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Interview with Author Terry Pierce Part 2

Authors, Book Reviews, InterviewsLindsay Ward8 Comments

Happy Thursday Critters! We are taking a few weeks off here and there throughout the summer to spend some time resting and relaxing, BUT today we have a fantastic interview with author Terry Pierce, who we were lucky enough to connect with a while back. You can read our first interview with Terry from 2020 here. Terry is back with a new book, HELLO, MEADOW! illustrated by Nadja Sarell, which published with Yosemite Conservancy last month. I’m thrilled to have Terry with us again and can’t wait to catch up and hear about all the fantastic work she’s been doing.

So without further ado, please welcome Terry Pierce!

Where do you live?

I‘m very fortunate to live in the beautiful mountain community of Mammoth Lakes, California, a small town nestled in the heart of the Eastern Sierra. My husband and I moved there in 2019 when he retired. 

How many years have you been in publishing?

I began writing in 1999, after closing my Montessori preschool, so it’s been almost twenty-four years now! I wanted to stay connected to young children and had been thinking of trying my hand at writing children’s books for a while, (like so many teachers!), so it felt natural to give it a try.

How did you first get published?

My first publications came in the form of pet magazines. When I first started writing, I gave myself a 5-year deadline to get a book published or else find a different career (I know, very naive of me!). I also made the mistake of submitting picture book manuscripts too soon, so when I became frustrated with all the rejections and wanted any kind of “win,” I tried writing for pet magazines and succeeded. I also re-strategized and decided to write children’s joke books, which turned out to be my first published children’s books. Three months after my first joke book manuscript, Greatest Goofiest Jokes, was accepted, I received an offer on my first picture book, Two Tales of Hawaii. Both books were published within my 5-year deadline!

Do you write full-time?

At the moment, I’d say I write part-time with a full-time heart. Because my husband retired and we moved to a place that constantly calls to me get outside, I’m not writing quite as much as I used to, but it’s certainly enough to keep me busy! Although I do write outside, in nature, a lot more than I used to, which is inspiring and joyful.

When I was writing full-time, I looked at it as my full-time job. I would “clock in” at 8:30 every weekday morning, take a 30-minute lunch break, and “clock out” around 3:30-4:00. I spent my mornings writing, and the afternoons doing marketing and book promotion. Now, I write when the muse calls, which is a lot of fun.

What inspires you to create picture books?

Inspiration can come from many places, but lately, I draw much inspiration from nature. I’m surrounded by some of the most beautiful wilderness in the world, in a place of wild animals, towering trees, and dynamic waterways, which always stirs up story ideas in my mind.

For example, when I heard about Yosemite Conservancy’s call-out for board books, I thought about what I’ve learned about bear conservation since moving to Mammoth Lakes—important concepts such as proper food storage and trash disposal, locking a dumpster after you use it, and not leaving any food in your vehicle. It occurred to me that this would be a great idea for teaching very small children how to be good stewards of the environment. Yosemite Conservancy loved the idea and Eat Up, Bear! was born.

Eat Up, Bear! has had so much success that Yosemite Conservancy asked me to write a board book about meadow conservation, using a similar structure to our bear book. Now, we’re celebrating the release of Hello, Meadow! on April 11, 2023. I didn’t have to wander too far for this book’s inspiration. I took trips to Tuolumne Meadows in Yosemite National Park and ventured out into my own backyard, which has many gorgeous meadows to inspire.

What surprised you the most working as an author?

Initially, I was most surprised at how long it takes for an idea to become a published book. When I talk with my UCLA writing students about this, they’re always surprised at this, too. I think the longest it took for one of my ideas to get published was Mother Earth’s Lullaby (Tilbury House), which took ten years from idea to publication. I’ve always joked that book publication works in “glacial time” even though I understand why now. A writer and editorial team need time to perfect the text, the illustrator typically needs 6-12 months to create the artwork, and you can add another six months for the printing process. If any unexpected extraneous global or economic factors occur, they can delay the process even further. So, if you want to write children’s books, put on your “patience cap!” 

