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Interview with Author Terry Pierce Part 2

Authors, Book Reviews, InterviewsLindsay Ward8 Comments

Happy Thursday Critters! We are taking a few weeks off here and there throughout the summer to spend some time resting and relaxing, BUT today we have a fantastic interview with author Terry Pierce, who we were lucky enough to connect with a while back. You can read our first interview with Terry from 2020 here. Terry is back with a new book, HELLO, MEADOW! illustrated by Nadja Sarell, which published with Yosemite Conservancy last month. I’m thrilled to have Terry with us again and can’t wait to catch up and hear about all the fantastic work she’s been doing.

So without further ado, please welcome Terry Pierce!

Where do you live?

I‘m very fortunate to live in the beautiful mountain community of Mammoth Lakes, California, a small town nestled in the heart of the Eastern Sierra. My husband and I moved there in 2019 when he retired. 

How many years have you been in publishing?

I began writing in 1999, after closing my Montessori preschool, so it’s been almost twenty-four years now! I wanted to stay connected to young children and had been thinking of trying my hand at writing children’s books for a while, (like so many teachers!), so it felt natural to give it a try.

How did you first get published?

My first publications came in the form of pet magazines. When I first started writing, I gave myself a 5-year deadline to get a book published or else find a different career (I know, very naive of me!). I also made the mistake of submitting picture book manuscripts too soon, so when I became frustrated with all the rejections and wanted any kind of “win,” I tried writing for pet magazines and succeeded. I also re-strategized and decided to write children’s joke books, which turned out to be my first published children’s books. Three months after my first joke book manuscript, Greatest Goofiest Jokes, was accepted, I received an offer on my first picture book, Two Tales of Hawaii. Both books were published within my 5-year deadline!

Do you write full-time?

At the moment, I’d say I write part-time with a full-time heart. Because my husband retired and we moved to a place that constantly calls to me get outside, I’m not writing quite as much as I used to, but it’s certainly enough to keep me busy! Although I do write outside, in nature, a lot more than I used to, which is inspiring and joyful.

When I was writing full-time, I looked at it as my full-time job. I would “clock in” at 8:30 every weekday morning, take a 30-minute lunch break, and “clock out” around 3:30-4:00. I spent my mornings writing, and the afternoons doing marketing and book promotion. Now, I write when the muse calls, which is a lot of fun.

What inspires you to create picture books?

Inspiration can come from many places, but lately, I draw much inspiration from nature. I’m surrounded by some of the most beautiful wilderness in the world, in a place of wild animals, towering trees, and dynamic waterways, which always stirs up story ideas in my mind.

For example, when I heard about Yosemite Conservancy’s call-out for board books, I thought about what I’ve learned about bear conservation since moving to Mammoth Lakes—important concepts such as proper food storage and trash disposal, locking a dumpster after you use it, and not leaving any food in your vehicle. It occurred to me that this would be a great idea for teaching very small children how to be good stewards of the environment. Yosemite Conservancy loved the idea and Eat Up, Bear! was born.

Eat Up, Bear! has had so much success that Yosemite Conservancy asked me to write a board book about meadow conservation, using a similar structure to our bear book. Now, we’re celebrating the release of Hello, Meadow! on April 11, 2023. I didn’t have to wander too far for this book’s inspiration. I took trips to Tuolumne Meadows in Yosemite National Park and ventured out into my own backyard, which has many gorgeous meadows to inspire.

What surprised you the most working as an author?

Initially, I was most surprised at how long it takes for an idea to become a published book. When I talk with my UCLA writing students about this, they’re always surprised at this, too. I think the longest it took for one of my ideas to get published was Mother Earth’s Lullaby (Tilbury House), which took ten years from idea to publication. I’ve always joked that book publication works in “glacial time” even though I understand why now. A writer and editorial team need time to perfect the text, the illustrator typically needs 6-12 months to create the artwork, and you can add another six months for the printing process. If any unexpected extraneous global or economic factors occur, they can delay the process even further. So, if you want to write children’s books, put on your “patience cap!” 

What is your favorite thing about being an author?

I love having a creative outlet, where I can play with words and language. It took me a while to discover that my “sweet spot” for writing is rhyming picture books, but this is where I thrive. I’ve dabbled in other children’s book formats (chapter books and even a middle-grade novel), but I’m most happy when writing for very young children.

I also enjoy knowing that my books are having a positive effect on children’s lives. I missed that from my Montessori teaching days, but now, I can have an even broader influence on kids, whether it comes in the form of helping them learn to read with my easy readers, or helping get them off to a great start in life by snuggling up on someone’s lap and sharing a board book or picture book. In the case of Hello, Meadow! and Eat Up, Bear!, I love knowing that I’ve had a hand in creating future conservationists who understand that the natural world—while seemingly resilient—can actually be fragile and needs good stewards to care for it. Collaborating with the Yosemite Conservancy publishers and the National Park Service to make sure our message comes through in a kid-friendly way that’s inviting to little ones and their families was a great experience.

What do you find difficult working as an author?

Waiting for responses to queries and submissions can be exhausting! And it’s not just about the time. When I first began writing, the wait typically ended with a response of some kind from an editor. I loved it when an editor wrote an encouraging note, even if they passed on the manuscript. Nowadays, as you know, most houses don’t give any kind of reply, unless they're interested in the work. I understand their need to save time and energy, but I find it frustrating because I have no idea if I was close, if the idea has merit and is worth pursuing, or if it needs a fresh perspective. I do miss the human connection with the submission process.

What do you do to shake the rust off or get new ideas?

I get outside! In the summer, I’ll go on a hike or long walk. In the winter, I’ll strap on my snowshoes and go for a walk where I can be alone and think. The fresh air, the cadence of my steps, and wide-open spaces always gets the creative juices flowing!

Anything you are habitual about when it comes to creativity?

I like it to be quiet when I write. No music, TV, or any background conversation when I’m working. I find it too distracting and can’t focus very well. Once, when my family was visiting and I had a deadline, I drove to a nearby trailhead, parked, and worked in my car! I figured if I needed a break, I was right at a trailhead and could walk in the woods to clear my head.

Can you share a positive experience you’ve had in the Kid Lit community?

Amongst the many positive experiences I’ve had with the Kid Lit community, one of the most memorable came very early in my writing experience. Let me preface this by saying I’m basically a shy person. The year I started writing, I joined the SCBWI and signed up for a Writers’ Day event in Los Angeles, which was held at a school. I drove three hours to the event and found a seat inside, pretty much keeping to myself but noticing how many people knew each other. It was like a reunion of old friends for many! 

At lunch, I took my boxed lunch and went out onto the football field where many other participants chose to eat. I was sitting on the 50-yard line, all alone, when a woman came over from a nearby group and asked me if I was meeting anyone. I said no, and she invited me to join them. I was so grateful for her kindness, and found that the group was actually from my chapter of the SCBWI! I’m still friends with some of those writers, and many of them went on to become published authors. For a very shy person who found the courage to drive by herself to Los Angeles to attend a writing conference, this was the ultimate reward! It made me realize that joining the SCBWI was more than just learning about children’s writing—it was about networking and finding like-minded friends.

Recommended reading?

I don’t have any specific books to recommend because so many terrific titles come out all the time, but what I do recommend is to pay attention to titles from resources such as the ALA Caldecott Medal nominees, or Betsy Bird’s “Best Books” list she does each December at her Fuse#8 Production blog. (https://afuse8production.slj.com/)

What has been the highlight of your career thus far?

For me, the highlight of my career was when I received an offer of representation from a reputable agency a few years ago. It was validating, after 68 agent queries, to see that my work had enough merit for an agent to want to represent my work (actually, I had two agencies interested at the same time). I loved networking with other authors from the agency and being so connected with them. Unfortunately, I eventually let my agent go as we just weren’t a good match, but still, the experience was an important part of my writing journey. 

What is something you wish someone had told you when you first started writing?

