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Interview with Author Shawnie Clark

Authors, InterviewsLindsay Ward1 Comment

Happy Thursday Critters! Today we have an interview with Shawnie Clark, who is both self-published and traditionally published, and provides books for children in a font specifically designed for Dyslexia. How cool is that??? I’m thrilled to have her on Critter Lit today.

So without further ado, please welcome Shawnie Clark!

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Where do you live?

I live in a small town called Manteca located in Northern California. It's approximately 45 miles south of the State Capitol, Sacramento. Many moons ago it was well know for it's famous water slides.

How many years have you been in publishing?

I've been writing for many years. I developed a love of reading and writing in middle grade school. It stuck with me. In my early thirties I decided to write a couple of articles for  the local newspaper, in turn that led to writing small articles for online magazines and blogs. I came across a small publishing press located in New York. The publisher was looking for short stories children stories. Turns out that I loved it! I didn't publish with her, but the inspiration for Crocky Dile came about during the same time frame I wrote the Saltwater Crocodile activity book. I've been publishing children's books for about 9 years.

How many books have you published? 

10. I self published 8 books, 2 traditionally.

Do you write full-time? 

I write part time, but when I start a project, I work on it full time until it’s finished. As I get ideas, I write them down, then at a later time I will brainstorm, this provides a story line. Once I have a story line it's full on writing time.

What inspires you to create picture books?

I absolutely love the process of taking an idea and turning it into a finished product. It's like bringing my thoughts to life. I enjoy being outdoors. I get ideas from watching the silly things that people and animals do. I also read A LOT! This gives me inspiration and tips for future writings. While I'm doing social media sometimes I'll see an illustration that catches my eye and the brainstorming begins. I have grandchildren who have inherited my vast imagination, so I get a lot of ideas from them, too. I turn them into stories that we can share together. They love it, just as much as I do.

What surprised you the most working as an author?

The Kidlit community is really a wonderful group of people. (Not that I thought any different!) Just how much joy I would get out of the whole process. I love to write, but being able to collaborate with others in the publishing process and seeing it come to life, then being able to share— priceless.

What is your favorite thing about being an author?

All of it! Seeing the finished product and sharing it with children. It's wonderful to see something I wrote bring such big smiles to those little faces.

What do you find difficult working as an author?

Editing, editing, and more editing! Need I say more.

What do you do to shake the rust off or get new ideas?

I read more and I really pay attention to what people around me have to say. I get suggestions for children's stories often. It's just a matter of which ones tickle my fancy so to speak. I will also pitch ideas I have to friends and collaborate with them.

Can you share a positive experience you’ve had in the Kidlit community?

It's hard to choose just one. The people in the Kidlit community are such a good group. Particularly in the SCBWI Northern California. Everyone is encouraging, helpful, supportive, and has a positive attitude. A wonderful group of people.

What is your favorite picture book? 

This is hard one. I love Dr. Seuss, but I think my very favorite is Good Night Moon by  Margaret Wise Brown. I pick this book because I've enjoyed sharing it with my grandchildren over and over again. It's our all-time favorite.

What is something you wish someone had told you when you first started writing?

How addictive it is lol!

You are both self-published and traditionally published. Can you tell us about your experiences with both?

I first started self-publishing in 2010. During this time frame self-publishing was not looked on favorably by the publishing world. But I didn't care. My desire to meet my goals out weighed the opposition. I asked for a lot of help and advice for others. I did months of research. Trial and error became the theme. It was very hard work, but I'm extremely thankful for the knowledge I gained from that experience. 

Traditional publishing is much easier to say the least. An author friend of mine shared with me that her publisher was excepting manuscripts, so I submitted Wonder Wheels and that was the start of a wonderful relationship with MacLaren - Cochrane Publishing. Instead of doing everything myself, I now had to collaborate with the publisher, which was a good thing. It freed up my time more so that I could help promote the book.

Your books are available using a font specifically designed for Dyslexia. Can you tell us more about that?

I didn't know of dyslexic font until I formed a relationship with MacLaren - Cochrane Publishing. It is basically a type set font that enables people with dyslexia to be able to identify the letters easier, which allows them to read better. Here is the link for more information pertaining to this subject. https://www.maclaren-cochranepublishing.com/dyslexic-font-books-info

How did you come to create books designed for readers with Dyslexia?

The Publisher MacLaren - Cochrane publish all of their children's books with the option to purchase in this font. I believe this sets them apart from all other publishers because at this time they are the only publishing company to make this available to the public.

You've also written stories for the Bedtime Stories App. Can you share a bit about that?

That was such a wonderful experience. I love the Bed Time Stories crew.

I was contacted via twitter back in April 2017 by Michael Sokolar, The Founder and CEO of Get Bedtime Stories. He said they had this idea for a new children's AP and wanted to know my opinion. As soon as I read about their vision I was on board. The AP is designed to help parents tell stories to their children, to make the experience more enjoyable and interactive between parent and child. The AP gives age appropriate story worlds to choose from or you can choose to get idea's to make your own story. They now have a story telling course in the AP.  It's FANTASTIC! See for yourself at Getbedtimestories.com or the AP GetBedtimestories in iTunes.

This project proved to be a real challenge.  Each story world has five stories, all of which are connected. My time frame was six weeks. So I had to come up with five connecting stories, and shall I say there were strict word limits due to the AP structure. It's hard enough to come up with one story, much less five, in that amount of time, but I did it. The Secret Treasure Chest Story world came to be. That was my small contribution. I'm so very thankful for the opportunity to participate in this project. I could go on more but I think this is a good stopping point.

What is your newest book? 

A children's picture book titled BUG OFF. 

Peter is full of anticipation for the first day of school. As he looks for the yellow blip of a school bus coming down the street he contemplates how his day will turn out. “What will the other students be like?”  “What will they think of me?”

Overcome by a whirlwind of mixed emotions his legs begin to tremble. A fear of the unknown has set in. Peter whispers, “Will the other students like me?” Peter finds the answers to these questions and discovers that school can be a heavy weight especially when the school bully comes calling. Life would never be the same due to one of the ugliest bugs inching onto the scene and one genuine act of kindness.

What’s up next for you?

I started a middle grade chapter book.

Here is a sneak peek...

Thump thump. Thump thump. Thump thump…

Heart pounding, feeling like it wants to escape the confinement of her chest. The cold from the ground crept through her skin causing goose bumps to rise. A strange smell lingered in the air tickling her nose. It was a familiar smell but she couldn’t quite figure it out. She fluttered her eyes but they wouldn’t open. A breeze rustled some leaves nearby crunch, crunch, as they scattered across the ground. It was a warm breeze that brought comfort. Thoughts of her soft cuddly bed in her room lingered in her mind, “in my room, in my room,” panic set in, realizing that she wasn’t in her room.  She fought with all of her might to open her eyes. The warm breeze was growing ever hotter. She could feel sweat forming on her brow. Finally a glimpse of light filtered through the tiny cracks. Things were all a blur. Gently rubbing her eyes she regained focus. She looked on in amazement, pinching herself to make sure she wasn’t dreaming, as she whispered the words, “What are you?”

