter or even pay for penny candy like Dime, she begins to doubt her value. Refusing to be short-changed, Penny sets out to find her purpose at any cost and ends up learning an important lesson about self-worth in the process. 

The story also incorporates beginner money-math as well as back matter filled with penny fun facts and history, money equivalents, and resources to learn more.

What’s up next for you?

A DOLLAR’S GRAND DREAM (Page Street Kids), also illustrated by Mark Hoffmann, hits shelves spring 2023. In this punny sequel to A Penny’s Worth, Big Bill is a wranglin’ change makin’ dollar. Until he learns about the glitz and glamour of the grand life and wishes he were bigger. But when he gets his wish, he realizes livin’ large might not be as one-derful as he thought. Sprinkled with humor and money math (and more puns!), readers will learn about place values and the age-old lesson that the grass is not always greener on the other side.

And last, but not least, favorite 80s movie?

As you wish (haha!)––The Princess Bride––hands down!


Huge Thank you to Kimberly for stopping by Critter Lit today!


Kimberly Wilson’s prized childhood possessions included a butterfly Trapper Keeper full of her stories, an overflowing bookshelf, and a pocket thesaurus. But it took many years (and a couple careers) before she pursued her dream of writing for children. A lover of puns and wordplay, Kimberly enjoys mixing humor, heart, and educational details into her writing. A PENNY’S WORTH (Page Street Kids), illustrated by Mark Hoffmann, is her debut picture book. The sequel, A DOLLAR’S GRAND DREAM, releases in 2023. Kimberly lives in North Carolina with her husband, two daughters, and their puppy.

FOR MORE INFORMATION about Kimberly, visit her online or follow her on social media:

Website: www.kimberlywilsonwrites.com

Twitter: @authorkimwilson

Instagram: @kimberlywilsonwrites

Goodreads: @kimberlywilsonwrites

ORDER THIS BOOK To order a copy of A PENNY’S WORTH, click here.

WIN A COPY! Want to win a copy of A PENNY’S WORTH?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 23rd! US addresses only please.

Interview with Author Cindy Williams Schrauben

Authors, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with author Cindy Williams Schrauben! Her debut picture book, THIS COULD BE YOU, illustrated by Julia Seal, publishes this month by Cardinal Rule Press. I’m thrilled to have Cindy with us today to chat about her new book, road to publication, and process.

So without further ado, please welcome Cindy Williams Schrauben!

Where do you live?  

I have always lived in Michigan – I love it from May through October, but the rest of the year, I question my sanity. Winter is not my friend.

 When did you know you wanted to write picture books? 

I have ‘wanted’ to write books for kids since college, but I didn’t take serious steps to make it happen until about 8 years ago. 

 Tell us about your road to publication, what did that involve for you?

The journey involved a great deal of patience and perseverance – not my biggest strengths. When I became an empty nester, I decided it was time to strive for my own dreams and seriously work toward publication. I attended conferences, took online classes, and lots of workshops. I read, listened to podcasts and above all else, connected with other authors. I can honestly say that without the kidlit community and their generosity I would not have stuck with it. Like many of us, I started submitting my work way too early (before it was ready), continued to hone my stories, and swallow the rejections. I submitted This Could Be You to Cardinal Rule Press in 2021 and secured my second agent shortly after.

 Can you share a bit about your process?

My writing process is a bit chaotic – completely driven by the passion to write. I tend to get excited about an idea and run with it. I have way too many ideas and the next shiny thing that pops into my head often takes precedence. I will say, though, that I think this is why writing is so therapeutic for me; when I’m writing, the rest of the world disappears – that can be a good thing and a bad thing. As far as specifics go, I write on a laptop, in my quiet office surrounded by books (and way too much clutter). 

 What do you do to shake the rust off or get new ideas?

Ideas are never a problem for me – I have lists coming out my ears. Sticking with a manuscript when I get stuck is the hard part. My biggest struggle is plotting. I want to just write without planning and that often gets me in trouble. When I am really struggling I read other picture books, do critiques for others, read blogs and listen to podcasts to get inspired. But, more often than not, I drop a manuscript for a while and move on to another story until inspiration strikes and I can revisit it.

 Anything you can’t live without while you write?

Coffee and quiet.

 Any authors and/or illustrators who inspire you?

Oooh, so many. I have so many friends who are published authors and are my true inspirations. I would never have achieved this dream without them, but I wouldn’t dare list them for fear of forgetting someone. This community is amazing and I can’t wait to start giving back. Historically, I have always loved Jack Prelutsky. His humor and rhyme delight me. Maybe that’s why my favorite stories to write are funny, punny, and rhyming. 

 Dream project to work on?

I would love to write a PB biography of an inspiring kid – I’m hunting for ideas. 

 Tell us about your debut book.

My debut picture book, This Could Be You, illustrated by Julia Seal will be released on April 1, 2022. Words for believing in yourself are the stars of this picture book that empowers children of all abilities and backgrounds to not only believe in themselves but to be strong and resilient in the pursuit of their dreams. A teacher, a scientist or an activist - could this be you? Through lyrical rhymes and vibrant illustrations, This Could Be You says yes, it very well could be. 

Interior Art from THIS COULD BE YOU by Cindy Williams Schrauben, Illustrated by Julia Seal, published by Cardinal Rule Press

 This Could Be You will sit comfortably on your shelf alongside other empowering books such as I Promise (by LeBron James) and I Can Do Hard Things (by Gabi Garcia). The full-color jacket is a reversible, 22 x 36 poster perfect for inspiring kids in the classroom and home with positive messages!

A free Reader’s Guide which contains interactive lesson plans that encourage children to adopt a growth mindset over a fixed one is available for free download from the publisher website.

 What’s up next for you?

I have always wanted to illustrate my own picture book. Even if it never happens, I am enjoying the journey. I am also in the process of developing a program I call Partners in Literacy in which local businesses can sponsor school visits by purchasing a book for each child. I’m really excited to kick this off after my release.

 And last, but not least, favorite 80s movie?

Footloose – music, dance, and a rebel!


Huge thank you to Cindy for stopping by Critter Lit today! Congrats on your debut!


Cindy Williams Schrauben lives in Michigan where she writes books for kids that range from the truly serious to the seriously silly. Before embarking on this path, she held positions as a preschool administrator, teacher, and assistant director of a children’s museum -- always striving to empower kids. When not writing, Cindy might be found dissecting her grandsons’ shenanigans for story ideas, reading on the floor in the bookstore, or eating ice cream… ideally all at once. 

FOR MORE INFORMATION about Cindy or her work, visit her online.

ORDER THIS BOOK To order a copy of THIS COULD BE YOU, click here.

WIN A COPY! Want to win a copy of THIS COULD BE YOU?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 21st! US addresses only please.

Interview with Debut Author Sarah Bagley Steele

Authors, Interviews, Debut InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview with author Sarah Bagley Steele, whose debut picture book, THE HAPPIEST KID, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai, releases with Yeehoo Press this month. I’m thrilled to have Sarah with us today to talk about her new book, writing process, and start in kidlit.

So without further ado, please welcome Sarah Bagley Steele!

Where do you live?

Brooklyn, NY.

How many years have you been in publishing?

I started writing picture books in 2017 and sent out my first query almost exactly four years ago. 

How did you first get published?

The Happiest Kid is my debut book and I sold it directly to the publisher, Yeehoo Press. I submitted it in February 2020 after reading they had an interest in children’s books about emotions. In June 2020, I received a revise and resubmit request from my future editor, along with the most helpful, insightful feedback that led me to an “aha!” moment with the manuscript. I tore through a revision, sent it back, and received an offer the following month. 

Do you write full-time?

I do. I produced theater for many years and pivoted to writing for children when my company shuttered. It was always a dream of mine, and I was fortunate to have a window of time where I could pursue it. 

What inspires you to create picture books?

I love the shared experience of a picture book, both for the creators and the readers. Picture books are usually read together – parents reading to children in bed, teachers to classrooms. There’s a ritual to picture book reading that I find very moving. As a writer, I’m inspired by the way the illustrations and the text dance together to tell a complete story. 

What surprised you the most working as an author?

The timeline surprised me. There was a busy period with a lot of activity and back and forth with my editor, then long stretches of quiet once the text was set. It made me appreciate even more just how much work and time goes into creating a picture book. 

What is your favorite thing about being an author?

I love the moment when I first think of a new story idea and my mind starts racing with possibilities. It never gets old.

What do you find difficult working as an author?

Finishing a first draft. I enjoy rewriting, but the initial process of getting something new down on paper, however messy and imperfect – and with an ending – is always hard. 

What do you do to shake the rust off or get new ideas?

I love a good, long walk in the park, quietly thinking and looking at the world. I like to work stories out in my head before I ever start typing. I walk, and I mutter to myself. 

Anything you are habitual about when it comes to creativity?

I like to write in silence, which often means I work at late at night once everyone has gone to bed. My husband and children love to listen to music while they work, but I can’t do it. I have difficulty writing in cafés or crowded library reading rooms. I think I just get easily distracted!

Can you share a positive experience you’ve had in the Kid Lit community?

Being on Critter Lit is a positive experience! Thank you so much for having me. The willingness of Kid Lit creators to support and lift each other up has been so inspiring and I hope to carry that forward. 

Recommended reading?