What is your favorite thing about being an author?

I love having a creative outlet, where I can play with words and language. It took me a while to discover that my “sweet spot” for writing is rhyming picture books, but this is where I thrive. I’ve dabbled in other children’s book formats (chapter books and even a middle-grade novel), but I’m most happy when writing for very young children.

I also enjoy knowing that my books are having a positive effect on children’s lives. I missed that from my Montessori teaching days, but now, I can have an even broader influence on kids, whether it comes in the form of helping them learn to read with my easy readers, or helping get them off to a great start in life by snuggling up on someone’s lap and sharing a board book or picture book. In the case of Hello, Meadow! and Eat Up, Bear!, I love knowing that I’ve had a hand in creating future conservationists who understand that the natural world—while seemingly resilient—can actually be fragile and needs good stewards to care for it. Collaborating with the Yosemite Conservancy publishers and the National Park Service to make sure our message comes through in a kid-friendly way that’s inviting to little ones and their families was a great experience.

What do you find difficult working as an author?

Waiting for responses to queries and submissions can be exhausting! And it’s not just about the time. When I first began writing, the wait typically ended with a response of some kind from an editor. I loved it when an editor wrote an encouraging note, even if they passed on the manuscript. Nowadays, as you know, most houses don’t give any kind of reply, unless they're interested in the work. I understand their need to save time and energy, but I find it frustrating because I have no idea if I was close, if the idea has merit and is worth pursuing, or if it needs a fresh perspective. I do miss the human connection with the submission process.

What do you do to shake the rust off or get new ideas?

I get outside! In the summer, I’ll go on a hike or long walk. In the winter, I’ll strap on my snowshoes and go for a walk where I can be alone and think. The fresh air, the cadence of my steps, and wide-open spaces always gets the creative juices flowing!

Anything you are habitual about when it comes to creativity?

I like it to be quiet when I write. No music, TV, or any background conversation when I’m working. I find it too distracting and can’t focus very well. Once, when my family was visiting and I had a deadline, I drove to a nearby trailhead, parked, and worked in my car! I figured if I needed a break, I was right at a trailhead and could walk in the woods to clear my head.

Can you share a positive experience you’ve had in the Kid Lit community?

Amongst the many positive experiences I’ve had with the Kid Lit community, one of the most memorable came very early in my writing experience. Let me preface this by saying I’m basically a shy person. The year I started writing, I joined the SCBWI and signed up for a Writers’ Day event in Los Angeles, which was held at a school. I drove three hours to the event and found a seat inside, pretty much keeping to myself but noticing how many people knew each other. It was like a reunion of old friends for many! 

At lunch, I took my boxed lunch and went out onto the football field where many other participants chose to eat. I was sitting on the 50-yard line, all alone, when a woman came over from a nearby group and asked me if I was meeting anyone. I said no, and she invited me to join them. I was so grateful for her kindness, and found that the group was actually from my chapter of the SCBWI! I’m still friends with some of those writers, and many of them went on to become published authors. For a very shy person who found the courage to drive by herself to Los Angeles to attend a writing conference, this was the ultimate reward! It made me realize that joining the SCBWI was more than just learning about children’s writing—it was about networking and finding like-minded friends.

Recommended reading?

I don’t have any specific books to recommend because so many terrific titles come out all the time, but what I do recommend is to pay attention to titles from resources such as the ALA Caldecott Medal nominees, or Betsy Bird’s “Best Books” list she does each December at her Fuse#8 Production blog. (https://afuse8production.slj.com/)

What has been the highlight of your career thus far?

For me, the highlight of my career was when I received an offer of representation from a reputable agency a few years ago. It was validating, after 68 agent queries, to see that my work had enough merit for an agent to want to represent my work (actually, I had two agencies interested at the same time). I loved networking with other authors from the agency and being so connected with them. Unfortunately, I eventually let my agent go as we just weren’t a good match, but still, the experience was an important part of my writing journey. 

What is something you wish someone had told you when you first started writing?