Anything else you’d like to share with aspiring authors and illustrators?

Don't give up! Meet a challenge head on! Stay positive!

And last, but not least, favorite 80s movie?

Goonies and Raiders of the Lost Ark


Huge thank you to Shawnie Clark for stopping by Critter Lit today! Congrats on all of your books!


Shawnie Clark, has been writing children's stories since 2010. She's a self-published and traditionally published author, with 10 children's book to date. The most current, BUG OFF, a children's picture book was released in July 2018. She is currently working with MacLaren – Cochrane Publishing. The topics of her books help children to be more aware of issues such as bullying, self esteem, friendships, youth issues, and compassion to name a few. As an energetic storyteller, Shawnie is a local favorite attending many events such as school visits, book fairs, and book stores. She is proficient in writing children's fiction, knowing what it takes to do school visits, along with self-publishing and marketing. Shawnie also had the privilege of writing a series of children’s stories for a new children’s AP called “GetBedtimestories” available to download for free on the Apple AP Store. She is also an active member of SCBWI, a Purple Dragonfly Awards Honoree, and Story Monsters Approved. 

FOR MORE INFORMATION about Shawnie and her work visit her website or follow her on Twitter @Shawnie_Clark.

TO ORDER Shawnie’s books, click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of BUG OFF?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, March 7th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author BJ Lee!

WriteOnCon 2019 Blog Post: Working Full-time as an Author/Illustrator

Authors, Authors + Illustrators, Craft, IllustratorsLindsay Ward7 Comments

Happy Thursday Critters! Earlier this month I had the opportunity to present at WriteOnCon, a wonderful online conference for the Kidlit community. If you don’t know what WriteOnCon is, make sure to check it out next year!

Recently, I’ve been receiving some questions about what it’s like to be a full-time author and illustrator, which oddly enough was the topic of my blog post for WriteOnCon this year. I’ve been making picture books full-time for almost nine years now. There have been many ups and downs. Some years have been fantastic, and others have been scary and awful. (Sorry!) That’s probably not what you want to hear. Okay, let me start again…

Here’s what I know about doing this amazing, terrifying, and creative job that we do as writers and illustrators full-time:

  • If you don’t love it, it’s not going to work. I mean really love it. Like a child. (I don’t say that lightly, I have two kiddos myself). Like children, making books is both exhilarating and exhausting. And you have to be able to roll with that, which isn’t always easy. But, let’s be honest, the best things in life never are.

  • Commit to your craft. Even if you aren’t doing this full-time. Carve out time to be creative, ideally every day (if you can), but whatever time you can dedicate, be consistent with it. Even though I don’t leave my house to work, I still treat it like a job in that I go for a designated time, to a designated space.

  • Your creative space is sacred. Make a space for yourself that you feel completely comfortable in, designated for your craft. A place you can foster creativity. It could be a spare bedroom, a small den, a closet! (If Harry Potter can live in one, you can certainly write in one!) Whatever works for you. But NOT the dining room table or another shared communal space. This space should be just for you and your craft.

  • Respect your craft. Nurture it. Let it flourish. Take care of it.

  • Patience. Patience. Patience. Practice patience every day. You’ll need it. Especially if you are able to make the jump to creating books full-time. Publishing is notoriously slow.

  • Balance. I can’t stress this one enough. I do not believe in working a creative job like a normal, full-time, eight-hour-a-day one. Creativity requires balance. It means taking a break and going for a walk. Or stepping out of your studio to run some errands. Or going for a swim. I’m not talking about procrastination. Think of it more as meditation. I may be going for a walk, but I’m contemplating my work. Mulling it over. Considering all the pieces in order to understand how to put them together.

So here’s what a typical day for me as a full-time author/illustrator looks like:

5:00 a.m.  - Wake up, make coffee, head to my studio.

7:00 a.m. - Get my kiddos up, eat breakfast, get ready for the day (at this point I’ve already worked two hours, uninterrupted by kids and life, which for me, is an incredibly productive and positive way to start the day).

8:00 a.m. - Go for a family walk with my husband (who also works from home), my two kiddos, and our dog. We live in a national park, so walking and hiking is a big part of our day to day and the balance I try to maintain in my workday. 

9:00 a.m. - Come home, put my 15-month-old down for a nap. If it’s not a school day for my three-year-old, then my husband watches him while I go back to work for another two hours.

11:00 a.m. - Make lunch. Take over watching the kiddos while my husband works in his office. I’m done working for the day. I typically only do four hours of creative work a day. It doesn’t sound like much, but I find I’m incredibly productive in those four hours.

The rest of the day is filled with a mix of naps, errands, taking care of stuff around the house, and making dinner.

7:30 p.m. - kiddos are in bed. I tackle emails, play catch-up (writing blog posts like this one), and do some editorial work, either with my husband or on manuscripts submitted through Critter Lit.

Then I get up and do it all over again. This may sound crazy. But somehow we make it work— watching our kids ourselves and working. Don’t get me wrong, there are days where life is nuts in our house, but most days it works. Most days it’s a balancing act. A dance of sorts.

Now, I’m going to tell you this next part to push you. Because the one thing I hear all that time from aspiring writers and illustrators is that they don’t have time to commit to their craft. But here’s the thing…time is what you make it. And if you don’t respect your craft enough to make time for it, then you may as well let it go. You have to believe in the value of your work. No one is going to do it for you.

My plate is full. Like really full. Just like all of you. We are all super busy. In addition to writing and illustrating picture books, I run a small stationery and design business with my mom. Two years ago I decided to start a Critter Lit, offering free critiques, interviews, and advice to up-and-coming writers and illustrators. I have two kiddos under the age of four. We live in a constant state of renovation because my husband and I decided to buy a total fixer-upper. This is my life. I tell you this not to impress you. I tell you because if I can make time, then so can you.

Now go make time for your craft. You totally got this!

Interview with Debut Author Cathy Breisacher

Authors, Debut Interviews, InterviewsLindsay Ward7 Comments

Happy Valentine’s Day Critters! Today we have an interview with debut author Cathy Breisacher, who will release TWO books this year! How awesome is that?! Her first, CAVEKID BIRTHDAY comes out next month with Charlesbridge, and her second CHIP AND CURLY: THE GREAT POTATO RACE, in May with Sleeping Bear Press. So exciting! I love the humor in Cathy’s books and I can’t wait to share her work and writing process with you all today.

So without further ado…please welcome Cathy Breisacher!

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Where do you live?

Thank you so much for having me on your blog!

I live in Pennsylvania in a town called Hollidaysburg, which is located in the South Central part of the state. It is a small town nestled among the beautiful mountains. From my office where I do my writing, I often sit and stare out the windows at the mountains and admire the beauty of it all. 