Great question! Two things would have been good to know at the beginning. First, I wish someone could have explained how much work it takes to get published—learning the craft, networking, submitting and querying, handling rejections (because we all get passes on our work), and continuing to get published after your first book comes out. 

Second, I would have liked to have had an idea of how much money children’s authors are paid. Books, particularly picture books, are a huge investment for publishers sometimes costing them up to $25-30K. And many picture books are only in print for two or three years, so most authors’ earnings are limited unless they’re fortunate to have a top-selling book. According to Hannah Holt’s author survey (2017), the majority of published picture book writers earn less than $10K annually. That wouldn’t have deterred me from writing, but it would have been good to know before I started!

Can you tell us about your newest book?

I’d love to! Hello, Meadow! is my second board book with Yosemite Conservancy, illustrated by the talented Nadja Sarell. In the early summer of 2021, our editor, Nicole Geiger, approached me with an idea from the publisher about writing a book about meadow conservation, in a similar style as our first book, Eat Up, Bear! Of course, I said yes! I dove into researching the importance of meadows as wildlife habitats, water filters, carbon retainers, and places of peace and beauty for humans. 

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

After a couple of initial drafts, we landed in a place where everyone liked where the book was going; then, for me, it was a matter of fine-tuning the text. I was thrilled when my editor confirmed that Nadja Sarell was interested in doing the illustrations for the book, as her artwork in Eat Up, Bear! was charming, inviting, and perfect for the project. It was a collaboration between myself, Nicole, Yosemite Conservancy, and the National Park Service to determine specific species of flora and fauna to include in the art, along with a diverse cast of humans. Nadja did an amazing job! Her colorful illustrations will invite young children and their families to pour over the pages finding animals, flowers, and other plants, all while experiencing the message that meadows are fragile yet important places that need our care and respect.

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

What’s up next for you?

I have another board book, I’m a Baby!, coming out in Fall of 2024 with Familius. I’m also working with Yosemite Conservancy on another possible board book, but it’s too early to give any details on that one. Stay tuned!

Anything else you’d like to share with aspiring authors and illustrators?

I always recommend aspiring writers join the SCBWI. It’s a terrific organization and a great place to learn about children’s writing. Their workshops, conferences, and resources such as The Book, are incredibly helpful. And of course, it’s a great way to network and find like-minded writers.

Another suggestion I make to new writers is to take a writing course on the genre they’re interested in writing, as it gives a structured look at the craft. It’s so important to develop your craft before you start submitting your work! Early in my career, I took some courses through UCLA Extension Writers’ Program, and now I teach for them. They offer a variety of classes on writing for children and teens, in a variety of formats (online, remote, on-campus). Their website is https://www.uclaextension.edu/writing-journalism/creative-writing/courses#PS0032.

And last, but not least, who is your favorite children’s book character?

Oh gosh, that’s a tough question! As a child, my favorite character was Pippi Longstocking. I saw myself in her because she was such a tomboy! She was also bold and outspoken, two qualities I wish I had, as I was a very shy child. I also loved Wilbur the pig from Charlotte’s Web. He was so sweet and humble. I always thought he had the characteristics of a good friend. As an adult, one of my favorite characters is Katniss Everdeen from the Hunger Games series by Suzanne Collins. Katniss was a brilliant mix of strength, determination, and resilience, combined with compassion and kindness.


Huge thank you to Terry for stopping by Critter Lit today! Congrats on your new book!


TERRY PIERCE is the author of twenty-six children’s books, including Eat Up, Bear! (Yosemite Conservancy), Love Can Come in Many Ways (Chronicle Books), Mama Loves You So (Little Simon) and Soccer Time! (Random House). She has an MFA in Writing for Children & Young Adults from Vermont College of Fine Arts, including Picture Book Concentration certification. She's been writing since 1999; with her work appearing in children's and parenting magazines, and the children’s book market. Terry also teaches online children’s writing courses for UCLA Extension Writers’ Program. She lives in the mountain community of Mammoth Lakes, California where she can be found writing, enjoying the outdoors, or watching wildlife from her living room. To learn more about Terry, please visit her website at https://www.terrypiercebooks.com.

FOR MORE INFORMATION about Terry follow her online:

Facebook: @TerryPierceAuthor

Twitter: @terrycpierce

Instagram: @tlcpierce

ORDER THIS BOOK To order a copy of HELLO, MEADOW! click here.

WIN A COPY! Want to win a copy of HELLO, MEADOW!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 29th! US addresses only please.

Interview with Author Serena Gingold Allen

Authors, debut interviewLindsay Ward9 Comments

Happy Thursday Critters! I hope all of you in the Midwest and on the East Coast are staying warm this morning! We are covered in snow here in Ohio! Today we have a fabulous interview with a debut author Serena Gingold Allen, who has TWO new books out with Chronicle Books this April, SUNRISE DANCE and MOONRISE PRANCE, illustrated by the amazingly talented Teagan White! I personally can’t wait to get my copies, as my youngest son is all about novelty books about nature right now— and these books are stunning! I’m thrilled to have Serena with us today to talk about her beautiful books, road to publication, and experiences in kidlit.

So without further ado, please welcome Serena Gingold Allen!

Where do you live?

I live in El Cerrito, in the San Francisco Bay Area.

How many years have you been in publishing?

I started writing picture books and board books in 2013 (Although I did have two articles published in Cobblestone Magazine when I was a teenager in the ‘90s, so if you count that it’s been a lot longer).

How did you first get published?

I submitted Moonlight Prance on my own to a small handful of publishers in early 2017. I got a few rejections almost immediately and then after six months, Chronicle Books emailed to see if the manuscript was still available. My editor and the acquisitions team liked it so much that I was asked to write a companion title (Sunrise Dance). They acquired both of them!

Do you write full-time?

I consider writing to be my full-time job, but my two young kiddos would disagree with me. 

What inspires you to create picture books?

I adore reading and the joy it brings me and I want to write books that will spark these feelings in children. My inspiration comes from my kids, things I read, conversations with friends and family, and the inspiration fairy who visits me on sleepless nights (OK, there’s no fairy, but I really do have ideas just pop into my head out of nowhere in the middle of the night).

What surprised you the most working as an author?

Two things surprised me: how long it sometimes takes between acquisition and release, and how difficult it can be to deal with constant rejection.

What is your favorite thing about being an author?

For me, one of the best things is when I’m writing in rhyme and struggling to get my idea across and I finally find the perfect sequence of words that fit the meter and rhyme perfectly. 

What do you find difficult working as an author?

The biggest struggle is writing something that I believe in and think is great and then having other people not get it.

What do you do to shake the rust off or get new ideas?

If I’m really out of ideas, I’ll turn to my favorite picture books and try to get an idea from them (I’ll look at things like the structure and topic and try to come up with my own story to go with that).

Anything you are habitual about when it comes to creativity?

I have an idea notebook and any time I have a new idea (even if it’s just a title or a character name) I’ll jot it down to come back to later. Each idea gets its own page so I have some space for brainstorming or to record everything I’ve thought of so far. If I think of an idea in the middle of the night, I’ll write it in the notes app on my phone. Then I transfer it to my notebook in the morning (or the next time I open the app).

Can you share a positive experience you’ve had in the Kid Lit community?

I wound up starting a low-key book promo group with a few other debut authors and what I love is that even though most of us didn’t really know each other to begin with, we immediately became really supportive of each other. It’s nice to not be alone!

Recommended reading?

My favorite picture book right now is Bodies Are Cool by Tyler Feder. It’s hopeful, uplifting, and makes me smile every time I read it.

What has been the highlight of your career thus far?

So far it’s tied between opening the first email from my editor where she asked if Moonlight Prance was still available and opening the second email from my editor where she wrote with the news that Chronicle wanted to acquire Moonlight Prance and a companion title (I printed this email out, framed it, and put it on my desk). 

What is something you wish someone had told you when you first started writing?

I wish someone had told me how hard it is to let a story go when there’s no interest in it.

Can you tell us about your newest books?

