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Interview with Debut Author and Illustrator and Husband and Wife Team Megan and Jorge Lacera

Authors + Illustrators, Authors, Debut Interviews, Illustrators, InterviewsLindsay Ward7 Comments

Happy Thursday Critters! Today, we have an interview with debut author and illustrator Megan and Jorge Lacera! A husband and wife team, their debut picture book, ZOMBIES DON’T EAT VEGGIES!, released this week in both English and Spanish! I’m thrilled to share their work with you today!

So without further ado…please welcome Megan and Jorge Lacera!

Where do you live?

Our home is Cypress, Texas, y’all—a suburb of Houston. 

When did you know you wanted to write/illustrate picture books?

Collaborating has always been our jam. We met while we were both working in the kids’ entertainment studio at American Greetings in Cleveland, Ohio. It didn’t take long for us to realize that we both love everything about stories—reading them, watching them, critiquing them, arguing over them! Creating stories together is magical.

Once we got married, we started thinking more about picture books. We loved that we could create something from beginning to end and execute the full vision that we collectively dreamed up. Super appealing.

After Jorge attended a week-long illustration seminar with faculty that included amazing creators like Adam Rex, James Gurney, and Rebecca Leveille Guay, we were both inspired and excited so we started to really go for it. Our first attempts didn’t exactly come together (re: they were a mess), but we kept evolving. When a little zombie kid character named Mo shambled his way into Megan’s brain, we knew we were onto something that we couldn’t let go.   

Tell us about your road to publication, what did that involve for you?

We put a ton of time and energy into learning and sharpening our craft. Years. We attended local and national SCBWI conferences. Read countless books, studied their structures and forms. Founded a critique group that was very focused on achieving publication-level work. Completed a seminar with Mira Reisberg’s Children’s Book Academy. Made dummies, critiqued the heck out of them, threw them out, started over.

After all that we felt confident in querying agents. We’re now represented by John Cusick at Folio Jr. (he’s awesome!). ZOMBIES wasn’t on submission all that long before the offer from Lee and Low came in. We absolutely love Lee and Low and have so much respect for their integrity and dedication to multicultural stories and creators. Editor Jessica Echeverria’s offer letter was unbelievable….she got EVERYTHING we were going for with ZOMBIES and more. Perhaps cliché, but collaborating with Jessica and Lee and Low feels meant to be.

From signing the deal to the book’s release, two years have passed. Much of that time has been on revising, revising, revising. Some days were challenging, but holding the final book in our hands is totally worth it!

Can you tell us about how you work together as a husband and wife team? 

Usually when we tell people that we work together they look totally mystified. “On purpose?!?” they ask.

Yep. We really do love working together. 

We work at home. After we get our son off to school, we talk over coffee and breakfast. Usually that includes some debate over the latest news stories or a movie we watched the night before. But there’s also a review of our goals for the day, ways to divide up the work, reminders of our big vision and where we’re headed. In addition to our books, we also consult and freelance for companies together—so there are those projects that require collaboration and sometimes quite a bit of negotiation on how it will all get done on time.

The day from there depends on where we are in the process. At the concept stage of a book, we’re together a lot….sketching out ideas, outlining a plot, building art reference, watching movie clips. Once we’re on the same page, we both go off separately; Megan to write the manuscript, Jorge to draw. Then we come back together to review and critique everything we’ve both done. 

People often want to know if we argue. Of course we do! Part of we’ve learned while collaborating at companies is how important healthy disagreement and creative conflict are to the process. Ideas and stories get better when you can push each other to go even further. Respectfully, while keeping your focus on the work. We welcome the “conflict” now because we know it means there’s room to grow…our standards are pretty high and holding each other accountable to those standards is key to our process.

What do you do to shake the rust off or get new ideas?

Consistent exercise is really important to both of us. Jorge does Cross-fit and Megan does hot yoga. Sweat seems to clear space for creative work. We take walks most days and talk about where we’re at with a project or hammer out details of what’s working and what isn’t. 

It isn’t always easy to remember (okay, you might have to drag us kicking and screaming) but taking days off from working to go see a movie, eat Torchy’s Chips and Queso (it’s amazing and totally dangerous), or just do a whole lot of nothing can open up room for ideas and fresh energy. 

Getting new ideas isn’t really an issue; it’s zeroing in on the ones that speak to us most urgently, knocking them around enough to slough off the dust and craggly parts, and then carefully cultivating them into the special somethings that they become.

Anything you can’t live without while you write/draw?

Jorge: I work digitally primarily. I recently made the switch to a Dell Canvas and I’m not sure how I survived before. It’s upped my game and I love it. 

Also, Cuban crackers. Nom, nom.

Megan: My Macbook Air. So not unique, but I love me some coffee while clicking and clacking away. 

Any authors and/or illustrators who inspire you?

Gosh, there are tons. To name just a few…

Adam Rex

Paulo Coelho

Yuyi Morales

Kate DiCamillo

Judy Blume

Peter Brown

Mac Barnett

William Joyce

Tony and Angela DiTerlizzi

Alice and Martin Provensen

Jon Klassen

Dream project to work on?

This is our dream. We loved creating ZOMBIES, we love our current projects, and we really can’t wait to get started on all the stories we have popcorning around in our heads. We’ve been planning for this time in our lives, working day and night to make it happen. So eternally grateful!

Tell us about your debut book.

Mo Romero is a zombie who loves nothing more than growing, cooking, and eating vegetables. Tomatoes? Tantalizing. Peppers? Pure perfection! The problem? Mo's parents insist that their niño eat only zombie cuisine, like arm-panadas and finger foods. They tell Mo over and over that zombies don't eat veggies. But Mo can't imagine a lifetime of just eating zombie food and giving up his veggies. As he questions his own zombie identity, Mo tries his best to convince his parents to give peas a chance.

The Spanish edition ¡Los Zombis No Comen Verduras! is also available and features details exclusive to that edition. Our story has a lot of puns and zombie jokes that wouldn’t work with a straight translation. Yanitzia Canetti adapted ZOMBIES and did a wonderful job!

We hope you’ll love our quirky story about family, self-discovery, and the power of acceptance!

 What’s up next for you?

We signed a two-book deal with Lee and Low Books (their first for picture books!) so we are already working on book #2 (monsters may or may not be involved). We also have several other projects in the works, including more picture books and illustrated middle grade series.

We’ve also created several animated series for kids. One is currently in development…stay tuned for more news on this in the coming months!

And last, but not least, favorite 80s movie?

Megan: A hard choice of epic proportions, but I have to go with The Neverending Story. What I wouldn’t do for a luck dragon like Falcor!

Jorge: Impossible to pick just one. Okay, fine! Monster Squad.


Huge thank you to Megan and Jorge for stopping by Critter Lit today! Congrats on your wonderful new book, we can’t wait to see all your upcoming projects!


JORGE LACERA was born in Colombia, and grew up in Miami, Florida, drawing in sketchbooks, on napkins, on walls, and anywhere his parents would let him. After graduating with honors from Ringling College of Art and Design, Jorge worked as a visual development and concept artist for companies like American Greetings and Irrational Games. As a big fan of pop culture, comics, and zombie movies, Jorge rarely saw Latino kids as the heroes or leads. He is committed to changing that, especially now that he has a son. 

MEGAN LACERA grew up in the suburbs of Cleveland, Ohio, with a book always in her hands. She became a writer and creator of characters and worlds for entertainment companies like American Greetings, GoldieBlox, and Hasbro, and later formed her own creative company (Studio Lacera) with husband Jorge Lacera. After reading many stories to their son, Megan realized that very few books reflected a family like theirs--multicultural, bilingual, funny, and imperfect. She decided to change that by writing her own stories.

FOR MORE INFORMATION about Megan and Jorge and their work, visit them online here or follow them on social media:

Twitter: @Jlacera @MeganLacera

Instagram: @Jlacera

Facebook: @MeganAndJorgeLacera

LinkedIn: @Jlacera @MeganLacera

TO ORDER Megan and Jorge’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of ZOMBIES DON’T EAT VEGGIES?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, April 11th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Cathy Ballou Mealey!

Interview with Debut Author Cathy Breisacher

Authors, Debut Interviews, InterviewsLindsay Ward7 Comments

Happy Valentine’s Day Critters! Today we have an interview with debut author Cathy Breisacher, who will release TWO books this year! How awesome is that?! Her first, CAVEKID BIRTHDAY comes out next month with Charlesbridge, and her second CHIP AND CURLY: THE GREAT POTATO RACE, in May with Sleeping Bear Press. So exciting! I love the humor in Cathy’s books and I can’t wait to share her work and writing process with you all today.

So without further ado…please welcome Cathy Breisacher!

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Where do you live?

Thank you so much for having me on your blog!

I live in Pennsylvania in a town called Hollidaysburg, which is located in the South Central part of the state. It is a small town nestled among the beautiful mountains. From my office where I do my writing, I often sit and stare out the windows at the mountains and admire the beauty of it all. 

When did you know you wanted to write picture books?

I have always been fascinated with stories, but I was especially drawn to the magic of picture books when I was in graduate school studying to become an elementary school counselor. At the campus library, there was a room for Education majors filled with picture books. It was wonderful. I would get caught up in the stories (ones that I remembered from my childhood and new ones that I wanted to use in the classroom). I started thinking about how fun it would be to write my own books someday. But, I didn’t actually pursue this idea until several years later. One day, I received a brochure in the mail about a Children’s Book Writing Conference in Chautauqua, New York put on by the Highlights Foundation. I was so intrigued. I had not written any stories up to that point, but I signed up for the weeklong workshop anyway. As a result of being around so many amazing children’s authors, I caught the kidlit bug. While at the workshop, Jane Yolen recommended joining SCBWI. It was an excellent piece of advice, and it was the first thing I did upon returning home. After that, I started attending SCBWI events and trying to learn as much as I could about the craft of writing children’s picture books. 

