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Interview with Debut Author and Illustrator Becky Gehrisch

Authors + Illustrators, Debut InterviewsLindsay WardComment

Happy Tuesday Critters! This week we have TWO fabulous interviews. Today we have a debut author and illustrator whose book, ESCAPE TO PLAY, released with Bookling Media in 2021. I’m thrilled to have her with us today to talk about her books, creative process, and upcoming projects.

So without further ado, please welcome Becky Gehrisch!

Where do you live?

I live in Delaware, Ohio. It is a picturesque Midwestern small town where I have found an abundance of inspiration for my art!

When did you know you wanted to write/illustrate picture books?

The interest has been stronger at some points in my life than others. When I was thirteen, I participated in a written and illustrated program, creating a picture book for competition. In my book jacket flap about the author, I wrote that I was considering writing and illustrating picture books as a career! It is funny now how it has come full circle!

In high school I focused on marching band and playing the clarinet, but art came back into my life at The Ohio State University. There, I fell in love with fine art and especially illustration and art history. I graduated with an art degree but didn’t quite know what I would do with it. After graduation, and moving to Delaware, Ohio, I began to paint for myself instead of for an assignment. I gave myself permission to create a silly, whimsical illustration of my dogs in the bathtub. That was the beginning of my debut picture book, Escape to Play

Tell us about your road to publication, what did that involve for you?

After completing that silly painting of my dogs, I made another, then another. I felt this could be a great idea for a picture book. However, I needed to learn how the publishing industry worked to make that dream come true. 

I spent years learning from industry experts, authors, and illustrators in the Central and Southern Ohio chapter of The Society of Children’s Book Writers and Illustrators (scbwi.com). In addition, I frequented Twitter writing communities, submitting to critiques, and creating multiple picture book manuscripts. All the while, I continued to prune and polish what would become Escape to Play.

Can you share a bit about your process?

Escape to Play was unique, in that, as my first picture book, I learned a great deal in the process. Ideally, my process is to create a manuscript and then add the illustrations. With my first book, I created some illustrations and then put to words, in poetry, the perspective of three rowdy dogs and their adventure on the farm. 

My acrylic paintings began as an idea. From scratch I would lay out a perspective drawing, adding in elements for the scene- a tractor, a truck, a piano, and a lake. I then built the rest of the world. Adding layer upon layer of acrylic, each painting took roughly 40 hours to create. It was a very long project, but I loved almost every minute!

When I was studying Renaissance art history, I found it fascinating how artists used the triangle in their compositions. With three dogs as my subjects, I placed them on the page to mirror this design dynamic. Other objects in the same illustration are used similarly to pattern the triangle shape.

Interior art from ESCAPE TO PLAY written and illustrated by Becky Gehrisch, published by Bookling Media

What do you do to shake the rust off or get new ideas?

I can always rely on nature to bring inspiration! A breath of fresh air, a walk in the woods, or even relaxing on the front porch will rejuvenate my creativity. In addition, music is my immediate go-to for a pick-me-up. I am not sure how I would get through an artwork and the frustration it brings, without music to carry me along.

I love to be nonsensical. I may have watched Disney’s Alice in Wonderland one too many times, but I thrive on the absurd. Most of my story and illustration ideas either come from dreams or silly sessions with my family. I will say whatever comes to mind and play with those ideas. I often don’t feel like the idea is wholly mine, but rather something that just came to me.

Anything you can’t live without while you write/draw?

I require focus, music, and quiet space to create. Recently, I started posting “trust the process” on my worktable or easel. I tend to forget going into a new piece that it will be a mess for a while before it looks good! An upbeat music playlist is a must. Sometimes a podcast or a movie playing in the background are good enough. A good chunk of time is important, too! If the kids or daytime is too chaotic, I will work late into the night for the best focus. Once I’m in the groove with these things, I am lost in my work and time does not exist.

Any authors and/or illustrators who inspire you?

There are too many to mention, but some of the earliest inspirational author/illustrators are both Chris Van Allsburg and David Wiesner for their realistic and detailed style. Currently, Dan Santat has been a great inspiration in how I plan a picture book layout. 

Dream project to work on?

I am excited to work on a picture book draft that I began in 2017. I won’t say too much about it, but I even took myself to Paris, France, to research the Eiffel Tower. The idea has not let me rest and I will stop in the oddest of places, to write down a new scene for it. The characters swim in my mind and it would be good for me to finally work on it!

Tell us about your debut book.

Escape to Play is a tale of three rambunctious dogs who escape to play while the farmer is away for the day. They explore each farmhouse room and exterior space, making a mess everywhere they go. The reader is left to imagine how the farmer will have to clean their disastrous mischief. 

I included a little mouse, Norman, for kids to find on each page. In addition, there are twelve real-life, classic artworks on the farmhouse walls.

The back pages of the book share the artworks, questions, and art tidbits for kids to learn about! This has been a great element to have added for parents, teachers, and librarians to use for educational purposes.

What’s up next for you?

My publishing company, Bookling Media, will be choosing an author-illustrator to work with to publish their own work this year. In addition, I will work on my own book ideas and continue to teach and present to young and older audiences!

And last, but not least, who is your favorite children’s book character?

My favorite children’s book character as a child were the Berenstain Bears and the little critters. Amelia Bedelia is also amazing. I completely relate to her misinterpretations of things! More current characters that I love are the Pout-Pout Fish and Llama from the Llama, Llama series. I love a relatable character who isn’t perfect.


Huge thank you to Becky for stopping by Critter Lit today! Congrats on your debut!


Becky Gehrisch is an author, illustrator, and entrepreneur. Her debut picture book, Escape to Play, launched in 2021. Between picture book projects, she works as a portrait artist and manages her new publishing company, Bookling Media LLC. When she is not creating art, she speaks at schools, bookstores, and other venues. She is living her childhood dream by creating art and picture books that bring joy to the world.

FOR MORE INFORMATION about Becky and her work, visit her online:

www.gehrisch-arts.com

@GehrischArts (all platforms)

www.booklingmedia.com

@booklingmedia (all platforms)

BUY THIS BOOK To purchase a copy of Becky’s book, click here.

WIN A COPY! Want to win a giveaway copy of ESCAPE TO PLAY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 16th! US addresses only please.

Interview with Author Cindy Williams Schrauben

Authors, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with author Cindy Williams Schrauben! Her debut picture book, THIS COULD BE YOU, illustrated by Julia Seal, publishes this month by Cardinal Rule Press. I’m thrilled to have Cindy with us today to chat about her new book, road to publication, and process.

So without further ado, please welcome Cindy Williams Schrauben!

Where do you live?  

I have always lived in Michigan – I love it from May through October, but the rest of the year, I question my sanity. Winter is not my friend.

 When did you know you wanted to write picture books? 

I have ‘wanted’ to write books for kids since college, but I didn’t take serious steps to make it happen until about 8 years ago. 

 Tell us about your road to publication, what did that involve for you?

The journey involved a great deal of patience and perseverance – not my biggest strengths. When I became an empty nester, I decided it was time to strive for my own dreams and seriously work toward publication. I attended conferences, took online classes, and lots of workshops. I read, listened to podcasts and above all else, connected with other authors. I can honestly say that without the kidlit community and their generosity I would not have stuck with it. Like many of us, I started submitting my work way too early (before it was ready), continued to hone my stories, and swallow the rejections. I submitted This Could Be You to Cardinal Rule Press in 2021 and secured my second agent shortly after.

 Can you share a bit about your process?

My writing process is a bit chaotic – completely driven by the passion to write. I tend to get excited about an idea and run with it. I have way too many ideas and the next shiny thing that pops into my head often takes precedence. I will say, though, that I think this is why writing is so therapeutic for me; when I’m writing, the rest of the world disappears – that can be a good thing and a bad thing. As far as specifics go, I write on a laptop, in my quiet office surrounded by books (and way too much clutter). 

 What do you do to shake the rust off or get new ideas?

Ideas are never a problem for me – I have lists coming out my ears. Sticking with a manuscript when I get stuck is the hard part. My biggest struggle is plotting. I want to just write without planning and that often gets me in trouble. When I am really struggling I read other picture books, do critiques for others, read blogs and listen to podcasts to get inspired. But, more often than not, I drop a manuscript for a while and move on to another story until inspiration strikes and I can revisit it.

 Anything you can’t live without while you write?

Coffee and quiet.

 Any authors and/or illustrators who inspire you?

Oooh, so many. I have so many friends who are published authors and are my true inspirations. I would never have achieved this dream without them, but I wouldn’t dare list them for fear of forgetting someone. This community is amazing and I can’t wait to start giving back. Historically, I have always loved Jack Prelutsky. His humor and rhyme delight me. Maybe that’s why my favorite stories to write are funny, punny, and rhyming. 

 Dream project to work on?

I would love to write a PB biography of an inspiring kid – I’m hunting for ideas. 

 Tell us about your debut book.

My debut picture book, This Could Be You, illustrated by Julia Seal will be released on April 1, 2022. Words for believing in yourself are the stars of this picture book that empowers children of all abilities and backgrounds to not only believe in themselves but to be strong and resilient in the pursuit of their dreams. A teacher, a scientist or an activist - could this be you? Through lyrical rhymes and vibrant illustrations, This Could Be You says yes, it very well could be. 

Interior Art from THIS COULD BE YOU by Cindy Williams Schrauben, Illustrated by Julia Seal, published by Cardinal Rule Press

 This Could Be You will sit comfortably on your shelf alongside other empowering books such as I Promise (by LeBron James) and I Can Do Hard Things (by Gabi Garcia). The full-color jacket is a reversible, 22 x 36 poster perfect for inspiring kids in the classroom and home with positive messages!

A free Reader’s Guide which contains interactive lesson plans that encourage children to adopt a growth mindset over a fixed one is available for free download from the publisher website.

 What’s up next for you?

I have always wanted to illustrate my own picture book. Even if it never happens, I am enjoying the journey. I am also in the process of developing a program I call Partners in Literacy in which local businesses can sponsor school visits by purchasing a book for each child. I’m really excited to kick this off after my release.

 And last, but not least, favorite 80s movie?

Footloose – music, dance, and a rebel!


Huge thank you to Cindy for stopping by Critter Lit today! Congrats on your debut!


Cindy Williams Schrauben lives in Michigan where she writes books for kids that range from the truly serious to the seriously silly. Before embarking on this path, she held positions as a preschool administrator, teacher, and assistant director of a children’s museum -- always striving to empower kids. When not writing, Cindy might be found dissecting her grandsons’ shenanigans for story ideas, reading on the floor in the bookstore, or eating ice cream… ideally all at once. 

FOR MORE INFORMATION about Cindy or her work, visit her online.

ORDER THIS BOOK To order a copy of THIS COULD BE YOU, click here.

WIN A COPY! Want to win a copy of THIS COULD BE YOU?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 21st! US addresses only please.

Interview with Debut Author and Illustrator Annelouise Mahoney

Authors + Illustrators, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today’s interview is a fellow author/illustrator at Two Lions, who shares the same editor with me (shout out to the fabulous Kelsey Skea!). I’m such a fan of the books Two Lions publishes and am thrilled to interview one of their newest author/illustrators and share her fantastic debut picture book!

So without further ado, please welcome Annelouise Mahoney!

AnnelouiseMahoneyBio.jpg

Where do you live?

I live in Southern California.

When did you know you wanted to write/illustrate picture books?

I fell in love with picture books as a child but I didn't realize it was something I could do until I was in college. I was studying illustration at UMass Dartmouth and I was lucky enough to have Karen Klingon as an illustration professor, she suggested writing and illustrating for children to me and that is when the seed was planted.

Tell us about your road to publication, what did that involve for you?

I began with SCBWI (Society of Children's Book Writers and Illustrators). That is my number one recommendation to everyone who asks me where to start. When I was ready to dedicate myself to the craft of writing for children I enrolled in, Writing Picture Books For Children, with Sherry Shahan through UCLA Extension. I went on to take Intermediate Picture Book Writing with Terry Pierce.  My daughters were very young and the online classes made learning accessible to me. When I was ready to dive deeper, I enrolled in Art Center College of Design, Finding Your Voice evening class. That class was taught by Marla Frazee. She taught me to find the emotion in the story and to dig for the heartbeat and pull that thread through the book to tie it in the end. She taught me that it’s okay to be afraid and to feel vulnerable — and do the work anyway. With her encouragement, I began posting art on social media. While I was actively involved with SCBWI art challenges, such as DrawThis, Anna Olswanger reached out to me through email and asked if I might be interested in writing for children, seeking representation and if I had any work I could show her. Anna and I worked on revising JULIUS AND MACY for about a year until she felt it was ready for submission. I'm very grateful that during that submission process Kelsey Skea at Two Lions took a chance on me. I feel incredibly lucky. 

Can you share a bit about your process?

Sure. I'm still learning and growing but I found that waiting on the words and sticking with the pictures first is my way of finding the story. I'm very messy and experimental in the beginning of a story, my sketches are loose and not pretty. I'm very open to feedback and, as hard as revisions can be, I really enjoy them. It's a refocus and revision and reseeing that clarifies the story and I enjoy that digging part. 

When the story is forming and I can see it, I start cleaning up the illustrations a bit to focus on composition and expression. 

As for the illustration part of the process, I like to make small thumbnail color sketches of the book before painting the final art. The color sketches are there for me to work out my color palette, and to get a sense of light and shadow before I begin the final art. Once I have a sense of the color, I draw everything out in pencil then scan that into the computer.  I print out the illustration on watercolor paper, I do this because I get nervous about redrawing the illustration on a light table and it saves me some time too. The next step is painting in watercolor and scanning it back into the computer when it is dry. I can make adjustments in photoshop and make sure each spread is fitting in the template of the book.