When did you know you wanted to write picture books?

I have always been fascinated with stories, but I was especially drawn to the magic of picture books when I was in graduate school studying to become an elementary school counselor. At the campus library, there was a room for Education majors filled with picture books. It was wonderful. I would get caught up in the stories (ones that I remembered from my childhood and new ones that I wanted to use in the classroom). I started thinking about how fun it would be to write my own books someday. But, I didn’t actually pursue this idea until several years later. One day, I received a brochure in the mail about a Children’s Book Writing Conference in Chautauqua, New York put on by the Highlights Foundation. I was so intrigued. I had not written any stories up to that point, but I signed up for the weeklong workshop anyway. As a result of being around so many amazing children’s authors, I caught the kidlit bug. While at the workshop, Jane Yolen recommended joining SCBWI. It was an excellent piece of advice, and it was the first thing I did upon returning home. After that, I started attending SCBWI events and trying to learn as much as I could about the craft of writing children’s picture books. 

Tell us about your road to publication, what did that involve for you?

After that event in Chautauqua, I knew I had so much to learn. I was a high school guidance counselor, and my job took up a lot of my time. I usually only wrote during the summer months. Eventually I realized that I wanted to devote more time to writing and trying to get published, so I decided to make a career change. I earned my Master of Library Science degree and switched from the high school guidance job in my district to the elementary librarian job. This move gave me more time to focus on books and, subsequently, my writing.  I also started attending the NJ SCBWI annual conference. It was after my first conference that I landed an agent. A year later, CAVEKID BIRTHDAY sold to Charlesbridge, and a year after that, CHIP AND CURLY sold.  Both books are coming out this spring. I made a lot of mistakes along the way, and I continue to learn. One of the most important things I have learned is the value of making connections. The kid lit community is filled with amazing people who are all willing to help one another. Sharing what we know and being open to learning from others is extremely beneficial and valuable. I also learned that things don’t happen overnight. We all need large amounts of patience and tenacity.  

Can you share a bit about your process?

In my life, I try to be organized. In fact, I spend a lot of time organizing my work duties and things I need to do at home. But interestingly, when it comes to writing, I feel like I am scattered all over the place. I don’t have a normal process that is consistent from one story to the next, or from one day to the next. At any point in time on any given day, I’m jotting down story ideas or adding to a work in progress, or two works in progress, or even three. I may add lines to a couple of different stories, bouncing back and forth between them as inspiration strikes. I often work like this until one of my stories starts to gel and take off. I do this until I can churn out a first draft.  It can take me months to get a first draft on paper. I spend a lot of time letting ideas marinate in my mind to see where they can go before I write things down. But, once I have a first complete draft written, then I focus on that story and revise and revise and revise. I love the revision stage, focusing on each line, each word, the overall story arc, and the page turn effects. The revision part of writing is my favorite part. I feel alive in writing when I have a complete draft that I can mold and shape into something fun to read. 

What do you do to shake the rust off or get new ideas?

Fortunately, the easiest thing for me when it comes to writing is thinking of new ideas. I have notebooks filled with ideas. Now, if I can just find the time to try my hand at each of these ideas to see which ones will take off.  Some of my favorite story ideas sadly don’t come together. After working at them for a while I’ll just save what I’ve written knowing that I can always come back to it if inspiration hits again. There have been stories that I have worked on for too long, knowing that they weren’t working, but hoping to make some magic happen with them. Eventually I will come to that realization and move on to one of my other ideas. But, thankfully I always have more ideas swimming around my brain. 

Anything you can’t live without while you write?

Oh, yes! Diet Pepsi and dark chocolate.  

Any authors and/or illustrators who inspire you?

I love fun, funny, and silly picture books, so the authors I look up to include Mac Barnett, Aaron Reynolds, Jon Klassen, Corey Rosen Schwartz, Kelly DiPucchio, Ame Dyckman, Tammi Sauer, Jory John, and Ryan Higgins. 

Dream project to work on?

I have really enjoyed the process of working on CAVEKID BIRTHDAY with the fabulous team at Charlesbridge and CHIP AND CURLY, THE GREAT POTATO RACE with the talented folks at Sleeping Bear Press. These two projects have seemed like dream projects to me. Everyone at both houses, along with both illustrators – Roland Garrigue and Joshua Henisz – has been incredible. I would enjoy working on a book with either of them again. In the future, I would also look forward to having one of the following folks illustrate a book of mine since I am a huge fan of their art:  Dan Santat, Pierre Collet–Derby, Troy Cummings, Eric Rohmann, Jennifer Harney, etc. But, honestly, there are so many amazing illustrators and I am awe-struck at how art designers know how to choose the perfect illustrator for a story. 

Tell us about your debut book.

CAVEKID BIRTHDAY, illustrated by Roland Garrigue and published by Charlesbridge will come out on March 5, 2019.  In the story, Caveboy and Cavegirl are best friends and do all kinds of cavekid activities together. They also share the same birthday! So, with their birthday approaching, each one decides to get something special for the other. They both have something valuable that they can take to Caveman’s Collectibles to trade, but when it’s time to exchange gifts, they are in for a big surprise. However, these Cavekids are resourceful, so they use their imagination and creativity to come up with a way to have a satisfying and very happy birthday. 

I really hope readers will see how much fun it can be to use their imagination and creativity when they play.  The inspiration for this story came about during Tara Lazar’s PiBoIdMo (now called STORYSTORM) in 2014 when I spotted a clipart image of a caveboy and a cavegirl. I was looking for a way to mash two ideas together in a picture book.  So, at one point I decided to mash the Cavekids with Christmas and I started writing. It didn’t take long before the idea of doing a twist on the Gift of the Magi popped into my head. I have always loved O. Henry’s story about the husband and wife who each take their most treasured possession and sell it to buy a perfect gift for the other one. So I decided to take that premise and have it take place during prehistoric time with Cavekids. After many rounds of revision, the Christmas theme got changed to a Birthday, and the rest of the story flowed from there. 

What’s up next for you?

I have many other stories written and a couple of them are out on submission right now. I’m currently working on two other stories that I’m really excited about. I plan to keep writing fun, silly picture books and I’ll keep my fingers crossed that each one finds a perfect home at a publishing house.

And last, but not least, favorite 80s movie?

Oh my goodness…the 80s is my favorite decade for movies and music. It would be very difficult, if not impossible, for me to choose just one.  So, I’ll pick four (and even narrowing the list to four is a challenge):  Ferris Bueller's Day Off, Dirty Dancing, E.T., and Top Gun. I don’t often watch movies more than once, but I’ve watched each of these movies several times. I enjoy many types of movies - funny, romantic, sweet, and dramatic. Just like books, my favorite movies have characters that are memorable, and a story line that stays with me long after I’ve watched it. 


Huge thank you to Cathy Breisacher for stopping by Critter Lit today! We can’t wait to see your wonderful books out in the world this year! Congrats!