Tell us about your road to publication, what did that involve for you?

After that event in Chautauqua, I knew I had so much to learn. I was a high school guidance counselor, and my job took up a lot of my time. I usually only wrote during the summer months. Eventually I realized that I wanted to devote more time to writing and trying to get published, so I decided to make a career change. I earned my Master of Library Science degree and switched from the high school guidance job in my district to the elementary librarian job. This move gave me more time to focus on books and, subsequently, my writing.  I also started attending the NJ SCBWI annual conference. It was after my first conference that I landed an agent. A year later, CAVEKID BIRTHDAY sold to Charlesbridge, and a year after that, CHIP AND CURLY sold.  Both books are coming out this spring. I made a lot of mistakes along the way, and I continue to learn. One of the most important things I have learned is the value of making connections. The kid lit community is filled with amazing people who are all willing to help one another. Sharing what we know and being open to learning from others is extremely beneficial and valuable. I also learned that things don’t happen overnight. We all need large amounts of patience and tenacity.  

Can you share a bit about your process?

In my life, I try to be organized. In fact, I spend a lot of time organizing my work duties and things I need to do at home. But interestingly, when it comes to writing, I feel like I am scattered all over the place. I don’t have a normal process that is consistent from one story to the next, or from one day to the next. At any point in time on any given day, I’m jotting down story ideas or adding to a work in progress, or two works in progress, or even three. I may add lines to a couple of different stories, bouncing back and forth between them as inspiration strikes. I often work like this until one of my stories starts to gel and take off. I do this until I can churn out a first draft.  It can take me months to get a first draft on paper. I spend a lot of time letting ideas marinate in my mind to see where they can go before I write things down. But, once I have a first complete draft written, then I focus on that story and revise and revise and revise. I love the revision stage, focusing on each line, each word, the overall story arc, and the page turn effects. The revision part of writing is my favorite part. I feel alive in writing when I have a complete draft that I can mold and shape into something fun to read. 

What do you do to shake the rust off or get new ideas?

Fortunately, the easiest thing for me when it comes to writing is thinking of new ideas. I have notebooks filled with ideas. Now, if I can just find the time to try my hand at each of these ideas to see which ones will take off.  Some of my favorite story ideas sadly don’t come together. After working at them for a while I’ll just save what I’ve written knowing that I can always come back to it if inspiration hits again. There have been stories that I have worked on for too long, knowing that they weren’t working, but hoping to make some magic happen with them. Eventually I will come to that realization and move on to one of my other ideas. But, thankfully I always have more ideas swimming around my brain. 

Anything you can’t live without while you write?

Oh, yes! Diet Pepsi and dark chocolate.  

Any authors and/or illustrators who inspire you?

I love fun, funny, and silly picture books, so the authors I look up to include Mac Barnett, Aaron Reynolds, Jon Klassen, Corey Rosen Schwartz, Kelly DiPucchio, Ame Dyckman, Tammi Sauer, Jory John, and Ryan Higgins. 

Dream project to work on?

I have really enjoyed the process of working on CAVEKID BIRTHDAY with the fabulous team at Charlesbridge and CHIP AND CURLY, THE GREAT POTATO RACE with the talented folks at Sleeping Bear Press. These two projects have seemed like dream projects to me. Everyone at both houses, along with both illustrators – Roland Garrigue and Joshua Henisz – has been incredible. I would enjoy working on a book with either of them again. In the future, I would also look forward to having one of the following folks illustrate a book of mine since I am a huge fan of their art:  Dan Santat, Pierre Collet–Derby, Troy Cummings, Eric Rohmann, Jennifer Harney, etc. But, honestly, there are so many amazing illustrators and I am awe-struck at how art designers know how to choose the perfect illustrator for a story. 

Tell us about your debut book.

CAVEKID BIRTHDAY, illustrated by Roland Garrigue and published by Charlesbridge will come out on March 5, 2019.  In the story, Caveboy and Cavegirl are best friends and do all kinds of cavekid activities together. They also share the same birthday! So, with their birthday approaching, each one decides to get something special for the other. They both have something valuable that they can take to Caveman’s Collectibles to trade, but when it’s time to exchange gifts, they are in for a big surprise. However, these Cavekids are resourceful, so they use their imagination and creativity to come up with a way to have a satisfying and very happy birthday. 

I really hope readers will see how much fun it can be to use their imagination and creativity when they play.  The inspiration for this story came about during Tara Lazar’s PiBoIdMo (now called STORYSTORM) in 2014 when I spotted a clipart image of a caveboy and a cavegirl. I was looking for a way to mash two ideas together in a picture book.  So, at one point I decided to mash the Cavekids with Christmas and I started writing. It didn’t take long before the idea of doing a twist on the Gift of the Magi popped into my head. I have always loved O. Henry’s story about the husband and wife who each take their most treasured possession and sell it to buy a perfect gift for the other one. So I decided to take that premise and have it take place during prehistoric time with Cavekids. After many rounds of revision, the Christmas theme got changed to a Birthday, and the rest of the story flowed from there. 

What’s up next for you?

I have many other stories written and a couple of them are out on submission right now. I’m currently working on two other stories that I’m really excited about. I plan to keep writing fun, silly picture books and I’ll keep my fingers crossed that each one finds a perfect home at a publishing house.

And last, but not least, favorite 80s movie?

Oh my goodness…the 80s is my favorite decade for movies and music. It would be very difficult, if not impossible, for me to choose just one.  So, I’ll pick four (and even narrowing the list to four is a challenge):  Ferris Bueller's Day Off, Dirty Dancing, E.T., and Top Gun. I don’t often watch movies more than once, but I’ve watched each of these movies several times. I enjoy many types of movies - funny, romantic, sweet, and dramatic. Just like books, my favorite movies have characters that are memorable, and a story line that stays with me long after I’ve watched it. 


Huge thank you to Cathy Breisacher for stopping by Critter Lit today! We can’t wait to see your wonderful books out in the world this year! Congrats!


Cathy Breisacher is the author of the following spring releases: CAVEKID BIRTHDAY (Charlesbridge, - March 5, 2019) and CHIP AND CURLY - THE GREAT POTATO RACE (Sleeping Bear Press - May 15, 2019). She is also an elementary school librarian and former high school guidance counselor. Her passion is to write fun, silly, humorous picture books that will put a smile on kids’ faces. When she is not working or writing, she enjoys reading, traveling, and spending time with her family and friends. She loves all kinds of parks – national parks, theme parks, and Central Park – and is happy when she gets a chance to visit any of these. Cathy lives in central Pennsylvania with her husband.

FOR MORE INFORMATION about Cathy and her work visit her website: www.cathybreisacher.com or follow her on Twitter @CathyBreisacher.

TO PRE-ORDER Cathy’s books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of CAVEKID BIRTHDAY?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 21st! US addresses only please.

Interview with Debut Author Laura Roettiger

Authors, Debut Interviews, Interviews, publishingLindsay Ward6 Comments

Happy Thursday Critters! Today we have a debut author interview with Laura Roettiger! Laura’s debut book, ALIANA REACHES FOR THE MOON, illustrated by Ariel Boroff, releases on February 19th with Eifrig Publishing. We are so thrilled to have her here today to talk about her new book.

So without further ado…

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Please welcome Laura Roettiger!

Where do you live?

I live in the Rocky Mountains at 8,200 ft just west of Boulder, Colorado. For perspective, Boulder is 5,340 ft but only 10 miles away so the road to where I live is quite steep. My backyard is National Forest so it’s beautiful but so different from Chicago and the suburbs where I lived my whole life before moving here in 2016.

 When did you know you wanted to write picture books?

I was a reading specialist in Chicago and spent my days reading and writing with students. I often wrote stories for them when I couldn’t find books that I wanted to use. ALIANA REACHES FOR THE MOON was the first book I wrote with the intention of publishing. I know how rare that is; most people talk about the pile of unusable drafts they wrote before getting anything published.

Tell us about your road to publication, what did that involve for you?

In late 2016 and early 2017, I received some love in a few pitch parties that ultimately led to rejection. They liked the concept but not the actual story. This is because the manuscript WASN’T READY and it’s a very different book now than where it was at that time two years ago. I also submitted to a few publishing houses that accept un-agented work, including Eifrig Publishing. I am a writer, not an illustrator, and they only take on fully illustrated books. I had been approached by a local artist who wanted to collaborate and her sketches were the first ones submitted to Eifrig along with the original manuscript, a letter that explained who Aliana was, my plans for a series of STEAM (Science, Technology, Engineering, Art, Music) books, and how the vision of Eifrig Publishing aligned with my values. She had editing and revision recommendations and I continued to work on the story. Fast forward to July 2017 at Southampton Writers Conference and my manuscript went through a revision that I have described as ‘performing surgery on a loved one.’ I know other people use the phrase, ‘kill your darlings’ but I didn’t want to kill my book, I wanted to make it better. The original manuscript was trying to do too many things at the same time. The final book kept many of the ideas and cut out others. When I shared it with Penny at Eifrig, she agreed it was 100% improved. In October 2017, the illustrator backed out of the project due to time constraints of her other jobs. Through a mutual friend, Ariel Boroff and I met and began collaborating. She has done an amazing job of bringing the book to life while working as a costumer on a TV show - “Station 19” which is a “Gray’s Anatomy” spinoff about a fire house. Aliana’s father is a fireman so we both felt like that was a nice overlap.