What do you do to shake the rust off or get new ideas?

To get new ideas flowing I need to play, and not be precious. I find that if I get too precious with a story, I freeze up and get stuck. It's like trying to make something perfect before it's had a chance to  grow. For myself I find the best kind of "shaking the rust off"  is loosely sketching, daydreaming, watching kids play or being out in nature. I find animals endlessly fascinating, spending time with our pets, a walk around town, a hike to see wildlife, all of that gets me inspired. 

Anything you can’t live without while you write/draw?

Hmm. My favorite thing is quiet, but during this past year and a half with everyone home...that is hard to come by. I do like to settle in and have coffee, water and snacks nearby. 

Any authors and/or illustrators who inspire you?

Oh my goodness, so many! Some of my favorites are Lisabeth Zwerger, Stephanie Graegin, Emily Winfield Martin, Holly Hobbie, and Marla Frazee.

Dream project to work on?

I feel JULIUS AND MACY was a dream project for me. Something I wanted to make so very much. I know the next book will be made with all the love and care I can give it and that will make it my next dream project.

Tell us about your debut book.

My debut book, JULIUS AND MACY: A VERY BRAVE NIGHT, released on April 1, 2021 with Two Lions publishing. It's a woodland tale about bravery and friendship. My main characters, Julius and Macy, like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it—the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

Interior Art from JULIUS AND MACY: A VERY BRAVE NIGHT by Annelouise Mahoney, Published by Two Lions

What’s up next for you?

I'm working on another picture book dummy, and continue to jot down ideas as they come. I'm excited to be a Spotlight Speaker at SCBWI CenCal Writer's Day this October and other literary events this fall. 

And last, but not least, favorite 80s movie?

Oh my gosh, that's a fun question. I have to say, The Princess Bride. I love that fairytale movie, and how it begins with the reading of the book.

Thank you for having me on Critter Lit today! It's wonderful to spend some time with you. 


Huge thank you to Annalouise for stopping by Critter Lit today! Congrats on your debut!


ANNELOUISE MAHONEY was born and raised in Massachusetts, where she spent her childhood playing pretend, making up stories, and drawing pictures. She moved to Los Angeles after college, where she worked in animation and comics. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family.

FOR MORE INFORMATION about Annelouise, visit her online: www.AnnelouiseMahoney.com

or follow her on social media: Twitter: @WoodlandAbbey | Instagram: @Annelouise_Mahoney

ORDER THIS BOOK To order a copy of JULIUS AND MACY: A VERY BRAVE NIGHT, click here.

WIN A COPY! Want to win a copy of JULIUS AND MACY: A VERY BRAVE NIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, August 19th! US addresses only please.

Interview with Debut Author and Illustrator Emma Reynolds

Authors + Illustrators, debut interview, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview with author and illustrator Emma Reynolds, whose debut picture book, AMARA AND THE BATS just released with Atheneum Books for Young Readers. I’m such a fan of this book, and connected with it immediately. When my now six-year-old was a baby, he loved to watch the bats at the zoo— he would sit in the stroller staring up at them, fascinated. Now we have bats that live around us, and every once and while I catch him staring up just like he used to as a baby. Emma’s book is a wonderful story about activism, climate change, and how kids can make a difference in their own communities. There are also fun bat facts woven throughout the story too! I’m thrilled to have Emma with us today to chat about her new book, road to publication, and advice for up and coming authors and illustrators.

So without further ado, please welcome Emma Reynolds!

Where do you live?

Manchester UK!

How many years have you been in publishing?

I signed with my agent Thao Le in August 2018, and my first illustrated book came out in June 2020. My author-illustrator debut ‘Amara and the Bats’ is out now in July 2021! So about 3 years in total.

How did you first get published?

I got my first book deal as an illustrator shortly after signing with my agent, as Justin Chanda at Simon & Schuster had seen the announcement and my illustrations suited a book project.

‘Amara and the Bats’ began as a dummy book that I made when I was applying to agents, and was actually why my agent signed me. We then worked on the book some more, and pitched to publishers, and we announced the book deal with editor Julia McCarthy at Atheneum Simon & Schuster in May 2019!

Do you write/illustrate full-time?

Yes, and I currently also teach illustration one day a week at a university.

What inspires you to create picture books?

I absolutely love the format! For me they are the perfect balance of words and images, and I love how powerful picture books are, as humans first experiences of stories. They can change lives.

What surprised you the most working as an author/illustrator?

I used to work as a character designer for kid’s TV, and it was a very fast paced job. With publishing, I found the phrase ‘hurry up and wait’ to be true! It was a huge shock to me that a three week plus wait for the next round of feedback was normal, when I had been used to much quicker turnarounds. And then when final art is signed off it’s go go go! I am (almost haha) used to it now, but that was the hardest adjustment for me.

What is your favorite thing about being an author/illustrator?

I love love love telling my own stories! I am so excited that I get to craft a whole world, it is an amazing experience and job to have and I am so happy I get to do this.

What do you do to shake the rust off or get new ideas?

Live life! After a big project and a busy period, it’s good to take a break and live life, see friends, absorb some new experiences and remain curious. This is when I naturally find that I’m in a place for new ideas. It’s important to remember to take time off as a freelancer, or you’ll find yourself just working constantly, and that isn’t healthy or conducive to inspiration long term.

Anything you are habitual about when it comes to creativity?

I listen to the same music a lot. There are particular mixes I listen to a lot on YouTube, and I have listened to them so much there are no surprises that make me jump, so I can hyper focus and stay in the zone with them on.

Can you share a positive experience you’ve had in the Kid Lit community?

Yeah for sure – I met some absolutely lovely author-illustrators who are also repped by my agent, and we have become close friends. Having people in the industry to talk to, bounce ideas off and ask questions is so important, and I’m so grateful for this – they are my rocks!

Recommended reading?

Ooo so many! I recently really loved picture book ‘What Will You Be?’ written by Yamile Saied Méndez and illustrated by Kate Alizadeh. And for 16+ readers I love graphic novel ‘Woman World’ by Aminder Dhaliwal.

What has been the highlight of your career thus far?

Honestly, being able to make my dream book – ‘Amara and the Bats’, I have dreamed of making my own books since I was 5 years old, so 28 years later it is a reality and I am just so grateful and happy! Amara is my whole heart, and it was selected as a Junior Library Guild gold standard selection which is a huge honour and I am so proud of this.

What is something you wish someone had told you when you first started writing/illustrating?

Ooo definitely related to what I’ve said above – that long waits for feedback are normal, and to make sure to take down time, because you’ll need it! And, protect your weekends.

Can you tell us about your newest book?

'Amara and the Bats' is about a little girl who loves bats and is sad when she moves to a new town and finds out that the bats no longer live there due to losing their habitat. She is inspired by real life youth climate activists to take action, and rallies her friends to save the bats! It is all about bat conservation and rewilding, showing how amazing bats are, and giving hope for the next generation struggling with climate anxiety. Bat facts are weaved in throughout, and there are practical steps to take action to help bats and useful links in the back too.

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

Interior art from AMARA AND THE BATS by Emma Reynolds, Atheneum Books for Young Readers

What’s up next for you?

Since the beginning of this year I’ve been working on my next book. We got the offer a year ago but we haven’t announced it yet, and I can’t wait to be able to share more about it soon! Hint – fans of the themes in Amara will enjoy this too.

Anything else you’d like to share with aspiring authors and illustrators?

Make the art of your dream project that you want to be hired for, and post it online and send it to clients and agents you want to work with! Manifest :D That is exactly what I did with ‘Amara and the Bats’, and it worked!

And last, but not least, favorite 80s movie?

PREDATOR!


Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut!


EMMA REYNOLDS is an illustrator and author based in Manchester, UK. Amara and the Bats is her author-illustrator debut. Passionate about storytelling and creating unique characters, Emma has been dreaming of making her own books since she was five. Emma started the #KidLit4Climate illustrated campaign, bringing together thousands of children’s illustrators and authors from more than fifty countries in solidarity with the youth climate strikes. She is inspired by nature, animals, adventure, and seeing the magic in the everyday.

FOR MORE INFORMATION about Emma, visit her online or follow her on social media:

http://www.twitter.com/emmaillustrate

http://www.instagram.com/emmaillustrate

Amara and the Bats is out now in the US and UK editions, order worldwide here:

emmareynoldsillustration.com/amaraandthebats

ORDER THIS BOOK To order a copy of AMARA AND THE BATS, click here.

WIN A COPY! Want to win a copy of AMARA AND THE BATS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 29th! US addresses only please.

Interview with Author Ana Siqueira

Authors, Debut InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview an author who is releasing her first book here in the states, BELLA’S RECIPE FOR SUCCESS, illustrated by Geraldine Rodriguez, with Beaming Books, but began her writing career in Brazil, where her first books were published. I’m thrilled to have her with us today to share her road to publication, experiences, and upcoming books.

So without further ado, please welcome Ana Siqueira!

Ana Photo HR.jpg

Where do you live?

I live in Palm Harbor, Florida. 

When did you know you wanted to write picture books?

I always loved creating stories, but my teachers didn’t motivate me since they thought my stories were too confusing, too much going on. Hahaha. I still have that problem, but with the help of my critique partners, I have been able to learn how to streamline.

Tell us about your road to publication, what did that involve for you?

I had two books published in Brazil, a loooong time ago. But when I moved to this country in 1992, I stopped writing for a looong time. I just restarted writing in 2019 when I wrote my Spanish Easy Reader - EL PATO QUIERE UVAS. I then got motivated to start writing picture books. I studied a lot, read many books, took courses, and watched zillions of webinars. I also got into many critique groups. 

So in September, I participated in a pitmad Twitter. I got a like from Naomi Krueger- Beaming Books. I sent her my story a few hours before my mami died. In November, I got an offer. In December, I got my agent Andrea Walker. And that’s how my debut book BELLA’S RECIPE FOR SUCCESS was born. 

Can you share a bit about your process?

I used to be a pantser, but now I write my ideas and let them marinate in my head. Each time I have an idea for a scene or a sentence, I jot it down in a Google Doc. When I have enough information I outline my story. And only then I write it. It helped me cutting from 1000 revisions to about 30. Then it’s time to submit to my critique partners. I’m in five critique groups. 

What do you do to shake the rust off or get new ideas?

I love participating in Storystorm. But also, I get ideas by reading a lot and by watching my grandkids playing. Most of my ideas come from my memories. 

Anything you can’t live without while you write?

My Google Docs. I love being able to write, make a copy, write a new version, etc. Also, I can’t survive without my critique partners.

Any authors and/or illustrators who inspire you?

I love all books from Anika Denise and Monica Brown. Elisa Chavarri, the illustrator from my Abuela’s Capa book, is an illustrator that inspires me. Irena Freitas, the illustrator from my Bruja’s book, is also amazing. I also get inspired by the stories from my critique partners. 

Dream project to work on?

A TV show with one of my characters. That would be amazing. 

Tell us about your debut book.

I got this inspiration from my gifted and perfectionist daughter. It is about Bella and how she quits what she barely tries because she feels she is desastre. She asks her Abuela to help her with baking, but her polovorones are as hard as a rock. She is not good at anything, she thinks. But Bella will learn that making mistakes is part of the process and that practice makes it perfect or almost perfect. 

Interior art from BELLA’S RECIPE FOR SUCCESS by Ana Siqueira, illustrated by Geraldine Rodriguez with Beaming Books

Interior art from BELLA’S RECIPE FOR SUCCESS by Ana Siqueira, illustrated by Geraldine Rodriguez with Beaming Books

What’s up next for you?

I have other books coming in 2022, 2023, and 2024. Now, I’m learning to write Chapter books and Nonfiction. 

And last, but not least, favorite 80s movie?

I love so many. But my child’s heart still loves E.T. I also love all Eddie Murphy’s movies such as Coming to America and Trading Places.


Huge thank you to Ana for stopping by Critter Lit today! Congrats on your debut in the states! We are so excited to share your work!


ANA SIQUEIRA is a Spanish-language elementary teacher, an award-winning Brazilian children’s author, and is published in the Foreign Language educational market – EL PATO QUIERE UVAS. Her forthcoming picture books include BELLA’S RECIPE FOR DISASTER/SUCCESS (Beaming Books, 2021) and IF YOUR BABYSITTER IS A BRUJA/CUANDO TU NIÑERA ES UNA BRUJA (SimonKids,2022), ABUELA’S SUPER CAPA/ LA SUPER CAPA DE ABUELA (HarperCollins, 2023) and one more book to be announced. Besides writing, Ana loves to read, teach, and play with her Cuban-Brazilian-American grandchildren. T

FOR MORE INFORMATION about Ana visit her online or follow her on Twitter: @SraSiqueira1307

ORDER THIS BOOK To order a copy of BELLA’S RECIPE FOR SUCCESS click here.

WIN A COPY! Want to win a copy of BELLA’S RECIPE FOR SUCCESS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 22nd! US addresses only please.

Interview with Author Norene Paulson

Authors, InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with author Norene Paulson, who debuted her first book, BENNY’S TRUE COLORS, illustrated by Anne Passchier, during the pandemic, quickly followed up by her second, WHAT’S SILLY HAIR DAY WITH NO HAIR?, illustrated by Camila Carrossine, which just released this past March! So exciting! I’m thrilled to have Norene with us today to talk about her road to publication, books, and process.

So without further ado, please welcome Norene Paulson!

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Where do you live?

I live almost in the center of Iowa on a country acreage just north of Lynnville, a small town about 45 miles east of Des Moines.  

When did you know you wanted to write picture books?