Moonlight Prance and Sunrise Dance are my twin debut books, illustrated by Teagan White. They should be in bookstores and for purchase online on April 5, 2022. Moonlight Dance: At the end of the day, nocturnal animals aren’t getting ready for bed—they’re getting ready to play! Push and pull the sturdy tabs to make foxes frolic and hedgehogs hustle through a fun-filled night. Sunrise Dance: As the sun rises, playful animals are already waking up. Push and pull the sturdy tabs to make dragonflies dance and bear cubs bustle as they prepare for a sun-filled day. 

Interior art from SUNRISE DANCE by Serena Gingold Allen, illustrated by Teagan White published by Chronicle Books, April 2022

Interior art from SUNRISE DANCE by Serena Gingold Allen, illustrated by Teagan White published by Chronicle Books, April 2022

Interior art from MOONLIGHT PRANCE by Serena Gingold Allen, illustrated by Teagan White published by Chronicle Books, April 2022

Interior art from MOONLIGHT PRANCE by Serena Gingold Allen, illustrated by Teagan White published by Chronicle Books, April 2022

What’s up next for you?

I am deep into revising several picture books and getting ready to submit.

Anything else you’d like to share with aspiring authors and illustrators?

Follow your dreams—they’re within your grasp. And don’t give up—the publishing world is so subjective, you just have to keep trying until you find someone who gets you. 

And last, but not least, favorite 80s movie?

Finally, an easy question! Spaceballs.


Huge thanks to Serena for stopping by Critter Lit today! Congrats on your books!


Serena Gingold Allen is the author of Moonlight Prance and Sunrise Dance  (Chronicle Books, April 5, 2022), both novelty board books about wild animals. Growing up outside of Yosemite, Serena had many close encounters with wildlife. Most notably, she chased a 300-pound black bear out of a campsite–alone! She now lives in the San Francisco Bay Area, but she still spends a lot of time hiking and climbing in the great outdoors with her husband and their two young children.

FOR MORE INFORMATION visit Serena online at https://serenagingoldallen.com/

or follow her on social media:

https://www.facebook.com/AuthorSerenaGingoldAllen/

https://www.instagram.com/serenagingoldallen/

https://twitter.com/SerenaGingold

BUY THIS BOOK To order MOONLIGHT PRANCE and SUNRISE DANCE, click here.

WIN A COPY! Want to win a copy of MOONLIGHT PRANCE and SUNRISE DANCE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 10th! US addresses only please.

Interview with Author and Illustrator Rachel Isadora

Authors + Illustrators, Interviews, Vet InterviewsLindsay Ward4 Comments

Happy Thursday Critters! I’m honored to be posting an interview with the incredibly talented Rachel Isadora today! She has had an amazing career in publishing, including a Caldecott honor for BEN’S TRUMPET. I’m thrilled she is with us today to share her experiences and TWO new books written with Robie Rogge, published by Holiday House, releasing this month.

So without further ado, please welcome Rachel Isadora!

Isadora_Rachel-headshot-Photo by David Lasker.jpg

Where do you live?

New York and France.

How many years have you been in publishing?

Approximately 40 years.

How did you first get published?

I was a ballet dancer and after an injury prevented me from dancing for a few months, I brought some drawings I had done to McMillan Publishers. I met Elizabeth Shub, an editor, and she asked me if I would like to do a book with her. Having had no formal art or writing training, she patiently worked with me and the result was my first book, Max. I returned to dance and continued to illustrate and write books at the same time.

Do you write/illustrate full-time?

Yes, I have all these years and continue to do so.

What inspires you to create picture books?

I enjoy thinking of new ideas and how to illustrate them. Many times, my visual ideas come first, things I want to draw, and the story follows. I enjoy creating new ways to express the illustrations. I use various mediums; watercolor, pastels, oil paint, collage and have done a few books on the computer.

What surprised you the most working as an author/illustrator?

I was very surprised that I could actually write and illustrate a book. As I said, I had no training in neither art nor writing and, from the beginning, learned to do so on the job. I was very proud  when I got my first contract and then was presented with my first book. I remember getting on the bus, in New York, and showing all the riders around me my book, Max.

What is your favorite thing about being an author/illustrator?

I love working alone. When I was a ballerina, I was always in the presence of others. Being in my studio working by myself, listening to music, is total joy.

What do you do to shake the rust off or get new ideas?

I am thinking all the time about ideas I’d like to express whether visually or through writing. I read a great deal, observe people around me, visit many museums and go to the theater, etc. All of these stimulate new ideas. I think of ways in which I can interpret them and then express them in a children’s book. 

Anything you are habitual about when it comes to creativity?

Whether illustrating or writing or painting, I do it everyday. 

What has been the highlight of your career thus far?

It’s all been a high.

Can you tell us about your newest book?

I’m doing two books for Holiday House both of which enter a new realm for me, they are “lift-the-flap” books. They involve more than turning the page and require a child’s physical participation. This meant I had to do more complicated layouts and planning. I think both books lend themselves to their themes, one is manners (I Say Please and Thank You: Lift-the-Flap Manners) and the other animal sounds (After the Buzz Comes the Bee: Lift-the-Flap Animal Sounds). When the child opens the flap, there is a surprise finale.

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap closed) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap Open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

(Flap Open) Interior art from I SAY PLEASE AND THANK YOU written by Robie Rogge and Rachel Isadora, Illustrated by Rachel Isadora published by Holiday House, October 2021

What’s up next for you?

I will soon be working on another flip the flap book for Holiday House, The Nutcracker. I look forward to this book as dance is always my favorite subject to paint.

Anything else you’d like to share with aspiring authors and illustrators?

In order for this, or any other career to work, you must go at it continually, all the time. That’s the kind of devotion it takes to succeed….and, of course, only you and you alone can determine what success means to you.

And last, but not least, favorite 80s movie?

Dirty Dancing, boiled down to one. I knew many people involved in this movie…..


Huge thank you to Rachel for stopping by Critter Lit today! You’ve had such an incredible career and we are big fans!


Rachel Isadora has written and illustrated more than two hundred children’s books, including Ben’s Trumpet, a Caldecott Honor book. A former ballet dancer, she is also a fine artist with a special interest in dance. Rachel lives in France and New York City.

FOR MORE INFO about Rachel, visit her online:  http://www.rachelisadora.com/ or follow her on social media:

Twitter - @chomsk7

Instagram - @rachelisadoraart

BUY THIS BOOK To order Rachel’s books, click here.

WIN A COPY! Want to win a copy of I SAY PLEASE AND THANK YOU! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 21st! US addresses only please.

Interview with Illustrator Nadja Sarell

Illustrators, Vet InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have an interview with the immensely talented Nadja Sarell! Her newest board book, EAT UP, BEAR!, written by Terry Pierce, came out earlier this month with Yosemite Conservancy. As a longtime freelance illustrator, I’m thrilled to have her with us today to share her experiences and advice.

So without further ado, please welcome Nadja Sarell!

Nadja_photo_interview_March2021.jpg

Where do you live?

I live in Helsinki, Finland.

How many years have you been in publishing?

About 15 years, on and off.

How did you first get published?

I had shown my portfolio to an editor in a publishing house I knew well during my illustration studies. Soon after my graduation I received my first commission from her—a book with black and white illustrations.

Do you illustrate full-time?

Yes, I work as a full-time freelance illustrator for children's books and educational publishing.

What inspires you to create picture books?

I'm inspired by characters—who they are, how they feel, where they live. For me, illustrating a picture book is like creating a play on stage, maybe because I was a dancer before changing into children's book illustration. I love the stage, but I prefer to be the one hiding behind the scenes!

What surprised you the most working as an illustrator?

How the world is full of excellent authors and illustrators! I feel humbled to be able to fit in among them all. 

What is your favorite thing about being an illustrator?

I love to work with books that the children will read again and again with their families, in schools and so on. It's the child reader that is the most important thing for me. The whole experience of a time spent together reading and looking at pictures, and the child learning to read both text and visual narrative.

What do you find difficult working as an illustrator?