Can you share a bit about your process?

I have a vivid imagination and often come up with ideas for stories when I am out in nature. I also like to do research and write by hand before I begin drafting a story. Sometimes the research doesn’t even end up in the manuscript, but it gives me additional background knowledge to draw on.

ALIANA REACHES FOR THE MOON was originally written by hand. This year I participated in StoryStorm (31 ideas in January) which was fun. I have many ideas that I thought of when I wasn’t home. I text myself so that I can add them to the brainstorm document when I get home. It’s amusing to see the ideas and I wonder if anyone ever saw the texts if they would think I was crazy! 

My last two books, one which is ready to query and one which is still in revisions, came from different places. The first is inspired by my beloved Goldendoodle puppy, Charlie. I shared it on the 12x12Forum, with my two in person critique groups more than once, and I think it’s ready to send out into the world. I love thinking about that first day, the germ of the idea, and how it’s transformed now that it is ready to share and hopefully be loved. The other one, which is still a WIP was inspired by a 12x12 webinar about how illustrations and text work together in different ways. I’m trying to grow as a writer and try new things. This one is definitely a departure but so far the feedback from critique partners is good so I am going to keep polishing. 

What do you do to shake the rust off or get new ideas?

I don’t usually have trouble coming up with ideas. In the beginning, I had ideas that I couldn’t figure out how to turn into stories. I’m past that now thanks to several classes, conferences, and studying picture books with a writer’s eye.

Anything you can’t live without while you write?

I usually write in my dining room which has actually never been used for eating. It’s wide open with floor to ceiling windows, beautiful artwork, a desk and a large table for two different perspectives, furniture that belonged to my parents’ and grandparents, and interesting woodwork. I like to be comfortable so right now, since it’s winter I’m wearing a sweatshirt and soft flannel. Often I’m in my pajamas. I used to joke that if I was in my pajamas at noon that was the sign of a productive writing morning. 

Any authors and/or illustrators who inspire you?

There are so many and I hesitate to name names, but I will say I was fortunate to meet Amy Krouse Rosenthal, David Shannon, and Kevin Henkes while I was teaching and they were so generous with their young fans. That stays with me.

Dream project to work on?

I know this may sound funny, but Aliana is a dream project. She is based on my daughters and a few special students from Carlos Fuentes Charter School in Chicago. I have two more books written about Aliana and Gustavo, both which need further revision, and I can’t wait to see if the world loves her as much as I do.

Tell us about your debut book.

ALIANA REACHES FOR THE MOON is about a curious and creative girl who observes the bright light of the full moon. She uses information from books about the moon and experiments with light and reflection to create a surprise for her brother Gustavo. The book celebrates curiosity and demonstrates her patience and her parents’ patience. The messages are layered and not heavy-handed which is something I’m very happy about.

What’s up next for you?

I have two launch parties and a few events here in Colorado and ten days of mostly school visits in Chicago. I am very excited to be going back to two of the schools where my children were students. I am also working on lining up events at one or both of the places that wrote endorsements for the book: Adler Planetarium in Chicago, and the Challenger Center which has 40 education centers.  https://www.challenger.org

I am also hoping to find an agent this year and am a Gold member of 12x12. 

And last, but not least, favorite 80s movie?

Dirty Dancing. 


Huge thank you to Laura for stopping by Critter Lit today! We can wait to see your book in the world on February 19th! Congrats!


Laura Roettiger is the author of ALIANA REACHES FOR THE MOON. She is a life-long Chicago resident who moved to the Rocky Mountains in 2016. Living adjacent to Roosevelt National Forest and just a few miles from the Continental Divide has provided her with inspiration for much of what she writes about. In Chicago, she worked as a reading specialist and elementary teacher and raised three children who are also the inspiration for her writing. Her superpower is encouraging curiosity in children and letting them know she believes in them. Since moving to Colorado, she has worked in Environmental Education and is now a literacy mentor at a STEM school. In 2018, she adopted a Goldendoodle puppy, Charlie, who is the inspiration for her latest polished manuscript. 

FOR MORE INFORMATION about Laura and her work visit her website: www.lauraroettigerbooks.com.

TO PRE-ORDER Laura’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of ALIANA REACHES FOR THE MOON?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 14th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Cathy Breisacher.

Interview with Debut Author Meera Sriram

Authors, book release, Debut Interviews, InterviewsLindsay Ward14 Comments

Happy Thursday Critters! Today, we have a fabulous interview with author Meera Sriram, whose debut book, THE YELLOW SUITCASE, illustrated by Meera Sethi, will be released with Penny Candy Books on March 12th! Filled with brilliant patterns and colors, THE YELLOW SUITCASE, explores the complexities of living in a new country and dealing with loss. Both poignant and extremely relevant, this is a picture book everyone should read.

I’m honored to share this beautiful book with you today.

So without further ado, please welcome Meera Sriram!

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Where do you live?

I live in Berkeley, California. I was born and raised in India, and moved to the U.S about two decades ago.

When did you know you wanted to write picture books?

When I had my first child, my daughter and I read tons of picture books together. We went to the library several times a week, carried books everywhere, and enjoyed story-times. This was all fascinating to me as I grew up without access to picture books. Eventually, I started reviewing and recommending diverse books. When I went back to work in the corporate world (as an electrical engineer), I realized I had left my heart behind in picture books.

Tell us about your road to publication, what did that involve for you?

I started out with no relevant academic or industry background in publishing. At first, I wanted to write for children in India, to sort of give back what I had missed as a child. I went on to co-author four books that were published in India. A few years ago, I decided I wanted to work towards addressing the void here, in the U.S – kids that looked and lived like my own were missing in stories. I was obsessed with learning the craft, knowing the process and resources, attending workshops and conferences, and of course writing and reading. But the most important contribution came from my critique groups, my diligent and talented writer friends! I’ve learned from them and leaned on them, and they’ve guided and encouraged me at every stage. I’m thankful for being part of a supportive cohort on this journey because the road to publication is far from easy, particularly when you think about revisions, harsh rejections, and long waits. Many submissions later, someone liked my work – believed in its importance and liked it enough to put it out in the world. And I’m very grateful for that.

Can you share a bit about your process?

Sure, I usually pick an idea and mull over it for a few weeks. When I sit to write, I make a mental checklist of story elements for my specific work – characters, conflict, plot, resolution, takeaway – to ensure that the story I want to tell allows for a structure with these elements. Then, I write in burst mode and revise until I lose count. In fact, I don’t really shelve it until it’s reasonably polished (my CPs must hate me for this :)

What do you do to shake the rust off or get new ideas?

Honestly, I don’t struggle with ‘seed’ ideas. However, I’m often challenged to come up with a good plot. Then, I go back and read my favorite authors, to consciously study plots and story arcs. I also brainstorm with friends (and my own kids) to get my juices flowing. Sometimes, I distance myself for a few days before returning to tackle it.

Anything you can’t live without while you write?

Chai, and it’s no secret. Also, a dictionary, and windows that look out into the sky or patches of green.

Any authors who inspire you?

Oh, so many! If I were to name a few picture book writers, then I’d say Jacqueline Woodson, Allen Say, and Patricia Polacco.

Dream project to work on?

Maybe a middle-grade on social justice set in India.

Tell us about your debut book.

THE YELLOW SUITCASE is a story about a little girl who returns to India to attend her dear grandmother’s funeral. She is devastated and confused, until she finds comfort in a special gift. The narrative fleshes out the universal emotion of grief while telling the experience from an immigrant perspective. The inspiration for this story came from my own family’s experience when my children lost their first grandparent in India. I hope THE YELLOW SUITCASE helps open up conversations around death in classrooms and families. The book is illustrated by Meera Sethi who has brought in many wonderful colors and cultural details to the spreads.

What’s up next for you?

I’m excited about a couple of projects that are out (or about to go out) on submission. Currently, I’m trying to promote my debut alongside revisions of work-in-progress. In the long run, I aspire to write stories on experiences, themes, and people less visible in picture books.


Thank you for stopping by Critter Lit today Meera! We are so excited to see THE YELLOW SUITCASE on bookshelves! Congrats!


Meera Sriram grew up in India and moved to the U.S at the turn of the millennium. An electrical engineer in her past life, she now enjoys writing for children and advocating early and multicultural literacy. Meera has co-authored several books published in India. She believes in the transformative power of stories and writes on cross-cultural experiences that often take her back to her roots. Meera loves yoga and chai, and lives with her husband and two children in Berkeley, California, where she fantasizes about a world with no borders.

FOR MORE INFORMATION about Meera and her work visit her website: www.meerasriram.com or follow her on Twitter @Meeratsriram and Facebook.

TO PRE-ORDER Meera’s debut book, ring up your local bookstore, or visit IndiBound, Amazon, or Barnes & Noble.

BOOK GIVEAWAY!

Want a chance to win a copy of THE YELLOW SUITCASE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 31st! US addresses only please.

What's up on deck? Tune in next week for an interview with author Sue Fliess!

Interview with Debut Author Monique Fields

Authors, Debut Interviews, InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I hope you are all enjoying the holiday season with family and friends. I’m very excited to share today’s interview with debut author Monique Fields!