I fell in love with picture books while reading Berenstain Bears books and Mercer Mayer’s Little Critter books to my young sons. I loved the merging of the words and pictures and the cadence of the sparse text as the words tumbled off my tongue.  I was the one who most often wanted to “read it again”. I’ve always loved to write and I’ve always loved to read, so at some point, it just clicked and I thought…I want to do THIS.

Tell us about your road to publication, what did that involve for you?

My road to publication was long and bumpy with a lot of detours. When I knew I wanted to write for children I signed up for a couple ICL courses where I received the encouragement I needed to believe maybe I really could do this, and because of those courses, I did. I sold nonfiction articles to multiple children’s magazines. However, once I started teaching full-time my writing lapsed. I lost contact with my magazine editors. When I decided to take start writing again, I thought back to those Berenstain Bear and Little Critter books and my original dream of writing picture books, so I joined SCBWI, found some critique partners, started submitting, and acquired piles and piles of rejections, but I didn’t quit. I took an early retirement from teaching in 2017 and that’s when things took off…literally three decades after I decided I wanted to write picture books. In Feb. 2018, I landed an agent through #PBPitch and in less than 6 weeks, my debut story, BENNY’S TRUE COLORS, sold to Imprint/Macmillan. 

Can you share a bit about your process?

Sure, it’s a bit hit ‘n miss. I’m a big-time procrastinator so an idea will spin around in my head for quite a while until I have mentally fleshed out a rough beginning, middle, and end. Then it’s time for the first draft which takes as long as it takes. Some are drafted quickly. Others not so much. Once the first draft is done (huge sigh of relief) the fun begins…revising. After feedback from various critique groups, I revise, rewrite, revise, and rewrite for as long as it takes to shape the idea into a polished story. 

What do you do to shake the rust off or get new ideas?

New ideas usually globber me over the head. Something I see, read, or hear sparks an idea. I never know when it will happen so have to be prepared to jot it down when it does or it’s gone. I envy people who are creative enough to elicit ideas “on demand”. Needless to say, I’m not a good candidate for any story idea-generating challenges.

Anything you can’t live without while you write?

My laptop. When I started writing I wrote all my drafts in long-hand but can’t even imagine doing that now. I also enjoy tea…hot or iced depending on the season.

Any authors and/or illustrators who inspire you?

The kidlit world is filled with so many amazingly talented authors and illustrators I couldn’t list them all. However, my critique partners are the writers who keep me writing. Reading their early drafts and witnessing the process of how they develop those into amazing picture books is what keeps me inspired and motivated. It’s a privilege to be a small part of that process, and their spot-on feedback keeps me moving forward with my own writing.

Dream project to work on?

I’d love to do a sequel to WHAT’S SILLY HAIR DAY WITH NO HAIR? maybe even a series. I’ve developed quite a fondness for Bea, the main character, and would love to see where other adventures take her and her BBF Shaleah.

Tell us about your debut book.

My debut picture book, BENNY’S TRUE COLORS, released in Nov. 2020 and is the story of Benny, a bat, who knows inside he’s really a butterfly. This book highlights friendship, inclusion, empowerment, and living authentically. In simplest term--don’t judge someone by their outward appearance.

My second book, WHAT SILLY HAIR DAY WITH NO HAIR? released March 23 and it, too, is a story of empowerment, friendship, and inclusion. Bea, a girl with alopecia, has to figure out a way to participate in her school’s Silly Hair Day when she doesn’t have any hair. 

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

What’s up next for you?

I’m back out on submission with several newer manuscripts. Very excited about several in-person events I have scheduled this summer. Since both books published during the pandemic, I missed out on traditional book promoting opportunities, so really looking forward to being out among people (masked, of course).

And last, but not least, favorite 80s movie?

Ha! Seems like the only 1980s movies I watched were kids’ movies. Ghostbusters is probably the one I watched the most simply because my boys loved everything Ghostbusters My personal favorite movie is a 1999 movie, The Sixth Sense. I was literally dumbfounded by the ending. I didn’t catch any of the foreshadowing. 

Thanks so much for featuring me on Critter Lit. It’s been fun!


Huge thank you to Norene for stopping by Critter Lit today! Congrats on your back to back releases! We can’t wait to see what you write next!


NORENE PAULSON loves words. As a former language arts teacher, she was fortunate to share that love with middle school students in a rural Iowa school district for almost twenty years. Now, as a picture book author, she writes stories that celebrate friendship, acceptance, and inclusion. She is the author of BENNY’S TRUE COLORS (Macmillan/Imprint, November 2020) and WHAT’S SILLY HAIR DAY WITH NO HAIR? (Albert Whitman, March 2021). Norene lives on an acreage with her husband and rescue pup, Ellie, and when she isn’t reading or writing, you will find her playing—you guessed it! —word games.

Visit Norene online at: www.norenepaulson.com

Or follow her on social media:

Instagram - nrpaulson

Twitter - NorenePaulson

ORDER THIS BOOK To order a copy Norene’s books click here.

WIN A COPY! Want to win a copy of WHAT’S SILLY HAIR DAY WITH NO HAIR?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 24th! US addresses only please.

Interview with Debut Author Corey Finkle

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have debut author Corey Finkle with us to talk about his road to publication, debut picture book, and much more! I’m so excited about Corey’s debut, YOUR FUTURE IS BRIGHT, illustrated by Shelley Couvillion, a rhyming, graduation themed picture book that follows a group of children as they dream about their futures, which just released with Henry Holt. It’s a fantastic new book and perfect for any little one who dreams big, getting ready for their bright futures!

So without further ado, please welcome Corey Finkle!

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Where do you live?

I live in Rhode Island, just outside of Providence.

 When did you know you wanted to write picture books?

Not only was I the oldest kid in my house, I was also the oldest in my generation of grandkids, so I grew up taking care of kids. When I was in college, while spending time with my two-year-old cousin, I read him one of his favorite picture books. At one point, the main character looks at the Northern Lights, and he said to me “Is that the Aurora Borealis?” I was blown away. I barely knew what that was, but because of a picture book, this little boy had it cemented into his mind. From that day on, I dreamed of one day writing a book that might inspire other little kids to learn something that they might not otherwise know.

 Tell us about your road to publication, what did that involve for you?

That very year, I wrote my first picture book manuscript for college credit, and then basically spent the next twelve years occasionally sending it out to a few agents, and waiting to be discovered.

 About ten years ago, I realized that I needed to get serious if I really wanted this dream to come true, so I finally started taking the advice that everyone always tells you, but I had theretofore ignored. I started writing (a LOT) more, joined a critique group, signed up for SCBWI and began attending their events, and really invested my time, energy (and occasionally money) into cultivating this skill.

 I got my first lucky break in 2016 when I attended a writer’s retreat, and hit it off with someone who turned out to be a guest speaker, who turned out to be an editor. He invited me to send him some manuscripts (I had dozens by this point), and when he liked what he read, he helped me get an agent. (I had spent five years querying constantly; one week after this interaction, I had three offers!)

 My agent (the great Sean McCarthy from McCarthy Lit) basically broke me down as a writer and built me back up again, only sending books out when they were READY. And while the first few didn’t sell, we seemed to get closer each time. After the fourth one, we received feedback that, while that book was a pass, the editor wanted a graduation book and liked how I wrote in rhyme, and so would I like to have a crack at it? I said yes, and about five months later, Your Future is Bright was sold.

Can you share a bit about your process?

In general, when I come up with an idea, the first thing I try to do is come up with an ending. Those are always the hardest part of any story, so if the idea can’t lead to a fun, satisfying, and hopefully surprising ending, I tend to let it go.

If the idea sticks, I then have to decide if it’s a rhyming book or not. To me some concepts benefit from the structure and discipline that comes with a rhyme scheme, while others need more freedom.

From there, I’ll begin writing. This means giving myself permission to write a terrible first draft, so that I can see what flows and works, and what doesn’t.

What do you do to shake the rust off or get new ideas?

For new ideas, I just try to keep my ears open, and workshop everything. In any given day, I’ll probably hear 3-5 turns of phrase that I think could be potential PB titles. Most of them won’t pan out at all, but I find that thinking them through keeps me in a creative space most of the time.

 As for rust, I am pretty forgiving of bad writing days. I was at a book signing years ago with Pulitzer Prize-winning author Michael Chabon, and someone asked him about his process. He said that he hated to START to write, but that once he got into it, he got over that initial feeling. This has always meant a great deal to me. If someone as accomplished as him can feel that way about something he is so great at, then it’s surely okay for me to feel the same way on occasion, right? But like him, once I get started, I always feel good, even if I only end up with one or two good lines. It’s a slow business, so there’s never any rush, you know?

 Anything you can’t live without while you write?

I am VERY strict with myself when I write in rhyme. It is a huge pet peeve of mine, when I’m reading rhyming books to kids, if the author has left a lot of work for the reader to do. In other words, if the meter changes halfway through, or the meter is inconsistent from line to line, verse to verse, or anything else happens to make you stop and have to figure out the right way the line flows, it drives me crazy!

So for me, I want my reader to hear my rhythm from the start and then get carried off into the story like a current on a river. For that reason, I always have a thesaurus and a rhyming dictionary (or a web equivalent) with me while writing, so that I can keep working with a verse or idea until it meets my requirements.

 Any authors and/or illustrators who inspire you?

I am honestly and truly inspired by all the writers I meet at conferences, both published and pre-published, who remain dedicated to their craft throughout all the ups and downs of this at times brutal industry.

But in terms of a singular writer or work, the truth is that I think Norton Juster’s The Phantom Tollbooth is just about the most brilliant piece of fiction I’ve ever read. (Seriously, if you only read it as a child, have another look). It’s not only a cool story, but it’s also clever, witty, and extremely profound. At some level, every book I write is an attempt to try (and fail) to write something even half as good.  

Dream project to work on?

While you can’t necessarily tell this from my debut book which is more of an “ode to childhood” than a traditional story, I tend to come up with high-concept plots for my ideas that I fall madly in love with, and then get told they’re too advanced for the PB audience. (I recently pitched a concept as “Indiana Jones meets Ocean’s Eleven, by way of Sliding Doors”). I would love to one day get the green light to prove that even younger kids would love a great story, even if they contain advanced concepts like pirate ghosts, or the Aurora Borealis.

And when I do, I hope Dan Santat gets to illustrate.

Tell us about your debut book.

Your Future is Bright is an ode to childhood and the potential that every kid has within them.

When I was first asked to come up with a graduation book, my first thing I thought of was how scared I was about the prospect of becoming an adult, and how much hard work was coming my way. So my first draft tried to address that fear by saying “Don’t be scared about how you’ll do in the future, because I’VE seen how far you’ve already come, and that journey was MUCH harder!” and then providing all the examples of how they’d developed from a helpless baby into the capable person they are today.

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

My agent gently pointed out that a graduation book should look to the future and not the past. That’s how the story evolved to what it is today, where we look at various gifts and interests that make kids special and unique today, and sort of speculate about how that MIGHT inform who they become as they grow up.

What’s up next for you?

I just recently signed my second book deal for Pop’s Perfect Present, a story about a girl who sets out to give her dad one perfect memory as a gift for being so great, but ultimately learns that she succeeded in her effort just by spending the day with him. In addition, I’m working on several concepts (I have 4-5 in various stages of development at this point), and we’re waiting to hear about a few others as well.

And last, but not least, favorite 80s movie?

I’m tempted to say The Goonies, or Superman II, or Batman, or any of the movies that I loved when I was young, but I can’t. Field of Dreams is the one. Amazing story with an ending that gets me EVERY SINGLE TIME.


Huge thank you to Corey for stopping by Critter Lit today! Congrats on your debut!


COREY FINKLE wrote his first children’s book as a senior project in college. From there he spent ten years tinkering with and pitching it, and finally put it aside after he realized it wasn’t actually very good at all. Corey sold his first book, Your Future is Bright, almost 20 years to the day after completing that senior project. Between those two decades were a lot of manuscripts, and a LOT of revisions. When not working on his next book, Corey spends his time writing business-y words for companies, enjoying life with his wife and two kids, or collecting t-shirts from unusual or lesser-known sports teams.

Visit Corey online at www.CoreyFinkle.com

ORDER THIS BOOK To order a copy of YOUR FUTURE IS BRIGHT click here.

WIN A COPY! Want to win a signed copy of YOUR FUTURE IS BRIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 17th! US addresses only please.

Interview with Debut Author and Illustrator Amanda Davis

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I’m so excited for today’s interview! This is the very first time I’m sharing a book that I was lucky enough to see early on when it was submitted through Critter Lit as a manuscript critique. How exciting is that??! My hope with Critter Lit has always been to see these projects shaped into books one day. And today we get to celebrate one that made it through! I remember the first time I read this text, I got that feeling. I just knew this had legs, it just had to get in front of the right editor. I’m thrilled I got to be a part of the process of this book coming to fruition and I can’t wait for you all to hear about this incredibly special book in today’s interview.

So without further ado…please welcome Amanda Davis!

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Where do you live?

Thanks so much for having me on the blog, Lindsay! I’m excited to chat more about my journey and my debut 30,000 STITCHES! I live in Massachusetts. I grew up in a small coastal town and will always be a sea baby at heart. 

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When did you know you wanted to write/illustrate picture books? 

I didn’t always know I wanted to be an author but I DID know that I loved writing and art. Whether it was sketching in a sketchbook or writing poetry, it was something I always came back to. When I was twelve, my father passed away and (without knowing it) I began to use art and writing as a tool to process and cope with my feelings. This is when I realized the power of the arts to tell our stories and process the experiences in our lives. This is what led me to want to teach art, so I could help others recognize the power in it, too. Later, in 2012, I took a Continuing Education course on writing and illustrating for children, I realized this was an art form that captured all three of my passions—writing, art, and story-telling. I was hooked and never looked back.  

Tell us about your road to publication, what did that involve for you?