I love a good bedtime story, and Goodnight Ganesha by Nadia Salomon and illustrated by Poonam Mistry has such beautiful language and rich cultural details, and the artwork is stunning. My whole family was fascinated by the nonfiction picture book Battle of the Butts by Jocelyn Rish, illustrated by David Creighton-Pester, about how animals use their behinds for evolutionary advantages. And in middle grade, a recent favorite was The Wolf’s Curse by Jessica Vitalis, which was magical and mythic and dreamy and had me feeling all the feels. 

What has been the highlight of your career thus far?

Last week the preorders of The Happiest Kid began arriving and my friends and family kept texting me photos – my father proudly holding the book, my best friends’ children sitting together on the floor reading it. My daughter asked me to sign her book. Sharing something from your heart with the people you love is hard to beat. 

What is something you wish someone had told you when you first started writing?

Do your research. Join Julie Hedlund’s 12x12 Picture Book Challenge, join SCWBI, join the KidLit411 Facebook Group, follow writers you like on Twitter, read the deal announcements in Publishers Weekly. There are so many wise and generous creators out there willing to offer advice and answer your questions, but first you have to ask them.  

Can you tell us about your newest book?

The Happiest Kid, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai, is about a happy kid who wakes up one morning not feeling happy. Where she normally sees a bright sun, there is now a cloud. She doesn’t know why it’s there, but she doesn’t want anyone to see it—not her parents, not her teacher, and not her friends—so she hides it away. She stuffs it in her pocket, and zips it in her backpack. But as the day goes on, the cloud grows too big and heavy for her to carry, and she must find the courage to let it out. It’s a reassuring book about big feelings and understanding that everyone feels sad sometimes, and that’s okay. 

Interior art from THE HAPPIEST KID by Sarah Bagley Steele, illustrated by Elsa Pui Si Lo and Clarice Yunyi Cai

What’s up next for you?

I’m getting ready to submit a new picture book and am also determined to return to the unfinished middle grade manuscript that keeps haunting my dreams. 

Anything else you’d like to share with aspiring authors and illustrators?

Something that I still struggle with is knowing when to keep working on a manuscript that isn’t getting any bites, and when to move on to something new. It’s important to believe in your work, but also to keep growing and moving forward.  

And last, but not least, favorite 80s movie?

Adventures in Babysitting. Please tell me I’m not the only one who used to lip sync along to the opening scene with a hairbrush microphone!


Huge thank you to Sarah for stopping by Critter Lit today! Congrats on your debut!


Sarah Bagley Steele is a children’s author who loves stories of all kinds that not only make you feel, but help you see the world differently than when you began. 

Before turning her attention to her own writing, Sarah worked in the theater industry, developing new plays and musicals off Broadway. She founded a summer theater company in Pennsylvania and produced ten seasons of free Shakespeare in the Park. 

Sarah lives in Brooklyn, NY with her husband, two children and rascal puppy. When not writing, she loves reading, cooking, and crafting of all sorts. On her Instagram feed @sarah.writes.for.kids she shares book recommendations, and activity and craft ideas. You can also find her at www.sarahbagleysteele.com.

BUY THIS BOOK To order THE HAPPIEST KID, click here.

WIN A COPY! Want to win a copy of THE HAPPIEST KID?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 17th! US addresses only please.

Interview with Author Ray A. Price

Authors, Debut InterviewsLindsay Ward2 Comments

Happy New Year Critters! We are officially back for 2022! We have a ton of fantastic interviews scheduled this year that I’m so excited to share with you all! I actually just filled our last interview slot for 2022 last week so anyone looking to schedule an interview with us for 2023 please feel free to reach out to me at lindsay@critterlit.com.

To kick off the new year we have an interview with self-published author Ray A. Price! I’m thrilled to have him with us today to talk about his new book, MY BROTHER IS A WEREWOLF, illustrated by Sam Aston, his road to publication, and his creative process.

So without further ado, please welcome Ray A. Price to Critter Lit!

Where do you live?

I live in Washington Pennsylvania. It’s about 25 minutes away from Pittsburgh Pennsylvania.

How many years have you been in publishing?

I have been in publishing for a year. 

How did you first get published?

I published my first story independently in 2020.

Do you write full-time?

No.

What inspires you to create picture books?

At first, my inspiration came from my daughter. When she was younger, I would guest read for her classroom. I would buy a picture book and cookies for the class. After I did this a few times my daughter looked at me and said, “Dad I know you used to write plays for stage in college, can you write a story for me?” It was a challenge I accepted. I wanted to tell stories that she would be proud of but also relatable. 

What is your favorite thing about being an author?

My favorite thing is how my stories resonate with others. The feedback from reviews or the pictures from kids holding my book is just amazing. The hard work is definitely worth it. 

What do you find difficult working as an author?

What can be difficult is finding unique voices for the characters I write. It’s challenging for sure but it’s fun creating characters that have different personalities, quirks, abilities, etc. As a writer I enjoy creating fresh characters and my goal is to tell stories that are believable with solid beginnings, middles, and ends. 

What do you do to shake the rust off or get new ideas?

I’m definitely not immune to writer’s block. To keep things fresh and creative I will often times read or watch children’s literature or television. It helps me find out what they are interested in. I also have a young niece and she’s like a sponge. She absorbs so much and I like being around her. I think it’s important to be around children and to engage with what they are watching and what they are playing. It helps my writing. Children are a lot smarter than we think. 

Anything you are habitual about when it comes to creativity?

I always outline. For me, it’s my map of the story. The story can definitely change after my outline but I always start with an outline before writing my first draft. 

Can you share a positive experience you’ve had in the Kid Lit community?

Yes, I had an interaction with a member who read an early copy of My Brother is a Werewolf for her blog. She gave it a really great review. She mentioned that the story was very great and that the overall presentation was amazing. That meant a lot coming from another kid lit author. 

Recommended reading?

If You Give a Mouse a Cookie has always been one of my favorite picture books. I still really enjoy classic stories like Jack and the Beanstalk, Cinderella, and The Three Little Pigs

What has been the highlight of your career thus far?

One of the highlights has been seeing how my book makes families smile and laugh. Recently a guy on social media shared an image of his kids holding my book. He posted a review about it and that was just really amazing. Anytime kids are enjoying my stories I love it. That pushes me forward to write more and to keep more people to enjoy my books.

What is something you wish someone had told you when you first started writing?

I wish someone would had told me how fun this is. I’m having a blast doing this. It’s hard work but it never feels like work. I have been fortunate enough to find people on my team that feel the same. We are all so dedicated and devoted to the projects. It’s fun collaborating with individuals from around the world and creating a picture book.

Can you tell us about your newest book?

My newest book is My Brother is a Werewolf.  The story is about a young girl named Brie. Brie wanted a puppy. But got a younger brother. Accidentally turning her five year old brother into a werewolf is the biggest mistake of her life. She’ll do anything to fix him because cleaning up werewolf poop is as bad as you think it is. Brie thinks she had caused her parents to divorce because of her mistake. As the reader, we see how divorce looks through the eyes of a child and how Brie will do anything to fix her family.

What’s up next for you?

We just released My Brother is a Werewolf so we are going to continue to promote it. We have a planned audio book version releasing later this year. 

Anything else you’d like to share with aspiring authors and illustrators?

Yes, it is important to find a team. Find people who are not just there for a paycheck but want to see your goal and dream come true. Interview people until you’re comfortable and do not settle. 

And last, but not least, favorite 80s movie?

Star Wars Return of the Jedi


Huge thank you to Ray for stopping by Critter Lit today! Congrats on your wonderful new book!


RAY A. PRICE is the author of My Brother is a Werewolf. He is an author for children’s books, short stories, and comics. Ray started his interest with children’s stories when he used to read to his daughter’s elementary classes as a guest parent speaker. After many visits to her classes and dozens of cookies donated in each visit, his little girl gave him the idea to write his own children’s book. With that in mind, Ray sat down and began writing with his heart to create a story dedicated to her. Build with Bricks was Ray’s first self published children story in 2020.

Ray has many other achievements that he is very proud of. He has a bachelors degree in political science and a master degree in fraud and forensic. He is a full-time fraud investigator. During his studies, he did plenty of playwriting. Ray found his passion for writing when he wrote short stories in middle school.

When Ray is not thinking of new ideas for his next story, he likes to be family oriented. Ray likes to travel and sample new restaurants with his family. He loves playing video games and discovering new television shows. When the weather is nice, he loves taking his English Bulldog on walks. Ray listens to various podcast daily and loves reading comics.

FOR MORE INFORMATION visit Ray online here or follow him on Twitter: @RaymondAPrice

BUY THIS BOOK To order MY BROTHER IS A WEREWOLF, click here.

WIN A COPY! Want to win a copy of MY BROTHER IS A WEREWOLF?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, January 27th! US addresses only please.

Interview with Debut Author Karen Greenwald

Authors, Debut Interviews, debut interviewLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview with a debut author who found her way to picture books through the law— which I love! It’s always fascinating to me to hear how debut authors and illustrators find their way to kidlit. I’m thrilled to share Karen’s story and road to publication with all of you today in celebration of her debut picture book, A VOTE FOR SUSANNA: THE FIRST WOMAN MAYOR, illustrated by Sian James, with Albert Whitman Books.

So without further ado, please welcome Karen Greenwald!

Where do you live?

Maryland.

When did you know you wanted to write picture books?