Cathy Breisacher is the author of the following spring releases: CAVEKID BIRTHDAY (Charlesbridge, - March 5, 2019) and CHIP AND CURLY - THE GREAT POTATO RACE (Sleeping Bear Press - May 15, 2019). She is also an elementary school librarian and former high school guidance counselor. Her passion is to write fun, silly, humorous picture books that will put a smile on kids’ faces. When she is not working or writing, she enjoys reading, traveling, and spending time with her family and friends. She loves all kinds of parks – national parks, theme parks, and Central Park – and is happy when she gets a chance to visit any of these. Cathy lives in central Pennsylvania with her husband.

FOR MORE INFORMATION about Cathy and her work visit her website: www.cathybreisacher.com or follow her on Twitter @CathyBreisacher.

TO PRE-ORDER Cathy’s books, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of CAVEKID BIRTHDAY?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, February 21st! US addresses only please.

Interview with Debut Author Lindsay Leslie

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Welcome back! It’s 2019 and I am so excited about all the interviews we have lined up on Critter Lit this year. We are kicking off the year with a debut author whose book, which comes out next month, has the best title of the year…I’m callin’ it! I can’t wait for you all to check out THIS BOOK IS SPINELESS (great title right? Told ya!)

So without further ado…please welcome Lindsay Leslie!

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Where do you live?

I live in the great city of Austin, Texas! Trying to keep it weird over here. (The city’s motto is Keep Austin Weird, in case you all don’t know.)

When did you know you wanted to write picture books?

Not too long ago. I can be a bit slow about understanding what should be my path, and what works for my personality and my talents, but I get there in a very roundabout way. It was toward the end of 2014 when I connected the dots between my ability and love of writing, my love for being creative in some form or fashion, and my adoration of children and how they see the world. The idea smacked me in the face one evening when I was riffing a.k.a. making up a story on the fly to my son. After I said “the end,” I picked up a picture book off his floor and that’s when the smack happened. Helllooooo, Lindsay! You should write for children!!!

Tell us about your road to publication, what did that involve for you?

It involved study of the form and finding out where I needed to be in terms of children’s literature. I started out writing chapter books. I have a series I created based on the stories I made up and told my kids at their nightly bedtime tuck-ins. I have since put those in my electronic drawer to simmer. I moved on to picture books and felt that I connected with the challenge and the focus of creating a story that packs a punch but in very few words. I became obsessed with finding the right words and playing with rhythm and pacing. I also tried out a middle grade novel and became a bit exhausted. It was a lot. I haven’t given up, but for now, it’s in my electronic drawer of goodies.

So, I kept my mind focused on picture books. I wrote and created as much as I could and I learned from those before me. The amount of fantastic knowledge and how it’s given so willingly has always been overwhelming to me. I often think about how I can pay that forward. Anyway, I soaked in all I could and read so many picture books. I also joined supportive children’s literature groups with vaults of knowledge, including SCBWI Austin and 12x12. Also, I found a bunch of wonderful writers who wanted to form a writing group. We lean on each other for everything.

When I was ready to find an agent, I turned to querying traditionally and was a BIG FAN of all the various contests and pitch events on Twitter that seek to connect writers and illustrators with agents and editors. It’s a great way to get immediate feedback on queries and concepts. Back in March 2017, I decided to participate in #pitmad on Twitter, which is a huge pitch event covering all genres--everything and anything. I’ve participated in #pitmad a couple of times, and I’ve always wondered whether picture books get lost in the scrolling madness of YA and adult novels. I’m glad I didn’t give up. I pitched four of my picture book manuscripts, and I only got one “favorite” that day. But, it was the only one I needed. That favorite came from Kristen Nobles, children’s publisher with Page Street Kids. A month and a half later, I received an email from Associate Editor Charlotte Wenger at Page Street requesting an R&R (revise and resubmit). I worked with Charlotte back and forth for the next month and a half to see if I could shape THIS BOOK IS SPINELESS into a picture book Page Street Kids would want to publish. And it worked! I received an offer directly from Page Street.

With an offer in hand, I was referred to Red Fox Literary via a literary connection and connected to Stephanie Fretwell-Hill, who offered representation. 

Can you share a bit about your process?

Oh, it’s a silly process without much science behind it, but it works for me! And, isn’t that what it comes down to? What works for you. So, I wait for my muse. I wait for an idea to pole vault into my noggin’ and if I’m paying attention, I’ll stop in my tracks and have to write down the idea. I’ve got a long running list of those ideas in my phone. Then I pay attention (there’s a lot of that) to the idea that keeps marching in a very belligerent manner through my mind. The idea that just won’t give up. If an idea is doing that, I know I have to explore it on the page. 

Next, I write the horrible first draft, or at least I try to allow myself to do that. Sometimes I can be such an over-editor at the beginning. I let that horrible first draft, or how ever many words I’m able to get down, sit. And, I let it sit for as long as it needs … until it calls me back. Then I go back to it and rewrite or complete the draft. I’d say I do this over and over again until I feel it’s ready for extra eyeballs, and those would be the eyeballs of my trusted critique partners. I make sure to run my work by quite a few people and see what the common pain points are—what’s working, what’s not. I edit and edit and edit, and then I pass it on to my agent. Then I edit and edit and edit. This line of business and creative works takes a lot of patience. By that, I mean patience for yourself.

What do you do to shake the rust off or get new ideas?

I don’t have one prescribed thing I do besides give myself time. I don’t berate myself for not being at the keyboard knocking out new stories all the time or editing, editing, editing every day. I do cheer myself on when I am able to do the work, when I am inspired by an idea, and when I make any forward progress. I acknowledged and keep chugging forward. It takes a lot of listening to yourself and a lot of patience. 

But when I really throw a brain cell at what I’m doing during those idea-creating moments, I can nail down two ways I come up with ideas: creating associations and active sensing.

  1. Creating associations: I let my mind wander and investigate topics I love and that intrigue me. I love asking what-if questions and I make sure I don’t edit my mind and direct its creative investigation. I just keep letting it think and go, even if it goes in a weird direction. And it almost always does. THIS BOOK IS SPINELESS was definitely born from one of those associative moments—an idea that came forward from stepping on my son’s picture book and the ideas that sprang forward from my childhood experiences with anxiety.

  2. Active sensing: I say active sensing, but it’s a living-in-the-moment-and-being-present thing. I actively observe with all of my senses. The two senses I lean on most: listening and looking. Yes, really listen to your kids when they talk about Pokemon, because it may give you an idea that ends up in a book deal (a.k.a. my next picture book NOVA THE STAR EATER). Yes, do some people watching. I get so much quality material watching people go about their daily lives. One of the best places for material, the school cafeteria. Watching how the children interact with each other and hearing some of their conversations. It’s a creative gold mine!

Anything you can’t live without while you write?