It was a long process! From the moment, I read and taught about the true story of the flag in 2011, I was intrigued and knew it was a special story. It stuck with me and lingered in my head, but needed time to flourish. After visiting the National September 11 Memorial & Museum in 2014, and being overcome with emotion at the artifacts and the stories, it was another reminder of the importance of telling this story. Inspired by my art lesson with students and my visit to the Museum, I decided to try my hand at crafting a manuscript for 30,000 STITCHES (originally called, THE FABRIC OF AMERICA). 

I began querying back in 2017 with other picture book manuscripts and didn’t have much luck. Once I had 30,000 STITCHES polished up, which was many months later, I began to query that story to agents and editors as well. The process of landing an agent and book deal for 30,000 STITCHS was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track. I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile when I was still unagented. After many months of not hearing back, I took that as a pass. I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to get there.

Can you share a bit about your process?

I tend to write first drafts as the muse strikes. I’m much more intentional with my revisions and schedule time to revise. Most of my ideas for revisions stem from suggestions and brainstorm sessions with my critique groups or paid critiques through services such as Critter Lit with you, Lindsay. With this feedback in mind, I often feel inspired to revise and schedule a time to do so.  For all of my stories, they always start with research. I love doing research and am naturally a very curious person. I love to ask questions and seek to understand. Because of this, I often find myself down rabbit holes that once in a while lead to inspiration for new story ideas. I think staying curious is so important when it comes to creativity. You never know where the next story idea is lurking so we must keep our minds open and in a state of wonder. I also love talking to people and as mentioned before, learning other people’s stories. I have a background in journalism so it’s been wonderful combining my love for interviewing people into my non-fiction children’s work.   

What do you do to shake the rust off or get new ideas?

I find that when my mind is free and clear, ideas flow more freely. Most of my ideas come when I let my mind wander. Most of my mind wandering takes place through meditation, nature walks, sitting near the ocean, in the shower, or when I’m driving, ha! I have oodles of notes and phrases in my Notes app on my iPhone for those moments when ideas strike. I also go in spurts. Sometimes I have lots of ideas for the art, and that is what comes first, and sometimes I have lots of ideas for the writing, and that comes first. Sometimes, too, I may have ideas for one and not the other. You never know how and when the muse will strike!!  

Anything you can’t live without while you write/draw? 

Some of my must-haves for creation include: Sunlight, candles, incense, a cracked window for some fresh air (even in the winter), my computer/iPad, a cup of tea, snacks, my sketchbook, and of course my favorite furry rescue pup, Cora by my side. 

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Any authors and/or illustrators who inspire you?

I’ve often admired Nicola Davies lyrical writing and her ability to tackle tough topics in a way that is accessible to children. Some of my favorites include, THE DAY WAR CAME, KING OF THE SKY, THE POND, and her recent debut as author-illustrator, LAST: THE STORY OF A WHITE RHINO. Most recently, I’m feeling inspired by other lyrical texts such as ALL BECAUSE YOU MATTER by Tami Charles and Bryan Collier and THE TREE IN ME by Corinna Luyken. Back in 2018, I actually received funding for a visit with Bryan Collier for a school visit in my high school art room. It was an unforgettable event for not only the students but also for me. He talked about how he went around, door-to-door with his portfolio to the big five publishers in New York for SEVEN YEARS until he finally got his first book deal! That was truly inspiring and reminded me that with hard work and dedication, anything is possible! You can learn more about some of my teaching and student art projects here! 

Dream project to work on?

Honestly, this may sound corny, but Sally Wern Comport was on my dream collaborator list. I was a fan of her work and mixed media style ever since I saw it in Ada’s Violin and was ecstatic to be paired with her for my debut, 30,000 STITCHES. Happy I can check that box off!!  Another dream project would be to illustrate my own picture book one day. I have a picture book dummy that I am working on right now that is very close to my heart, and it would be a dream come true to see it come to life. 

Tell us about your debut book.

My debut creative nonfiction picture book is 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG. I love that you had a look at this story early on when I submitted it to Critter Lit for a critique. Your feedback helped solidify that I was on the right path and that there was a place for the story in the market. 

30,000 STITCHES tells the true story of the 30-foot American flag that was put up at Ground Zero in the days after 9/11. The flag became torn, tattered, and covered in dust and ash so it was taken down a few weeks later by a construction crew and tucked away in storage, where it stayed for nearly seven years. The flag was brought out of storage in 2008 when the New York Says Thank You Foundation headed to Greensburg, Kansas, a town nearly destroyed by a tornado. NYSTY brought the flag with them, sparking a grassroots restoration effort that traveled over 120,000 miles across all fifty states, bringing together thousands of people, and helping America heal and rebuild . . . hand by hand, thread by thread, one stitch at a time. The book is the story of that journey, a journey that ended at the opening of the National September 11 Museum, where the flag remains today. Along the way, the flag was restored using pieces of retired flags from every state—including a piece of the flag that Abraham Lincoln was laid on after he was shot at Ford's Theater and threads from the original Star-Spangled Banner flag, which flew at Fort McHenry in the War of 1812 and inspired Francis Scott Key to write the national anthem. The pieces and threads were stitched in by military veterans, first responders, educators, students, community-service heroes, and family members of 9/11 victims, among others. At each stop, communities came together to remember, to heal, and to unite.

What’s up next for you?

I have lots of new ideas in the works! Many informational fiction stories and a couple of new narrative nonfiction stories, too. As mentioned before, I also have a couple picture book dummies in progress that I hope to debut as author AND illustrator with. I hope to one day explore writing a middle grade novel in verse or even YA. 

Stay tuned for more exciting virtual events for 30,000 STITCHES, too. Next up is Mass Book Bites: Boston Book Festival. You can learn more and register HERE! And with the 20th remembrance of 9/11 approaching, I hope the story can be a great resource to help us discuss the events of that day and honor, remember, and reflect.  

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And last, but not least, favorite 80s movie? 

Ohh this is a hard one, I think I’d have to go with either Beetlejuice, Little Monsters, or the original Honey I Shrunk the Kids. 


Huge thank you to Amanda for stopping by Critter Lit today! CONGRATS on your debut book— we are all cheering for you over here at Critter Lit!


AMANDA DAVIS is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children's books. Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again. Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

ORDER THIS BOOK To order a copy of 30,000 STITCHES click here.

WIN A COPY! Want to win a copy of 30,000 STITCHES?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May27th! US addresses only please.

Interview with Debut Author Kira Bigwood

Authors, Debut InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Today we have an interview with author Kira Bigwood to celebrate the release of her debut picture book, SECRET SECRET AGENT GUY, illustrated by Celia Krampien. I’m so excited about this book, which just released with Atheneum Books for Young Readers this week! Being a secret agent was always at the top of my list when I was a kid— let’s be honest should this whole book thing not work out I would totally become a secret agent (nevermind the fact that I zero skills for that). Needless to say, I’m thrilled share this book with all of you…

…so without further ado, please welcome Kira Bigwood!

Kira Headshot.jpg

Where do you live?

Just north of Chicago in idyllic Evanston, IL, home to THREE stellar independent bookstores. Shout-out to Booked, Bookends & Beginnings and Page 1!

When did you know you wanted to write picture books?

I’ve been a writer and a book lover all my life (a librarian mom will ensure that!), but I didn’t think about combining the two until my children came along (really original, right? 😆). It was seeing their reactions to different books…chatting with characters on a page, snort-laughing until they cried, asking really insightful questions…that got me thinking, “How can I do that?”

Tell us about your road to publication, what did that involve for you?

For me, it started in a class with Esther Hershenhorn at the Newberry here in Chicago, where I had my eyes opened wide. From there, I joined a critique group, SCBWI and the 12x12 Challenge. Then, after 6 years of reading, writing, revising, critiquing and submitting, I finally got my big break…acceptance into the RUCCL One-on-One Conference. I met Editor Alex Borbolla at the group lunch that day, where I was testing a theory, doing everything opposite of what I would normally do. So instead of retreating into my bagel and cream cheese (like any good introvert), I chatted up Alex about my spy story, and discovered…she loved spy stories! When I submitted to her afterwards, she said she was “charmed” by my manuscript, and the next thing I knew, I was signing a book deal. I couldn’t believe it (but Opposite Me could)!

Can you share a bit about your process?

Because of my background in advertising, I usually like to start with some concepting. I’ll pick a topic that interests my kids, like narwhals, or butts, or narwhal butts. Then I’ll do some brainstorming around my topic…word mapping, word association kind of stuff. Hopefully that shows me how to twist my idea and turn it into something completely unique. Once I have my concept good and tight, I’ll start the writing, editing and revising process, checking in often with my critique partners, and then towards the end with my agent. I’ve found it’s easier to revise projects that have a solid concept at the core.

What do you do to shake the rust off or get new ideas?

I’m a big believer in “filling the well.” Watching movies with the hubs, reading outside my genre, enjoying a glass of wine, hiking and biking, strolling museums, rocking (or mellowing) out to some tunes, playing with my kids, definitely not playing with my kids, hanging with friends, enjoying another glass of wine…heck, even literally filling a well might “fill the well!”

Anything you can’t live without while you write/draw?

Background music. I tend to listen to instrumentals that match the theme of whatever story I’m working on. So, for SECRET, SECRET AGENT GUY, it was a lot of Henry Mancini! Also, caffeine (again, really original, right? 😆).

Any authors and/or illustrators who inspire you?

James Marshall, if we’re throwing back. I love his brand of smart-funny. George & Martha had me hooked from the beginning. Currently, can’t get enough of Ame Dyckman and Lucy Ruth Cummins (also smart-funnies), and find myself saying, “I wish I had written that,” after I read EVERY SINGLE ONE of their books. 

Dream project to work on?

Oh gosh, to publish more books! Even just one more would be a dream! Especially one where I could partner with Illustrator Celia Krampien again! Wait until you see her visual storytelling for SECRET, SECRET AGENT GUY. Smart, funny (what can I say? I have a type), creative, a little vintage-y, and don’t even get me started on her color palette. She is downright masterful, and I would consider myself lucky to be able to collaborate with her on another project one day.

Tell us about your debut book.

It’s a spy twist on the classic, Twinkle, Twinkle Little Star. Your mission—should you choose to accept it—is to join Secret, Secret Agent Guy on his bedtime assignment, code name: Operation Lollipop. Equipped with night-vision goggles, a jetpack, and grappling hook, he is prepared for every eventuality...or is he? Will this 007-year-old complete his covert quest, or will he be outsmarted by an adversary he never saw coming?

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

What’s up next for you?

I’m touching up some manuscripts for my agent right now, including some non-fiction science. Maybe one of them will be my next book!

And last, but not least, favorite 80s movie?

We’ll go with the Rule of Threes on this one…Goonies, The Great Outdoors, and of course, National Lampoon’s Christmas Vacation (“Save the neck for me, Clark!”).


Huge thank you to Kira for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see what you come out with next.


KIRA BIGWOOD writes children’s books, TV commercials, and much to her 10-year-old’s dismay, notes for her kids’ lunchboxes. She was once edited out of a My Little Pony ad because she was missing her two front teeth (not that she’s still hanging on to that or anything). Luckily, she has all her teeth now, and a much more positive attitude toward the editing process. Kira is a graduate of the University of North Carolina (go Heels!), and lives in Chicago with her husband and three children. Secret, Secret Agent Guy is her debut picture book.

FOR MORE INFORMATION about Kira or her book, visit her website, or follow her on social media:

IG: @kirabigwood

Twitter: @KBigwood

ORDER THIS BOOK To order a copy of SECRET SECRET AGENT GUY click here.

WIN A COPY! Want to win a SIGNED copy of SECRET SECRET AGENT GUY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 20th! US addresses only please.

Interview with Debut Author Sita Singh

Authors, Interviews, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with author Sita Singh. Her debut picture book, BIRDS OF A FEATHER, illustrated by Stephanie Fizer Coleman, released this week with Philomel Books. I love the message of this book and the art is fantastic! A new picture book perfect for any collection.

So without further ado, please welcome Sita Singh!

Sita Author Picture.jpeg

Where do you live?

I was born and raised in India and moved to the United States in 1999. I have been living in the suburbs of South Florida since then. But my dream is to someday live in a small town where everything is walkable.

When did you know you wanted to write picture books?

I was never a writer, but I was always a reader. I grew up reading illustrated stories from Panchatantra, Ramayana, and Mahabharat. These were mainly fables and mythological tales, and my favorite type of books to read as a child. Luckily, my husband also grew up reading illustrated stories in form of comic books. So when we moved to the United States, it was only natural for us to look for similar form of stories to read with our own children. While searching the libraries and book stores, we were both pleasantly surprised to have discovered the magical genre of “picture books”. Additionally, every time we went to India, we came back with stacks of illustrated stories. As a family, we enjoyed reading “stories with pictures”. I’d say the seed to becoming a picture book writer was planted early. But I didn’t take up writing until my children were much older and I felt the need to have a creative pursuit of my own. By that time, I had also discovered a lack of representation in children’s literature and was excited to explore the possibilities of writing illustrated stories. How hard can it be to write picture books? With that naïveté, I jumped into writing!

Tell us about your road to publication, what did that involve for you?

My road to publication wasn’t relatively long, but I wouldn’t call nine years, a short time either. As mentioned earlier, I jumped into writing without any knowledge about the craft. Initially, I was writing only in rhymes and my writing was all over the place. But once I discovered SCBWI, one thing led to another, and in 2014, I attended my first conference which left me in awe of the talent and resources the Kid Lit community had to offer. There, I also found my critique partners, and I clearly remember coming home with a zest to learn and connect. Soon, I was a participant of PiBoIdMo, 12 x12, Making Picture Book Magic, and Children’s Book Academy. And within no time, I felt confident enough to start seeking representation. Of course, I was wrong again! I got rejection after rejection, but I kept learning and revising, and in 2017, my story won the Florida SCBWI Rising Kite award. With that, I soon landed an agent, and in 2019, we sold Birds Of A Feather

Can you share a bit about your process?