In addition to writing picture books, Monique is an incredibly accomplished journalist, with essays appearing in Ebony magazine, NPR’s All Things Considered, and TheRoot.com. Her debut picture book, HONEYSMOKE: A STORY OF FINDING YOUR COLOR, illustrated by Yesenia Moises, will release on January 8, 2019. Monique’s debut is a wonderful book that encourages children to find and create their own identity in the world.

So without further ado, please welcome Monique Fields!

unnamed-1.jpg

Where do you live?

I live in Tuscaloosa, Alabama, home of the University of Alabama. 

When did you know you wanted to write picture books?

I was a journalist for about 20 years, and I always have enjoyed writing. After I had my girls and read a trillion picture books over and over again at bedtime, I started to think I could write one, too.

Tell us about your road to publication, what did that involve for you?

Oh, I don’t know if this blog post is long enough. It’s been a long, winding road. I wrote a manuscript, but I didn’t really know how to write a children’s book. There was a learning curve as I figured out page turns and the other mechanics of writing for children. As a journalist, I didn’t know much about critique groups. I had to find one. When I couldn’t find one in my hometown, I started a digital group. After I polished off a few manuscripts with the help critiques from writers, agents, and editors at SCBWI events, I still had to find an agent. Thank goodness Kevin O’Connor took a chance on me. That’s the short version. Whew!

Can you share a bit about your process?

I mine my life and the lives of others for ideas. I can see a potential picture book in almost anything I witness during the course of the day. When something strikes me as interesting, I write it down in my electronic notebook. 

When it comes to writing, I get the beginning and the ending on the page first. That’s a throwback to my journalism days. The hardest part is in the middle.

What do you do to shake the rust off or get new ideas?

Read. When I read, I am inspired. 

Anything you can’t live without while you write?

Chocolate and Twizzlers.

Any authors and/or illustrators who inspire you?

There are two author/illustrators whose work I truly adore: Yuyi Morales and Vashti Harrison. Both bring such dreamy intricacies to their work. Oh, how I wish I could draw and tell a beautiful story. 

Dream project to work on?

I’d love to work with Tracee Ellis Ross and Serena Williams on pretty much anything. 

Tell us about your debut book.

HONEYSMOKE is about a little girl who discovers her very own color. Simone, the main character, looks around her world to find her place in it. Her skin color is not like any of her friends at school or her parents. So, what is her color? She chooses one of her own, and creates a new word: Honeysmoke. It wrote the book so that all children can create their own identity. 

What inspired you to write your debut book?

The manuscript that became HONEYSMOKE started as a question from my three-year-old daughter: Who am I? She didn’t ask her question in such succinct terms, but that’s exactly what she wanted to know. I was surprised and a little disappointed when I couldn’t provide a satisfying answer. 

What is Honeysmoke?

Honeysmoke is my childhood nickname, and it is the color of my skin. When I was growing up, I decided that my mother, a light-skinned black woman, was the honey and that my father, a dark-skinned black man, was the smoke. I was the same as my parents but also different. 

How did your nickname become a children’s picture book?

As I considered how I could help my biracial daughter understand the complexities of race, I turned to my childhood nickname. She was the same as her father and me but also different. She had inherited qualities from us, and she would soon discover that she had some of her very own, that she was more than what she looked like on the outside. The little girl who inspired HONEYSMOKE is now a teenager, and she continues to discover her world and her place in it.

What’s up next for you?

Well, I hope to be a nonfiction picture book author soon. That’s all I can say about it for now. 

And last, but not least, favorite 80s movie?

The answer to this question is going to date me. Purple Rain is my favorite 80s movie.


Huge thank you to Monique for stopping by Critter Lit today! We can’t wait to see HONEYSMOKE out in the world!


Monique Fields is an award-winning journalist. Her essays about race and identity have appeared on air, in print, and online, including NPR’s All Things Considered, Ebony magazine, and TheRoot.com. She is the founder and editor of Honeysmoke.com, a site for parents raising multiracial children. 

FOR MORE INFORMATION about Monique and her work visit her website: www.MoniqueFields.com or follow her on Twitter @honeysmokeblog

TO ORDER Monique’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of HONESMOKE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 3rd! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post to kick off the new year!

Interview with Author/Illustrator Corinna Luyken

Vet Interviews, Interviews, Illustrators, Authors + Illustrators, AuthorsLindsay Ward3 Comments

Happy Thursday Critters! Today CORINNA LUYKEN is here! I’m such a huge fan of Corinna’s work, as I know all of you will be too. Her first book, THE BOOK OF MISTAKES, was my favorite book of 2017. Corinna’s books are incredibly beautiful and insightful, and I can’t wait for all of you to see MY HEART, her newest picture book that will be released on January 8th. It is simply exquisite.

So without further ado, please welcome Corinna Luyken!

Author photo_Corinna Luyken.jpg

Where do you live?

In Olympia, WA, at the base of the Puget Sound.

How many years have you been in publishing?

My first book, THE BOOK OF MISTAKES, came out in 2017.

How many books have you published?

MY HEART is my third book as illustrator, second as author/illustrator.

Do you write/illustrate full-time?

I do!  It’s been an eighteen year dream of making picture books, and I feel incredibly grateful to be doing this full time.

Interior spread from MY HEART

Interior spread from MY HEART

What inspires you to create picture books?

I’m in love with the form of the picture book, the way that words and images can work together to make something bigger than either one alone. Although I love to draw, and I love to write, it’s the magic that happens when they come together that thrills me.

What surprised you the most working as an author/illustrator?

After having a debut book that was well received, it really surprised me (in retrospect, maybe I shouldn’t have been so surprised) how difficult the second book became. Because suddenly I started to worry about what other people would think, and if the second book would measure up to the first one. I stressed myself out about all of this a lot more than I thought I would. Doubt and self judgement can be useful tools as an illustrator, but they can also paralyze you if you don’t keep them in perspective. I re-started a morning meditation practice in the midst of my second book, which helped a lot. Sometimes it’s good to remember that we are tiny specks on a spinning planet in a vast universe. Which helps me to create from a place of love, instead of fear.

What is your favorite thing about being an author/illustrator?

Finding out that a book I’ve made has touched someone else’s heart.

What do you find difficult working as an author/illustrator?

Balancing my devotion to my work and the amount of time it takes to make beautiful books with being a mom can be very difficult. But being a mom has also opened up my heart in a very big way. It’s a balancing act, but worth it.

What do you do to shake the rust off or get new ideas?

Going for walks is great. Being near the ocean or any water also helps me to quiet my mind, which makes me more receptive to new ideas. Slowing down, in general, is a good thing. When I’m rushing around too much, it’s hard for me to make room for anything new. 

Anything you are habitual about when it comes to creativity?

I try to start every day with quiet meditation time. Whether things are going really well, or I’m struggling with something… either way it helps to keep it all in perspective. A hot cup of tea or coffee is also necessary!

Interior spread from MY HEART

Interior spread from MY HEART

Can you share a positive experience you’ve had in the kid lit community?

I’ve found this community to be full of many kind, generous people. Some of the most meaningful experiences have been small kindnesses early on in my career from people who were further along in the journey. Marla Frazee showed some interest in a dummy that I brought along to my first national SCBWI conference, and even went on to share it with an editor. The editor didn’t end up acquiring the story, but the fact that both of them saw potential in the project meant so much at the time. And then, a few years later (after many revisions) that dummy went on to win the SCBWI Don Freeman Work In Progress grant. And now, almost five years (and many more revisions) later, it is going to be my next book, MY HEART.

What is your favorite picture book?

I have SO many favorites!  I can’t choose just one…  but THE VERY PERSISTENT GAPPERS OF FRIP by Lane Smith and George Saunders is the book that made me want to make books.  

I also adore WHEN GREEN BECOMES TOMATOES by Julie Fogliano and Julie Morstad, EXTRA YARN by Mac Barnett and Jon Klassen, EMILY’S BALLOON by Komako Sakai, WAVE by Suzy Lee, MIGRANT by Isabelle Arsenault and Maxine Trottier, SCHOOL’S FIRST DAY OF SCHOOL by Adam Rex and Christian Robinson, DU IZ TAK by Carson Ellis, ALL THE WORLD by Marla Frazee and Liz Garton Scanlon, NOTHING by Jon Agee, THE IRIDESCENCE OF BIRDS by Hadley Hooper and Patricia MacLachlan …. and many many more.

What has been the highlight of your career thus far?

There have been so many highlights! Watching my daughter hug our first copy of THE BOOK OF MISTAKES tightly to her chest (the book was inspired by and is dedicated to her), getting my first packet of thank you art from a classroom full of kids in the mail, receiving a note that I had won the Leo Award for my first book (Leo is a young boy who has created his own award for his favorite book of the year!), and also hearing from Lane Smith, who illustrated the book that made me want to make books (see above) that he loved THE BOOK OF MISTAKES.

What is something you wish someone had told you when you first started writing/illustrating?

Persistence is more important than talent. Persistence, and truly loving the work.

Interior spread from MY HEART

Interior spread from MY HEART

Tell us about your newest book?

MY HEART is coming out January 8th. It's a celebration of the heart (in all its varied emotions), as well as an ode to love, and to keeping your heart open. 

What’s up next for you?

I’m just finishing up illustrations for WEIRD LITTLE ROBOTS, which is a middle grade written by Carolyn Crimi and coming out from Candlewick in fall 2019.  