Sometimes it's hard to make the ends meet, if you only work for children's publishing. I think a lot of illustrators need to do other jobs like teaching, running online shop, graphic design, etc.

What do you do to shake the rust off or get new ideas?

I look for inspiration from outside my studio. 

Anything you are habitual about when it comes to creativity?

I need to get started in the morning!

Can you share a positive experience you’ve had in the Kid Lit community?

We have a great association for illustrators in Finland and it's such a big help to be able to get support from fellow children's book illustrators close to home. I'm also a part of a small virtual support group of five designers/illustrators from around the world.

What has been the highlight of your career thus far?

Probably signing up with my illustration agent Astound and being able to receive commissions outside Finland, from clients like Yosemite Conservancy! This board book was really special and one of my highlights, definitely.

What is something you wish someone had told you when you first started illustrating?

Don't expect anyone to come and knock on your door. This advice was for the days before social media. It has changed the game completely, especially for visual artists.

Can you tell us about your newest book?

This spring brings several published books for me, always very exciting. "Eat Up, Bear!" by Terry Pierce is a book where I had an opportunity to try a new technique and I really enjoyed it. We don't have black bears in Scandinavia, but you can come across a brown bear in the forest. This is why the children are taught to make some noise, so the bears know to avoid people. I did a lot of research for the board book, because it had to be informative and accurate as well as sweet and colorful. I love the research part!

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

What’s up next for you?

I'm working on two picture books at the moment, one for an indie publisher in the US, and one for a Finnish publisher. They are both based on real life main characters, so it's a whole new experience again. Then there will be some chapter books and a story book for the educational market. So it is quite a hectic time of the year!

Anything else you’d like to share with aspiring authors and illustrators?

You can always ask advice from your colleagues, especially when it comes to contracts, pricing, and other non-illustration things that are an important part of this job. And you're never ready as an illustrator, there is always room to grow! And don't work for exposure only, something that newcomers are often asked to do.

And last, but not least, favorite 80s movie?

Star Wars: Return of the Jedi.


Huge thank you to Nadja for stopping by Critter Lit today! Congrats on EAT UP, BEAR! We can’t wait to see what you come out with next!


NADJA SARELL is an illustrator living in Helsinki, Finland. She graduated with MA in Dance from Theatre Academy Helsinki. Soon after that she moved to a small town in North Wales to study children's book illustration. She graduated from North Wales School of Art and Design with BA in Illustration for Children’s Publishing in 2004. 

Since then, she has worked as a freelance illustrator for children's publishing in Finland and abroad. Her clients include Hachette, HarperCollins, Simon & Schuster, and Yosemite Conservancy. She loves to teach art, illustration and dance for both children and adults. 

If Nadja was an animal, she would be a cat living in an old mansion with a large fireplace and a comfy sofa. Her favourite things are music, dancing, black coffee, and chocolate. 

FOR MORE INFORMATION about Nadja or her books, visit her website or follow her on Instagram.

ORDER THIS BOOK To order a copy of EAT UP, BEAR! click here.

WIN A COPY! Want to win a copy of EAT UP, BEAR!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 22nd! US addresses only please.

Interview with Author Deb Adamson

Authors, Vet InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have an interview with author Deb Adamson whose newest board book, I MISS YOUR SUNNY SMILE, illustrated by Anne Zimanski, just released with Blue Manatee Press this week! I’m thrilled to have Deb with us today to talk about her books, process, and journey in publishing.

So without further ado, please welcome Deb Adamson!

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Where do you live?

I live on the shoreline of Connecticut.

How many years have you been in publishing?

My first picture book was published around 20 years ago by Millbrook Press. I took an extended pause from querying until a few years ago.

Do you write full-time?

I do write full time but I also teach a memoir writing class for adults weekly.

What inspires you to create picture books?

I never know what is going to inspire me to write— a conversation with my hairstylist, a news article, another book I’ve read. I really have an unending supply of ideas. It’s just a matter of finding one that takes flight and becomes a worthwhile manuscript. So many do not. But sometimes the ones that resist developing just need revisiting at a later date. 

What surprised you the most working as an author?

I’m most surprised by how much I love seeing and illustrator’s interpretation of my words. When I receive a fully illustrated book with my words coming to life through pictures I am just tickled. The surprise is seeing if an illustrator envisions the work as I do. 

What is your favorite thing about being an author, illustrator, or author/illustrator?

The best part about writing kids books is the kids who read them! I really enjoy school (or now Zoom) visits and hearing kids’ reactions to my books. It’s why I write for this age. Their enthusiasm and interest is what fuels me to want to keep writing.

What do you find difficult working as an author?

The most difficult part of being an author are the days when the writing just doesn’t flow. And no matter how many years I’ve been at it, I am not always kind to myself when this happens. I should know by know that writing is not always easy.

What do you do to shake the rust off or get new ideas?

When this happens I sometimes go for a run, stroll my garden, or pull out my sketchbook and watercolors. Switching gears is the best approach to shake off writer’s block.

Anything you are habitual about when it comes to creativity?

I try to write every morning. I’m an early riser and part of the #5amwritersclub on Twitter. We check in with each other and then we get down to business putting words to the page. This supportive writing community has boosted my word count more than I can say.

Can you share a positive experience you’ve had in the Kid Lit community?

I’m part of the kid lit promo group,  21FORTHEBOOKS. We are all children’s book author/illustrators being published in 2021. This amazing group has been the best support for book launching. We cheer each other on and provide one another with moral support. A few of us have especially needed that this year due to Covid, printing delays, bookstores closed and virtual launches. I feel especially lucky to be a part of it.

Recommended reading?

How about Scooper and Dumper by Lindsay Ward? :-) I really enjoyed your newest picture book title and the message of friendship and teamwork. I write in rhyme too, so I know how challenging it can be. You really nailed it!

(Thank you Deb!)

What has been the highlight of your career thus far?

The highlight of my career has been watching my newest title, I Miss Your Sunny Smile, finally make it to publication. It was on its way several years ago by a Big Five publisher but when it made it to a marketing meeting it was rejected. Ever since then, I worked hard to find it a home, so I can’t wait to finally share it with children. Especially now, during a time when I know so many are struggling with isolation due to the pandemic. I think this book may be of some help.

What is something you wish someone had told you when you first started writing?

That even though you got two books published it was still going to be just as challenging to get the next one accepted for publication. Publishing children’s books is one THE MOST competitive endeavors. I think I read somewhere that getting accepted for publication has odds comparable to winning a lottery!

Can you tell us about your newest book?

I Miss Your Sunny Smile is a board book aimed at ages 0-3. It is written in rhyme. This little story will hopefully help parents guide young children through a bad day. We all have them, and the youngest of children have yet to figure out how to navigate them. In this story the small child is aided by his mom who helps him redirect and in the end locate his elusive smile. It’s a timely title for a time when small children are especially struggling through social isolation due to the pandemic. It’s my hope that it helps parents and kids in some small way during this trying time.

Interior art from I MISS YOUR SUNNY SMILE by Deb Adamson, illustrated by Anne Zimanski

Interior art from I MISS YOUR SUNNY SMILE by Deb Adamson, illustrated by Anne Zimanski

What’s up next for you?

I have two picture books being published in 2021 by independent publisher, Blue Manatee Press. Both are written in rhyme. One is a DIY book, following a family around their back yard as they build a swing set. It’s called, Bing, Bang Pling, Now We Swing! The other is A Christmas Eve Wish For Santa, a sweet story to help send off Santa with best wishes for his big night. And then in 2022 Scott Joplin’s Maple Leaf Rag, a nonfiction picture book biography, will be published by Starbright Books.

Anything else you’d like to share with aspiring authors and illustrators?

Don’t go it alone. Find yourself a supportive writing group either locally or online. Join the SCBWI. Also become a part of Twitter and the kidlit conversations that take place on that platform, daily. Writing can be such a solitary exercise so finding a clan helps make the highs higher and the lows lower.

And last, but not least, favorite 80s movie?