I decided in fourth grade that one day I would write a book. Then in law school I took “Literacy and the Law.” We delved into book banning history, civil rights issues, international law issues, et al—but we also had to tutor a child and create our own picture book. It was a gift to my artistic soul! The book I wrote and illustrated (inspired by Rawls’ Theory of Justice and John and Evelyn Dewey) actually won two brand strategy industry international awards and was spoken about by the Majority Leader of Congress to a room full of women leaders a few years ago.

Tell us about your road to publication, what did that involve for you?

I began seriously studying the art of children’s literature around five-ish years ago. One of the things that surprised me the most was how vast the difference is between the average person’s opinion/knowledge of picture book publishing versus the reality.

When I happened on a reference to Susanna Salter, I was hooked immediately. I knew I had to tell her story—especially since Salter’s history has been left to a 1954 article (and the blogs/articles, etc that use the same information). My journey from beginning to sale took about two a half years. After spending several hours over the phone with amazing librarians and genealogists at Kansas State University, I was deeply saddened to hear the next weekend that the library had burned to the ground. Thankfully, nobody was hurt. I did wonder, however, if it was a “sign”…like, don’t do this one!

For over a year and a half, in spite of various hurdles, I kept researching, trying to access anything that would give me that special something the story needed. But little could be found that fit picture book story requirements. As we know, an interesting moment or tale doesn’t necessarily fit this genre.

 Then I met (virtually) Susanna Salter’s great granddaughter. She and her brother shared with me beautiful letters, pictures, and the like. When I wrote the final draft two years in, I kept one of her letters open on my laptop desktop. I think I actually teared up when I typed the final words. (Ssh! Don’t tell anyone!)

Can you share a bit about your process?

I never knew this prior, but apparently I am a major researcher—I will not stop until I get that everything I need to make the story my own. I enjoy and am inspired by building relationships with a circle of people surrounding the topic I’m working on. This makes the experience meaningful for me. I write out the idea (I do this for art, too) in my head, moving parts around like magnetic poetry pieces. Once I feel like I have the concept, then I get typing.

What do you do to shake the rust off or get new ideas?

Good question! I’ll let you know when I figure that one out!

Anything you can’t live without while you write?

A lack of distraction, my favorite thesaurus, and my dog napping (if you’ve ever been on the phone with me, you know why! Lol!)

Any authors and/or illustrators who inspire you?

Who doesn’t inspire me?! I cannot go in a book store for this very reason. I have to pull out every book I go near.

Dream project to work on?

I feel like I’m living my dream right now with my debut. What could be better than shining a light on an incredible woman who changed American politics and world history? To be the first and only person to write her story is an honor.

Tell us about your debut book.

As I mentioned, this is a story I am so proud to tell. Susanna Salter made international history in 1887-1888. I am still surprised to the reaction I get when discussing her with everyone from elected officials to educators. Even those who think they know the story mostly have their information from this 1954 article. Her impact has never truly been taught, discussed, or considered. In all of the news coverage that she received, nobody ever asked a very important question. I wanted to tell a deeper story. Thanks to the generosity of two of her great-grandchildren and my own research, I was able to discover her heart.

What’s up next for you?

Hmm…what is next?;)

And last, but not least, favorite 80s movie?

This is actually the hardest one of your questions—lol! Can I give a few? Clearly, When Harry Met SallyFerris Bueller’s Day Off (the creativity of the post ending-ending), and St. Elmo’s Fire (because I’m a Georgetown alum—though, it was actually filmed at University of MD)…I really could go on… 


Huge thank you to Suzanna for stopping by Critter Lit today!


Karen M. Greenwald has a wide range of government, campaign, and branding experience. She’s won international awards for STEM creative, writing, video, rebranding, and self-promotion. Bylined credits include online, print magazines, and The Washington Post. Karen belongs to SCBWI, 12×12, and co-founded #SunWriteFun—a NF/Info Fic. summer contest that raises money for kidlit charities. Her picture book, A VOTE FOR SUSANNA, THE FIRST WOMAN MAYOR, debuts in October (Albert Whitman). It has held steady since February on two of Amazon’s Hot New Releases lists for kids. A Phi Beta Kappa, she earned undergraduate and JD degrees from Georgetown University. Before turning to branding, Karen worked as an attorney and focused on international environmental compliance issues.

FOR MORE INFO about Karen’s work, visit her online www.karenmgreenwald.com or follow her on social media @karenmgreenwald

BUY THIS BOOK To order a copy of Karen’s book, click here.

WIN A COPY! Want to win a copy of A VOTE FOR SUSANNA: THE FIRST WOMAN MAYOR?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 7th! US addresses only please.

Interview with Author Charlotte Offsay

Authors, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with a debut author who has had her first TWO books come out this year, followed by a THIRD which will come out in March of next year! I’m thrilled to have her with us today to talk about her work, road to publication, and writing process.

So without further ado, please welcome Charlotte Offsay!

Where do you live?

I was born in England, grew up in Boston and now live in Los Angeles California with my husband and two young children, Eliana (7) and Thomas (5).

When did you know you wanted to write picture books?

I have always loved creative writing, but I didn’t pursue it for a long time and actually worked in corporate finance for a number of years before leaving to become a stay at home mother after my daughter Eliana was born. After my son Thomas was born, I joined a parenting group where the coordinator encouraged us all to carve out time for ourselves and do something just for us. Everyone chose something different, and I decided to sign up for Writing Picture Books for Children: A Beginning Workshop, via UCLA extension online. My children were tiny, and I didn’t have time to attend an in-person class, but an online class seemed manageable and I knew my instructor was right that I needed something outside of caring for my family that was just for me. I fell head over heels for picture books in that class, kept writing and taking classes and never looked back. 

Tell us about your road to publication, what did that involve for you?

I took my first picture book class via UCLA extension’s online program in the summer of 2017 and fell in love with all things picture book. From there I joined numerous groups such as SCBWI, 12x12 and Inked Voices and spent the next couple of years attending conferences, taking webinars, enrolling in online classes (Children’s Book Academy, Lyrical Language Lab etc.), as well as reading every picture book and craft book (Big Magic, Ann Whitford Paul’s Writing Picture Books etc.) that I could get my hands on. 

Through these various groups and classes I connected with my invaluable critique partners and wrote countless manuscripts. In early 2019 I found myself between agents and while waiting to hear back on outstanding queries, I looked around to see how else I could get my work seen. I decided to pitch How to Return a Monster in a twitter pitch contest called #PBPitch to see if I could drum up any agent interest that way. 

Screen Shot 2021-09-23 at 5.35.07 AM.png

I didn’t get any agent requests but to my delight I did get one from a publisher! Andrew DeYoung at Beaming Books liked my tweet/pitch and asked me to send him the manuscript. Shortly after I sent the manuscript over to Beaming Books, I signed with the wonderful Nicole Geiger at Full Circle Literary and we signed a contract with Beaming Books for How to Return a Monster a few months later!

Can you share a bit about your process?

Every manuscript I write seems to follow its own path but usually an idea crawls under my skin and won’t let me rest until I write and rewrite and have a completed crummy first draft. Now that my kids are a bit older, I tend to write in the mornings after dropping them off at school but as anyone with young kids knows, I have to be flexible and often find myself writing in the cracks (school pickup line) or after my kids are asleep. Once I have a draft that isn’t too embarrassing, I share it with my closest critique partners who have become my dearest friends. They help me to see what is and isn’t working and we go back and forth via email and phone until I feel ready to share it with my agent Nicole Geiger of Full Circle Literary. From there, Nicole and I figure out if there are changes that still need making, if there is a market for the story and where in our submission schedule the story should go.

What do you do to shake the rust off or get new ideas?

Personally, my best stories tend to come from the things that take up the most room in my heart. I tend to mine the emotions and events in my life that I am currently consumed with and try to write about those events or emotions through a child lens. If my well is feeling particularly dry, I like to go back through my old manuscripts to see if I can take a nugget from one of them in a new direction (POV, story structure, different characters etc) as well as reading as many new picture books as I can get my hands on. 

Anything you can’t live without while you write?

I prefer to write when it is quiet, and I have a good few hours all to myself. Coffee and chocolate have been known to make regular appearances during those times. That said, I have learned to make the most of the carpool line so nothing is a must!

Any authors and/or illustrators who inspire you?

SO many. Julia Donaldson is my hands down favorite picture book author - I think the woman is a rhyming story telling genius. My critique partners continue to inspire me with the incredible projects they keep producing – I won’t list them though for fear of leaving anyone out. I am also continually inspired by the incredible illustrators that I follow on Instagram via accounts such as @theillustrationstation and @illustration_the_best.

Dream project to work on?

A true dream project would be any manuscript that doesn’t fight back in the revision process ☺. 

Tell us about your new book.

How to Return a Monster is a humorous how-to story about a girl who can't believe it when her parents bring home a fussy, stinky, attention-stealing monster. She hatches a plan to send it back to where it came from, with hilarious results . . . and along the way, she learns that maybe monsters--and baby siblings--aren't so bad after all. 

It is illustrated by Rea Zhai and publishes with Beaming Books on September 7, 2021. 

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

What’s up next for you?

I am excited to share that my next picture book, A Grandma’s Magic, illustrated by Asa Gilland publishes on March 1, 2022 from Doubleday Books for Young Readers/Penguin Random House.

Description from my publisher: 

"When a child is born, a grandma is born too. Grandmas aren't like regular grown-ups. Grandmas are filled with magic."

In this charming picture book tribute to grandmas, a grandma's magic bursts through the door as soon as she comes to visit and can be seen in every wonderful thing she does: playing, exploring, baking, gardening, and in all the many ways a grandma and grandchild connect.