Not really, no. OK, I’m kind of lying. I do love to break for a snack or lunch. It’s kind of something I look forward to. I love food. Oh, I do. But while I’m writing? Hmmm...I need my desktop computer or laptop. But I can be anywhere. I don’t have to be at a certain place or have a certain desk or chair. When I’m focused, I’m way focused. Maybe too much. I can have background noise, music, or not. Kids screaming around me or not. I’m very laid back and flexible that way. What I can’t be without is a great idea that takes me to that story in my mind where I can’t be distracted and I want to stay and play.

Any authors and/or illustrators who inspire you?

How long is this blog? I could go for days on this. I’ve been inspired by so many. I’ll stick with the authors who shaped me as a kiddo … Judy Blume, Roald Dahl, Beverly Cleary. The trifecta. These authors were my childhood. Hands down. I feel they are a combo of relatable and quirky. That’s where I like to be with my writing. 

Dream project to work on?

Each project I’ve done has been a dream, so don’t wake me up. And, it’s been dreamy to work hand-in-hand with my editor, Charlotte Wenger at Page Street Kids. I trust her feedback implicitly. We seem to really get each other and have a fantastic creative/working relationship. 

Someday, I would like to finish that middle grade novel. That’s my carrot I’m chasing. It’s an odd, quirky thing, and a hard one to write. I was told it would be really difficult to do, but to me that sounds like a challenge, and I love a challenge. One way to get me to accomplish a goal is to tell me I can’t do it. 

Tell us about your debut book.

Oh, THIS BOOK IS SPINELESS …  and wary … and absolutely unadventurous, and is freaking out about what story might be on its pages. The book takes the reader on a journey of its fears, navigating the book’s possible contents together. With each page turn, the book becomes a bit braver. The book is multi-layered and incorporates the five senses, multiple literary genres, and various book parts. Ultimately, the relationship between book and reader brings everything together.

I’m so glad it’s my debut picture book. I’ve battled with anxiety for the majority of my life, so I’m well-versed in what anxiety feels like and how these emotions can get the best of us. This sweet, anxious book mimics what we all feel when anxiety comes rushing in. That heightened state and then the slow realization that we aren’t in immediate danger and we aren’t alone, so the calming begins. 

What’s up next for you?

Lots! THIS BOOK IS SPINELESS hits the shelves on Feb. 19, and I’m looking forward to the book launch at BookPeople in Austin on Feb. 23 (at 2 p.m.!) and celebrating with everyone. On May 21, I will usher in my next book, NOVA THE STAR EATER (Page Street Kids), illustrated by John Taesoo Kim. Then, in summer 2020, WANTED: DUSK RAIDERS (Page Street Kids) will release. In the meantime, I keep creating and having a blast connecting with the wonderful folks of the kidlit world! Also, keep an eye out for the debut picture book authors and author/illustrators of New In Nineteen. There’s so much unbelievable talent in that group. Check out the website at www.newin19.weebly.com

And last, but not least, favorite 80s movie?

Girls Just Wanna Have Fun! 


Thanks so much for stopping by Critter Lit today Lindsay! We can’t wait to see your fantastic books out in the world!


A diary keeper, a journalism major, a public relations executive, a children’s author—Lindsay Leslie has always operated in a world of written words. Her debut picture book, THIS BOOK IS SPINELESS (Page Street Kids/illustrated by Alice Brereton), releases on Feb. 19, 2019. Her blog A Book and a Pie reviews picture books and pairs them with fitting pie recipes. Lindsay lives with her husband, two young boys, and two fur-beasts in Austin.

FOR MORE INFORMATION about Lindsay and her work visit her website: lindsayleslie.com or follow her on Twitter @lleslie | Instagram @lindsaylesliewrites

TO ORDER Lindsay’s debut book, ring up your local bookstore, or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of THIS BOOK IS SPINELESS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, January 24th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Meera Sriram!

Interview with Author Tricia Springstubb

Authors, Interviews, Vet InterviewsLindsay WardComment

Happy Thursday Critters! I’m so excited for today’s interview because it’s with none other than the fabulously talented Tricia Springstubb, who also happens to be a friend of mine and fellow local author here in the Cleveland area. Tricia writes early chapter books, middle grade, and picture books—she’s a triple threat! Many of you may know her from her latest series, the CODY books, which are wonderful! Here at my house, we are big fans of PHOEBE AND THE DIGGER. Her writing is lovely, insightful, and powerful. I’m honored to share her work with you today and give you all a sneak peek at her process.

So without further ado, please welcome Tricia Springstubb!

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Where do you live?

I live in Cleveland Heights with my husband, my garden and Billy the cat. We have three grown daughters and here’s how lucky we are--our two grandbabies live a bicycle ride away. 

How many years have you been in publishing?

I’ve been publishing since prehistoric times.  

Do you write full-time?

Yes--I told you I’m lucky! 

What inspires you to create books for children?

Children are the world’s most passionate readers—no one believes in and cares about story more deeply than they do. The world is still so new for them, and their hearts are wide open. I feel privileged to write for them. 

What surprised you the most working as an author?

That children treat you like a rock star!

What is your favorite thing about being an author?

I still get the craziest thrill when I find one of my books on a library or bookstore shelf. 

Also, I love working with illustrators. I’ve been so lucky (lucky!) to have many talented, visionary artists do the covers and spot art for my novels. The illustrators for my picture books and chapter books make the whole much greater than the sum of its parts. I’m always so excited getting those first sketches. You feel you know your story inside out, and then you see it through the artist’s eyes and it takes on a whole new, rich dimension.  

What do you find difficult working as an author?

When I’ve lost my way and know that I need to go back in for a major revision or possibly even start over from scratch. There’s a certain relief in scrapping something you know isn’t working, but it’s also hard to let go of all those weeks and months of writing.  

Anything you are habitual about when it comes to creativity?

I always write in the morning, when I’m closest to my dreams and before the world has a chance to make me cranky. After I finish, I go for a long walk or, in summer, a swim. Almost always I get another idea or two, or untangle some knot in the plot-- I make sure to carry pen and notebook in my pocket or swim bag! 

 Can you share a positive experience you’ve had in the kid lit community?

Kid lit has always been a warm and generous community, and it’s getting even better. Social media has allowed us to come together over so many wonderful causes. Just in the last few months, I’ve been part of #kidsneedbooks, where we donate books to teachers who need them for classroom libraries, and #kidsneedmentors, where we’re partnering with teachers and students to encourage writing and creativity of all kinds.  

What is your favorite picture book?

Yesterday I’d have said Sylvester and the Magic Pebble by William Steig. Today I’ll say Madeline by Ludwig Bemelmans. Tomorrow I might say Big Red Barn by Margaret Wise Brown. Can you tell I’m re-visiting the classics with my grandbabies? I couldn’t even begin to choose among contemporary picture books—one after another, they are breaking new ground in text and art. Breath-taking!  

What is something you wish someone had told you when you first started writing?