The Breakfast Club. What an awesome coming of age film. Those five main characters who became known as the Brat Pack were so believable in their high school clique mentalities. 


Huge thank you to Deb for stopping by Critter Lit today! Congrats on your newest book and we can’t wait to see what you write next!


DEB ADAMSON writes picture books, board books, chapter books and middle grade novels. She also writes for adults— both fiction and nonfiction. Her books are silly, sweet and often a combination of both. Deb sometimes write in rhyme, mostly because she believes children enjoy how it rolls off the tongue like word-song.

In addition to writing for kids, Deb has also taught them, in “Shel Silverstein” poetry workshops. She teaches an ongoing adult memoir and essay writing class, which, through the years, has helped her grow as a writer more than she can say. Deb is a former broadcast news journalist, freelance essayist and syndicated columnist for Gatehouse News Service. Her column about homeschooling her son was read in over 250 print newspapers nationally, as well as online. For ten years Deb was in Public Relations as a spokesperson for a major U.S. Aquarium where she got to do really cool things like coordinate and accompany national news reporters from CNN and the New York Times to observe wild dolphins in the waterways of Hilton Head, South Carolina. She also organized major news coverage of many rehabilitated and released whales and seals along the coast of New England. Deb has appeared a couple of times with a penguin or two on NBC’s Today Show. She is a member of The Society of Children’s Book Writers and Illustrators. (SCBWI)

Deb lives in Connecticut in the company of three amazing and much loved, guy varieties- My husband, teenage son and orange-cat-extrorindaire, Fatty Lumpkin, AKA Lumpy.

FOR MORE INFORMATION about Deb follow her on social media @DebAdamsonBooks

ORDER THIS BOOK To order a copy of I MISS YOUR SUNNY SMILE, click here.

WIN A COPY! Want to win a copy of I MISS YOUR SUNNY SMILE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 1st! US addresses only please.

Interview with Author Tracy C. Gold

Authors, Debut Interviews, publishing, InterviewsLindsay Ward13 Comments

Happy Thursday Critters! Today we have an interview with an author whose debut board book, EVERYONE’S SLEEPY BUT THE BABY, illustrated by Adele Dafflon, will be released on April 13th with Familius. I love original board books and this one is very funny— especially for all you fellow parents out there who know the struggles of getting a baby to sleep. I’m thrilled to have her with us today, so without further ado, please welcome Tracy C. Gold!

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Where do you live?

I live in Baltimore City, Maryland, in a tree-lined neighborhood full of houses from 1900.

When did you know you wanted to write picture books?

I actually never even considered it until I had a kid of my own! After she was born, I started reading tons of picture books and getting ideas for my own. I jot down ideas on my phone whenever they come to me and one of those became Everyone’s Sleepy but the Baby!

Tell us about your road to publication, what did that involve for you?

Oh goodness, it has been a long and winding road indeed. I’ve been writing novels for ten years and haven’t had one published yet. Despite getting into big contests like Pitch Wars and getting lots of interest from agents, ultimately, I faced down hundreds of rejections from agents across four different novels. At an SCBWI MD/DE/WV conference, my friend Kathy MacMillan raved about her picture book publisher, Familius. So when I had a draft of a picture book I thought was special, I just sent it straight to them as a cold query, without mentioning Kathy. I was utterly shocked when they wrote to me only ONE WEEK later saying they wanted to publish it as part of their board book line. That book is Everyone’s Sleepy but the Baby. For my second book, Trick or Treat, Bugs to Eat, the path was a bit more “traditional,” though still twisty. Somewhere in my novel writing education, I interned for literary agent Carrie Pestritto for a year or so. I wrote to her to tell her about my deal for SLEEPY, and that I was looking for an agent for other picture books. She said she’d represent me herself! It wasn’t until many months later, after we’d submitted 3-4 other picture books, that Sourcebooks said they wanted to publish my Halloween book about bats, Trick or Treat, Bugs to Eat.

Can you share a bit about your process?

All of my books, novels and picture books alike, are inspired by real life. That could be looking around my house and noticing that my dog and my husband were snoring, and I was exhausted, while my child was wide awake, for Everyone’s Sleepy but the Baby, or seeing a million bats fly out from under Congress Bridge while traveling in Austin, TX, and turning it into a picture book years later. I’m also working on a historical novel about a ship of Jewish refugees turned away from the US, Cuba, and Canada in 1939 that was inspired by a friend posting about her relatives who were on the ship amidst revelations of poor treatment of refugees in the US during the Trump administration. So, I never know whether I’ll get an idea right away or if something needs to marinate for a while, but the whole world is full of amazing stories.

What do you do to shake the rust off or get new ideas?

I try not to stress too much about it, really! I like to take breaks between heavy writing periods to refill my well. So if I’m not writing, or if I don’t have good ideas, I consume lots of media—reading books in many genres, watching great tv shows, and especially paying attention to interesting stories in the news. I play close attention to media coming from The Maryland Zoo and the National Aquarium, near me, as I love writing about animals. When I’m in the middle of an intense writing project, I close myself off to a lot of outside media, because if I’m reading a really good novel, I won’t put it down to work on my own writing. So I’m very aware that my creativity goes in cycles. Natalie Goldberg, who has a great craft book called Writing Down the Bones, compares this process to composting. Sometimes you’re loading the compost heap with all the raw material, and sometimes you’re taking out that rich soil to plant your garden.

Anything you can’t live without while you write?

I am actually quite flexible especially now that I am a parent—sometimes the only time I have to work all day is when my daughter is in the bath. I pull up a chair and open my laptop and hope I don’t get splashed! But if I had my way I would have my ergonomic keyboard and chair, huge monitor, black coffee in the morning, and peppermint tea at night. Plus lots of dark chocolate!

Any authors and/or illustrators who inspire you?

Well, Kathy MacMillan who I mentioned earlier is such an inspiration because in addition to being a wonderful writer of picture books and YA, she gives back to her community so much as the Co-RA of our region of SCBWI. I also admire Linda Sue Park, who also writes stories based in non-fiction, from the sparse yet stunning A Single Shard set in ancient Korea, to the hard-hitting A Long Walk to Water about the Lost Boys of Sudan, to Gondra’s Treasure, a sweet picture book about a dragon who’s a mix of different mythologies.

Dream project to work on?

Hello, Universe, hire me to do a Star Wars picture book? I would also completely flip out if the WWII refugee novel I am working on was published and *gasp* turned into a movie. I love working on picture books because of the collaboration with artists and think film would take that to a whole new level. I also think the message of this refugee story, and any refugee story, really, is so important. The United States needs to do a better job of living up to that Emma Lazarus poem in the Statue of Liberty: "Give me your tired, your poor, your huddled masses yearning to breathe free." Any US Citizen could have been a refugee if we had been born into different circumstances.

Tell us about your debut book.

Everyone’s Sleepy but the Baby, illustrated by Adele Dafflon, is a short, sweet and slightly sassy book about a baby who will just not sleep! It is directly inspired by my exhaustion as a new mother and I’d like to think it’s a version of Adam Mansbach’s “Go the F**k to Sleep” that you could actually read to your child. It will bring laughs as a baby shower gift book, but also actually help soothe fussy babies and toddlers to sleep.

Interior Art from EVERYONE’S SLEEPY BUT THE BABY written by Tracy C. Gold, illustrated by Adele Dafflon

Interior Art from EVERYONE’S SLEEPY BUT THE BABY written by Tracy C. Gold, illustrated by Adele Dafflon

What’s up next for you?

After Everyone’s Sleepy but the Baby is well out in the world, I will be focusing on launching my second picture book—technically my debut hardcover picture book, as SLEEPY is a board book. I have an additional book contracted with Sourcebooks as well, but I don’t know what it will be yet, so that will be fun to work out! I have a ton of ideas and drafts already!

And last, but not least, favorite 80s movie?

I’m going to have to say The Breakfast Club! When John Bender comes in, he goes out of his way to knock little things over because he just has so much energy and wants attention, and that makes me laugh so hard because it reminds me so much of my very hyper little brother. (Who is an adult now but just as full of energy as he was as a teen.) The whole movie is hilarious with an ultimately sweet message. Plus random 80s dance scene?!