Filled with adorable scenes featuring a diversity of grandmas and their grandkids, this is a book that will families can enjoy together. Grandmas will love snuggling with their grandchildren as they share their love and "magic" through cuddles, kisses, and many repeat readings.

And last, but not least, favorite 80s movie?

Fun question! The Princess Bride!


Huge thank you to Charlotte for stopping by Critter Lit today! Congrats on all your wonderful books!


CHARLOTTE OFFSAY was born in England, grew up in Boston, and currently lives in Los Angeles with her husband and two small children. Through her work, Charlotte hopes to make children laugh, to inspire curiosity, and to create a magical world her readers can lose themselves in time and time again. 

Charlotte is the author of The Big Beach Cleanup, illustrated by Kate Rewse (Albert Whitman, 2021), How to Return a Monster, illustrated by Rea Zhai (Beaming Books, September 2021), and A Grandma’s Magic, illustrated by Asa Gilland (Doubleday Books for Young Readers, March 2022). 

FOR MORE INFO about Charlotte's work at charlotteoffsay.com and follow her on Twitter at @COffsay and on Instagram at @picturebookrecommendations. Charlotte is represented by Nicole Geiger at Full Circle Literary.

BUY THIS BOOK To order copies of Charlotte’s books, click here.

WIN A COPY! Want to win a copy of HOW TO RETURN A MONSTER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 30th! US addresses only please.

Interview with Debut Author and Illustrator Annelouise Mahoney

Authors + Illustrators, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today’s interview is a fellow author/illustrator at Two Lions, who shares the same editor with me (shout out to the fabulous Kelsey Skea!). I’m such a fan of the books Two Lions publishes and am thrilled to interview one of their newest author/illustrators and share her fantastic debut picture book!

So without further ado, please welcome Annelouise Mahoney!

AnnelouiseMahoneyBio.jpg

Where do you live?

I live in Southern California.

When did you know you wanted to write/illustrate picture books?

I fell in love with picture books as a child but I didn't realize it was something I could do until I was in college. I was studying illustration at UMass Dartmouth and I was lucky enough to have Karen Klingon as an illustration professor, she suggested writing and illustrating for children to me and that is when the seed was planted.

Tell us about your road to publication, what did that involve for you?

I began with SCBWI (Society of Children's Book Writers and Illustrators). That is my number one recommendation to everyone who asks me where to start. When I was ready to dedicate myself to the craft of writing for children I enrolled in, Writing Picture Books For Children, with Sherry Shahan through UCLA Extension. I went on to take Intermediate Picture Book Writing with Terry Pierce.  My daughters were very young and the online classes made learning accessible to me. When I was ready to dive deeper, I enrolled in Art Center College of Design, Finding Your Voice evening class. That class was taught by Marla Frazee. She taught me to find the emotion in the story and to dig for the heartbeat and pull that thread through the book to tie it in the end. She taught me that it’s okay to be afraid and to feel vulnerable — and do the work anyway. With her encouragement, I began posting art on social media. While I was actively involved with SCBWI art challenges, such as DrawThis, Anna Olswanger reached out to me through email and asked if I might be interested in writing for children, seeking representation and if I had any work I could show her. Anna and I worked on revising JULIUS AND MACY for about a year until she felt it was ready for submission. I'm very grateful that during that submission process Kelsey Skea at Two Lions took a chance on me. I feel incredibly lucky. 

Can you share a bit about your process?

Sure. I'm still learning and growing but I found that waiting on the words and sticking with the pictures first is my way of finding the story. I'm very messy and experimental in the beginning of a story, my sketches are loose and not pretty. I'm very open to feedback and, as hard as revisions can be, I really enjoy them. It's a refocus and revision and reseeing that clarifies the story and I enjoy that digging part. 

When the story is forming and I can see it, I start cleaning up the illustrations a bit to focus on composition and expression. 

As for the illustration part of the process, I like to make small thumbnail color sketches of the book before painting the final art. The color sketches are there for me to work out my color palette, and to get a sense of light and shadow before I begin the final art. Once I have a sense of the color, I draw everything out in pencil then scan that into the computer.  I print out the illustration on watercolor paper, I do this because I get nervous about redrawing the illustration on a light table and it saves me some time too. The next step is painting in watercolor and scanning it back into the computer when it is dry. I can make adjustments in photoshop and make sure each spread is fitting in the template of the book.

What do you do to shake the rust off or get new ideas?

To get new ideas flowing I need to play, and not be precious. I find that if I get too precious with a story, I freeze up and get stuck. It's like trying to make something perfect before it's had a chance to  grow. For myself I find the best kind of "shaking the rust off"  is loosely sketching, daydreaming, watching kids play or being out in nature. I find animals endlessly fascinating, spending time with our pets, a walk around town, a hike to see wildlife, all of that gets me inspired. 

Anything you can’t live without while you write/draw?

Hmm. My favorite thing is quiet, but during this past year and a half with everyone home...that is hard to come by. I do like to settle in and have coffee, water and snacks nearby. 

Any authors and/or illustrators who inspire you?

Oh my goodness, so many! Some of my favorites are Lisabeth Zwerger, Stephanie Graegin, Emily Winfield Martin, Holly Hobbie, and Marla Frazee.

Dream project to work on?

I feel JULIUS AND MACY was a dream project for me. Something I wanted to make so very much. I know the next book will be made with all the love and care I can give it and that will make it my next dream project.

Tell us about your debut book.

My debut book, JULIUS AND MACY: A VERY BRAVE NIGHT, released on April 1, 2021 with Two Lions publishing. It's a woodland tale about bravery and friendship. My main characters, Julius and Macy, like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it—the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

What’s up next for you?

I'm working on another picture book dummy, and continue to jot down ideas as they come. I'm excited to be a Spotlight Speaker at SCBWI CenCal Writer's Day this October and other literary events this fall. 

And last, but not least, favorite 80s movie?

Oh my gosh, that's a fun question. I have to say, The Princess Bride. I love that fairytale movie, and how it begins with the reading of the book.

Thank you for having me on Critter Lit today! It's wonderful to spend some time with you. 


Huge thank you to Annalouise for stopping by Critter Lit today! Congrats on your debut!


ANNELOUISE MAHONEY was born and raised in Massachusetts, where she spent her childhood playing pretend, making up stories, and drawing pictures. She moved to Los Angeles after college, where she worked in animation and comics. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family.

FOR MORE INFORMATION about Annelouise, visit her online: www.AnnelouiseMahoney.com

or follow her on social media: Twitter: @WoodlandAbbey | Instagram: @Annelouise_Mahoney

ORDER THIS BOOK To order a copy of JULIUS AND MACY: A VERY BRAVE NIGHT, click here.

WIN A COPY! Want to win a copy of JULIUS AND MACY: A VERY BRAVE NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, August 19th! US addresses only please.

Interview with Author Ana Siqueira

Authors, Debut InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview an author who is releasing her first book here in the states, BELLA’S RECIPE FOR SUCCESS, illustrated by Geraldine Rodriguez, with Beaming Books, but began her writing career in Brazil, where her first books were published. I’m thrilled to have her with us today to share her road to publication, experiences, and upcoming books.

So without further ado, please welcome Ana Siqueira!

Ana Photo HR.jpg

Where do you live?

I live in Palm Harbor, Florida. 

When did you know you wanted to write picture books?

I always loved creating stories, but my teachers didn’t motivate me since they thought my stories were too confusing, too much going on. Hahaha. I still have that problem, but with the help of my critique partners, I have been able to learn how to streamline.

Tell us about your road to publication, what did that involve for you?

I had two books published in Brazil, a loooong time ago. But when I moved to this country in 1992, I stopped writing for a looong time. I just restarted writing in 2019 when I wrote my Spanish Easy Reader - EL PATO QUIERE UVAS. I then got motivated to start writing picture books. I studied a lot, read many books, took courses, and watched zillions of webinars. I also got into many critique groups. 

So in September, I participated in a pitmad Twitter. I got a like from Naomi Krueger- Beaming Books. I sent her my story a few hours before my mami died. In November, I got an offer. In December, I got my agent Andrea Walker. And that’s how my debut book BELLA’S RECIPE FOR SUCCESS was born. 

Can you share a bit about your process?

I used to be a pantser, but now I write my ideas and let them marinate in my head. Each time I have an idea for a scene or a sentence, I jot it down in a Google Doc. When I have enough information I outline my story. And only then I write it. It helped me cutting from 1000 revisions to about 30. Then it’s time to submit to my critique partners. I’m in five critique groups. 

What do you do to shake the rust off or get new ideas?

I love participating in Storystorm. But also, I get ideas by reading a lot and by watching my grandkids playing. Most of my ideas come from my memories. 

Anything you can’t live without while you write?

My Google Docs. I love being able to write, make a copy, write a new version, etc. Also, I can’t survive without my critique partners.

Any authors and/or illustrators who inspire you?

I love all books from Anika Denise and Monica Brown. Elisa Chavarri, the illustrator from my Abuela’s Capa book, is an illustrator that inspires me. Irena Freitas, the illustrator from my Bruja’s book, is also amazing. I also get inspired by the stories from my critique partners. 

Dream project to work on?

A TV show with one of my characters. That would be amazing. 

Tell us about your debut book.