Great question! Two things would have been good to know at the beginning. First, I wish someone could have explained how much work it takes to get published—learning the craft, networking, submitting and querying, handling rejections (because we all get passes on our work), and continuing to get published after your first book comes out. 

Second, I would have liked to have had an idea of how much money children’s authors are paid. Books, particularly picture books, are a huge investment for publishers sometimes costing them up to $25-30K. And many picture books are only in print for two or three years, so most authors’ earnings are limited unless they’re fortunate to have a top-selling book. According to Hannah Holt’s author survey (2017), the majority of published picture book writers earn less than $10K annually. That wouldn’t have deterred me from writing, but it would have been good to know before I started!

Can you tell us about your newest book?

I’d love to! Hello, Meadow! is my second board book with Yosemite Conservancy, illustrated by the talented Nadja Sarell. In the early summer of 2021, our editor, Nicole Geiger, approached me with an idea from the publisher about writing a book about meadow conservation, in a similar style as our first book, Eat Up, Bear! Of course, I said yes! I dove into researching the importance of meadows as wildlife habitats, water filters, carbon retainers, and places of peace and beauty for humans. 

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

After a couple of initial drafts, we landed in a place where everyone liked where the book was going; then, for me, it was a matter of fine-tuning the text. I was thrilled when my editor confirmed that Nadja Sarell was interested in doing the illustrations for the book, as her artwork in Eat Up, Bear! was charming, inviting, and perfect for the project. It was a collaboration between myself, Nicole, Yosemite Conservancy, and the National Park Service to determine specific species of flora and fauna to include in the art, along with a diverse cast of humans. Nadja did an amazing job! Her colorful illustrations will invite young children and their families to pour over the pages finding animals, flowers, and other plants, all while experiencing the message that meadows are fragile yet important places that need our care and respect.

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

Interior art from HELLO, MEADOW! by Terry Pierce, illustrated by Nadja Sarell, published by Yosemite Conservancy

What’s up next for you?

I have another board book, I’m a Baby!, coming out in Fall of 2024 with Familius. I’m also working with Yosemite Conservancy on another possible board book, but it’s too early to give any details on that one. Stay tuned!

Anything else you’d like to share with aspiring authors and illustrators?

I always recommend aspiring writers join the SCBWI. It’s a terrific organization and a great place to learn about children’s writing. Their workshops, conferences, and resources such as The Book, are incredibly helpful. And of course, it’s a great way to network and find like-minded writers.

Another suggestion I make to new writers is to take a writing course on the genre they’re interested in writing, as it gives a structured look at the craft. It’s so important to develop your craft before you start submitting your work! Early in my career, I took some courses through UCLA Extension Writers’ Program, and now I teach for them. They offer a variety of classes on writing for children and teens, in a variety of formats (online, remote, on-campus). Their website is https://www.uclaextension.edu/writing-journalism/creative-writing/courses#PS0032.

And last, but not least, who is your favorite children’s book character?

Oh gosh, that’s a tough question! As a child, my favorite character was Pippi Longstocking. I saw myself in her because she was such a tomboy! She was also bold and outspoken, two qualities I wish I had, as I was a very shy child. I also loved Wilbur the pig from Charlotte’s Web. He was so sweet and humble. I always thought he had the characteristics of a good friend. As an adult, one of my favorite characters is Katniss Everdeen from the Hunger Games series by Suzanne Collins. Katniss was a brilliant mix of strength, determination, and resilience, combined with compassion and kindness.


Huge thank you to Terry for stopping by Critter Lit today! Congrats on your new book!


TERRY PIERCE is the author of twenty-six children’s books, including Eat Up, Bear! (Yosemite Conservancy), Love Can Come in Many Ways (Chronicle Books), Mama Loves You So (Little Simon) and Soccer Time! (Random House). She has an MFA in Writing for Children & Young Adults from Vermont College of Fine Arts, including Picture Book Concentration certification. She's been writing since 1999; with her work appearing in children's and parenting magazines, and the children’s book market. Terry also teaches online children’s writing courses for UCLA Extension Writers’ Program. She lives in the mountain community of Mammoth Lakes, California where she can be found writing, enjoying the outdoors, or watching wildlife from her living room. To learn more about Terry, please visit her website at https://www.terrypiercebooks.com.