What a slow, slow writer I am, and how there seems to be no help for it. I try to tell myself that I’m creating something that never existed before, something I hope will last for a long time—but I still wish I didn’t have to go through a zillion drafts every time!!! (Maybe it’s better that I didn’t know all this when I first started.) 

Tell us about your most recent book?

This past spring, the fourth and last book in my Cody series published. Cody and the Heart of a Champion rounds out a year in the life of Cody, her family, her neighbors and friends. The books are inspired by my own diverse, lively, Cleveland neighborhood. They’re about the things that loom big in kids’ lives: whether the teacher likes you; how to do the right thing even when it’s really hard; not being good at soccer. Every few pages there’s an illustration by the genius Eliza Wheeler, who gives the characters and settings the perfect comic and sweet (but never too sweet) touch. 

What’s up next for you?

I’m revising a new middle grade novel of which I must not yet speak, and looking forward to my new picture book, Khalil and Mr. Hagerty. Candlewick will publish it in 2020. It’s inspired both by my late grandfather and by an Iraqi refugee family with whom my family has become close friends. The illustrator is Elaheh Taherian and you really, really want to look up her work right now at elahehtaherian.com

And last, but not least, favorite 80s movie?

In the 80s we were raising our three kids and I swear we didn’t go to the movies more than twice the whole decade. I remember loving Tootsie but I’m not sure if that’s because it was good or I was so happy to get out of the house. I pretend to have seen The Goonies even though (ssh) I really haven’t.


Huge thank you to Tricia Springstubb for stopping by Critter Lit to chat today! We can’t wait to see all of your upcoming books!


Tricia has been publishing picture books, chapter books and middle grade novels for over thirty years. Her work has received many starred reviews and appeared on numerous Best of the Year lists. Her books have won the Parents Choice Silver Award and the Ohioana Award for Children’s Literature, been nominated for state reading awards, and been chosen by the Junior Library Guild. She is a frequent speaker at schools, libraries and conferences.

FOR MORE INFORMATION about Tricia and her work visit her website: triciaspringstubb.com or follow her on Twitter @springstubb.

TO ORDER a copy of any of Tricia’s wonderful books, ring up your local bookstore, or click here.


BOOK GIVEAWAY!

Want a chance to win a copy of CODY AND THE FOUNTAIN OF HAPPINESS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, December 6th! US addresses only please.

What's up on deck? Tune in next week for a Critter Lit Interview with debut author Hannah Holt!

Book Reviews: the Good, the Bad, and the Ugly.

Authors + Illustrators, Authors, CraftLindsay Ward1 Comment

Happy Thursday Critters! Today’s post is all about handling reviews: the good, the bad, and the ugly. After almost ten years in this business, I’ve received them all. Glowing reviews, a starred review, bad reviews, and reviews that ripped my heart out. And I’ve learned something from all of them. Even the really bad ones.

Obviously, the glowing ones are fantastic. They give you confidence to keep creating and putting your work out there. Readers are connecting! It’s a wonderful feeling. But the bad ones…well those can leave you feeling angry, misunderstood, defensive, and make you want to crawl into a hole. I say that having felt that way myself. But here’s the thing— not everyone will love your work. And that’s okay. Truly. I took me a long time to understand this, and it’s something I wish I had known earlier in my career. If you created something that everyone loved, I’m not sure if it would really speak to the quality of the work, right? I mean, the point of storytelling is to spark a connection with your reader. That may not be every reader. And again, that’s okay.

So here are my tips for handling reviews, whether you’ve been doing this for a while or your first book is about to come out:

  1. Be proud of the creativity you put forth.

    Be proud of what you’ve done. You’ve published a book! That’s a tremendous accomplishment. Before I send in anything, whether it’s a manuscript draft, dummy, or finished art, I always ask myself if I’m proud of what I’ve done. If the answer is yes, I send it. If I’m hesitant, then I still have things to work out. Know that once your book has come out, you were at one point incredibly proud of what you’ve done. Hold onto that as reviews begin to come in.

  2. Decide if you are going to read your reviews. Then commit to that decision.

    I have friends who refuse to read their reviews. They have no interest in reading about someone else dissecting the work they’ve created. They know what they did, they don’t need to read about it. That’s one way to handle reviews. But if you are anything like me, then you can’t help but read them. You want to know. Do you people love it? Do they hate it? Either way, commit to how you want to handle reviews. Read them or not. But once you make that decision, stick to it. Don’t second guess yourself. If you choose to read them, see my next tip. (Also, please note, I don’t mean read every single one…that’s not a good idea. Online consumer reviews, for example, can be especially frustrating. Specifically when someone gives you a one star review because they can’t figure out how to read the e-book version on their tablet…seriously.)

  3. Take every review with a grain of salt.

    When reading reviews of your work, take them with a grain of salt. Constructive criticism can be great, it can push you to develop your craft further. Find what you connect with and leave the rest. At the end of the day, it’s your work and you have to be confident in what you’re doing. I can honestly say I’ve learned something from all the reviews I’ve ever read about my work. The great ones gave me a boost of confidence to try new things. And in a weird way, so did the bad ones. Those are the ones that taught me to get back to work and keep creating. Being kicked off the horse every once in the while is not a bad thing. It forces you to grow and really consider your work. Which leads to my next tip…

  4. Push yourself.

    How can these comments, good or bad, help you grow? I look at each book as another chance to push myself. To try something new. To stretch myself in a new direction.

  5. Keep creating.

    This is the most important thing. Don’t stop creating. Certainly not because of a bad review. Keep writing. Keep drawing. Keep putting yourself out there. You are capable of wonderfully creative endeavors.

Until next time,

Happy Creating!

Lindsay

Fighting the Writing

Craft, Authors, Authors + IllustratorsLindsay WardComment

Happy Thursday Critters! Today’s craft post is all about fighting the writing.

Being Type-A, I work around a pretty structured schedule, it’s the only way I can get anything done—and I stay pretty busy between all of the plates I’m spinning on any given day. That being said, there are days, more than I would like to admit, where getting words on the page is like pulling teeth. I sit, staring at the computer screen, waiting for something brilliant to come to me, which to be honest, never does when I try to force it. The cursor blinks at me, laughing. Or so it feels…

So how do you pull yourself out of that? How do you sit down and write when it’s the last thing you want to do? The answer is pretty simple, but you’re not going to like it: YOU JUST HAVE TO WRITE THROUGH IT. Write through the fog and the self-doubt and the fear. I’m a firm believer that you have to write a bunch of crap to get to the good stuff. I wish there was a more eloquent way to say that, but I’m sorry, there’s just not. The muse is fleeting and unpredictable, but when she shows up everything suddenly clicks into place and the magic starts to happen. Getting there…well, sometimes it’s hell.

I make the mistake of self-editing while I write. I want it to be perfect the first time I do it, which as anyone who writes knows, is just ridiculous! Writing is revision and inspection and constant consideration. We write because we have too. You wouldn’t put yourself through the agony of it all if you didn’t absolutely have to do it. If it wasn’t apart of who you are, right? Otherwise, you would be miserable constantly.