When I have an idea, I start by studying mentor texts. As the idea brews in my head, words and lines come to me, and a story begins to take shape. I start with a synopsis. Of course, it changes through the process of writing, but a synopsis helps me stay on track. I write in long sentences and paragraphs, without any inhibition. It’s more like a story I’m telling myself. Then, with the process of elimination, I turn it into a picture book manuscript. I let it simmer for days and after a few revisions, I read it to my critique group. Their feedback helps me revise further, and once I’m happy with the story, I share it with my agent. 

What do you do to shake the rust off or get new ideas?

I step away from the computer and engage myself in other things I like to do—reading a book, trying a new recipe in my kitchen, styling and taking food pictures, or simply hanging out with the family helps me shake the rust off. In terms of getting new ideas, it hasn’t been a struggle, yet. I have a long list of ideas waiting to be explored. 

Anything you can’t live without while you write?

A water bottle, and a window.

I’m always armed with a water bottle and I have to be sitting by a window, when I write. 

Any authors and/or illustrators who inspire you?

This one is hard. There are so many! But if I had to pick, I’m inspired by the works of Jacqueline Woodson, Amy Krouse Rosenthal, and Beth Ferry.  

Tell us about your debut book.

Birds of a Feather is the story of Mo, a colorless peacock who learns to love himself in a jungle full of color. It is a story about finding strength in the things that make us different, and beauty in all its forms. 

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

Interior art from BIRDS OF A FEATHER written by Sita Singh, illustrated by Stephanie Fizer Coleman

What’s up next for you?

I have two picture books on submission and I’m working on a few more manuscripts.

And last, but not least, favorite 80s movie?

When Harry Met Sally.


Huge thank you to Sita for stopping by Critter Lit today! Congrats on your debut!


SITA SINGH was born and raised in India, and moved to the United States in 1999. She currently lives in South Florida with her husband, three children, and an immensely cute and curious dog. An architect in the past, Sita now enjoys writing heartwarming picture books with a South Asian backdrop. When Sita isn’t reading or writing, she can be found trying new recipes in the kitchen, experimenting with food photography, walking with the dog, or movie-marathoning with the family. Her debut picture book, BIRDS OF A FEATHER, illustrated by Stephanie Fizer Coleman, will be published on March 2nd, 2021 by Philomel Books. Find out more about Sita on www.singhsita.com and connect with her on Instagram and Twitter @sitawrites.

ORDER THIS BOOK To order a copy of BIRDS OF A FEATHER, click here.

WIN A COPY! Want to win a copy of BIRDS OF A FEATHER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 11th! US addresses only please.

Interview with Debut Author Jess Hernandez

Authors, debut interview, InterviewsLindsay Ward5 Comments

Happy Thursday Critters! I hope you are all enjoying the holiday season! Today, we have an interview picture book author Jess Hernandez. Her debut book, FIRST DAY OF UNICORN SCHOOL, illustrated by Mariano Epelbaum, releases with Capstone on January 1, 2021. I love that this book is a fresh take on a first day of school book— but with unicorns! It’s sure to be a big hit so make sure to check it out!

Without further ado, please welcome Jess Hernandez!

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Where do you live?

I live in a little town in Western Washington. I grew up here, left, moved around, and wound up coming back.

When did you know you wanted to write picture books?

Growing up, I always liked writing, but I didn’t think I could make it a career. I’m diabetic, so health insurance was slightly more important than artistic fulfillment. But I grew to love picture books during my grad work in librarianship. There’s so much room for creativity within such a small space. When I got to a place in my life where I knew health insurance was taken care of, I let myself follow my passion.

Tell us about your road to publication, what did that involve for you?

My first attempt at writing for publication was a memoir. I worked on it for three years, then queried for another year. I racked up 140 rejections before I trunked it. I was devastated. So much time and work and agony for nothing! 

I wasn’t sure I could commit myself to a longer work like that again, so I turned to picture books. With two kids at home, it was what I read most anyway. I found a critique partner, read all the new picture books I could get my hands on, and followed writers on Twitter. Most of all, I kept writing and querying and getting better. But each time an agent requested more work, they would like this manuscript but not that one. It was super discouraging. 

Eventually another writer noticed my pitch on Pitmad and invited me to be in their critique group. That was the turning point for me. I found my people. I kept writing and querying, but I knew my stuff was leveling up. There were more agent requests, but still more rejections. I felt like I was going to spend my life being good, but not quite good enough. 

I decided to query the unicorn book to every agent on my list and then trunk it. One of those agents was Rena Rossner at the Deborah Harris Agency. I almost didn’t send her the unicorn query because she so seldom takes on picture book authors. Plus, she’s repped some really IMPORTANT BOOKS (New York Times Bestseller and multi-award winner Dear Martin by Nic Stone, for example) and I didn’t think she’d like my silly story about a donkey with imposter syndrome. But she was on my list, so I sent it any way. Two months later, she emailed asking to set up a call.

Even then, it was still a struggle. In the 18 months I’d spent querying the book, the market was flooded with unicorn stories. Every rejection we got from editors was some version of “nice, but we’ve already got one.” I was content to shelve it until unicorns stopped being the picture book version of YA vampire novels, but Rena was convinced it was different enough to sell. And thank heavens, she was right.

Can you share a bit about your process?

My story ideas always come in chunks – there’s a character but no story. A mood but nothing else. I try to stay open to these story blips and write them down as they come. Sometimes it takes years for the rest of the story to materialize, but it’s almost always worth the wait. Once it comes, I can usually draft the whole picture book in one go. With longer things, I write scenes out of order as they come to me and try to connect the dots later.

What do you do to shake the rust off or get new ideas?

I take a walk, talk to my kids, or take a shower. Sometimes I need those quiet moments to let my brain do its thing and come up with whatever crazy idea or plot hole solution it wants. Other times, interacting with my kids really helps me get on their level and see the world through new eyes. 

Anything you can’t live without while you write?

I’m all about those cheap composition notebooks you get on sale in September. Every stupid idea, every plot hole fix, every genius line I have to write before I forget it goes in the notebook. It’s a mess and nobody would understand it but me, but I can’t function without it.

Any authors and/or illustrators who inspire you?

There are SO MANY. Jacqueline Woodson is a genius and every single one of her books has changed my life in some way. I love Ame Dyckman’s work. She’s so effortlessly funny and has such a quirky way of looking at the world. I’m also a huge fan of Tara Lazar, both of her books and the work she does to lift other authors. Yuyi Morales is super talented. Julie Falatko is another that I really respect. She’s super funny and real. Traci Sorell’s books are all really poetic and beautiful. There’s more but I’ll stop there.

Dream project to work on?

I would love to branch out and try writing middle grade and YA. Right now, the one I’m dying to do is a middle grade about a group of girls having a sleepover when a crop circle appears in the field next door – something that actually happened in my town when I was 13.

 Tell us about your debut book.

FIRST DAY OF UNICORN SCHOOL is the story of Milly, a donkey with dreams of attending the prestigious unicorn school. With a few creative photos in her application, she’s accepted and must make it through the school without anyone realizing what she really is: a donkey in a party hat.

What’s up next for you?

I have two picture books on sub right now, and I’m drafting a picture book about a little girl with sensory processing disorder who is obsessed with pirates. I also have an adult SFF short story coming out in the anthology DON’T TOUCH THAT!: An Anthology of Parenthood in Science Fiction and Fantasy, edited by Jaymee Goh.

And last, but not least, favorite 80s movie?

I love Princess Bride (though I wish Buttercup’s character wasn’t interchangeable with a lamp).


Huge thank you to Jess for stopping by Critter Lit today! Congrats on all your success!


JESS HERNANDEZ is a writer, librarian, teacher and all-around word girl. When not being used as a human canvas for baby food art, she writes books for kids. Her debut book, FIRST DAY OF UNICORN SCHOOL, illustrated by Mariano Epelbaum, comes out in Spring 2021 from Capstone. Sometimes she writes essays, poems, and short stories for grown-ups, too. Jess lives in a very small, very LOUD house in Washington with her husband, their three children, a blind Labrador, and seven chickens.

FOR MORE INFORMATION about Jess or her work, visit her online, or follow her on social media:

Twitter @FinkHernandez

ORDER THIS BOOK To order a copy of FIRST DAY OF UNICORN SCHOOL, click here.

WIN A COPY! Want to win a copy of FIRST DAY OF UNICORN SCHOOL?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, December 10th! US addresses only please.

Interview with Debut Author Melanie Ellsworth

Authors, Debut InterviewsLindsay Ward12 Comments

Happy Thursday Critters! Today on Critter Lit we have an interview with Melanie Ellsworth whose debut picture book, CLARINET AND TRUMPET, illustrated by John Herzog, comes out March 2021 with Houghton Mifflin Harcourt. Originally slated to come out this week, the release date has been changed to next year. So please make sure to preorder a copy and support Melanie’s debut book!

I love a punny book and this one is full of them! It also features a music-making shaker built into the book for an interactive component. You can join the orchestra too! How fun is that?!

So without further ado, please welcome Melanie Ellsworth to Critter Lit!

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Where do you live?

In mid-coast Maine in an old house with an old barn attached.

When did you know you wanted to write picture books?

I’ve always loved picture books at every age and stage of my life. During my teen years, I toted a bag of favorite picture books with me to every babysitting gig, and later I shared them while teaching ESOL and doing literacy coaching. Just for fun, while traveling through Kenya in my twenties, I wrote (and a friend illustrated) a picture book inspired by our time spent in the Kakamega Rainforest. When my daughter was born years later, I got inspired to finally follow that dream of writing picture books, and I wrote after work and during my daughter’s naps.

Tell us about your road to publication, what did that involve for you?

When I first started seriously writing in 2012, I joined SCBWI and quickly found a wonderful local critique group. For a time, I was actually in three critique groups! That got to be a bit much, so now I’m part of two groups. I attended the New England SCBWI conference and found a community of writers there as well, and I followed several writers on-line. There are so many brilliant blogs out there about the industry and the craft of writing. In February 2017, I was fortunate enough to get a three-month mentorship with picture book author Beth Ferry through the “Writing with the Stars” contest, and that experience gave me confidence to keep querying agents and editors. Then in September 2017, at the “Agents Editors Writers” conference in Belgrade Lakes, Maine, an editor from HMH expressed enthusiasm for my picture book Clarinet & Trumpet when it was read anonymously during the slush-pile panel. I sent the book to that editor after the conference, got a revision request, revised and re-sent it, and got a contract in June 2018! From there, I signed with my agent, and sold a second picture book to HMH. Those books are coming out in August 2020 and February 2021, and we have several more books on submission now.

What do you do to shake the rust off or get new ideas?

For me, I think the most effective thing to do is just to keep writing. When I’m not working on something new, I don’t feel as energized. Ideas come to me at any time of day, often in the form of silly titles involving puns. Some of them work better than others when I try to turn them into picture books!

Tell us about your debut book:

My debut book, Clarinet & Trumpet, illustrated by John Herzog, is somewhat autobiographical. I played the clarinet in bands and orchestras for many years and noticed a friendly rivalry between the woodwinds and brass. My book is about a friendship between Clarinet and Trumpet that falls flat when they divide into factions but reignites when they realize that every instrument and every section must come together to make the music amazing. I had a blast putting lots of musical puns into this book. I hope readers enjoy the friendship story while also learning about the different instruments and sections in an orchestra. John Herzog really made the characters come alive with his vibrant illustrations!

And last, but not least, favorite 80s movie?:

It’s a tie between Stand By Me and Back to the Future. (As a Mainer, I have to lean towards Stand By Me since it’s based on a story written by Stephen King!)


Huge thank you to Melanie for stopping by Critter Lit today! We are so excited for your debut! Congrats!


Melanie Ellsworth dreams and writes in lovely mid-coast Maine, where her family (especially the dog), provides daily inspiration for her picture books. Her debut book, Clarinet & Trumpet, illustrated by John Herzog, comes out with Houghton Mifflin Harcourt in March 2021, followed by Hip, Hip…Beret!, illustrated by Morena Forza. 

WANT TO KNOW MORE about Melanie or her books, visit her online at www.MelanieEllsworth.com or follow her on social media:

Twitter (@melanieells)

Instagram (@melaniebellsworth)

BUY THIS BOOK To order a copy of Melanie’s new picture book, CLARINET AND TRUMPET, illustrated by John Herzog, click here.

WIN A COPY! Want to win a copy of CLARINET AND TRUMPET?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 3rd! US addresses only please.

Interview with Author Rajani LaRocca

Authors, Debut Interviews, InterviewsLindsay Ward9 Comments

Happy Thursday Critters! I hope you are all doing well— staying healthy and safe. Today we have an interview with debut picture book author Rajani LaRocca! Although this is Rajani’s first picture book, her debut book, a middle grade novel, MIDSUMMER’S MAYHEM, came out last summer and received rave reviews, a starred Kirkus review, and was on many ‘best of 2019’ lists! Rajani’s debut picture book, SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, illustrated by Archana Sreenivasan, comes out with Lee & Low Books on October 20, 2020! Make sure to pre-order this one!

Here is the description of the book:

In this clever, convivial picture book, an Indian boy untangles a mathematical conundrum to win a place at the Rajah's court.

In ancient India, a boy named Bhagat travels to the Rajah's city, hoping to ensure his family's prosperity by winning a place at court as a singer. Bhagat carries his family's entire fortune--a single coin and a chain of seven golden rings--to pay for his lodging. But when the innkeeper demands one ring per night, and every link snipped costs one coin, how can Bhagat both break the chain and avoid overpaying? His inventive solution points the way to an unexpected triumph, and offers readers a friendly lesson in binary numbers--the root of all computing.