I’ve got a few other exciting things lined up, but I can’t talk about most of them yet! But I will be making another book as author/illustrator with Dial that has a lot of arguing in it. And the next picture book I’m working on is called NOTHING IN COMMON by Kate Hoefler. It is about an old man, a hot-air-balloon-flying dog, and two kids who appear to have nothing in common, but perhaps do where it counts most.  

Anything else you’d like to share with aspiring authors and illustrators?

I think it’s really important to read as widely as possible. To fall in love with an enormous variety of work. Not just the work that is similar to what you want to make. The more books you love, the wider the pool of words and images that will filter through you and into your work. If you only love a few artists or writers, often, without even meaning to, the work you make will end up being overly influenced by them. And the world doesn’t need another Carson Ellis or Isabelle Arsenault or Jon Klassen. The world needs YOU and your voice. For me, the best way to create a unique style is to open your heart very wide and study the vast web of work that came before you. The more that you can find to love, the more varied your influences will be and the more you will, without even trying, develop a unique voice and style.

And last, but not least, favorite 80s movie?

Labyrinth!


Huge thank you to Corinna Luyken for stopping by Critter Lit today! We are so excited to see all of your upcoming books!


Corinna Luyken grew up in different cities along the West Coast, and after studying at Middlebury College, she settled in Washington State, where she draws inspiration from nature, her family, and the human form.

FOR MORE INFORMATION about Corinna and her work visit her website: www.corinnaluyken.com or follow her on Twitter or Instagram @CorinnaLuyken.

TO ORDER Corinna’s wonderful books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of MY HEART?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 20th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with author/illustrator Lindsay Moore!


Interview with Debut Author Aidan Cassie

Debut Interviews, Authors + IllustratorsLindsay Ward4 Comments

Happy Thursday Critters! Today, I’m very excited to share with you the work of debut picture book author and illustrator Aidan Cassie! I received an F&G of Aidan’s debut book, STERLING, BEST DOG EVER, this past summer and immediately fell in love with little Sterling.

Sterling the dog has always wanted a home. But no home has ever wanted him. So when Sterling sees a sign on the side of the Butlery Cutlery Company advertising free "shipping to homes around the world," he is determined to become the most terrific fork ever! For what home doesn't need flatware?

Sterling is delivered on time and undamaged to the Gilbert family's front door. He is not, however, what they ordered. . . . But he may be exactly what they need. A humorous, heart-tugging picture book about finding a family, who wants you just as you are.

Sterling is quite lovable. Just look at the adorable cover below. Our family dog, Sally, was a rescue, so I immediately connected with Sterling’s hope of finding the perfect family and home. The illustrations are wonderful and the story is charming. I hope you enjoy Aidan’s new book as much as I do.

So without further ado, please welcome Aidan Cassie!

ACassie_HighRes.jpeg

Where do you live?

I live on a west coast island, on the side of a small mountain, in Canada’s Salish Sea, just north of Seattle. It’s a quirky, rural pocket of co-op farmers, naturalists and artsy-folk, but most people here are urban-transplants, like myself. I love island life - our daughter takes a ferry to school while my husband and I work from our home studios (to the great delight of our big red dog, Sooka).

When did you know you wanted to make picture books?

While I was working on my degree in animation I started telling stories visually and fell in love with the process. After creating my wordless animated film, I thought I’d naturally write wordless picture books. Instead I discovered my voice, and the wonderful space between the text and illustrations.  I’m fascinated by the way readers/listeners/viewers construct what is happening with what is on the page, as well by the unsaid words and implied images. 

Can you share a bit about your process?

Assuming I’ve settled on a promising story idea nugget, I start by sketching characters to help me visualize the story. Then there’s the “walking and talking in the woods phase” as I envision it playing out like a little movie that I tell myself aloud… rewind, revise, and tell again. Sooka just chases sticks and is very non-judgmental. 

At the point my tale feels relatively solid I often enjoy a burst of drawing and writing. I pare things down to the important visual “shots” and make a series of thumbnail drawings, the same way I’d storyboard for animation. Later I might redraw with a bit more detail onto recipe cards, so I can reorder, add to, and edit the elements. I constantly flip between modifying drawings and editing words. Often the words are last to come.

 When I’m happy with the final flow I scan my sketches and create a digital dummy that has all the text in place for my crit group to read and edit. Later, many revisions later, if my agent likes it, I’ll make some final art samples for prospective publishers. I go back to the tiny 1’ drawings again, this time digitally. I experiment with the color narrative, palette and tonal balance for the whole book laid out on one page. I do each tiny spread’s colour very roughly so as to have a guide when doing final art. I use a Cintiq to create final art, usually with digital water color layers and textures that sit beneath my drawings. 

What do you do to shake the rust off or get new ideas?

Of course ideas must be caught and gathered as they show up. Sometimes they come from mining strong childhood feelings of my own, but most often they come from the outside; like overheard conversations, observing something strange, a great line in a song, bizarre news stories or by mashing together unlikely things, like dachshunds and forks. And sometimes I just need to put myself somewhere new; we just came back from taking a year to live in Provence; every day in France was brimming with “new”!

Art supplies you can't live without?

It’s a short list; my 2B pencils, and a good eraser.

Maybe some run-of-the-mill photocopy paper too.  All my creations are born of a pencil line on cheap photocopy paper. It allows me feel free to let loose and make oodles of useless doodles. And useless is important. For me, being too precious or careful cramps my creativity and exploration. I like the erasable nature of pencils, so when it comes to watercolor painting (not a forgiving medium), I find I take more risks when I work digitally, because I know there is an “undo”.

Favorite illustrators?

Oh, yes, I love sharing my art crushes!! Birgitta Sif, Isabelle Arsenault, Emily Gravett, Kady MacDonald Denton and, and, and… Chris Riddell, Carter Goodrich, Pierre Pratt and Shaun Tan!

Dream project or book to work on?

I’m feeling pretty lucky that I’m working on a bunch of my own books right now, so things are pretty dreamy as it is. One day I’d love to work collaboratively with a funny author (like Emily Jenkins or Aaron Reynolds), preferably on a ridiculous story jam-cram-packed with dogs - you know, if we’re talking DREAM project.

Tell us about your debut book.

My debut book was inspired by a childhood dog I had, an odd little dachshund. Sterling, Best Dog Ever is about a dog who’s had a hard time finding a home, so he lives in a damp box. When he discovers a fork factory that ships to good homes he thinks he’s found his ticket to happiness. When it occurs to him that the new family, surprised by the little stow-away, may not need a fork, Sterling decides he could be anything if they would just keep him. He’s an expert at adapting, but it takes him a while to understand what this loving family really wants.

What’s up next for you?

I’ve just finished up the final cover art for my second book, Little Juniper Makes It Big, about a wee raccoon who feels too small for everything, and that will come out in 2019. While waiting for edits and feedback on that book I’ve been working on my third book (still at the untitled dummy-book stage) that will come out the following year, both with FSG Macmillan.

And last, but not least, favorite 80s movie?

Wow, “80s movie” feels like a genre in itself – like I need an answer that features the Neutron Dance. But I have to go with animation! As a 9 year old I was completely spell bound by the The Secret of Nimh in 1982. 


Aidan Cassie studied animation and earned a media arts degree at the Emily Carr University of Art and Design as well as Edinburgh College of Art. Sterling, Best Dog Ever is her first picture book.

FOR MORE INFORMATION about Aidan and her book, visit her website at www.aidancassie.com.

TO ORDER a copy of STERLING, BEST DOG EVER, ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of STERLING, BEST DOG EVER?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, October 18th! US and Canadian addresses only please.

What's up on deck? Tune in next week for a Critter Lit Craft Post.

Interview with Picture Book Author Josh Funk

Vet Interviews, Interviews, AuthorsLindsay Ward4 Comments
Photo Credit: Carter Hasegawa

Photo Credit: Carter Hasegawa

I had the pleasure of meeting Josh Funk for the first time this past June at ALA in New Orleans. My husband and I attended a party hosted by Two Lions for their authors, librarians, and other book-loving folks. Hours later, in the heart of the French Quarter, I ended up sitting around a table with my husband, Josh, and Sue Fliess (another Two Lions picture book author) talking about books, publishing, writing, and all the bits in between.

For those of you who are in this business, you know how rare it is to get face time with other writers and illustrators, we are usually holed up in our offices or studios, in our own heads, spread out all over the country. Needless to say, it was such a treat sitting around chatting about books that night.

We are big fans of Josh's books in our house and I'm thrilled to share his work with you today!

So without further ado, please welcome Josh Funk! 

Where do you live?

Outside Boston, Massachusetts (in the United States … on the planet Earth)

How many years have you been in publishing?

My first book (Lady Pancake & Sir French Toast) came out in 2015, but I started writing my very first really really horrible picture book manuscript in the summer of 2011.

How many books have you published?

As of today, I have seven books published (but my 8th and 9th will be released within the next month).

Do you write full-time?

Nope. I’m a software engineer during the day. I write books in the evenings, over weekends, and during bathroom breaks.

What inspires you to create picture books?

I really enjoyed reading with my kids - and I think they enjoyed reading with me. I just want to create entertaining picture books for kids and the adults that read with them.

What surprised you the most working as an author?

Every time I see the art for one of my books for the first time, I am blown away by how amazing it is! Picture book illustrators are the most talented artists in the world today!

What is your favorite thing about being an author?

Connecting with readers. There’s no question that this is my favorite aspect of being an author.

What do you find difficult working as an author?

The worst is when you have to cut something out of a story that you really liked (like a good joke or a clever rhyme), but you know the book will better as a whole without it.