I got this inspiration from my gifted and perfectionist daughter. It is about Bella and how she quits what she barely tries because she feels she is desastre. She asks her Abuela to help her with baking, but her polovorones are as hard as a rock. She is not good at anything, she thinks. But Bella will learn that making mistakes is part of the process and that practice makes it perfect or almost perfect. 

Interior art from BELLA’S RECIPE FOR SUCCESS by Ana Siqueira, illustrated by Geraldine Rodriguez with Beaming Books

Interior art from BELLA’S RECIPE FOR SUCCESS by Ana Siqueira, illustrated by Geraldine Rodriguez with Beaming Books

What’s up next for you?

I have other books coming in 2022, 2023, and 2024. Now, I’m learning to write Chapter books and Nonfiction. 

And last, but not least, favorite 80s movie?

I love so many. But my child’s heart still loves E.T. I also love all Eddie Murphy’s movies such as Coming to America and Trading Places.


Huge thank you to Ana for stopping by Critter Lit today! Congrats on your debut in the states! We are so excited to share your work!


ANA SIQUEIRA is a Spanish-language elementary teacher, an award-winning Brazilian children’s author, and is published in the Foreign Language educational market – EL PATO QUIERE UVAS. Her forthcoming picture books include BELLA’S RECIPE FOR DISASTER/SUCCESS (Beaming Books, 2021) and IF YOUR BABYSITTER IS A BRUJA/CUANDO TU NIÑERA ES UNA BRUJA (SimonKids,2022), ABUELA’S SUPER CAPA/ LA SUPER CAPA DE ABUELA (HarperCollins, 2023) and one more book to be announced. Besides writing, Ana loves to read, teach, and play with her Cuban-Brazilian-American grandchildren. T

FOR MORE INFORMATION about Ana visit her online or follow her on Twitter: @SraSiqueira1307

ORDER THIS BOOK To order a copy of BELLA’S RECIPE FOR SUCCESS click here.

WIN A COPY! Want to win a copy of BELLA’S RECIPE FOR SUCCESS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 22nd! US addresses only please.

Interview with Debut Author Kristy Everington

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have a fantastic interview with a debut author whose book ISOBEL ADDS IT UP, illustrated by AG Ford, just released this past June with Random House Studio. I’m thrilled to have her with us today to talk about her debut, road to publication, and process.

So without further ado, please welcome Kristy Everington!

Where do you live?

I’m from Perth, Australia, and now live in the San Francisco Bay Area. It’s a beautiful area  – I enjoy all of the local wildlife, especially the tiny baby deer right now! And we have a neighborhood owl, Howard. 

When did you know you wanted to write picture books?

I discovered picture books when I was studying for my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I came into the program writing young adult fiction and hadn’t even really read any picture books! In my first semester, I had Kathi Appelt as my advisor, and thought it would be a waste not to try picture books with a picture book master! 

I invested my time in reading and writing picture books, and fell in love! There’s so much to love in the picture book space – the brevity of the stories, the interplay between the text and art, the humor, the heart. I’ve learned a lot of things I didn’t know from reading non-fiction picture books too – I firmly believe picture books aren’t just for children!

Tell us about your road to publication, what did that involve for you?

After I finished studying, I started going to conferences and learning more about the business side of writing. I spent a lot of time researching agents and how to go about querying them. I started querying with other picture books first and then moved onto Isobel Adds It Up. It was one of the very first picture books I had written, but it went through a lot of revisions before I started querying it!

I had just revised it at the Big Sur Writing Workshop when I sent the first query for that manuscript to my now-agent, Jordan Hamessley. It was the first manuscript we put on submission to editors. It went through some more revisions before selling. It sounds simple when you summarize it, but it all took a lot of time and there was definitely a lot of angst involved! 

Can you share a bit about your process?

I write picture books by hand first. I like to write with a pencil rather than a pen – there’s something freeing about the pencil not being permanent and having the ability to erase what I’ve written! I often think of titles first. It usually doesn’t take very long to write a first draft, but then it can take some time to hone the story. 

What do you do to shake the rust off or get new ideas?

I go for daily walks around the neighborhood, and there’s always lots of things to see and think about. Ideas come from everywhere, so just paying attention to news stories, pop culture, and regular happenings in life gives me ideas. My cats alone give me lots of inspiration for stories!

Anything you can’t live without while you write?

I like to light a candle and have a cup of tea. My favorite writing tea is white tea with pomegranate, but it’s been discontinued and my supply is dwindling so I need to find a replacement!

Any authors and/or illustrators who inspire you?

So many! Some of my favorites are Oliver Jeffers, Carolyn Crimi, Jon Klassen, Sophie Blackall, Sean Ferrell, and Mac Barnett.

Dream project to work on?

One of the very first picture books I wrote was based on my cats when they were kittens called Chicken Face and Lily, and I have dreams of that being made into a picture book series and maybe even a TV show! I would never get sick of writing about their adventures.

Tell us about your debut book.

Isobel Adds It Up, illustrated by the talented A.G. Ford, is about a girl who loves math, but she is interrupted by the ruckus caused by her mysterious new neighbors. The inspiration came from my own noisy neighbors, which is something I think a lot of people can relate to after spending the last year at home!

Interior art from ISOBEL ADDS IT UP by Kristy Everington, illustrated by AG Ford with Random House Studio

Interior art from ISOBEL ADDS IT UP by Kristy Everington, illustrated by AG Ford with Random House Studio

Interior art from ISOBEL ADDS IT UP by Kristy Everington, illustrated by AG Ford with Random House Studio

Interior art from ISOBEL ADDS IT UP by Kristy Everington, illustrated by AG Ford with Random House Studio

What’s up next for you?

I’m working on a few picture book ideas – mostly funny ones with animals. 

And last, but not least, favorite 80s movie?

Ooh, it’s a toss up between Dirty Dancing and The Lost Boys, but I will have to say Dirty Dancing. My friends and I were all obsessed with it when it first came out. I even saw Dirty Dancing: Havana Nights at the cinema when it came out. My friend who I saw it with swore me to secrecy because she was embarrassed (sorry, Al)!


Huge thank you to Kristy for stopping by Critter Lit! Congrats on your debut!


Originally from Perth, Australia, KRISTY EVERINGTON now lives in the San Francisco Bay Area with her husband and quite a lot of cats. She enjoys exploring the California coastline and visiting as many lighthouses as she can. Kristy holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

FOR MORE INFORMATION visit Kristy online: https://www.kristyeverington.com/

Twitter: https://twitter.com/kmeverington

Instagram: https://www.instagram.com/kristyeverington/

ORDER THIS BOOK To order a copy ISOBEL ADDS IT UP, click here.

WIN A COPY! Want to win a copy of ISOBEL ADDS IT UP?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 15th. US addresses only please.


Interview with Debut Author + Illustrator Skylaar Amann

Authors + Illustrators, debut interview, Debut Interviews, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have a fantastic interview with a debut author/illustrator whose book is simply stunning. I’m a huge fan of any ocean themed books (maybe it’s the Californian in me) and LLOYD FINDS HIS WHALESONG is absolutely lovely! I can’t wait for you to hear from our author/illustrator and more about this beautiful book.

So without further ado, please welcome Skylaar Amann!

Amann 2020 pic.jpg

Where do you live?

Portland, Oregon

How many years have you been in publishing?

As a published author, just about a year! Lloyd Finds His Whalesong is my debut and it came out in 2020. But I’ve been writing and illustrating (and revising!) for several years before that.

How did you first get published?

A few years ago, I sent a promotional illustration postcard to Page Street Kids, and Kristen Nobles responded with a very nice email about my work. Although we’re on opposite coasts, we connected over one of my ocean/boat scenes, which was really cool because the ocean is really important to me. Soon after that, I submitted a draft of Lloyd to her. I went through many (many, many, haha) drafts with Kristen and Courtney Burke (who became the acquiring editor). We eventually landed in a place where the story was solid, and I finally got that “yes.” I ran around my house screaming when I got the news!

Do you write/illustrate full-time?

No, while I would love to reach that goal at some point, right now I do a mish-mash of work. My writing and illustrating work takes up a lot of my time, but I also work as a freelance corporate copy editor. 

What inspires you to create picture books?

I remember being inspired by picture books as a little kid. I wanted to write and draw them back then when I was first reading them. I was enraptured by the illustrations, which I would stare at for a long time, or I’d look at them repeatedly and always see new details. 

As an adult, I’m inspired by a lot of current creators, especially illustrators, who make such magical and beautiful worlds, and images you can fall into. As a writer, I’m inspired by the misfit kids (myself included) who have feelings, stories, and adventures that I want to share. Things that don’t always fit the mold. Right now, I’m working on finding more authenticity in my writing voice, leaning into that weirdness and not worrying so much about what others will think of it or if it’s marketable (that’s future Skylaar’s problem). 

Some of my stories are inspired by my real life and some are aspirational -- things I wish I had experienced as a kid. Creating some of that childhood joy is inspiring to me. 

I’m also always and forever inspired by nature — especially the ocean. I grew up on the Oregon Coast and that wild and rocky Pacific shoreline was a darn-near religious experience for me. If I can put even a sprinkle of that sublime wonder in my stories, I’ll have succeeded.

What surprised you the most working as an author/illustrator?

The waiting! The timelines are slower than what I’m used to coming from a background in tech and marketing where projects often have to turn around the same day, or even the same hour. Now that I know the lay of the land, it’s a little easier to understand the timelines, although I can get anxious wondering what’s happening on the other side sometimes -- even just waiting to hear back from a critique partner! It’s not a lack of patience, it’s more the anxiety that builds up internally that makes waiting hard. Learning to chill and do other things (not be totally consumed by writing) has been helpful but I’m still learning to do that! 