How wonderful does this book sound?! The story and art are fantastic! I’m so excited to be sharing Rajani’s work with you all today.

So without further ado, please welcome Rajani Larocca!

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Where do you live?

I live in the beautiful (and literary) town of Concord, MA.

 When did you know you wanted to write picture books?

When I started writing a few years ago, I didn’t intend to write picture books. I saw myself as a novelist. But then I took a workshop on different types of children’s literature at Grub Street, a creative writing center in Boston, where the instructor showed us some mind-blowing picture books, including The Jupiter Stone by Owen Paul Lewis. That book, and the intersection of words and pictures, blew my mind, and inspired me to write my very first picture book. I went on to write many more, and each one has brought its own special joy…including my debut picture book, SEVEN GOLDEN RINGS.

 Tell us about your road to publication. What did that involve for you?

I’ve always loved books but spent a very long time away from writing while I went to medical school, residency, and started working as a physician. A few years ago, when my children were in school and I was established in my medical practice, I started taking writing classes online and in person. In about 2013, I got more serious about pursuing publication. After writing four to five picture books I thought were “ready,” I first started querying agents in 2015. I had some close calls but no offers, and in the meantime, I revised a middle grade novel and started querying it in 2017. When I received offers of representation, I also shared five picture books with the agents and got their feedback. I signed with my wonderful agent, Brent Taylor of Triada US, in November 2017. The past couple of years have been incredible, and I now have five picture books coming between 2020-2022!

 What do you do to shake the rust off or get new ideas?

I feel like ideas are all around me if I allow myself to be open to them. Participating in Storystorm is super helpful to generate new ideas, and I sometimes jot notes in my phone when inspiration strikes. The idea for a book may come in the form of an image, a title, or a memory. I’m always inspired by my children and our sweet little dog. In fact, taking a walk in nature, especially with my dog, often gets the creative juices flowing.

 Tell us about your debut book.

SEVEN GOLDEN RINGS is set in ancient India and tells the story of a boy named Bhagat who wants to save his family from poverty by earning a place at the Rajah’s court as a singer. He travels to the Rajah’s city with all the wealth he and his mother have left in the world: a single coin and seven tiny golden rings. But when he gets to an inn, and the innkeeper demands one ring per night and breaking a ring costs one coin, Bhagat must figure out a way to stay in the city while not wasting any of the rings. Bhagat succeeds in solving this mathematical conundrum, and the story introduces the concept of binary numbers—the basis of how computers work—in a fun and accessible way.

Interior Art from SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, written by Rajani Larocca!, illustrated by Archana Sreenivasan

Interior Art from SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH, written by Rajani Larocca!, illustrated by Archana Sreenivasan

 And last but not least, your favorite 80s movie?

THE EMPIRE STRIKES BACK!


Huge thank you to Rajani for stopping by Critter Lit today! Congrats on all your success! We can’t wait to see what story you share with us next.


RAJANI LAROCCA was born in India, raised in Kentucky, and now lives in the Boston area with her wonderful family and impossibly cute dog. After graduating from Harvard College and Harvard Medical School, she spends her time writing novels and picture books, practicing medicine, and baking too many sweet treats. Her middle grade debut, Midsummer’s Mayhem (Yellow Jacket/Little Bee Books 2019), is an Indian-American middle grade mashup of A Midsummer Night’s Dream and competitive baking. Her debut picture book, Seven Golden Rings (Lee & Low, 2020) introduces binary numbers through a story set in ancient India. She is also the author of Bracelets for Brothers (Charlesbridge, 2021), I’ll Go and Come Back (Candlewick, 2022), Where Three Oceans Meet (Abrams, 2022), and other forthcoming books.

For more information on Rajani, visit her online at www.rajanilarocca.com or follow her on social media:

Twitter and IG: @rajanilarocca, Facebook

BUY THIS BOOK To pre-order a copy of Rajani’s debut picture book, click here.

WIN A COPY! Want to win a copy of SEVEN GOLDEN RINGS: A TALE OF MUSIC AND MATH?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 9th! US addresses only please.

Interview with Debut Author and Illustrator Sarah Kurpiel

Authors + Illustrators, Interviews, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! I hope you are all staying healthy and safe. Today, we have an interview with author and illustrator Sarah Kurpiel, whose debut picture book, LONE WOLF, comes out on May 19th. Congrats Sarah! I adore Sarah’s illustrations and I can’t wait to share this sweet book about belonging and family with all of you today.

So without further ado, please welcome Sarah Kurpiel!

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Where do you live?

A suburb outside of Chicago. I’ve lived in the Midwest all my life.

When did you know you wanted to write and illustrate picture books?

I’ve been drawing for as long as I can remember, but it was always just a hobby, a way to relax. Then, in college, one of my English professors included graphic narratives in his course. Those books had a profound effect on me. That was the first time I started thinking seriously about drawing stories. Flash forward a few years to my first library job as a part-time cataloger. A Sick Day for Amos McGee by Philip Stead and illustrated by Erin Stead crossed my desk. I read it on the spot. It had such heart and reminded me how much I loved picture books growing up. I knew that was the kind of story I wanted to make. It wasn’t until a few years later that I started drawing with the goal of publication, but these were the moments that set me on that path.

Tell us about your road to publication, what did that involve for you?

In 2018, a popular illustration account on Instagram shared one of my drawings. Thanks to that stroke of luck, I was contacted by Allie Levick and Rebecca Sherman at Writers House, who became my agents later that year. Their guidance and expertise was (and continues to be) invaluable. They helped me get my story, Lone Wolf, submission ready and secure a book deal with a great editor. In the months that followed, I went through several rounds of revision before starting the final art. The publication process is long and fluctuates between rushing and waiting. It’s helpful to have another project to focus on during the downtime.

Can you share a bit about your process?

I mostly use dry media brushes in Photoshop on a Wacom tablet connected to my computer. I started drawing digitally in 2016 and it clicked for me right away. I love the flexibility and possibilities of digital. I do a lot of sketching with pencil and pen on paper too. I always have a sketchbook.

What do you do to shake the rust off or get new ideas?

Doodle. I love drawing for no reason at all. I love not knowing what I’m going to make before I begin. Sometimes I doodle a character who sparks a story idea. I also keep a list of things I could draw a thousand times without getting tired of drawing them and then use that to limit the possibilities of stories I might tell. That said, I’m very new to this. I’m still learning my own process.

Anything you can’t live without while you write or draw?

Nothing in particular, but I do enjoy having coffee close at hand! 

Any authors and/or illustrators who inspire you?

So many. Erin Stead, Molly Idle, Christian Robinson, Oge Mora, Richard Jones and Rebecca Green, to name a few. I follow artists of all kinds on Instagram, and seeing their work brings me so much joy.

Dream project to work on?

I’d love to make a wordless picture book one day. I admire those who’ve done it well. Some of my favorite picture books are wordless. I’m also fascinated by the wordless woodcut novels of the 1920s and 30s. 

Tell us about your debut book.

Lone Wolf is about a Siberian husky mistaken for a wolf so many times that she starts to believe she is one. The main character, Maple, is inspired by my childhood dog, a husky who was goofy and stubborn in all the best ways. Lone Wolf is about identity, belonging, and family. I’m honored that it received a starred review from The School Library Journal. Lone Wolf will be published by Greenwillow/HarperCollins on May 19, 2020.

What’s up next for you?

I’m currently working on final art for my next picture book which hasn’t been formally announced yet.

And last, but not least, favorite 80s movie?

Back to the Future. (Part 1. Definitely not Part 2.)


Huge thank you to Sarah for dropping by Critter Lit today! Congrats on LONE WOLF, we love it! We can’t wait to see what you create next!


SARAH KURPIEL is a librarian and author/illustrator from the Midwest. Her stories are inspired by nature, animals, and everyday life. Sarah has been doodling in the margins of notebooks for as long as she can remember. She started drawing digitally in 2016 and never stopped. Sarah uses a power wheelchair and considers her disability an important part of her identity. Her debut picture book, Lone Wolf, will be published by Greenwillow/HarperCollins in May 2020.

FOR MORE INFORMATION on Sarah, visit her online or follow her on Twitter @SarahKurpiel and Instagram @sarah.kurpiel

BUY THIS BOOK To purchase a copy of Sarah'’s book, click here.

WIN A COPY! Want to win a giveaway copy of Sarah’s debut book, LONE WOLF?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 21st! US addresses only please.

Interview with Debut Author Paulette Bochnig Sharkey

Authors, book release, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! It’s so nice to be back with you all. I hope you are staying healthy and safe during this quarantine.

I’m thrilled to be sharing today’s interview with you because today is the very first time I’m interviewing a debut published author who I had the chance to work with through Critter Lit’s critique service! It’s so wonderful to see a project come full-circle. Frank and I receive lots of critique requests through the site, sometimes we get to work with people again, but most of the time we have no idea what happens to the manuscripts we critique. Generally, we are a stop along the publishing journey for many picture book authors. But with Paulette’s manuscript, I’m thrilled to say she got published! I was so excited to hear she sold her manuscript when she reached out to let me know. It’s wonderful to be apart of that process. I’m so excited for Paulette and can’t wait to share her debut book, A DOLL FOR GRANDMA, illustrated by Samantha Woo, with all of you today.

So without further ado, please welcome Paulette Bochnig Sharkey!

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Where do you live?

I live in East Lansing, Michigan, home of Michigan State University. Go Green! 

When did you know you wanted to write picture books?

I didn’t grow up with picture books. The first childhood books I remember are the ones I read to myself, starting probably around 4th grade, like Nancy Drew mysteries and the Betsy-Tacy series by Maud Hart Lovelace. I still have all my hardcover copies.

My introduction to picture books came much later, when I became a mom, which was in 1984. My daughter and I shared huge stacks of books every bedtime. I loved the minimalism of picture books and decided I wanted to write one. But decades passed before I made that happen.

Tell us about your road to publication, what did that involve for you?

When I was a stay-at-home mom, I sold a lot of nonfiction articles and word games to children’s magazines like Highlights, Ladybug, Cricket, and Hopscotch.

But it wasn’t until I retired from my job as a reference librarian that I got back to my goal of writing a picture book. I joined SCBWI and took a Writer’s Digest University course, “Writing the Picture Book.” During that 4-week course, I drafted a manuscript that, after many critiques (including a very helpful one from you, Lindsay!), became my debut picture book. 

Can you share a bit about your process?

Because I write more nonfiction than fiction, my process usually starts with research. I like hunting for interesting, even elusive nuggets of information. I think it’s the reference librarian in me. The problem is, I enjoy it so much that I sometimes have a hard time stopping the research and getting to the actual writing!

I like to have a fairly good opening line before I start writing. Of course, the opening often changes multiple times, but I seem to need it to get me going on a story. Recently, I’ve started writing a pitch before I write my first draft. I put the pitch at the top of my WIP to keep me on point.

What do you do to shake the rust off and get new ideas?

Like many others, I often get ideas when I’m not at my desk. I find walking helps clear my mind to make room for new ideas. I read a lot for inspiration, heeding the advice of poet Jane Kenyon that writers need to "Read good books, have good sentences in your ears." 

During the Covid-19 pandemic, when it has been hard to focus on writing at all, I’ve turned to one of my favorite anxiety-tamers for word lovers: crossword puzzles. It’s hard to worry about your problems when you’re solving a crossword.

Anything you can’t live without while you write?

I need my computer, a good light source, and complete quiet. It’s nice if I have a cup of hot green tea, too, but that’s not a requirement! And I prefer to write first thing in the morning, before my mind gets cluttered with concerns of the day. I’m not a go-to-a-coffee-shop-to-write kind of person (and we can’t do that right now anyway). Too many distractions there. I’m happiest writing in my upstairs home office, with a nice view of squirrels scampering through the evergreens. 

Any authors who inspire you?

Oh, there are so many! I adore the writing of Kevin Henkes. So much humor and heart. A Weekend with Wendell is the first picture book I remember reading with my daughter that made us both laugh. In fact, I’m sure I laughed harder than she did. 

I’m a big fan of picture book biographies and am working on one myself. Two titles that I greatly admire and return to again and again for their lyrical language are Margarita Engle’s Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln and Jennifer Berne’s On a Beam of Light: A Story of Albert Einstein.

And there have been some beautiful picture books about memory loss published in the last few years, like The Remember Balloons by Jessie Oliveros, The Tide by Clare Helen Welsh. Travels with My Granny by Juliet Rix, Finding Grandma’s Memories by Jiyeon Pak.

Dream project to work on?

I’m a pianist and have written several music-themed picture book manuscripts, including a biography of 19th century pianist Clara Schumann. I like projects that let me shine a light on lesser-known female musicians.

I also have an idea for a book about adoption that’s dear to my heart but I have not yet been able to find a way into that story. 

Tell us about your debut book.

A Doll for Grandma: A Story about Alzheimer’s Disease, illustrated by Samantha Woo (Beaming Books, May 2020), is a picture book about a little girl named Kiera, whose grandmother develops Alzheimer’s disease and moves into a memory-care home. There, Kiera embraces Grandma’s altered sense of reality and figures out a new way for the two of them to play together and sustain their close relationship. It’s a story about empathy, kindness, and the special bond between grandparent and grandchild. It’s about loving and accepting people as they are, even when they change.

My inspiration to write A Doll for Grandma came from many years working as a volunteer pianist in memory-care homes and from caring for family members with dementia. The best way to interact with people living with Alzheimer’s is to enter their reality, rather than trying to bring them back into our world. My main character models this behavior when she gives Grandma a baby doll. Kiera and Grandma care for their baby dolls together, sharing moments of joy and meaningful connection.