For me the trick is consistency. Make a commitment to your craft. Do it every day, in some form or another. Now, I say that because I’m not someone who physically writes every day. I tend to be very cerebral with how I work. I used to beat myself up over that, feeling as though I wasn’t writing enough. Conceptually, most of the framework for my books happens in thought, not with actual pen and paper. But I make time for contemplating my work every day, usually on walks with our dog. And when I say contemplating, I don’t mean procrastinating. I mean actual problem-solving. I generally only sit down to write and/or sketch when I feel ready (unless I’m trying to force it, as previously mentioned, which is never a good idea). Sometimes that’s days…months…or years (WHEN BLUE MET EGG is a perfect example of years).

Creatively, everyone works differently. Each manuscript is its own challenge and will require flexibility in variation from you. So don’t do that thing where you go on Twitter and you read about fabulous book deals while your blank document glares at you with its oppressively, blinding light. That certainly won’t help you get to the good stuff. Nor will it inspire you. As much as I love how connective and supportive social media can be, it can also be incredibly distracting and isolating. You have to learn to tune out the white noise. Which I realize is a lot easier said than done. Whether that white noise is you, your peers, or the internet, find a way to unplug and focus on the work.

So now that I’ve told you to make a commitment to your craft, I’m also going to tell you to take a break from it. Often. Creative work, and life for that matter, is all about balance. But it’s really easy to throw yourself off balance and continue stumbling around without even realizing it’s happening. So make time to get away. Experience the world. See new things. Spend time with loved ones. Read a book! Whether it’s for a ten-minute walk or month-long vacation, just step away. I can’t stress the importance of getting out of your own head and re-charging enough.

I’m a list person. They give me a sense of control and accomplishment in my busy life. Which, I know, sounds silly, but it’s oh so true. So I’m going to suggest this: write down your commitments. Your commitment to your craft and to taking a break. How much time will you allow yourself for both? Make a note of that. Then try to stick with it. I find that writing it down makes it more important and real. Preferably in a place where you can see it, first thing, every day.

I know how easy it is for life to get in the way. Day jobs, relationships, kids— they all require precious amounts of your time. But if you are really serious about writing (and/or illustrating) you have to make time for it amidst everything else. Because you have to. It’s what you are passionate about, right?

So go out there and write some good stuff!

Until next time…

Happy Writing!

Lindsay


What’s up on deck? Tune in next week for an interview with author/illustrator and art director at Simon & Schuster Books for Young Readers, Lucy Ruth Cummins!

A Bad Case of the Hypotheticals

Authors + Illustrators, publishingLindsay WardComment

They'll always be a reason not to do the work. Not to write. Not to draw. Not to read. Trust me, I get it. With two boys under the age of 3, my stack of books to be read is epic. I feel like there is never enough time in the day and I find myself wishing I could do more of a lot of things. But the trick is to make it count, right?

I happen to work some unusual hours seeing as my husband and I both work from home and we've decided to stay at home with our boys, splitting work shifts while the other watches the kids. It's a bit crazy, and every day is different, but it works for us. My first two hours of work happen first thing, from 5-7am. And I have to make them count. If there's one thing having kids taught me it's that procrastination is simply NOT an option. I literally don't have time to waste time because at the end of those first two hours, my eight-month-old will want to eat, and he doesn't really care that I need five more minutes to finish up. Or that I didn't accomplish everything I wanted to because I spent the first hour wasting time online.

So how do we make time to get the work done? Create books? Write? Draw? Read? If you're just starting out, unpublished, and trying to get your foot in the door, you probably have a day job. So there goes a vast amount of time you could be dedicating to your writing or drawing. The good news is, that day job can actually help you tremendously. I haven't had a day job for a long time now, but I did when I first started out. Before I was published, I worked at a children's book store in Brookline, Massachusetts. (Shout out to Terri and The Children's Book Shop!) It was a great experience and I learned a ton about the picture book market. I had the chance to read the latest books and see what contemporary authors and illustrators were doing in the business. It also got me out of my own head sometimes, which as a creative, can be imperative.

I worked five days a week, then I'd go home, eat dinner, and sit down in my make-shift studio space, and work again. But this time on writing or illustrations for my portfolio. I spent three years sending out postcard mailers, every three months, to any art director whose address I could find. Years went by and I never heard anything. It was a tough time, filled with a lot of self-doubt and a bad case of the hypotheticals.

It's really easy to get caught up in playing out all the scenarios that can happen. I'm super type A, which means I generally overthink things to death. As I sat at my drawing table night after night, I would obsess over getting published, breaking through, or meeting the right art director who'd finally give me a shot. Here's the thing though-- I had to give myself a shot first. If I didn't believe I was talented enough to publish a book, then how could I expect anyone else to?

Unfortunately, the kidlit industry, is a one in a million. Literally. Not everyone gets to do this. So many things have to line up. It's like fate. Or a romantic comedy (although at times it feels like a tragedy). But at the end of the day, you either do the work or you don't. All the stars could align and you finally get your shot, but if you don't have the work done and haven't put in the time, it won't matter, and the opportunity will pass you by. It's easy to say you'll get around to it someday. But let's be honest, you won't. You have to make time for your craft. Ideally everyday, and if not everyday, regularly in a schedule that works for you. Even if it's just an hour a week you carve out for yourself to write or draw, take it! It's a start, and hopefully that one hour will become important enough to you, that you'll make time for another hour, and another hour, until you find you've created enough time for yourself to follow your dream and really make a go of it.

I tend to get caught up in the hypotheticals particularly when I'm in the midst of a submission. After all this time, I still do it, even though I know better. I worry over if anyone will like my work or the dummy I've spent months fine tuning. Will it sell? Will it ever see the light of day? Or will it just end up in a drawer? If it does sell, who will buy it? Will I be working with a new publisher? Which then brings on a whole new list of worries: Will we work well together? Will our visions for the book align? The list goes on and on. Thus, a bad case of the hypotheticals.

But none of that really matters at the end of the day. Because it's about the work. Once it's out there, you've done your job. And whatever the result, you have to be okay with that. Trust what you've put out there. And if it's not that one that makes it, try again. And again. And again. This industry is a numbers game. Be your biggest advocate. Pick yourself up and keep going.

Even now, I'm still not used to rejections. I think it's safe to say that none of us are. But with each one, you can get a bit tougher, a bit stronger. Be open minded. Listen to constructive criticism about your work, and then discard the stuff that doesn't resonate with you. I find that the criticism that I get the most upset over, or react the strongest to, is usually the one thing I need to address. At the end of the day it's your work, and you have to do what feels right for you and your book.