FOR MORE INFORMATION about Terry follow her online:

Facebook: @TerryPierceAuthor

Twitter: @terrycpierce

Instagram: @tlcpierce

ORDER THIS BOOK To order a copy of HELLO, MEADOW! click here.

WIN A COPY! Want to win a copy of HELLO, MEADOW!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 29th! US addresses only please.

Interview with Author Emma Pearl

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Friday Critters! Today we have an interview with author Emma Pearl who is with us today all the way from New Zealand! I’m thrilled to have Emma with us today to talk about her writing process, start in publishing, and new book, MENDING THE MOON, illustrated by Sara Ugolotti, which came out with Page Street Kids this past November.

So without further ado, please welcome Emma Pearl!

Where do you live?

New Zealand – in a tiny rural community in Taranaki (in the west of the North Island), but I grew up in England and have spent most of my adult life either traveling or ping-ponging between the UK and NZ.

When did you know you wanted to write picture books?

I’ve always written stories. Roald Dahl was my great uncle (and dedicated The Twits to me when I was 7 years old!), so I had plenty of inspiration to become an author! I worked in children’s publishing for a while in my twenties and that reinforced my love of children’s literature, but it wasn’t until I had my own kids that I really began to focus on writing it. I also write middle grade and young adult novels – it just happened that a picture book text was the first one to be picked up by a publisher.

 Tell us about your road to publication, what did that involve for you?

I began writing seriously in 2017, learning the craft and connecting with a wonderful online writing community. I started out writing a YA novel and then an MG, with a smattering of picture book manuscripts in between. I was selected as a WriteMentor mentee in 2020 for my MG novel and that was a huge confidence boost as well as a great learning experience. In October 2020, I entered #PBPitch and got a like for one of my picture books from Kayla Tostevin at Page Street Kids. We did a few rounds of revisions before I received an official book deal. It was all very exciting and unexpected, and I was so humbled and grateful. But it also felt a bit back-to-front – a book deal before I found an agent? I wasn’t sure how to deal with that and imposter syndrome was very real! But I kept plugging away – I focused on picture books in 2021, wrote many more texts and got a second book deal with the same publisher. I was also a WriteMentor mentor in 2021 and 2022 – a joyous experience where I learnt just as much being on the other end of the process. I wrote another YA novel towards the end of 2021 and signed with my agent in June 22. The novel is about to go out on submission!

 Can you share a bit about your process?

I write as often as I can, and I manage to squeeze in at least a couple of hours most days, although it’s not always writing per se – there’s so much peripheral stuff to do and never enough time! I have many different projects on the go at any one time, but when I’m in novel-writing mode I try to focus on that one thing until the first draft is completed.

 What do you do to shake the rust off or get new ideas?

I already have far too many ideas to turn into stories in one lifetime, thanks to many years of collecting them. I also have many projects that I’ve started but not finished, so if ever I feel rusty or lacking in inspiration I just read through my files until something shouts WRITE ME! If you’re struggling to generate new ideas, I recommend Tara Lazar’s Storystorm – it really helps to tune your mind into seeing story ideas everywhere.

 Anything you can’t live without while you write?

A keyboard. I often write notes by hand but the actual drafting has to be done on a computer of some kind. When I’m ‘in the zone’, the words flow from my fingers almost automatically, but that doesn’t happen when I’m writing by hand.

 Any authors and/or illustrators who inspire you?

Pat Zietlow Miller is a masterclass of picture book writing – I’ve learnt so much just by reading her texts. I also love Joanna Ho’s writing, Tom Percival’s books, Deborah Marcero and the O’Hara sisters.

 Tell us about your debut book.

Mending the Moon is the story of a little girl called Luna who sees the moon fall out of the sky one night. She drags her grandfather Poppa out of bed and they go out into the mountain forest where shattered pieces of the moon are glowing in the dark. They try to fix it together, but they need help from the animals before they can repair the moon and get it back into the sky. It’s beautifully illustrated by Sara Ugolotti, who has given it a truly magical setting and atmosphere.