What do you do to shake the rust off or get new ideas?

I think about what I want to see illustrated. As someone who can’t draw, but gets silly ideas in my head, I try to think about what I’d want to see a really talented artist create - and then write a story about that!

Anything you are habitual about when it comes to creativity?

Very little. I kind of just work on things whenever and wherever the mood and idea strikes. As I’m writing books that generally have fewer than 500 words, I can write them on my phone, edit a few words as I’m falling asleep, or change a line in the car (when I’m not driving). I’m kind of a haphazard writer.

Can you share a positive experience you’ve had in the Kid Lit community?

The kid lit community is pretty amazing. I have to say that most people I meet are super supportive. I’ve been a member of a local writing community called The Writers’ Loft (in the Boston suburb of Sherborn, MA). I’ve met so many people who’ve given me critiques, advice, and support that really pushed me in the right direction on the way toward publication.

What is your favorite picture book?

Today, I’m gonna go with Iver and Ellsworth by Casey W. Robinson and Melissa Larson. But I frequently have new favorites as there are so many amazing books created all the time.

What has been the highlight of your career thus far?

The fact that I’ve published a book at ALL! How crazy is it that there’s a book in libraries, bookstores, and even bookshelves in kids’ bedrooms with words that I wrote?! How did this happen?!?

What is something you wish someone had told you when you first started writing?

Keep writing new things. You may feel very strongly about your first story - but as you revise and get feedback and learn about the craft and business of writing for children, you’re going to improve as a writer. So your second story will start off in a much better position than the first. And the third will be even better. So don’t revise that first story to death. Write something new. And then write something newer.

Tell us about your newest book?

Lost in the Library: A Story of Patience & Fortitude, illustrated by Stevie Lewis comes out on August 28th! This is the first picture book about Patience and Fortitude, the two lion statues that faithfully guard the New York Public Library (in fact, this book is published in partnership with the NYPL). When Patience goes missing, Fortitude realizes that Patience has ventured inside the library. So for the first time ever, Fortitude abandons his post to search for Patience before the sun rises and we, the readers, get to explore the library for the first time alongside Fortitude.

What’s up next for you?

Next month the third book in the Lady Pancake & Sir French Toast series, Mission Defrostable, illustrated by Brendan Kearney, comes out (on September 25th). In this action-packed adventure, the fridge is freezing over - and Lady Pancake and Sir French Toast have to travel to parts of the fridge they’ve never ventured ... and need to enlist the help of one of their fiercest rivals. Dun. Dun. DUN!

_Mission Defrostable.jpeg

Anything else you’d like to share with aspiring authors and illustrators?

Have fun. Keep learning. And don’t give up.

And last, but not least, favorite 80s movie?

Spaceballs.

Thanks for inviting me to chat!

Thank you Josh for stopping by Critter Lit to chat with us today!


Josh Funk writes silly stories and somehow tricks people into publishing them as books - such as the Lady Pancake & Sir French Toast series (including The Case of the Stinky Stench and the upcoming Mission Defrostable), How to Code a Sandcastle (and the upcoming sequel How to Code a Rollercoaster), It's Not Jack and the BeanstalkDear DragonAlbie NewtonPirasaurs!, and the forthcoming Lost in the Library: A Story of Patience and Fortitude (in conjunction with the New York Public Library), It's Not Hansel and Gretel, and more coming soon!

Since the fall of 2015, Josh has visited (or virtually visited) over 300 schools, classrooms, and libraries. Josh is a board member of The Writers' Loft in Sherborn, MA and was the co-coordinator of the 2016 and 2017 New England Regional SCBWI Conferences.

Josh grew up in New England and studied Computer Science in school. Today, he still lives in New England and when not writing Java code or Python scripts, he drinks Java coffee and writes manuscripts.

OR MORE INFORMATION about Josh Funk, visit him at www.joshfunkbooks.com and on Twitter at @joshfunkbooks.

TO ORDER A COPY of LOST IN THE LIBRARY or MISSION DEFROSTABLE visit your local book store, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of LOST IN THE LIBRARY or MISSION DEFROSTABLE by Josh Funk?! Comment on this post below or share it on Twitter. Two lucky winners will be announced Thursday, September 6th! US addresses only please.

What's up on deck? Tune in next Thursday for an interview with debut picture book author Beth Anderson!

Interview with Picture Book Author + Illustrator Betsy Snyder

Interviews, Vet Interviews, Authors + IllustratorsLindsay Ward2 Comments
Photo Credit: Donna Von Bruening

Photo Credit: Donna Von Bruening

I'm very excited for today's interview because it's with the lovely and incredibly talented Betsy Snyder, who also happens to be one of my critique partners and a very good friend. I actually knew Betsy's books before I knew her. As a bookseller, I fell in love with HAIKU BABY, Betsy's debut book, the first time I saw it. The art is charming, bright, and fresh. Anyone who walked in to the bookstore looking for a baby gift walked out with a copy of HAIKU BABY. 

Skip ahead a few years later. I had just moved from Boston to Cleveland with my future husband and started making connections with other writers and illustrators in the area. And who did I meet? Betsy Snyder. Sometimes it's really amazing how small the world can be. We had lunch and I clicked with her instantly. Eventually Betsy and I, along with three other lovely and talented women, created a critique group together, which we've been doing for almost seven years now.

Spread from HAIKU BABY by Betsy Snyder

Spread from HAIKU BABY by Betsy Snyder

I have learned so much from Betsy, watching her come up with creative new ways for kids to interact with books, and I'm thrilled to share her work with you today!

So without further ado, please welcome Betsy Snyder! 

Where do you live?

Independence, OH

How many years have you been in publishing?

12 (What? Twelve?!)

How many books have you published?

21

Do you write and illustrate full-time?

Yes (mostly). My life is a mix of mothering my books and my small children and that balance changes as it needs to. But I write/illustrate as full-time as I can.

What inspires you to create picture books?

I love the way kids learn and explore the world and I seek to make books that support that process and inspire a similar sense of wonder. I was lucky to have a childhood filled with good books and I can remember poring over the pages, studying the details of the pictures and getting lost in the magical worlds books create.

What surprised you the most working as an author/illustrator?

I didn’t anticipate that along with becoming published would come requests for author programs and needing to get comfortable with public speaking. Being in the spotlight can feel intimidating for somewhat introverted creative-types like me that are most cozy in their quiet studios—YIKES! But now, I can genuinely say I LOVE getting out and sharing what I do with schools, libraries, museums and the author/illustrator community. More experience, consulting with educators to hone my programs, and seeing those eager little (and big) faces in the audience have really helped grow my confidence and minimize the jitters.

What is your favorite thing about being an author/illustrator?

Every project is a new adventure! I like the feeling of immersing myself in whatever I’m working on—I learn a little (or a lot) more with each new book I make. It’s so rewarding to be able to help a vision evolve from start to finish and then to finally see a book in print and be able to share it with others.

What do you find difficult working as an author/illustrator?

Starting a new book is exciting, but with that, there is also a murky place where I have way TOO many ideas and no direction or anchor. That’s when I feel lost and stuck and unsure—and sometimes it’s hard to see a way out of that. Each book is a new challenge, so I don’t think this process gets easier—but I am getting better at trusting that my good ideas will eventually take shape and get there with practice and persistence. As Dory would say, “Just keep swimming!”

What do you do to shake the rust off or get new ideas?

I find inspiration in my kids, browsing at the library or a bookstore, creative chats (like with my critique group), nature walks, and travel.

I especially look at what’s out there and what’s not—my best ideas are often born around opportunities.

Anything you are habitual about when it comes to creativity?

Making lists (and losing them—ha!). But seriously, I love making lists and when I broke the index finger of my writing hand earlier this year, I almost went crazy. I have actually found that for me, this brainstorm process is less about holding on to the ideas, and ironically, more about letting them go to clear up more creative space in my head. 

Can you share a positive experience you’ve had in the Kid Lit Community?

Having work from Tons of Trucks (written by Sue Fliess) accepted into the Society of Illustrators Original Art Show and attending the opening in NYC was definitely a kid lit highlight for me. Mingling with that much talent and passion in one space was pretty dreamy.

What is your favorite picture book?

Do you really think I can pick just one? 

As a kid: Make Way for Ducklings by Robert McCloskey, The Velveteen Rabbit by Margery Williams, and The Funny Thing by Wanda Gag

Now: The Very Hungry Caterpillar by Eric Carle, All the World by Liz Garton Scanlon and Marla Frazee, and When Green Becomes Tomatoes by Julie Fogliano and Julie Morstad

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What has been the highlight of your career thus far?

It’s still hard to beat my first-ever submission becoming a 3-book (and later 5-book) contract with Random House. I’ll never forget my agent’s email with the subject line “Get out the champagne!!!” I’m so grateful my editor Heidi Kilgras saw something in me and helped me get my start with writing my own books.

What is something you wish someone had told you when you first started writing and illustrating?

It’s supposed to feel hard—but that struggle doesn’t mean you aren’t good enough. 

Tell us about your newest book?

I Can Dream and I Can Explore (May 2018) are the two newest books in the interactive series published by Chronicle Books. In terms of a theme, I Can Dream is centered around aspirational occupations, like a firefighter, astronaut, marine biologist, artist and more. I Can Explore is about being on-the-go—traveling by land, water, air and even snow.

The entire series shares the same format solution, text direction, and empowering message celebrating both independence and teamwork. Touch-and-feel covers and interactive holes on every page invite the reader to animate the characters by wiggling their fingers. Every book ends with a surprise gatefold finish, bringing all the characters together for an inclusive grand finale. 