What is your favorite thing about being an author/illustrator?

Probably getting to take the worlds and stories that bounce around my head and put them to use, get them on paper. I spend a lot of time dreaming up worlds and ideas without realizing I’m doing it. Plenty are just random thoughts that aren’t stories, just daydreams or wonderings and so on. But when I’m lucky enough that one of those worlds connects with other people, and I get to then turn it into a book -- there’s nothing better!

What do you find difficult working as an author/illustrator?

Even before the pandemic, I was working alone most of the time. I actually like a lot of things about working alone, but sometimes it gets old. Connecting virtually with other writers has helped with that. 

The work itself is also hard! Writing, rewriting, sketching, coloring -- it all takes work, continued learning, and practice. I tend to worry people won’t like anything I’m making, so I have to work on quelling that voice. But working on improving my skills also helps with growing my confidence. I feel like an imposter sometimes! I really put myself into my stories and want to create the best possible books I can, so I don’t like the idea of letting anyone down.

What do you do to shake the rust off or get new ideas?

I don’t really understand where my ideas come from! Sometimes they just pop up out of nowhere as little kernels, a random sketch, or a strange phrase that runs through my mind. And then I develop them from there. When those kernels aren’t popping up, I tend to stress out. If I get stressed like that, sometimes I need to take a break, not try to force it, read other books, do other fun things … maybe even get some sleep! 

That said, I don’t believe in waiting around idly for inspiration to strike. If I’m really stuck, I’ll brainstorm ideas, just jot down concepts or lines, or sketch a random character and see if it goes anywhere. I also like to work on other stories or just paint or draw for fun (not with a story in mind) … and see where that goes.

Anything you are habitual about when it comes to creativity?

I tend to work at my desk or on my couch (or in coffee shops in the Before Times, sob). Having specific work spaces helps me focus on work. I’m not the type to say you should work every day -- life happens. But I do think consistency and self-discipline is important. So I set deadlines or goals for myself, especially when I’m developing an idea that no one else is yet invested in. Other than that, I try to be pretty flexible so my work doesn’t feel ritualistic. I feel that if you get too precious about it, it becomes a barrier to getting anything done.

Can you share a positive experience you’ve had in the Kid Lit community?

I’ve had some great support over the last couple of years from the KidLitCollective group. We were formerly called the Perfect2020PBs as a group of debut picture book authors in 2020, and it’s nice having that support system.

I also have to give a shout out to my critique partner Nora Nickum who is a fabulous writer and fellow ocean lover. She’s an incredible editor, and (I don’t know if she realizes this) she helped me believe I could write middle grade. If you’re reading this, Nora — thank you, it means so much to me!

I’ve also been working as a picture book mentor with WriteMentor for the last few years, and I’ve found that community to be really supportive of each other, no matter what stage of the journey anyone is at. It’s really cool to see people (myself included) progress and I enjoy helping others with the knowledge I’ve gained -- and then see them do the same!

Recommended reading?

I just read Seaside Stroll by Charles Trevino and illustrated by Maribel Lechunga. Geez, that book is gorgeous!

What has been the highlight of your career thus far?

Getting the news that I had an offer on Lloyd was such an exciting moment. It felt like a huge turning point after years of struggle. Signing with my incredible agent Jessica Watterson last year was also amazing, and another big milestone. Even though there are still ups and downs to this day, every celebratory moment I have, like selling Smile, Sophia, feels like the newest and best highlight. 

What is something you wish someone had told you when you first started writing/illustrating?

I don’t know that anyone could have convinced me by telling me (I think I needed to experience it myself) but I’d say: The process takes time and everyone is on their own path. That’s cold comfort when you’re struggling or getting tons of rejections, (or watching others succeed) but if you keep developing your skills and improving bit by bit, you can move forward.

Can you tell us about your debut book?

My current book out right now is Lloyd Finds His Whalesong. It’s the story of a little humpback whale whose voice is too quiet to sing the whalesong. He seems destined for silence until he finds a mysterious ukulele in the kelp forest and must use it and his newfound voice to help his family out of danger.

Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids

Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids

Lloyd is fiction, but the story includes some real-life whale things, like the way humpbacks communicate with each other and the effects of noise pollution. The book has some fun back matter too about how real whalesong works and how other noises in the ocean can affect whales. 

Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids

Interior art from LLOYD FINDS HIS WHALESONG by Skylaar Amann, Page Street Kids

Growing up on the Oregon Coast, the ocean was a huge part of my life. I was lucky to see whales like Lloyd migrating offshore, as well as orcas that would occasionally come into the bay, plus tons of other marine life. My illustration work has always centered on the ocean, whales, the biodiversity of tidepools, and marine science/conservation. I’ve drawn whales for years. Eventually one of them started to become Lloyd, and that was the start of the idea behind the story. I also learned to play ukulele some years ago, and it was really cool to have this new way to communicate and share stories. I guess that rubbed off on Lloyd, and the rest is history.

What’s up next for you?

My next book is called Smile, Sophia and it’s coming out in 2022 from Feiwel & Friends! It’s about a girl who loves dinosaurs and science -- but she only smiles when she wants to, not when grownups expect her too. It’s filled with lots of fun STEM visuals, and I’m really excited to share it with the world!

Anything else you’d like to share with aspiring authors and illustrators?

The journey can be really long, winding, and hard. And it doesn’t have an end point. It’s not like reaching a certain milestone (like getting an agent, selling a book, etc.) is the end. Each is just a new beginning. I’m always trying to improve my illustration skills and my ability to tell stories, and I don’t see that stopping no matter what I achieve. So I’d just say keep learning and be persistent. Find avenues that help your mental health when it gets hard. Be kind too. Kindness is very important.

And last, but not least, favorite 80s movie?

So hard to pick, but probably Beetlejuice (although The Last Unicorn left a lasting impression, lol. The Red Bull really scared me!).


Huge thank you to Skylaar for stopping by Critter Lit today! Congrats on your beautiful debut book! We can’t wait to see Smile, Sophia when it comes out!


SKYLAAR AMANN is the author-illustrator of Lloyd Finds His Whalesong, (Page Street Kids, 2020). Her next book, SMILE, SOPHIA, is forthcoming from Feiwel & Friends in 2022. She is an affiliated artist with the Climate Science Alliance, a picture book mentor for WriteMentor, and a member of SCBWI and Women Who Draw. Skylaar specializes in children's and science-themed art, with clients including Surfrider, Pinna, Sitka Sound Science Center, 826 Seattle, Adventure! Children's Museum, Scientific American, and Paxton Gate. She has fifteen years of experience in communications and now works as an author, illustrator, and editor. Skylaar is represented by Jessica Watterson of Sandra Dijkstra Literary Agency.

FOR MORE INFORMATION visit Skylaar online: www.skylaaramann.com.

Or follow her on social media:

Twitter: www.twitter.com/skylaara

Instagram: www.instagram.com/skylaara

ACTIVITY SHEETS: Lloyd freebies (coloring pages, music, and more info): www.skylaaramann.com/lloyd 

ORDER THIS BOOK To order a copy Skylaar’s books click here.

WIN A COPY! Want to win a copy of LLOYD FINDS HIS WHALESONG?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 1st! US addresses only please.

Interview with Debut Author Corey Finkle

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have debut author Corey Finkle with us to talk about his road to publication, debut picture book, and much more! I’m so excited about Corey’s debut, YOUR FUTURE IS BRIGHT, illustrated by Shelley Couvillion, a rhyming, graduation themed picture book that follows a group of children as they dream about their futures, which just released with Henry Holt. It’s a fantastic new book and perfect for any little one who dreams big, getting ready for their bright futures!

So without further ado, please welcome Corey Finkle!

Corey+Finkle_Children's+Book+Author.jpeg

Where do you live?

I live in Rhode Island, just outside of Providence.

 When did you know you wanted to write picture books?

Not only was I the oldest kid in my house, I was also the oldest in my generation of grandkids, so I grew up taking care of kids. When I was in college, while spending time with my two-year-old cousin, I read him one of his favorite picture books. At one point, the main character looks at the Northern Lights, and he said to me “Is that the Aurora Borealis?” I was blown away. I barely knew what that was, but because of a picture book, this little boy had it cemented into his mind. From that day on, I dreamed of one day writing a book that might inspire other little kids to learn something that they might not otherwise know.

 Tell us about your road to publication, what did that involve for you?

That very year, I wrote my first picture book manuscript for college credit, and then basically spent the next twelve years occasionally sending it out to a few agents, and waiting to be discovered.

 About ten years ago, I realized that I needed to get serious if I really wanted this dream to come true, so I finally started taking the advice that everyone always tells you, but I had theretofore ignored. I started writing (a LOT) more, joined a critique group, signed up for SCBWI and began attending their events, and really invested my time, energy (and occasionally money) into cultivating this skill.

 I got my first lucky break in 2016 when I attended a writer’s retreat, and hit it off with someone who turned out to be a guest speaker, who turned out to be an editor. He invited me to send him some manuscripts (I had dozens by this point), and when he liked what he read, he helped me get an agent. (I had spent five years querying constantly; one week after this interaction, I had three offers!)