I’m fortunate to be able to donate all my author proceeds from the book to support Alzheimer’s research. We must find a cure.

What’s up next for you?

I’m querying agents and hope that 2020 is the year I receive an offer of representation!

And last, but not least, favorite 80s movie?

Big, from 1988, a sweet, funny Tom Hanks movie, directed by Penny Marshall. There’s a great scene where Hanks and Robert Loggia play “Chopsticks”—with their feet—on a giant keyboard at an FAO Schwarz toy store.


Huge thank you to Paulette for joining us on Critter Lit today! Congratulations on your debut!


PAULETTE BOCHNIG SHARKEY worked for many years as a librarian, first in her home state of Michigan, and later in Australia, Nevada, and Wisconsin. She is the author of two library reference books and dozens of articles for children’s magazines. Paulette has also worked as a recipe indexer, braille transcriber, developmental editor, proofreader, and ghostwriter. A DOLL FOR GRANDMA is her first children’s book.

FOR MORE INFORMATION on Paulette, visit her online or follow her on Twitter @PBSharkey

BUY THIS BOOK To purchase a copy of Paulette’s book, click here.

WIN A COPY! Want to win a giveaway copy of Paulette’s debut book, A DOLL FOR GRANDMA?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 14th! US addresses only please.

Interview with Debut Author Ashley Franklin

Authors, book release, debut interview, InterviewsLindsay Ward9 Comments

Happy Thursday Critters! Today, I’m thrilled to feature debut author Ashley Franklin! Her new picture book, NOT QUITE SNOW WHITE, illustrated by Ebony Glenn, released this past July with HarperCollins. I love the story, message, and charming illustrations in this book, which I think Kirkus Reviews sums up perfectly:

A feel-good picture book and a great reminder that classic princess roles can be reimagined to embrace inclusion, diversity, and body positivity.”

So without further ado…please welcome Ashley Franklin!

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Where do you live?

I currently live in northwest Arkansas. 

When did you know you wanted to write/illustrate picture books?

I didn’t know I wanted to seriously write children’s books until I had kids of my own. I wanted to write books that had characters that looked like them and their family members. I also wanted to write books that I felt I needed as a kid.

Can you share a bit about your process?

I’m a work from home mom, so my process is probably a bit unorthodox for most. For example, I don’t write every day. I spend a lot of time thinking things over in my head and taking notes on my phone.

I’m still trying to get the hang of waking up early to write, but I do find that I am most productive once the kids are in bed and I’ve chugged some coffee.

I’m a quick writer and a slow reviser when it comes to picture books because those early drafts are really me compiling those mental and phone notes and seeing what comes of them.

What do you do to shake the rust off or get new ideas?

Honestly, I do two things: watch cartoons and consult with my kids. I watch cartoons to check out popular themes and see how they’re tackled and why they worked. My kids are in elementary school, so their perception of things is still pretty spectacular.

Anything you can’t live without while you write?

A good pen! I prefer to draft using pen and paper, but I cannot stand a pen that doesn’t write smoothly!

Any authors and/or illustrators who inspire you?

Tara Lazar—I admire people who can be funny on purpose. That’s not my gift at all!

Jamilah Thompkins-Bigelow—I love her way with imagery. She’s very detail oriented and can really paint a picture. Reading her work challenges me to slow down and really be more deliberate with imagery in my own work.

Vashti Harrison—Everything she does is ridiculously gorgeous. She’s just amazing. That’s not much more you can say.

Dream project to work on?

That’s a tough call. I don’t really have an answer for that because right now I feel like any project I’m working on passionately is a dream project.

Tell us about your debut book.

NOT QUITE SNOW WHITE features a talented young girl named Tameika who is great at singing, dancing, and acting. Tameika auditions for the lead role of Princess Snow White in her school’s musical because it’s one of the few roles she hasn’t played and Snow White is her favorite princess. Unfortunately, Tameika’s confidence is shaken when her peers question if she is right for the part because of her appearance. Tameika has to decide if she will let what others say keep her from pursuing her dream role.

What’s up next for you?

I’m continuing to write picture books, but I’m expanding into middle grade. The middle grade bug bit me thanks to a middle grade short story I wrote as a contributor to an upcoming middle grade anthology. It’s called Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices and is scheduled to be released May 5, 2020.

And last, but not least, favorite 80s movie? 

Umm...I was born in the 80s, so I’d have to go with a movie I remember most vividly, and that’s Oliver & Company.


Huge thank you to Ashley for stopping by Critter Lit today! Congrats on your debut book— we can’t wait to see what comes next for you!


ASHLEY FRANKLIN is a writer, mother, and adjunct college professor. Ashley received her M.A. from the University of Delaware in English Literature, where she reaffirmed her love of writing but realized she had NO IDEA what she wanted to do about it. Ashley currently resides in Arkansas with her family. Her debut picture book, NOT QUITE SNOW WHITE, was released July 9, 2019 by Harper Collins.

 FOR MORE INFORMATION about Ashley visit her online: www.ashleyfranklinwrites.com or follow her on social media:

Twitter: @differentashley

Instagram: @ashleyfranklinwrites

Facebook: Ashley Franklin

TO ORDER Ashley’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of NOT QUITE SNOW WHITE?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, August 29th! US addresses only please.

Interview with Debut Author Hannah Stark

Authors, Interviews, debut interviewLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with debut picture book author Hannah Stark. Her first book, TRUCKER AND TRAIN, illustrated by Bob Kolar, comes out on August 6th with Clarion Books and has received fabulous reviews. Vehicle books are big in our household so I can’t wait for this one to come out! We are so excited to have her with us today to share about her debut book and her road to publication.

So without further ado…please welcome Hannah Stark!

Hannah Stark Author Photo.JPG

Where do you live?

I live in Brooklyn, NY.

When did you know you wanted to write picture books?

Ever since I was a kid I enjoyed writing but never thought I’d share it with others, namely keeping travel journals and pocket notebooks. In 2004 I started teaching third grade in the New York City Public Schools.  We did a project with the book Beatrice’s Goat by Page McBrier. I was inspired by how this picture book grew awareness for the organization Heifer International and was positively impacting so many people.  

My boyfriend at the time ran a non-profit in Senegal and we spent a summer living in Dakar. While he worked I did a ton of reading, writing, and exploring. I started writing down stories I heard the kids tell and making up stories of my own. By the end of the summer I had a notebook of stories drafted. I never did anything with those stories but for the first time my writing had arc. For the first time, I wondered if I could someday write my own picture book. 

Tell us about your road to publication, what did that involve for you?

In 2013 I decided to apply to author/illustrator Pat Cummings Picture Book Boot Camp in Brooklyn with half a draft of TRUCKER AND TRAIN.  Pat saw potential in the story from the beginning. She really challenged me to walk out of Boot Camp with a polished project and somehow I did. Afterwards, she encouraged me to start submitting the manuscript. Five editors passed on the project before Lynne Polvino at Clarion Books/HMH Kids believed in it and helped me bring my story into the world.

Can you share a bit about your process?

As a third grade teacher and single mom I write in spurts when my schedule (and energy level) allow. The first drafts of TRUCKER AND TRAIN were actually pecked into my phone while riding the subway to work. There are post-its of first lines hanging on my kitchen wall. I add to them when I cook or clean. Sometimes my boys help me with them over dinner.

I like writing by hand and draft in pencil in an oversized artist’s book. When I feel ready to move forward with a page or draft I type it up, print it, and then revise on that page in pencil. When I’m happy with my revisions I edit them on the computer, print it, and repeat the process over and over.  

What do you do to shake the rust off or get new ideas?

For me, there are many ideas but not enough time. When I don’t get to look at a project for a few weeks because things are busy I usually start by just sitting and reading beautiful writing. These days that tends to be something by Jacqueline Woodson or Mary Oliver.  

Anything you can’t live without while you write?

There’s nothing concrete. I think the only thing I really need is a reminder to be patient with myself.

Any authors and/or illustrators who inspire you?

I’m really inspired by Sophie Blackall and how she persisted with her career as a single mom. The Horn Book just printed her Caldecott Medal acceptance speech and she describes working on books at the kitchen table while her kids did their homework. That sounds a lot like my home.  

I’m also inspired by Rob Sanders who I was in a course at the Highlights Foundation with in 2018. He’s also an elementary school teacher and has been creating books in the hours when school is not in session. I’m so inspired by his career that started as a teacher with a writing passion side hustle. I’m so happy to see his career really take off with the releases of PRIDE and STONEWALL. He’s also a super sweet person.  

Dream project to work on? 

I’d love to write humor. We laugh a lot in my classroom and I think I get kid humor but I’ve never tried anything like it before.  

Tell us about your debut book.

My book TRUCKER AND TRAIN is about a big rig named Trucker who loves to rule the road with his size, strength, and mighty horn. One day he meets the larger, stronger, and louder Train. Trucker quickly realizes that Train is bigger, stronger, and louder but isn’t using his might for power. Instead, Train is well-adored by the other vehicles. TRUCKER AND TRAIN is a story about using our strengths for good. 

I was inspired to write the story when my son was three. I saw how some kids in his class relied on their size and strength during play since their verbal expression was just starting to develop. I hope the book is seen as more than a book about trucks and trains for vehicle loving toddlers. I hope young readers and their adults will use it to open up conversations about kindness, compassion, and the idea that with great power comes great opportunity.  

What’s up next for you?

I’ve been working on three non-fiction and historical fiction manuscripts. I love history and untold stories that kids can connect to today. The projects are geared towards an older reader than TRUCKER AND TRAIN but they are true passion projects and I love developing them. My goal is to get two of them submitted this summer. Fingers crossed!

And last, but not least, favorite 80’s movie?

Without a doubt it has to be Sixteen Candles.


Huge thank you to Hannah Stark for stopping by Critter Lit today! Congrats on your debut picture book, we are so excited for you and can’t wait to see it on shelves!


HANNAH STARK grew up watching her mom, Marisabina Russo, create picture books in her studio. She remembers a house filled with children's books as well as bags of teaching materials because her father was a teacher. Today Hannah's home is filled with picture books and teaching materials, too. Hannah has been teaching elementary school in the New York City Public Schools for fifteen years. She loves making and sharing resources for other educators and teaching kids to write. She was inspired to write her debut book, TRUCKER AND TRAIN, while playing with her sons, Jackson and Travis. When not writing or teaching, Hannah can be found taking road trips and train rides to unfamiliar places.

FOR MORE INFORMATION about Hannah visit her online or follow her on social media:

Twitter

Instagram

TO ORDER Hannah’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of TRUCKER AND TRAIN?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, August 8th! US addresses only please.

Interview with Debut Author Ishta Mercurio

Authors, Debut Interviews, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! Today we have an interview with debut author Ishta Mercurio. I’m thrilled to have her with us today and I can’t wait for you to hear about her wonderful debut picture book, SMALL WORLD, illustrated by Jen Corace, which will release with Abrams Books for Young Readers on July 2nd.

So without further ado…please welcome Ishta Mercurio!

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Where do you live?

I live in Brampton, Ontario! I haven't always lived here, though. I grew up in Cincinnati, OH. I come from a long line of people who moved around.

When did you know you wanted to write picture books?

I've always loved storytelling, and I studied theater in college. There was something about using my whole self--my body, my gestures, my facial expressions, my voice--to tell a character's story that I really loved. But when I had kids, I realized that paying someone to look after them was going to cost more than I was earning! So I decided to stop working for a while and stay home with my littles. I read to them every night at bedtime, and I fell in love with the storytelling in picture books: the rhythm of the language captivated me, and the way the words and pictures came together to make something that is greater than the sum of their parts is an alchemy that I had to be a part of.

Tell us about your road to publication, what did that involve for you?

Reading! I didn't know the first thing about how to get published, so I googled it. This is what's so great about living in the 21st century--you can google how to do almost ANYTHING! So I googled it, and I read a whole bunch of blogs by agents (like Nathan Bransford and Rachelle Gardner) and writers (like Shannon Messenger and Casey McCormick and Shannon O'Donnell and Debbie Ohi), and I joined SCBWI and CANSCAIP (which is like SCBWI, but Canadian), and I invested a lot of time (years!) in learning how the industry works.

I also learned very quickly that my writing was not very good, but I knew that that was okay because you can improve as a writer, so I focused on doing that. I joined critique groups through SCBWI. I took a class in writing for children at the University of Toronto. I became part of the community of kidlit writers in the Toronto area. I went to conferences where I paid for my work to be critiqued, and I kept revising and writing new things until the rejections I got sounded less like one-line form rejections and more like "I loved these things about your story, but this part just isn't working." Meanwhile, a friend from my critique group was writing non-fiction in a series for a publisher, and she asked me if I wanted to write the next non-fiction book in the series with her, so I did, and that was great. It was my first experience working with a publisher, but I was doing it with someone who had worked with them before, and that was really valuable.

And then eventually, an agent pulled my query for a chapter book out of the slush and loved it and asked to see more and loved that, and we met and I knew that I wanted her on my team. She really got me, which is important. You want an agent who really gets you and who absolutely loves your work. And the thing is: that chapter book still hasn't sold, but the next thing she sent out did. And that book is SMALL WORLD. So even after all that, you have to know and accept that rejection is part of the process, throughout your career. And that's okay. Write the next thing.

Can you share a bit about your process?

I usually get an idea that's just a seed, and I write that down--just a sentence or two--and let it marinate for a while. Then I jot down ideas and doodle until I think I have enough to make a story, and then I write out what I call a "bare bones" draft: it's mostly flat, language-wise, with maybe a couple phrases that touch on the lyricism or whatever tone I'm going for, but it has the basic plot. And then I doodle some more, and think about what layers I can build in, and at that point I write one sentence that encompasses the heart of the story, and I tape that to my desk where I can see it while I work through the multiple drafts it takes to get the story right. It's like my compass: it keeps me heading in the right direction.