I had so much fun developing this format and rolling it out over four books (and I still have more ideas!). Working with my Chronicle team was a dream (special shout-out to Ariel Richardson, Tara Creehan and Amelia Mack)—our visions were on the same page from the beginning, so our partnership felt easy and effortless.

What’s up next for you?

I’m working on a picture book with Susanna Leonard Hill. And thinking up new book ideas!

Anything else you’d like to share with aspiring authors and illustrators?

There is no one secret path (and certainly no shortcut) to getting published. It’s a journey and experience unique to each person, because we each come from different places and bring along our own influences and talents.

Networking with other authors and illustrators (via SCBWI, critique groups, workshops, etc.) is a great way to learn from the paths of others—and begin to forge your own. Plus, it can be a long road, so wouldn’t you rather have some travel buddies on your journey?

And last, but not least, favorite 80s movie?

The Princess Bride and Dirty Dancing

Thank you so much for stopping by Critter Lit today Betsy!


Author and illustrator Betsy Snyder has twenty years of experience creating for the children's market. Her smile-inspiring art can be found on everything from social expressions products, board games, plush, decor, fabric, wallpaper, and of course—children’s books! Since making her publishing debut in 2007, Betsy has teamed with a diverse mix of publishers, earning recognition from groups including the Society of Illustrators, The New York Times, Scholastic Parent & Child Magazine, Indie Next List, the Cooperative Children’s Book Center and Please Touch Museum. Her newest titles, I Can Dream and I Can Explore (May 2018), join the earlier I Can Dance and I Can Play in an innovative board book series with Chronicle Books.

Betsy lives in Independence, Ohio, where she enjoys cozying up to doodle with her art-loving family of four and venturing out to schools and libraries to encourage kids (and even grown-ups) to share their stories and chase their dreams.

For more information about Betsy and her books, visit her online at www.betsysnyder.com. Follow her on Twitter @betsysnyderart or on Facebook: www.facebook.com/betsysnyderart.

TO PURCHASE A COPY of I CAN DREAM or I CAN EXPLORE visit your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of I CAN DREAM or I CAN EXPLORE by Betsy Snyder?! Comment on this post below or share it on Twitter. Two lucky winners will be announced Thursday, August 30th! US addresses only please.

What's up on deck? Tune in next Thursday for an interview with picture book author Josh Funk!

Get That Raccoon Off the Table: Why Voice Matters in Picture Books

Authors, Authors + Illustrators, CraftLindsay Ward2 Comments

Sometimes I think one of the hardest parts of my job as a children’s book author is to keep my own voice in check when I’m writing. I’m constantly asking myself, would a kid say that? I think this is one of the reasons that creating a strong voice is incredibly difficult. We, as children’s book authors and illustrators, have this wonderful task to create meaningful literary experiences for children. We get to introduce them to new places, experiences, and voices. But in doing so create a new challenge for ourselves. How do we keep our own feelings, opinions, and reactions out of the voices in our books? How do you write a character that can make their own decisions, without your bias?

Now, that’s not to say you shouldn’t write your own experiences into a character. Obviously writers do that all the time. I myself do it. But what I’m talking about are the characters we write that aren’t us, who have an entirely different experience than we had, intentionally. It’s our job to offer up a fully developed voice in the context of the world we’ve created for them. And that’s no easy feat! 

Many times, I have read manuscripts where I see authors infiltrate the text. A character starts saying or doing something that seems odd or inconsistent with what we know about them. It’s really easy to let yourself slip in under the radar without realizing it. I've done this many times. For me, it’s not until I read the words aloud that I can catch myself and make the correction. To avoid this, I try to get to know my characters as best I can so they become fully independent from me.

I start by determining who they are. What are their likes? Dislikes? Hobbies? What is their environment? Who surrounds them? What do they care most about? Least about? How do they fit within the story I'm trying to tell? The list goes on and on. I make an entire character chart with this information. Keep in mind I write picture books. I don’t write novels. But I try to approach my characters as if I do.

I can tell you that Dexter T. Rexter’s favorite ice cream is Mint Chip, with rainbow sprinkles. I’ve never used this detail about him in any of the Dexter books, but I’ve spent enough time getting to know him, writing and rewriting him, that I know without a doubt, he's Mint Chip all the way. This may sound silly. But there is a method to the madness. The more you know your characters the better you will be able to write them and, in my case, draw them, independent of yourself.

When I sit down to write Dexter’s voice, I don’t even feel like I’m writing anymore. It’s as if he’s sitting beside the computer, telling me what to type, and I'm simply listening. He's very indecisive, neurotic, and slightly bossy because that’s just who he is. It isn’t so much that I can hear his voice when I'm writing, but I can hear the pacing, syntax, and structure of how he would speak. I know immediately if he would or wouldn't say something and if he would, how he would deliver it. Which takes time to develop with a character. I’m three books in with Dexter and I’m still learning things about him.

Age is equally important in developing voice too. Especially when you write for kids. You need to understand the age group you are writing for. How old are they? Where are they cognitively and behaviorally? What is challenging for them? How can they connect with your story? If you’ve written a character, who's supposed to be four years old, but acts and talks like an adult, then you aren’t paying attention to age and you won’t connect with your readers.

Before I had kids, I wrote about my experiences as a kid. I am an only child, so my voice seeped into my work. When Blue Met Egg is my love letter to New York City, after living there one summer during college. I was inspired to write Please Bring Balloons because my parents met painting carousels at an amusement park. This worked for me then because that was the point. I was trying to speak to the type of kid that I was. My early books are all about adventure and escapism because that's what I loved to read about as a child.

But now, it’s become more about being a witness, than first hand experience. I’m watching my kids see the world for the first time. And in doing so, I’m seeing things in ways I haven't since I was a child. As an adult it's really easy to forget how small moments can be so impactful when you're young. I find myself writing about their experiences as I witness them unfold. My books have become more and more voice driven, because those are the type of books that make my kids laugh and connect.

Recently, I was reading Secret Pizza Party by Adam Rubin, illustrated by Daniel Salmieri, (the same creators of Dragons Love Tacos) with my oldest son, who’s three. He loves that book. The first time I read it to him, I thought, I don’t get this. Why does he think this is so funny? And then it dawned on me. Duh! It’s silly. There isn’t anything to get. That’s the point. It’s a ridiculous book about a raccoon who loves pizza but rarely gets to have any because he’s always being chased off by the pizza man wielding a menacing broom. Thus the Raccoon Sniffing Broom Bots. I could continue the synopsis…but you should probably just read Secret Pizza Party because it is silly, ridiculous, and your kids will love it. The narrator's voice is written in a way that not only makes my son laugh, but it makes me laugh too because phrases like 'sweet sassy molassy' are hilarious. If that doesn't make you laugh when you read it, then I don't know what will. When driving to get pizza recently, my son shouted "GET THAT RACCOON OFF THE TABLE!" I couldn’t stop laughing. It was random and completely out of the blue. Just like Secret Pizza Party. And I knew exactly what he was talking about when he said it. 

My son also sings the Dexter song constantly (so much so there are days I regret writing it in the first place.) He doesn't understand that I wrote Don't Forget Dexter, or even the song for that matter. He doesn’t care. He’s three. But he’s my barometer now. He's in my target age group. If he likes it, then I must be doing something right. Right?

I mean isn’t that the ultimate test? Not how much you love your work? That's easy. But a kid. A real, live kid, who doesn’t get caught up in the bias. They just like it because they like it. It makes them laugh. Or think. Or feel connected. They are seeing your book for the first time, fresh and new, absorbing everything you have to offer them. And that's the best part about this job. Writing a book that a kid wants to read over and over again and becoming apart of their reading experience with their family.

I have read Secret Pizza Party more times that I can count. It's got 'pizza' and 'party' in the title. This book was always going to go over well with my son (who loves pizza). But the narrator's voice is what really sells it. It's the way the narrator tells Raccoon's story, empathizing with Raccoon's plight in life (lack of pizza), while pointing out the humor of it all. Kids connect with Raccoon. They get him. They are him. Because voice matters. Always.

So go out there and write some amazing voices. 

Until next time, happy writing!

Lindsay

What's Up On Deck? Adrian Simcox Does Not Have a Horse Blog Tour Stops by Critter Lit! Check back next Thursday to read my interview with debut author Marcy Campbell.

Interview with Author/Illustrator Sandra Salsbury

Illustrators, publishing, Authors + Illustrators, AuthorsLindsay WardComment
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This past spring, I had a wonderful experience participating in Writing with the Stars, a contest for aspiring authors and illustrators to win a free three-month mentorship with a published author or author/illustrator. The contest is run by Tara Leubbe and Becky Cattie, two sisters, who not only write together, but take the time to run this contest, offering wonderful opportunities to unpublished authors and illustrators. Which as you know, is what we are all about here at Critter Lit.

Make sure to check out Tara and Becky's website if you haven't already done so: www.beckytarabooks.com. The contest will start up again this December.

Contest applicants get to submit their work (either a manuscript or dummy) to a mentor of their choice. I was stunned with all the amazing work I was sent as a mentor. It was such a difficult decision to pick one mentee to work with, but ultimately Sandra Salsbury's work stood out to me immediately. The first thing I noticed was how well she handled her medium, watercolor. But the second, and what really struck me, especially with regards to picture books, is how great she is at composing different perspectives of storytelling.