 My agent (the great Sean McCarthy from McCarthy Lit) basically broke me down as a writer and built me back up again, only sending books out when they were READY. And while the first few didn’t sell, we seemed to get closer each time. After the fourth one, we received feedback that, while that book was a pass, the editor wanted a graduation book and liked how I wrote in rhyme, and so would I like to have a crack at it? I said yes, and about five months later, Your Future is Bright was sold.

Can you share a bit about your process?

In general, when I come up with an idea, the first thing I try to do is come up with an ending. Those are always the hardest part of any story, so if the idea can’t lead to a fun, satisfying, and hopefully surprising ending, I tend to let it go.

If the idea sticks, I then have to decide if it’s a rhyming book or not. To me some concepts benefit from the structure and discipline that comes with a rhyme scheme, while others need more freedom.

From there, I’ll begin writing. This means giving myself permission to write a terrible first draft, so that I can see what flows and works, and what doesn’t.

What do you do to shake the rust off or get new ideas?

For new ideas, I just try to keep my ears open, and workshop everything. In any given day, I’ll probably hear 3-5 turns of phrase that I think could be potential PB titles. Most of them won’t pan out at all, but I find that thinking them through keeps me in a creative space most of the time.

 As for rust, I am pretty forgiving of bad writing days. I was at a book signing years ago with Pulitzer Prize-winning author Michael Chabon, and someone asked him about his process. He said that he hated to START to write, but that once he got into it, he got over that initial feeling. This has always meant a great deal to me. If someone as accomplished as him can feel that way about something he is so great at, then it’s surely okay for me to feel the same way on occasion, right? But like him, once I get started, I always feel good, even if I only end up with one or two good lines. It’s a slow business, so there’s never any rush, you know?

 Anything you can’t live without while you write?

I am VERY strict with myself when I write in rhyme. It is a huge pet peeve of mine, when I’m reading rhyming books to kids, if the author has left a lot of work for the reader to do. In other words, if the meter changes halfway through, or the meter is inconsistent from line to line, verse to verse, or anything else happens to make you stop and have to figure out the right way the line flows, it drives me crazy!

So for me, I want my reader to hear my rhythm from the start and then get carried off into the story like a current on a river. For that reason, I always have a thesaurus and a rhyming dictionary (or a web equivalent) with me while writing, so that I can keep working with a verse or idea until it meets my requirements.

 Any authors and/or illustrators who inspire you?

I am honestly and truly inspired by all the writers I meet at conferences, both published and pre-published, who remain dedicated to their craft throughout all the ups and downs of this at times brutal industry.

But in terms of a singular writer or work, the truth is that I think Norton Juster’s The Phantom Tollbooth is just about the most brilliant piece of fiction I’ve ever read. (Seriously, if you only read it as a child, have another look). It’s not only a cool story, but it’s also clever, witty, and extremely profound. At some level, every book I write is an attempt to try (and fail) to write something even half as good.  

Dream project to work on?

While you can’t necessarily tell this from my debut book which is more of an “ode to childhood” than a traditional story, I tend to come up with high-concept plots for my ideas that I fall madly in love with, and then get told they’re too advanced for the PB audience. (I recently pitched a concept as “Indiana Jones meets Ocean’s Eleven, by way of Sliding Doors”). I would love to one day get the green light to prove that even younger kids would love a great story, even if they contain advanced concepts like pirate ghosts, or the Aurora Borealis.

And when I do, I hope Dan Santat gets to illustrate.

Tell us about your debut book.

Your Future is Bright is an ode to childhood and the potential that every kid has within them.

When I was first asked to come up with a graduation book, my first thing I thought of was how scared I was about the prospect of becoming an adult, and how much hard work was coming my way. So my first draft tried to address that fear by saying “Don’t be scared about how you’ll do in the future, because I’VE seen how far you’ve already come, and that journey was MUCH harder!” and then providing all the examples of how they’d developed from a helpless baby into the capable person they are today.

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

My agent gently pointed out that a graduation book should look to the future and not the past. That’s how the story evolved to what it is today, where we look at various gifts and interests that make kids special and unique today, and sort of speculate about how that MIGHT inform who they become as they grow up.

What’s up next for you?

I just recently signed my second book deal for Pop’s Perfect Present, a story about a girl who sets out to give her dad one perfect memory as a gift for being so great, but ultimately learns that she succeeded in her effort just by spending the day with him. In addition, I’m working on several concepts (I have 4-5 in various stages of development at this point), and we’re waiting to hear about a few others as well.

And last, but not least, favorite 80s movie?

I’m tempted to say The Goonies, or Superman II, or Batman, or any of the movies that I loved when I was young, but I can’t. Field of Dreams is the one. Amazing story with an ending that gets me EVERY SINGLE TIME.


Huge thank you to Corey for stopping by Critter Lit today! Congrats on your debut!


COREY FINKLE wrote his first children’s book as a senior project in college. From there he spent ten years tinkering with and pitching it, and finally put it aside after he realized it wasn’t actually very good at all. Corey sold his first book, Your Future is Bright, almost 20 years to the day after completing that senior project. Between those two decades were a lot of manuscripts, and a LOT of revisions. When not working on his next book, Corey spends his time writing business-y words for companies, enjoying life with his wife and two kids, or collecting t-shirts from unusual or lesser-known sports teams.

Visit Corey online at www.CoreyFinkle.com

ORDER THIS BOOK To order a copy of YOUR FUTURE IS BRIGHT click here.

WIN A COPY! Want to win a signed copy of YOUR FUTURE IS BRIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 17th! US addresses only please.

Interview with Debut Author Tina Shepardson

Debut Interviews, AuthorsLindsay Ward1 Comment

Happy Thursday Critters! Today we have an interview with a debut author whose book, WALKOUT, illustrated by Terry Sirrell, takes on the topic of school safety for kids. I’m thrilled to have her with us today to talk about her road to publication and process of taking on such a difficult topic in a picture book.

So without further ado, please welcome Tina Shepardson!

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Where do you live?

Syracuse, New York.

When did you know you wanted to write picture books?

Since grade school in the 70s, I wrote stories, tied them with string, and shared them with children I babysat for. After college, I started teaching. I was so busy teaching my students books, I didn’t have the time to write my own, but I did keep a journal of ideas for a some day. 

Tell us about your road to publication, what did that involve for you?

In 2016, I began to carve out consistent writing time. In addition, I began looking for courses to learn the craft and for critique and professional writing groups. This way i could learn from them as well as help them with their craft. I participated in The Children’s Book Academy The Craft of Writing Picture Books and joined the 12x12 Writing Group. Both were so instrumental in me learning from others and meeting my current critique partners. I wrote several different drafts and was open to all the ways the piece needed to improve as well as the ways I needed to grow as a writer. 

Can you share a bit about your process?

Sure! I have taught English Language Arts for 33 years so I have many planners to choose from when brainstorming a story. Once I have notes organized onto a graphic organizer, I let it sit while I look at several mentor texts to help me determine a possible structure or format that may work with a particular piece. After the first draft is written, I leave it alone for a week so that when I return, I am reading it with fresh eyes. Once I revise it to the best of my abilities, I submit it to my critiques groups and look forward to their wonderful suggestions. So often they see things that I may not see on my own. Once I have their feedback, I continue to revise and then write it out on Post-its. I have a PB template on my wall so once all the Post-its are on the pages of the template, I can read it aloud, listen to the pacing, etc. 

What do you do to shake the rust off or get new ideas?

Teaching and parenting have been amazing opportunities to find ideas. Simply listening  and working with children there are so many ideas. Also, participating in Tara Lazar’s Story Storm each January is such an inspirational experience. Each day, a different author presents an idea for finding ideas and topics to write about, These talented and diverse authors provide so many creative strategies for spotting more ideas. 

Anything you can’t live without while you write?

Great question! I have to have The Children’s Word Book and The Emotion Thesaurus. Of course there has to be a few snacks, so chocolate chip cookies or Lindt’s dark orange chocolate squares are nearby but only if I have completed section or accomplished a certain goal.

Any authors and/or illustrators who inspire you?

Yes! When I was a child, my favorite characters were found in E. B. White’s books Stuart Little and Charlotte’s Web, A. A. Milne’s Winnie The Pooh, and Arnold Lobel’s Frog and Toad series. These characters were staples in my life. I adored their stories, the illustrations and their journneys, and the messages they shared. Throughout my teaching career, I bring these stories into lessons and our character education programs.

Dream project to work on?

I would absolutely love for a book to become a series and eventually a program for kids. This would provide more opportunities to make a difference and be in contact with children in ways that help them grow and become their best version of themselves. I think about this all of the time!

Tell us about your debut book.

In 1999, when Columbine experienced tragic school violence, my students and I sent them (and other schools like Sandy Hook) care packages of poems and seed packets to express our care and compassion to the communities. By the time the shooting in Parkland, Florida occurred in 2018, I was taking children’s writing courses. I didn’t find picture books helping kids understand they could advocate for safe schools in positive, proactive ways that united others and thought perhaps I could write one. Once I did, around that same time, I found a NYT article that really helped me structure it the way it needed based on the true events of the article itself. I was so excited to find this.

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Walkout is a picture book inspired by a true story. Walkout shows democracy in action as Maddie organizes a safe school’s anti-violence walkout. Other kids throughout the States are walking out. But Maddie’s principal has announced that only older grades can participate. At the same time, Maddie’s best friend Stella is too scared to help. Readers wonder if Stella will find her courage and join Maddie in walking out. 

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

What’s up next for you?