What do you do to shake the rust off or get new ideas?

I read a lot, and I watch movies. I take walks and garden and watch the bugs do their thing. I catch up on the news. Mostly, though, I go out in the world, to museums or to parks, and I just take it in. And I have conversations with people about things that have nothing to do with writing children's books. Ideas are everywhere; you just have to be open to them.

Anything you can’t live without while you write?

Coffee! But everyone probably says that. I also have a process book, and that's where I write early drafts and doodle and work out niggles in my manuscripts. Even when I reach the type-it-all-out stage, I like to have my process book close by.

Any authors and/or illustrators who inspire you?

Oh, gosh--so many! It would be easier to list the ones who don't, but that would be mean.

I love Marla Frazee's work; her illustrative style is just so gorgeous, and at the same time, so rooted in the messy reality of childhood. She's amazing. I am in awe of Angie Thomas and S. K. Ali, whose books feel so effortless (even though I know they take A LOT of work!). Ekua Holmes' experiments with different illustrative styles and art techniques is blowing me away. Linda Sue Park and Kate DiCamillo both wrote books that made me want to be a better writer. And John Green's books always feel like home.

Dream project to work on?

I have a HUGE bucket list, but one of the things on it is to write a wordless picture book. I know that sounds contradictory, and it's hard to pull it off, but there's no fun without a challenge, right?

Tell us about your debut book.

SMALL WORLD follows Nanda from the day she is born, wrapped in the circle of her mother's arms, right up until the day she goes to the Moon and looks back at the Earth from far away. It's about wonder, and the amazing places your explorations can take you. It's about dreaming big for your future, and finding your place in the vastness of the Universe. It's my love letter to this planet, which is our shared home and which contains innumerable wonders. And it's about joy. Jen Corace illustrated it, and it's a match made in heaven. My editor is a genius for pairing Jen's art with my words.

What’s up next for you?

I'm not allowed to say yet, but I sure hope everyone likes it!

And last, but not least, favorite 80s movie?

The Princess Bride, of course!


Huge thank you to Ishta for stopping by Critter Lit today! We can’t wait for your debut to come out! Congrats!


ISHTA MERCURIO is an author and actor. Raised in Cincinnati by an Irish-German-Italian-American father and a Polish-American-Filipino mother, she has traveled to England, Scotland, Italy, France, and all over the United States. She now lives in Brampton, Ontario, where she films and photographs plants and wildlife, from the tall to the small, in her backyard. Small World is her debut picture book. Find her online at www.ishtamercurio.com, on facebook at https://www.facebook.com/theoneandonlyishta/ , on twitter at @IshtaWrites and on instagram at @ishtamercurio.

TO ORDER Ishta’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a SIGNED copy of SMALL WORLD?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, June 20th! US addresses only please.

Interview with Debut Author and Illustrator Mikela Prevost

Authors + Illustrators, Interviews, Debut InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have a fabulous interview with debut author and illustrator Mikela Prevost whose book, LET’S HAVE A DOG PARTY! came out in March. I adore this book so much! It’s cute, funny, and oh so charming with a lot of heart— my favorite combination. Here’s a sneak peek for those of you who haven’t read Mikela’s wonderful debut yet…

Kate and Frank are best friends. To celebrate Frank's birthday, Kate throws him a party with all her favorite things: lots of friends, dancing in circles, loud singing, and sparkly confetti everywhere. But best friends don't always have the same taste in parties. Frank prefers quiet, sun-drenched naps on his favorite rug. So he hides. Kate must find a way to bring Frank back to the party--on his own terms.

I’m thrilled to have Mikela with us today, so without further ado…please welcome Mikela Prevost!

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Where do you live?

In the Valley of the SUN! Phoenix, Arizona.

When did you know you wanted to write/illustrate picture books?

As a kid, I wasn't terribly good at reading but I always had the pictures in books to help guide me through the story in one way or the other. But by 2nd grade, I had started to grow in my reading abilities and at that point, the Harry Potter books of my day were Shel Silverstein's Where the Sidewalk Ends and The Light in the Attic. I devoured these books, for the brevity of the poems and the child-like pen and ink illustrations. 

Silverstein's illustrations seemed so approachable, something that I could do. Drawing came much easier to me than reading, so seeing how a story could be encapsulated in such a brief poem along with an outlandish drawing was so attractive to me. The worlds he created through his poems always had me wondering what else happened beyond that last sentence. 

As a writer and illustrator now, I want to try and give young readers that sense of  "seen" as Shel Silverstein did for me.

Tell us about your road to publication, what did that involve for you?

Signing with a literary agent was the best way for my work to evolve. I attended SCBWI's Winter Conference in 2017 where Rebecca Sherman of Writer's House came across my work. She loved my illustration work and knew that my writing had potential. Over the course of several months, I was writing stories and sending sketches to Rebecca but she really wanted to start my career off on the right foot, so she pushed me to produce my best work. I'm so thankful she did, as I look back and see those earlier stories - I would not want them out in public! When the story idea for Let's Have a Dog Party! came, Rebecca made me feel like I had struck gold! We sent the text, dummy and two finished illustrations out, it went to auction and we found a great home for the story with Joanna Cardenas who (at the time) was the editor for Viking/Penguin.

Can you share a bit about your process?

Writing and illustrating is such a balancing act - having just enough of the best words while allowing the illustrations to do some heavy lifting. I  try to write more than I need then weed out what is superfluous to the story. 

What do you do to shake the rust off or get new ideas?

I "squeeze the sponge dry" on a topic until I've exhausted every possible story idea. I write out ideas until I reach the end of the page. 95% is garbage worthy, but I will stumble on a gem that makes me so excited, I won't sleep at night.

Anything you can’t live without while you write/draw?

While writing, I listen to a curated instrumental playlist that cues up my brain to stay focused on just that story. While illustrating I binge podcasts and watch/listen to old Mystery Science Theater 3000 episodes. And I keep the coffee flowin'.

Any authors and/or illustrators who inspire you?

My illustration friends Molly Idle, for her graceful, luscious line work and joyful colors and Juana Martinez-Neal, who captures the essence of children so innately. Also, her talent with patterns is second to none! An author I aspire to emulate is Jon Agee - his humor is so wry yet it translates to children in the perfect way. My Rhinoceros was my own personal masterclass in writing.    

Dream project to work on?

Anything that results in a kid loving a book so much, it falls apart. That, to me, is the true mark of a successful book.

Tell us about your debut book.

With Let's Have a Dog Party! I was sitting in my office, wracking my brain for a good story idea, while my kids and a few neighbor kids were running back and forth by my door chasing our little dog Pepper. She's a good-natured dog that will tolerate anything, but I knew eventually the chaos would reach a crescendo and she would take off running. If I wasn't there to stop this fiasco, I imagined a party breaking out. That's where the idea came from - I liked the idea of the kid characters just deciding out of the blue that "today" was Frank's birthday and using whatever they had on hand to celebrate. Like my kids, I knew a point would come that the characters would realize the poor dog had hit his limit and need to de-escalate the situation.

What’s up next for you?

I can't say just yet - but I can say I'm excited!

And last, but not least, favorite 80s movie?

Ghostbusters! And it still is my favorite movie! I saw it in the theater with my Dad, so I'll always have the good memories to associate with the movie.


Huge thank you to Mikela for stopping by Critter Lit today! We can’t wait to see your debut book and all that you do!


MIKELA PREVOST is an author and illustrator currently residing in Phoenix, Arizona with her husband and their three kids. Born and raised in Southern California, she received her BFA from the University of Redlands, and an MFA in Illustration from California State University of Fullerton. Writing and illustrating for children has been her life-long pursuit and passion. Her work is driven by the desire to capture the whimsical innocence and unique perspective from which a child sees the world. 

FOR MORE INFORMATION about Mikela visit her website or follow her on social media:

Instagram

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TO ORDER Mikela’s books, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of LET’S HAVE A DOG PARTY?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, June 6th! US addresses only please.

Interview with Debut Author Cathy Ballou Mealey

Authors, book release, Debut InterviewsLindsay Ward7 Comments

Happy Thursday Critters! Today we have an interview with author Cathy Ballou Mealey! Her debut picture book, WHEN A TREE GROWS, illustrated by Kasia Nowowiejska, just released this month with Sterling Children’s Books. I’m so excited to share this brand new book with you all today! Here’s a sneak peek:

When Moose sees the inviting tree where Squirrel has built his nest, he rubs his itchy antlers against the trunk—and sets in motion a chain of comic catastrophes. The tree falls and wakes Bear, who stumbles into Moose, who causes a truck driver to swerve off the road. But then Squirrel jumps onto that truck and ends up in the city, all alone. Who will help him get home? And how will Squirrel thank them? Kids will love this adorable picture book, with its irresistible animal characters and rhythmic text that’s made for reading out loud.

So without further ado…please welcome Cathy Ballou Mealey!

Cathy Mealey headshot.jpg

Where do you live?

I have lived in Massachusetts all my life. I grew up just below the Vermont/New Hampshire border, and went to college in Metrowest. After a decade in Cambridge, I’m currently on the fabulous North Shore.

When did you know you wanted to write picture books?

I wrote my first picture book in 2010 to enter the Cheerios “Spoonful of Stories” contest. Even though “Ozzie the Oyster” was definitely not ready for publication, my prize was discovering a passion for the craft of picture book writing. After attending conferences, classes and workshops, I joined SCBWI, the 2012 12X12 Challenge and two critique groups. I have been writing, revising and studying ever since.

Tell us about your road to publication, what did that involve for you?

Drafting TREE took roughly 6 weeks before I had a preliminary version to share with critique partners. I used multiple revision tactics to trim text and tighten the storyline. I plastered sticky notes on my door to rearrange the scene sequence. I pasted sentence strips into a book dummy loaded with stick-critter sketches. When friends urged me to send out the revised TREE, I started to query agents. In May 2015 I signed with Liza Fleissig of Liza Royce Agency and by December TREE was putting down roots at Sterling Books for Children.

Can you share a bit about your process?

Scribble my idea into a notebook and mull it over. Develop a pitch. Research some related non-fiction titles from the library about moose, squirrels, bears, etc. Mull some more. Write a long, rambling draft. Chew on word choices. Revise, re-write. Plunk text into a word cloud generator like WordItOut or Wordle, draft a few rhyming lines, make a dummy with stick figures. Revise until it is ready for critique group. Mull over feedback. Revise, rinse, and repeat until ready!

WHEN A TREE GROWS WordCloud.png

What do you do to shake the rust off or get new ideas?

Go for a long walk outdoors. Visit a museum. Browse the greeting card section of my favorite stationery store. Bring my son to a playground and eavesdrop on the kid chatter!

Anything you can’t live without while you write?

A window. Natural light. Being able to gaze at the sky or trees. I watched a lot of squirrel activity while writing When A Tree Grows, and kept my camera close at hand.

AAA prize squirrel.JPG

Any authors and/or illustrators who inspire you?

Every up-and-coming writer yet to be published inspires me. Making book dreams come true is tough, especially when balancing the demands of career, family life, and community responsibilities. Those who consistently carve out time to nurture that writing spark inspire me to work harder, write better, persevere.

I have so little drawing ability that I am floored by almost every illustrator’s work in one fashion or another. Particular favorites to pore over include Catherine Rayner, Hadley Hooper, and Melissa Sweet. I’m so grateful to Kasia Nowowiejska for her dedicated efforts to make WHEN A TREE GROWS the very best book it could be.

Dream project to work on?

This is such an interesting question! I can’t name a specific dream project. However, there are certainly manuscripts that I’ve pored blood, sweat and tears into that I would love to see become real, live books one day.

Interior Spread - WHEN A TREE GROWS

Interior Spread - WHEN A TREE GROWS

Tell us about your debut book.

WHEN A TREE GROWS is a rollicking read-aloud that follows a zany chain of events triggered by a broken tree, a cranky Bear, a nut-loving Squirrel and his loyal friend Moose. Kirkus gave it a lovely review, saying “Laugh along as a story about a tree in the forest comes full circle, bringing three creatures along for a bumpy but fun ride.”

What’s up next for you?

Next up for me is a still-secret picture book with an amazing publisher in Canada. A sloth and a squirrel team up for a special mission. Look for an announcement soon, and a book sometime in 2021!

And last, but not least, favorite 80’s movie?

An 80’s movie set in 1963 - Dirty Dancing.

RIP Patrick Swayze.

“Nobody puts Baby in a corner.”


Huge thank you to Cathy for stopping by Critter Lit today! We are so excited for your debut and can’t wait to see what’s next!


CATHY BALLOU MEALEY lives with her family north of Boston, where she delights in watching silly squirrel antics and is waiting patiently for a moose to appear. Her favorite nut is the hazelnut and her favorite cupcake is cardamom crème.

Her debut book, WHEN A TREE GROWS, is a rollicking read-aloud that follows a zany chain of events triggered by a broken tree, a cranky Bear, a nut-loving Squirrel and his loyal friend Moose.

FOR MORE INFORMATION about Cathy and her work, visit her online here or follow her on social media:

Twitter: @CatBallouMealey

Facebook: https://www.facebook.com/cathy.mealey

Instagram: @catballoumealey

TO ORDER Cathy’s book, ring up your local bookstore or click here.

BOOK GIVEAWAY!

Want a chance to win a copy of WHEN A TREE GROWS?! Comment on this post or share it on Twitter. One lucky winner will be selected Thursday, April 18th! US addresses only please.

What's up on deck? Tune in next week for an interview with debut author Natascha Biebow!