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I've had the opportunity to get to know Sandra and her work these past few months while mentoring her on her book dummy, MR. FLUFF IS MISSING. I hope you enjoy her work as much as I do!

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So without further ado, I'm thrilled to introduce Sandra Salsbury!

Where do you live?

I live in Berkeley, CA, just below hills full of hiking trails and down the street from one of the best bakeries.

When did you know you wanted to make picture books?

I originally enrolled in art school because I loved to draw, but I spent most of my time floundering around with my art, not really knowing what I would do with it after graduation. It had never even occurred to me that there were people out there making picture books. In my last semester I ended up, on whim, enrolling in a children's illustration class with a local illustrator, LeUyen Pham. This was back in 2006, so there was no way for me, nor any of my classmates, to know what a gift it was to be taught by someone like LeUyen. It felt like there was suddenly a place where my art made sense and it was almost absurd that it hadn't occurred to me before. I ended up enrolling in an MFA program after to focus my portfolio on children's illustration and creating picture books has been my goal since then.

Can you share a bit about your process?

My process sort of looks like thinking, then writing, then drawing, then rewriting, then redrawing, and then more thinking and drawing and writing. My stories go through many iterations, first in my head, then in a word document, then on sheets of paper with squares printed out. I usually work in three different sizes of sketches. The smallest is to figure out the overall flow of the story and the pages are small enough that they all fit on one sheet of paper (I will do 3-6 of these, typically). The next size is to figure out the composition of each page. I try to draw 4-8 versions of the page to find the best one. Sometimes the first one is the one that works, but sometimes it's the 8th. The largest size is the most refined version and it's the pages I use for my dummy. Some pages will only have one version, but some will have to be drawing again and again, as I made small changes in the story. And even at the end, you don't know how well a story works until you have put it together into a little book with pages that turn, so I end up with 5-8 final dummies. While working on the dummies I will also do character sketches and art samples to figure out my style and by the time I get to the final paintings, all the hard work is done so I put on an audiobook and get some "reading" done while I paint.

What do you do to shake the rust off or get new ideas?

I am lucky to live right next to a number of beautiful trails and it seems like my brain does its best thinking while my legs are moving. If I am stuck on a project or I can't think of an idea, the solution is always to take a long walk. Sometimes I have to take a lot of walks, but eventually when I let my mind drift away from the problem at hand or I stop trying to come up with a good idea, something will pop into my head. The best answers are the ones that feel obvious because then you know they are simple enough to work.

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Art supplies you can't live without?

Arches 140lb cold press watercolor paper. I have tried switching papers, but I am so familiar with the way the paper absorbs paint and water, that using anything else feels like learning how to paint all over again. People always ask about paint brands and brushes, but paper is the true hero of watercolor paintings.

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Favorite illustrators?

What an impossible question! I love Holly Hobbie's watercolors, Judy Schachner's expressions, Dan Santat's design, Jon Klassen's simplicity, LeUyen Pham's body language, Lorena Alvarez's colors, Chris Appelhan's characters...

Dream project or book to work on?

My dream project is just to write and illustrate (and get published!) my own story. I want to take something from an idea in my mind to a book on a shelf.

And last, but not least, favorite 80s movie?

The Princess Bride. Any other choice would be inconceivable.

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Want to know more about Sandra or her work? Visit her online at www.sandrasalsbury.com or you can follow her on Twitter @SandraSalsbury

Create What You Love. And Do It Everyday.

publishing, Illustrators, Authors + Illustrators, AuthorsLindsay WardComment

Create what you love. And do it every day.

At 31 this is what I would have told my 24-year-old self when I started in publishing.

It sounds relatively simple right? Wrong. Or at least, that’s how it was for me. Specifically the do it everyday part. I didn’t keep a sketch book. I didn’t write everyday. I didn’t think about new ideas all the time. I’d come up with a book idea. Write it. Make a dummy. And pitch it. If it sold, I’d make said book. Exert a serious amount of energy and then feel like I needed a three month vacation. And then repeat the whole thing all over again for the next book. Which isn’t exactly wrong. The problem was that I was treating my book career like a hobby. A career is not something you do occasionally. It’s something you invest your time in everyday. And I love my job. So why wasn’t I investing my time?

For me it was easy to step back and say I deserved a break after completing a book. It takes a lot of work! But I found when I looked at it like this, it started to feel like a burden. And writing and illustrating is not a burden, it’s a privilege. Truly. So I realized it was time for a radical change. Which is funny because 2016 was insanely full of them for me and my family, so why not add one more?

This past August we sold our house, bought a new one (but not without being transient for three months at my parents and in-laws with a baby and dog in tow). Renovated the new house because it was a total disaster. Moved in two days before Christmas and basically reinvented our whole work schedule. It was a massive overhaul. And it changed everything in the most difficult and best way possible.

So…

It’s 6:19am right now and I’ve already been up for an hour and half. 

This is what I do everyday now. Including Saturdays and Sundays. Which today is Saturday. I wake up at 5am and work for a solid four hours before most people start their work day. And I do it seven days a week. I know what you’re thinking…I can’t do that. I can’t wake up that early. I’m too busy. (I know this because those are all the things I said when my brilliant husband suggested this to me.) He told me that in an average work day, people are only truly productive for four hours, which is crazy considering most people work a job from 9-5 everyday. So why couldn’t that work for me? It would certainly allow me to be a mom and take care of my home and family in a much more efficient way than I was already, let’s be honest, struggling to do.

It’s all about commitment to craft. Do you love to create? Great. Do you love creating so much that you would get up and do it at 5am? Because that’s what it takes. Everyday. Even if you have another job. I’m not saying you have wake up at 5am like I do, but you do have to be committed to making time for your craft each and everyday. I picked 5am because I like feeling like I’ve already worked a solid block of time before the day has really started, that and I have a 18-month-old son. This is the schedule that works for me and my family. You have to find what works for you.

Because here’s the thing - if you keep waiting for extra time to come along for you to create your next idea, it won’t. Time doesn’t give a crap about you or the millions of things you have to get done everyday. Now, don’t get me wrong, there are plenty of mornings I get up and everything I write is terrible and my drawings are awful. But I still keep going. I push to get through those four hours even if it’s killing me.

Here’s what a typical morning looks like:

5am: Roll out of bed, which is difficult every morning. I don’t think that will ever change. Especially when my dog (a mid-sized portable heater) snuggles next to me. She is not supportive of my early morning drive.

5:05am: COFFEE.

5:10am: Some sort of stretch or repetition of ten to get blood flowing. My hands are stiff in the morning. And my brain is fuzzy. This helps. Seriously. I know it sounds silly, but it works.

5:10-6am: Draw. Anything. As much as I can. Whatever pops into my head. I use Japanese PiGMA pens and whiteout for corrections. I started using this method for a few reasons. I generally stay away from black ink in my work, it always feels too harsh or heavy. I tend to prefer grey or navy ink or a simple pencil line. But my goal is to make intentional lines, no second-guessing myself, and pencil encourages hesitation. The more I used the black ink, the more confident I became in the lines I was making. Going directly to ink, rather than creating a pencil sketch first, pushes me to be decisive with my line. Now, of course, I still make plenty of bad lines and change my mind about the drawing as it comes together - thus the whiteout. But I find that my morning sketches have a way of maintaining the integrity of the line I intended because I haven’t sketched, used a light table to transfer, and then created the finish. The first drawing is the finished drawing.

6am: Then I post one of my morning sketches. This is a relatively new thing. I’m horrible at social media. But I found that posting a drawing everyday makes me feel accountable to something. Like if I miss a day, everyone will know. Which isn’t really the point, the drawing is for me, but thinking this way is encouraging. Keep drawing. Keep creating.

6am-7am: Write. I allocate a solid hour to NEW creative writing every morning. Not editing. Not a book I’m currently under contract for. But new ideas. This part is really difficult for me. I tend to self edit a lot as I write. I work on just getting words on the page in this hour. The computer I write with doesn’t have access to internet intentionally. The internet is a time succubus that doesn’t care about the creative work you need to do, so ignore it.

7am-9am: This is when I do the work I’m contractually accountable for, like new books or illustration jobs. Currently, I’m working on finishes for my new book, DON'T FORGET DEXTER.

9am: I walk out of my bat cave and see my little man. This is my favorite part. Because this is the part where I actually feel like I’m devoting time to my craft and my family. I don’t feel torn between carving out time during the day to work or play with my son. This schedule allows me to do both and feel good about my use of time.

The rest of the day is spent working during the time my son is napping. Before I did the 5am wake-up, I’d get really stressed out because I could only work during his naps. Sometimes he would wake up early, sometimes he wouldn’t sleep at all. I couldn’t focus. And it felt like I wasn’t able to get anything done because of constant interruptions. But now, by the time he’s up, I’ve already worked four hours, so anything else I’m able to accomplish is a bonus.

Then at some point, I take a walk with my family, to reboot and think about new ideas.

Now obviously, everyone’s schedule is different. People have day jobs, kids, and a million other responsibilities. And I’m not suggesting to all of you that this is what you have to do to be successful with your craft. All I can tell you is that this is how I feel successful on my own terms, without external pressures telling me otherwise.

*Also, in case you’re wondering, my husband is self-employed and works from home too. Which means I have to make those four hours count. I have to hustle. We both do. There is no day job income to fall back on for us. This is the price we pay for the freedom to create and spend time with our son everyday.

If you get anything at all out of this post, I hope it’s this: don’t waste time waiting around for the perfect moment to create because it will never come.

You have to make time for what you love.

Happy writing!

Lindsay