In early 2022, I have a chapter book releasing with Clear Fork Publishing entitled Canines Unleashed. Hank, an Akita, finds himself in Canines Unleashed, a doggie daycare, when his owner starts kindergarten. He is nervous about this new adventure. How will he surf the kitchen counter for crumbs after lunch? Hank must find a way to face his fears, take responsibility for his actions and accept new challenges he never experienced in his once sheltered world. Follow the real Hank on Instagram @hank_madeleine. This project is near and dear to my heart because I was able to incorporate my daughter and akitas as main characters. I am working on creating a podcast to accompany this as well…. and hopefully more books!

And last, but not least, favorite 80s movie?

That is a tall order! I will have to go with 1989’s When Harry Met Sally. Billy Crystal and Meg Ryan together create such a heartwarming and hilarious story line. The soundtrack is beautiful. I love films that entertain and share a lesson.


Huge thank you to Tina for stopping by Critter Lit today! Congrats on your upcoming books!


An award-winning teacher for 33 years, TINA SHEPARDSON has shared thousands of books with children. As a passionate advocate for children and reading, she finds her best stories are inspired through her favorite roles in life: mother and teacher. Find her in Upstate New York with her family, enjoying the latest snowstorm with her akitas.

FOR MORE INFORMATION about Tina or her books, visit her website, or follow her on social media:

Twitter: @ShepardsonTina

Instagram: @hank_madeleine

Facebook: TinaShepardson

ORDER THIS BOOK To order a copy of WALKOUT click here.

WIN A COPY! Want to win a copy of WALKOUT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 2nd! US addresses only please.

Interview with Debut Author and Illustrator Amanda Davis

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I’m so excited for today’s interview! This is the very first time I’m sharing a book that I was lucky enough to see early on when it was submitted through Critter Lit as a manuscript critique. How exciting is that??! My hope with Critter Lit has always been to see these projects shaped into books one day. And today we get to celebrate one that made it through! I remember the first time I read this text, I got that feeling. I just knew this had legs, it just had to get in front of the right editor. I’m thrilled I got to be a part of the process of this book coming to fruition and I can’t wait for you all to hear about this incredibly special book in today’s interview.

So without further ado…please welcome Amanda Davis!

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Where do you live?

Thanks so much for having me on the blog, Lindsay! I’m excited to chat more about my journey and my debut 30,000 STITCHES! I live in Massachusetts. I grew up in a small coastal town and will always be a sea baby at heart. 

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When did you know you wanted to write/illustrate picture books? 

I didn’t always know I wanted to be an author but I DID know that I loved writing and art. Whether it was sketching in a sketchbook or writing poetry, it was something I always came back to. When I was twelve, my father passed away and (without knowing it) I began to use art and writing as a tool to process and cope with my feelings. This is when I realized the power of the arts to tell our stories and process the experiences in our lives. This is what led me to want to teach art, so I could help others recognize the power in it, too. Later, in 2012, I took a Continuing Education course on writing and illustrating for children, I realized this was an art form that captured all three of my passions—writing, art, and story-telling. I was hooked and never looked back.  

Tell us about your road to publication, what did that involve for you?

It was a long process! From the moment, I read and taught about the true story of the flag in 2011, I was intrigued and knew it was a special story. It stuck with me and lingered in my head, but needed time to flourish. After visiting the National September 11 Memorial & Museum in 2014, and being overcome with emotion at the artifacts and the stories, it was another reminder of the importance of telling this story. Inspired by my art lesson with students and my visit to the Museum, I decided to try my hand at crafting a manuscript for 30,000 STITCHES (originally called, THE FABRIC OF AMERICA). 

I began querying back in 2017 with other picture book manuscripts and didn’t have much luck. Once I had 30,000 STITCHES polished up, which was many months later, I began to query that story to agents and editors as well. The process of landing an agent and book deal for 30,000 STITCHS was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track. I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile when I was still unagented. After many months of not hearing back, I took that as a pass. I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to get there.

Can you share a bit about your process?

I tend to write first drafts as the muse strikes. I’m much more intentional with my revisions and schedule time to revise. Most of my ideas for revisions stem from suggestions and brainstorm sessions with my critique groups or paid critiques through services such as Critter Lit with you, Lindsay. With this feedback in mind, I often feel inspired to revise and schedule a time to do so.  For all of my stories, they always start with research. I love doing research and am naturally a very curious person. I love to ask questions and seek to understand. Because of this, I often find myself down rabbit holes that once in a while lead to inspiration for new story ideas. I think staying curious is so important when it comes to creativity. You never know where the next story idea is lurking so we must keep our minds open and in a state of wonder. I also love talking to people and as mentioned before, learning other people’s stories. I have a background in journalism so it’s been wonderful combining my love for interviewing people into my non-fiction children’s work.   

What do you do to shake the rust off or get new ideas?

I find that when my mind is free and clear, ideas flow more freely. Most of my ideas come when I let my mind wander. Most of my mind wandering takes place through meditation, nature walks, sitting near the ocean, in the shower, or when I’m driving, ha! I have oodles of notes and phrases in my Notes app on my iPhone for those moments when ideas strike. I also go in spurts. Sometimes I have lots of ideas for the art, and that is what comes first, and sometimes I have lots of ideas for the writing, and that comes first. Sometimes, too, I may have ideas for one and not the other. You never know how and when the muse will strike!!  

Anything you can’t live without while you write/draw? 

Some of my must-haves for creation include: Sunlight, candles, incense, a cracked window for some fresh air (even in the winter), my computer/iPad, a cup of tea, snacks, my sketchbook, and of course my favorite furry rescue pup, Cora by my side. 

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Any authors and/or illustrators who inspire you?

I’ve often admired Nicola Davies lyrical writing and her ability to tackle tough topics in a way that is accessible to children. Some of my favorites include, THE DAY WAR CAME, KING OF THE SKY, THE POND, and her recent debut as author-illustrator, LAST: THE STORY OF A WHITE RHINO. Most recently, I’m feeling inspired by other lyrical texts such as ALL BECAUSE YOU MATTER by Tami Charles and Bryan Collier and THE TREE IN ME by Corinna Luyken. Back in 2018, I actually received funding for a visit with Bryan Collier for a school visit in my high school art room. It was an unforgettable event for not only the students but also for me. He talked about how he went around, door-to-door with his portfolio to the big five publishers in New York for SEVEN YEARS until he finally got his first book deal! That was truly inspiring and reminded me that with hard work and dedication, anything is possible! You can learn more about some of my teaching and student art projects here! 

Dream project to work on?

Honestly, this may sound corny, but Sally Wern Comport was on my dream collaborator list. I was a fan of her work and mixed media style ever since I saw it in Ada’s Violin and was ecstatic to be paired with her for my debut, 30,000 STITCHES. Happy I can check that box off!!  Another dream project would be to illustrate my own picture book one day. I have a picture book dummy that I am working on right now that is very close to my heart, and it would be a dream come true to see it come to life. 

Tell us about your debut book.

My debut creative nonfiction picture book is 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG. I love that you had a look at this story early on when I submitted it to Critter Lit for a critique. Your feedback helped solidify that I was on the right path and that there was a place for the story in the market. 

30,000 STITCHES tells the true story of the 30-foot American flag that was put up at Ground Zero in the days after 9/11. The flag became torn, tattered, and covered in dust and ash so it was taken down a few weeks later by a construction crew and tucked away in storage, where it stayed for nearly seven years. The flag was brought out of storage in 2008 when the New York Says Thank You Foundation headed to Greensburg, Kansas, a town nearly destroyed by a tornado. NYSTY brought the flag with them, sparking a grassroots restoration effort that traveled over 120,000 miles across all fifty states, bringing together thousands of people, and helping America heal and rebuild . . . hand by hand, thread by thread, one stitch at a time. The book is the story of that journey, a journey that ended at the opening of the National September 11 Museum, where the flag remains today. Along the way, the flag was restored using pieces of retired flags from every state—including a piece of the flag that Abraham Lincoln was laid on after he was shot at Ford's Theater and threads from the original Star-Spangled Banner flag, which flew at Fort McHenry in the War of 1812 and inspired Francis Scott Key to write the national anthem. The pieces and threads were stitched in by military veterans, first responders, educators, students, community-service heroes, and family members of 9/11 victims, among others. At each stop, communities came together to remember, to heal, and to unite.

What’s up next for you?

I have lots of new ideas in the works! Many informational fiction stories and a couple of new narrative nonfiction stories, too. As mentioned before, I also have a couple picture book dummies in progress that I hope to debut as author AND illustrator with. I hope to one day explore writing a middle grade novel in verse or even YA. 

Stay tuned for more exciting virtual events for 30,000 STITCHES, too. Next up is Mass Book Bites: Boston Book Festival. You can learn more and register HERE! And with the 20th remembrance of 9/11 approaching, I hope the story can be a great resource to help us discuss the events of that day and honor, remember, and reflect.  

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And last, but not least, favorite 80s movie? 

Ohh this is a hard one, I think I’d have to go with either Beetlejuice, Little Monsters, or the original Honey I Shrunk the Kids. 


Huge thank you to Amanda for stopping by Critter Lit today! CONGRATS on your debut book— we are all cheering for you over here at Critter Lit!


AMANDA DAVIS is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children's books. Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again. Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

ORDER THIS BOOK To order a copy of 30,000 STITCHES click here.

WIN A COPY! Want to win a copy of 30,000 STITCHES?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May27th! US addresses only please.