Ideally, when I go out on a submission, I always want to sell the book, obviously. I try not to worry about how I will feel if it doesn't sell. Which is tough, because I've put months of work into something that may never make it on a book shelf. I recently went out on submission with a new project, that I knew was a long shot, considering the concept. But it made me laugh every time I worked on it, so I wanted to try it out in the marketplace. Unfortunately, although I had a lot of editors think it was funny too, it ultimately wasn't the right fit for anyone. And that's okay. I can't control what other people think about my work. Nor can you. But you have to keep trying.

So I still get up every morning and do the work. I write about what I think is funny. Or what my hilarious (I know, I'm biased) two-year-old said the other day. And I keep going. Because I love this job. It truly is the best job in the world.

So keep going. Keep writing. Keep drawing. And keep those hypotheticals at bay. Get up each day, and put in the time. Because dreams need nourishment and only you can provide that for yourself.

Create What You Love. And Do It Everyday.

publishing, Illustrators, Authors + Illustrators, AuthorsLindsay WardComment

Create what you love. And do it every day.

At 31 this is what I would have told my 24-year-old self when I started in publishing.

It sounds relatively simple right? Wrong. Or at least, that’s how it was for me. Specifically the do it everyday part. I didn’t keep a sketch book. I didn’t write everyday. I didn’t think about new ideas all the time. I’d come up with a book idea. Write it. Make a dummy. And pitch it. If it sold, I’d make said book. Exert a serious amount of energy and then feel like I needed a three month vacation. And then repeat the whole thing all over again for the next book. Which isn’t exactly wrong. The problem was that I was treating my book career like a hobby. A career is not something you do occasionally. It’s something you invest your time in everyday. And I love my job. So why wasn’t I investing my time?

For me it was easy to step back and say I deserved a break after completing a book. It takes a lot of work! But I found when I looked at it like this, it started to feel like a burden. And writing and illustrating is not a burden, it’s a privilege. Truly. So I realized it was time for a radical change. Which is funny because 2016 was insanely full of them for me and my family, so why not add one more?

This past August we sold our house, bought a new one (but not without being transient for three months at my parents and in-laws with a baby and dog in tow). Renovated the new house because it was a total disaster. Moved in two days before Christmas and basically reinvented our whole work schedule. It was a massive overhaul. And it changed everything in the most difficult and best way possible.

So…

It’s 6:19am right now and I’ve already been up for an hour and half. 

This is what I do everyday now. Including Saturdays and Sundays. Which today is Saturday. I wake up at 5am and work for a solid four hours before most people start their work day. And I do it seven days a week. I know what you’re thinking…I can’t do that. I can’t wake up that early. I’m too busy. (I know this because those are all the things I said when my brilliant husband suggested this to me.) He told me that in an average work day, people are only truly productive for four hours, which is crazy considering most people work a job from 9-5 everyday. So why couldn’t that work for me? It would certainly allow me to be a mom and take care of my home and family in a much more efficient way than I was already, let’s be honest, struggling to do.

It’s all about commitment to craft. Do you love to create? Great. Do you love creating so much that you would get up and do it at 5am? Because that’s what it takes. Everyday. Even if you have another job. I’m not saying you have wake up at 5am like I do, but you do have to be committed to making time for your craft each and everyday. I picked 5am because I like feeling like I’ve already worked a solid block of time before the day has really started, that and I have a 18-month-old son. This is the schedule that works for me and my family. You have to find what works for you.

Because here’s the thing - if you keep waiting for extra time to come along for you to create your next idea, it won’t. Time doesn’t give a crap about you or the millions of things you have to get done everyday. Now, don’t get me wrong, there are plenty of mornings I get up and everything I write is terrible and my drawings are awful. But I still keep going. I push to get through those four hours even if it’s killing me.

Here’s what a typical morning looks like:

5am: Roll out of bed, which is difficult every morning. I don’t think that will ever change. Especially when my dog (a mid-sized portable heater) snuggles next to me. She is not supportive of my early morning drive.

5:05am: COFFEE.

5:10am: Some sort of stretch or repetition of ten to get blood flowing. My hands are stiff in the morning. And my brain is fuzzy. This helps. Seriously. I know it sounds silly, but it works.

5:10-6am: Draw. Anything. As much as I can. Whatever pops into my head. I use Japanese PiGMA pens and whiteout for corrections. I started using this method for a few reasons. I generally stay away from black ink in my work, it always feels too harsh or heavy. I tend to prefer grey or navy ink or a simple pencil line. But my goal is to make intentional lines, no second-guessing myself, and pencil encourages hesitation. The more I used the black ink, the more confident I became in the lines I was making. Going directly to ink, rather than creating a pencil sketch first, pushes me to be decisive with my line. Now, of course, I still make plenty of bad lines and change my mind about the drawing as it comes together - thus the whiteout. But I find that my morning sketches have a way of maintaining the integrity of the line I intended because I haven’t sketched, used a light table to transfer, and then created the finish. The first drawing is the finished drawing.

6am: Then I post one of my morning sketches. This is a relatively new thing. I’m horrible at social media. But I found that posting a drawing everyday makes me feel accountable to something. Like if I miss a day, everyone will know. Which isn’t really the point, the drawing is for me, but thinking this way is encouraging. Keep drawing. Keep creating.

6am-7am: Write. I allocate a solid hour to NEW creative writing every morning. Not editing. Not a book I’m currently under contract for. But new ideas. This part is really difficult for me. I tend to self edit a lot as I write. I work on just getting words on the page in this hour. The computer I write with doesn’t have access to internet intentionally. The internet is a time succubus that doesn’t care about the creative work you need to do, so ignore it.

7am-9am: This is when I do the work I’m contractually accountable for, like new books or illustration jobs. Currently, I’m working on finishes for my new book, DON'T FORGET DEXTER.

9am: I walk out of my bat cave and see my little man. This is my favorite part. Because this is the part where I actually feel like I’m devoting time to my craft and my family. I don’t feel torn between carving out time during the day to work or play with my son. This schedule allows me to do both and feel good about my use of time.

The rest of the day is spent working during the time my son is napping. Before I did the 5am wake-up, I’d get really stressed out because I could only work during his naps. Sometimes he would wake up early, sometimes he wouldn’t sleep at all. I couldn’t focus. And it felt like I wasn’t able to get anything done because of constant interruptions. But now, by the time he’s up, I’ve already worked four hours, so anything else I’m able to accomplish is a bonus.

Then at some point, I take a walk with my family, to reboot and think about new ideas.

Now obviously, everyone’s schedule is different. People have day jobs, kids, and a million other responsibilities. And I’m not suggesting to all of you that this is what you have to do to be successful with your craft. All I can tell you is that this is how I feel successful on my own terms, without external pressures telling me otherwise.

*Also, in case you’re wondering, my husband is self-employed and works from home too. Which means I have to make those four hours count. I have to hustle. We both do. There is no day job income to fall back on for us. This is the price we pay for the freedom to create and spend time with our son everyday.

If you get anything at all out of this post, I hope it’s this: don’t waste time waiting around for the perfect moment to create because it will never come.

You have to make time for what you love.

Happy writing!

Lindsay