Huge thank you to Tracy for stopping by Critter Lit today! Congrats on your debut!


TRACY C. GOLD loves bringing characters to life. She is a writer, freelance editor, and mom living in Baltimore, Maryland. She has two picture books forthcoming in 2021, Everyone’s Sleepy but the Baby from Familius in March and Trick or Treat, Bugs to Eat from Sourcebooks in August. She also writes short stories, essays, novels, and poems. Her work has been published in several magazines and anthologies. Tracy earned her M.F.A. in Creative Writing and Publishing Arts at the University of Baltimore and earned her B.A. in English from Duke University. When she’s not writing or editing, she’s playing with her toddler, or hanging out with her horse and dog, both rescues. You can find out more about Tracy or sign up for her newsletter at tracycgold.com or follow her on social media:

Twitter @tracycgold

Instagram

Facebook author page.

ORDER THIS BOOK To order a copy of EVERYONE’S SLEEPY BUT THE BABY, click here.

WIN A COPY! Want to win a copy of EVERYONE’S SLEEPY BUT THE BABY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 25th! US addresses only please.

Interview with Author/Illustrator Kayla Stark

Authors + Illustrators, Interviews, Illustrators, Vet InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have an interview with author/illustrator Kayla Stark whose new book FRIENDS AT THE FIREHOUSE, which released in August with Chronicle Books, is one of the coolest lift-the-flap books I’ve seen in a long time! I’m so excited to share her work with you all today and continue our week of creatives that work with novelty and board books.

So without further ado, please welcome Kayla Stark!

Kayla Stark Bio Pic.jpg

Where do you live?

Nashville, TN USA

How many years have you been in publishing?

This is a rough approximation, but I think it’s been close to 4 years now!

How did you first get published?

Parallax Publishing reached out to me about illustrating a picture book called “Mr. Pack Rat Really Wants That”. The author saw my work on the Women Who Draw website and then asked the editor to email me. I think that’s a pretty unusual way for the publisher to reach out, but I’m so happy they did. I did a few tests before I officially landed the job. Since this was my first time working on a picture book, Parallax wanted to make sure I was up to it. 

Do you write/illustrate full-time? 

Yes, I do! I spend more time illustrating than writing at this point, but I’m hearing the siren call of writing and I can’t stay away. It’s intimidating because I’m not as practiced in writing, but I do want to pitch my own stories—and I have so many ideas!

What inspires you to create picture books? 

That’s a good question. The picture book industry seems to be where my work best fits. In the beginning I didn’t set out to make my work fit the picture book industry, but once I became friends with other picture book illustrators and learned more about the industry I felt like I had finally found a place to park my work and settle in. 

In my work I like to ask silly questions and play with ridiculous “what ifs”. Questioning and observing everything always leads me to an idea or story that begs for further exploration. 

What surprised you the most working as an author/illustrator?

I was surprised when I saw how much work and energy went into the creation and promotion of a new book. It’s a true team effort! I’m also constantly surprised by how connected the illustration/publishing world is. Everyone knows everyone!

What is your favorite thing about being an author/illustrator?

There are 2 things that immediately come to mind.
#1 - I love the initial stages of a job. The research phase and open possibilities give me such a rush!
#2 - Once a book/project is finished I look forward to the promotional events. Launch parties, process posts, interviews, readings, signings etc. I’m an extroverted person and getting these opportunities to travel, meet, and speak to new people fills me up!

What do you find difficult working as an author/illustrator?

Sometimes the daily monotony and isolation gets to me. It can feel like I’m working in a vacuum and treading water. It’s imperative to keep up my momentum and focus in order to finish projects. Knowing I have to power through on the days I don’t feel creative is difficult. I try to spin it in my brain and think of it as leveling up my self discipline.  

What do you do to shake the rust off or get new ideas?

Hmmm…I’ll try a few different things. FaceTiming a friend who gets it is the best medicine. I’m so happy (and lucky) to be friends with a number of illustrators and other artists—both local and online! I’m a part of The Warren Studio here in Nashville, TN. When I need a change of pace I’ll go in and see people, get lunch, and just have a fun day.

Some other things I’ll do when I need new ideas is— read; workout; go to a museum*; schedule a trip*; go to my list of ideas and thoughts I keep in my phone; create a new color palette and imagine what type of scene or story would use it. 

*I’m not doing these things currently due to Covid-19 safety concerns.

Anything you are habitual about when it comes to creativity? 

I used to watch a little bit of TV after waking up, however I realized that when I do that my mind wants to be entertained all day instead of getting into work mode. Now when I wake up, instead of turning on the TV, I do these things in this order to feel like it’s time for work—open the blinds, brush my teeth, wash my face, grab my coffee, and walk upstairs to my desk. 

I also like to be left alone for the first few hours of the work day. My husband has been working from home since March and I had to set up a no talking rule for the first 3 hours of the work day. 

Can you share a positive experience you’ve had in the Kid Lit community?

Wow, most everything has been positive. Hmm…something that stands out is getting to know others in the Kid Lit community on Instagram. It’s led to friendships, critique groups, collaboration opportunities, agents, meet ups, and a wonderfully fulfilling life/career. 

When I think about it, it’s crazy how many friends I’ve made through Instagram and the close knit connections of the kid lit community. 

Recommended reading?
All of Martin Salisbury’s books on picture books and illustration. 

The Fog by Kyo Maclear, illustrated by Kenard Pak.

Mac Barnett’s books are always a delight.

I’ll stick to these few for this purpose, but I need to make a whole list separated into categories.

What has been the highlight of your career thus far? 

I just illustrated the covers for a new release of classic titles (The Jungle Book, Black Beauty, Alice in Wonderland, and Treasure Island). It was surreal to see that job land on my desk and I am happy I was trusted to take on these beloved titles. I’ll be sharing those on my Instagram very soon along with some behind the scenes process posts! 

What is something you wish someone had told you when you first started writing/illustrating?

This is still a job, sometimes you are going to have to put in extra hours and work when you don’t feel like it. Somedays it will feel like you are going nowhere and somedays you’ll feel on top of the world, but most days you’ll feel somewhere in between. Ask for help when you need it, take care of yourself, take criticism (but not personally), and just keep going. You will never feel like you’ve “arrived”, so stop expecting that. You are doing what you love, celebrate that!

Friends at the Firehouse by Kayla Stark, Chronicle Books

Friends at the Firehouse by Kayla Stark, Chronicle Books

Can you tell us about your newest book?

Friends at the Firehouse written and illustrated by me is a lift-the-flap journey through a firehouse. The annual parade is about to start and we need to find the missing Dalmatian puppy. There are 35 flaps to inspect and tons of details for kids to pour over. It’s published by Chronicle Books as part of their Double Booked series—which means the book is a unique die cut shape (a firehouse in this case) and opens from both sides as a gate fold! 

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

It’s the most complex book I’ve worked on and it took me a WHILE to wrap my mind around everything as I was laying out the illustrations. I visited 2 local fire stations before starting and took hundreds of photos. The firefighters drove me around in the truck and I got to slide down the pole like a real fire fighter!

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

Interior art from Friends at the Firehouse by Kayla Stark, Chronicle Books

What’s up next for you?

I have some stories of my own I’m going to pitch! So I’ll be going into writing mode and working on getting a manuscript and book dummy together.

I’m also working on a language learning vocabulary book! —along the lines of Richard Scarry’s Big Book of Words, but with my own world and characters. :)

Anything else you’d like to share with aspiring authors and illustrators?

I know this is said over and over again, but I believe it bears repeating. Create the work you want to get hired to do! All the time I see and talk to artists that are just waiting for someone to hire them for their dream job, but there are no clear examples in their portfolio to show they CAN do that job. You have to show you can already do something before someone will hire you do it. 

Draw and write a lot! Start building your social media platform now and engage with other people. It can be annoying to keep up with all the platforms, so pick 1-2 and post consistently!

And last, but not least, favorite 80s movie?

Oooh. I’ll say The Shining. I’m not a horror nut, but there’s just something about that movie.


Huge thank you to Kayla for stopping by Critter Lit today! Congrats on your new book, we can’t wait to see your upcoming projects!


After graduating with a BFA from the University of Tennessee at Martin and working for a few years as a graphic designer; KAYLA STARK decided to shift into the world of her first love—illustration! She works both digitally and traditionally, depending on the project, and is most comfortable when settling into the beginning “research” phase of projects. The traditional media she uses most often are: watercolor, gouache, and colored pencils (she is on a constant search for the perfect, scratchy pencil texture) She is naturally very curious and asks a lot of questions—this quality is a constant fuel for inspiration.

She lives in Nashville, TN in a small house with her husband and 2 cats. Most of the time she is working upstairs in her studio, but a few days a week she joins a group of friends and fellow illustrators at a co-working space in East Nashville.

Kayla’s hobbies include playing board games, participating in (almost) any event, learning languages, and planning trips (she loves public transit). Some of Kayla’s favorite topics are birds, traveling, science, animal fun facts, and history.

She has done work for various clients including Highlights Magazine, Sleeping Bear Press and Chronicle.

FOR MORE INFORMATION visit Kayla online at www.kaylastark.com or on social media:

Instagram: @kayla_stark

ORDER THIS BOOK To order a copy of FRIENDS AT THE FIREHOUSE click here.

WIN A COPY! Want to win a copy of FRIENDS AT THE FIREHOUSE?! Leave a COMMENT below or RETWEET this post on Twitter. TWO lucky winners will be announced on Thursday, October 29th! US addresses only please.

Interview with Author Terry Pierce

Authors, InterviewsLindsay Ward3 Comments

Happy Tuesday Critters! Today, I’m thrilled to feature an interview with author Terry Pierce, whose new board book, LOVE CAN COME IN MANY WAYS, illustrated by Suzy Ultman, just came out with Chronicle Books this month. It’s the sweetest novelty board book, with lovely text, charming illustrations, and soft, fuzzy, felt lift-a-flaps! It’s quickly become my go-to new baby gift!

So without further ado, please welcome Terry Pierce!

PierceHeadshotUCLA (2).jpg

Where do you live?

I lived in the California high desert for thirty-nine years but now spend most of my time in the beautiful high Sierra town of Mammoth Lakes.

How many years have you been in publishing?

I started writing for children in 1999, after 22 years of being a preprimary Montessori teacher.

How did you first get published?

This could take a while! When I decided to try my hand at writing for children, I gave myself a five-year time limit to get a book published (I know, crazy, right?). I dove into the SCBWI and all they could teach me. After I started submitting my work, all I received were form rejections, so I re-evaluated my strategy—still looking at my self-imposed five-year deadline—and decided to try my hand a joke writing (because I LOVED joke books as a kid). I wrote a sample of 25 jokes and sent them to Sterling Publishing. Within a month, I got a call with an offer to publish (although they wanted another 600 jokes!). Greatest Goofiest Jokes was my first book. It came after 160 rejection letters and three years into my writing journey.

Do you write full-time?

My husband retired two year ago, so I’m not writing quite as full-time as I used to at 35-40 hours a week. Life is too short not to take time enjoying life together with our hikes, climbs and walks. But the upside is that I draw inspiration from nature so I’m always thinking about writing even if I’m not physically doing it.

What inspires you to create picture books?

So many things! In addition to nature, my Montessori teaching experiences have inspired me, as do other children’s books. I love reading other picture books and getting an “Aha!” moment of inspiration. 

What surprised you the most working as an author?

Great question! Initially, I was surprised at how hard it is to write a picture book. I just thought you’d just write it, but then I learned about plotting, characterization, page turns, allowing room for the illustrator to help tell the story, etc. The best picture books are flawless, so they look like they’d be easy to write. But they’re not. I’m always talking about this with my UCLA students. It’s probably the biggest myth about writing for children. 

What is your favorite thing about being an author?

I love the creativity of it all! It’s so fun to get a spark of a story idea and play with it. I really do love playing with words. My tendency is to write in verse, with a light, lyrical approach. I can spend hours tinkering with a text and engaging in wordplay before I realize how much time has passed. I have all sorts of resources I use—books, websites, apps—that give me lots of treasures to dig through. It’s pure joy for me!

What do you find difficult working as an author?

Like many writers, the rejections are a challenge (I prefer to call them “declines”). You must have a tough skin to stick with this business, but even with that, sometimes the rejections can get to me. When that happens, I give myself a little “pity party” (always with chocolate and my co-author cat). I might step back for a day or two, but then I always put it in perspective and keep moving forward. Getting back to it sometimes means setting aside a particular manuscript (letting me get some distance) or diving back in with a new focus on how to improve. 

What do you do to shake the rust off or get new ideas?

I love taking long walks or hikes by myself. I have a favorite “secret spot” I often visit in the nearby mountains where I can just think. Another great way to find inspiration is to participate in an online event such as Tara Lazar’s StoryStorm or Paula Yoo’s NaPiBoWritWee (National Picture Book Writing Week). These are fun online blog events that help inspire children’s writers. 

Anything you are habitual about when it comes to creativity?

I usually have a cup of tea and my co-author cat within arm’s reach (I have two cats, but only one is always nearby while I write). Oh, and I need quiet. I’m not one who could write a novel in a coffeehouse!

Can you share a positive experience you’ve had in the Kid Lit community?

Just one? If it weren’t for the SCBWI and my Kid Lit connections with other authors, illustrators, editors, etc., I wouldn’t have a single book published. It’s so important to network and make friends in this business! Not only for connections to help you get published or promote a book, but most importantly, when this business gets you down (and it will due to all the rejections), you need other writers who understand what you’re going through. I’ve had high and low moments in this business where my first call wasn’t to my husband, it was to my writing partners. Because they get it.

Recommended reading?

Rather than recommend specific books, I recommend that other writers develop a canon of authors whose work you admire and study those texts (read, reread, type them out). For me, the top of the list includes Eve Bunting, Lisa Wheeler, Phyllis Root, Tammi Sauer, and Kathi Appelt.

What has been the highlight of your career thus far?

This is a tough question! On a personal level, graduating from Vermont College of Fine Arts was a huge accomplishment and milestone for me. This opened the door for me to teach for UCLA Extension Writers’ Program, which I love. Book-wise, I’d say the huge success of my first board book, Mama Loves You So, has been a highlight. I never expected such strong sales and all the tremendous feedback I’ve received. Just knowing that parents and their babies are bonding over my book warms my heart. I’m hoping parents will have a similar response to Love Can Come in Many Ways.

What is something you wish someone had told you when you first started writing?

I wish someone would have told me: 1) the level of commitment it takes to get published (the dedication to learning the craft, time, expense), and 2) that on the average, picture book writers (picture books, easy reader, board books) don’t earn nearly as much compared to other writers. Neither probably wouldn’t have changed my mind about writing but it would have been nice to know those things before I started.

Can you tell us about your newest book?

Love Can Come in Many Ways is my first novelty board book. It’s all about ways in which animals, and humans, show affection toward one another. When I wrote the book, I just wanted to bring a little more love into the lives of young children, but Chronicle envisioned so much more. They wanted to create an interactive novelty board book full of cuddles, snuggles, hugs and love, by using felt lift-a-flaps. The illustrator, Suzy Ultman has a fun, whimsical artistic style that I know young children will enjoy. I’m really excited for readers who loved my first board book, Mama Loves You So, because this book is also a great book for bonding with little ones.

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

Interior art from Love Can Come in Many Ways written by Terry Pierce, Illustrated by Suzy Ultman

What’s up next for you?

My next board book, Eat Up, Bear! (Yosemite Conservancy) comes out on April 13, 2021, so I’m already looking forward to that. It’s another book that’s near and dear to my heart, about how to be good stewards of wild bears (but in a super cute fun way). I’m also currently working on some other picture book manuscripts and a chapter book series.

Anything else you’d like to share with aspiring authors and illustrators?

If you’re just starting, I’d recommend reading Ann Whitford Paul’s marvelous craft book, Writing Picture Books. And if you can, take a writing course on the genre you’re most interested in pursuing. I teach online courses for UCLA Extension Writers’ Program and have had many students go on to publication. Writing courses are a great way to do a deep dive into the craft.

And last, but not least, favorite 80s movie?

So many choices but I’d have to say the Back to the Future trilogy. My favorite is the third one (something about the wild west tickles my fancy) but I most recently watched the second one. They’re all great!


Huge thank you to Terry for stopping by Critter Lit today! We absolutely LOVE your new book and can’t wait to see what comes next!


TERRY PIERCE is the author of twenty-five children’s books, including MAMA LOVES YOU SO (Little Simon, ill. Simone Shin), SOCCER TIME! (Random House, ill. Bob McMahon), and TAE KWON DO! (Random House, ill. Todd Bonita, 2007 Bank Street College Best Children’s Books). Her upcoming books include LOVE CAN COME IN MANY WAYS (Chronicle, ill. Suzy Ultman) and EAT UP, BEAR! (Yosemite Conservancy, ill. Nadja Sarell).

Terry holds a B.A. degree in Early Childhood Development and an International A.M.I. Montessori teaching diploma.  She was a Montessori teacher for twenty-two years before following her dream of writing for children. Terry has an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, including the Picture Book Concentration certification. She’s also an online instructor for the UCLA Extension Writers’ Program. 

She lives in eastern California, dividing her time between the high desert and the high Sierra. She lives with her husband and is a servant to two crazy cats.

FOR MORE INFORMATION visit Terry online at https://www.terrypiercebooks.com or on social media:

Twitter: @terrycpierce

Facebook: @TerryPierceAuthor

ORDER THIS BOOK To order a copy of LOVE CAN COME IN MANY WAYS, click here.

WIN A COPY! Want to win a copy of LOVE CAN COME IN MANY WAYS?! Leave a COMMENT below or RETWEET this post on Twitter. TWO lucky winners will be announced on Tuesday, October 27th! US addresses only please.

Interview with Illustrator Noël Ill

debut interview, Holiday Books, Illustrators, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we are joined by Noël ILL, an incredibly talented illustrator, whose new board book by Carole Gerber comes out this month with Familius. I love the art in this book— it’s charming, fun, and the perfect new book to share with your little ones this Halloween!

So without further ado…please welcome Noël ILL!

Artist_Portrait_Noel ILL.jpg

Where do you live?

I live in the Inland Empire. It’s in Southern, California, Southwest of San Bernardino County. There are beautiful mountains and sweet smelling orange trees everywhere.

Noël Ill dressed up as a kitten for Halloween when she was little.

Noël Ill dressed up as a kitten for Halloween when she was little.

When did you know you wanted to illustrate picture books?

As a kid, I was always drawing and my favorite assignments in elementary school were when the teacher would ask the class to write a short story and draw a picture to go with it. I knew then that I enjoyed illustrating stories. It wasn’t until I was in community college, before I went to art college, that I took a children’s literature class and realized I would love to illustrate children’s books. It was my main goal when I headed into ArtCenter.

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Tell us about your road to publication, what did that involve for you?

It involved a lot of daydreaming and a little bit of confidence. After I graduated from ArtCenter, I was hoping to somehow get into illustrating children’s books, but I had no idea how. So, that’s where the daydreaming part came in. I was just dreaming of doing it with no actual tangible plan. Then I came across a job posting from ArtCenter’s job board where a local educational publishing company was looking for an illustrator to illustrate bilingual English and Spanish books with Hispanic themes. I immediately applied. I’m half Mexican and I felt very confident that with my illustration skills and my Hispanic cultural background combined, I would be a great fit for the job. I got the job and I still work with them today. The company is called Lectura Books and I’ve illustrated 11 books for them. I also post a lot of my original artwork online. That’s how the art director for If You’re Scary And You Know It! came across my work and got in contact with me. I’ve been illustrating professionally for over 10 years and even though I have illustrated many books for the educational market, this book is actually my first book in trade publishing.

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Can you share a bit about your process?

First I start with looking up reference. I look up online the subject matter I will be working with. Or, if I have the time and the assignment has to do with something like for example, a horse, I will actually go to a place where I can see a real horse and take pictures of it and just observe the horse’s personality. Then I start sketching ideas in my sketchbook with pencil. I sketch out character ideas and layout composition ideas. After that, I move over to the computer where I began creating the illustration digitally.

What do you do to shake the rust off or get new ideas?

I do anything but art! I will even start to organize the clothes in my closet or organize boxes in my garage and then I start finding old stickers and trinkets I forgot I had which then starts my imagination going. It goes from, “Oh, I didn’t know I still had my sticker collection from the 1990s.” to “ I need to start drawing my own line of stickers!” It’s not too hard for me to get new ideas. So many things inspire me every day.

Anything you can’t live without while you draw?

Not really. The only thing I tend to always have or at least remember to have with me is a bottle of water to drink.

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Interior art from IF YOU’RE SCARY AND YOU KNOW IT! written by Carole Gerber, Illustrated by Noël Ill

Any authors and/or illustrators who inspire you?

Yes, all of the illustrators that worked with Hallmark in the 1980s. I loved their greeting cards, the paper goods, the sticker sheets, plush toys, everything. I also love a series of books about holiday traditions by Edna Barth and illustrated by Ursula Arndt. I re-read the books almost every year. Probably the most popular book of that series would be the Halloween one, Witches Pumpkin’s and Grinning Ghosts: The Story of the Halloween Symbols. I love learning about the history of holidays and the line-art illustrations in them are great. I’m also hugely inspired by mid century illustrators. I’m drawn to the shapes and colors and creative use of space.

Dream project to work on?

I have so many! Besides wanting to team up with a manufacturer and become the next Lisa Frank, I would like to team up with one of the “big five” publishers and illustrate a book that helps children with dyslexia. I have dyslexia and I went through almost my whole academic life without knowing. I didn’t get diagnosed until I got to college. I always wished I could have started learning about it sooner. I think I would have been more confident in reading and writing back then had I known. It would be great to contribute to a project that helps kids with that.

Tell us about your debut book.

It’s called If You’re Scary And You Know It! written by the amazing, Carole Gerber. The book is Halloween themed with 10 full color spreads illustrating follow along movements and actions set to the tune of If You’re Happy And You Know It! Each page introduces the reader to a different child character in their Halloween costume, performing an action, whether it’s howling at the moon like a werewolf, shaking a limb like a scarecrow or bending your knee like a boney skeleton. It’s a great audience participation book and I know kids will have lots of fun following along.

What’s up next for you?

Currently, I am excited to get sketching more original ideas for the greeting cards and products I sell through my website.

And last, but not least, favorite 80s movie?

I love this question! There were so many good movies in the 80s it’s hard to choose, but I am going to say The Chipmunk Adventure. You can’t go wrong traveling the world in a hot air balloon singing rockin’ songs.


Huge thank you to for Noël Ill for stopping by Critter Lit today! We can’t wait to see your adorable board book out in the wild this month!


Noël ILL earned her BFA with honors in illustration from ArtCenter College of Design in Pasadena, California. Throughout her design and illustration career, she has had the opportunity to apply her artwork and tasteful design sense to the publishing and entertainment media fields. Her more notable commercial work includes production art for the quirky HBO animated series, The Life and Times of Tim, the “Be Mine” sticker pack for Facebook stickers, and “The Sweetest Little Ghost” her licensed illustration for Papyrus greeting cards.

FOR MORE INFORMATION about Noël ILL visit her online or follow her on social media:

Twitter: @noelillart

Instagram: @noelill

Facebook

TO ORDER Noël ILL’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of IF YOU’RE SCARY AND YOU KNOW IT?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, August 22nd! US addresses only please.