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

Interior art from MENDING THE MOON by Emma Pearl, Illustrated by Sara Ugolotti published by Page Street Kids

 What’s up next for you?

Another story with the same characters will be published in September. In Saving the Sun, Luna, Poppa and the animals on the tropical island where they’re on vacation have to rescue the sun after it gets too hot and decides to go for a dip in the ocean. Sara’s illustrations are stunning again, with the warm summery vibes perfectly complementing the cold wintery mood of Mending the Moon. I’m so thrilled with how it’s turned out and can’t wait to share it!

 I also have a YA novel about to go out on submission, so will be tightly crossing my fingers and toes for that.

 And last, but not least, who is your favorite children’s book character?

I think it has to be Matilda. I’ve always felt a great affinity with her for many reasons (not least that I think my great uncle may have based Miss Trunchbull loosely on one of my teachers!). Matilda is such an inspirational, strong female character – she’s clever, kind and brave. And of course, she’s a bookworm, which may be the reason for her extraordinariness and also makes her very relatable (to me anyway!).



Huge thank you to Emma for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see SAVING THE SUN!


EMMA PEARL has written stories for as long as she can remember. She grew up in the UK, traveled the world and now lives with her family in New Zealand. Mending the Moon (illustrated by Sara Ugolotti, published by Page Street Kids) is her debut picture book. The sequel Saving the Sun will be published in September 2023. Emma also writes middle grade and young adult, is a WriteMentor picture book mentor, freelance editorial consultant, and is represented by Sera Rivers at Speilburg Literary. 

 FOR MORE INFORMATION follow Emma online:

Website: emmapearlauthor.com

Twitter: @emmspearl

Instagram: emmspearl

Mastodon: @emmspearl@mastodon.nz

BUY THIS BOOK To purchase a copy of Emma’s book, click here.

WIN A COPY! Want to win a giveaway copy of MENDING THE MOON?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 9th! US addresses only please.

Interview with Author Jocelyn Rish

Authors, InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with author Jocelyn Rish to celebrate the release of her newest book, BATTLE OF THE BRAINS: THE SCIENCE BEHIND ANIMAL MINDS, illustrated by David Creighton-Pester, published by Running Press Kids, which just came out this week! I’m thrilled to have her with us today to chat about her road to publication, writing process, and new book.

So without further ado, please welcome Jocelyn Rish!

Where do you live?

I’m a southern gal, living outside of Charleston, SC.

How many years have you been in publishing?

I started writing seriously about fifteen years ago, but I didn’t get an agent and book deal until four years ago. 

How did you first get published?

My first time getting published was actually a short story called Saying Goodbye that won the South Carolina Fiction Project in 2008 and was published in Charleston’s newspaper. I later won a grant to turn it into a short film (https://www.sayinggoodbyemovie.com/).

My first published book was BATTLE OF THE BUTTS, and it was a pretty typical publishing path. Once I wrote and revised it, I queried a bunch of agents and then refreshed my email every thirty seconds while I inhaled chocolate. I happy danced around the house when I got several offers. After signing with Tracy Marchini, we went on sub, and then I legit cried with joy when Running Press Kids acquired it. Even though the journey for BUTTS specifically was pretty short, I’d been trying to get a book published for a long time, so I was thrilled my dream was finally coming true.

Do you write full-time?

Yes, if hours of procrastination counts as writing full time!

What inspires you to create picture books?

I always thought of myself as a YA writer, and it’s what I wrote for years. But then I started tutoring with Reading Partners, which helps elementary students who struggle with reading. I loved seeing how spellbound the kids were by the picture books we read together, and it made me want to be part of creating that magic. Now my conversations with them spark story ideas and topics to investigate. 

What surprised you the most working as an author?

You always hear that publishing is slow, but I was still surprised by just how slow it is. It took two and a half years after BUTTS was bought for it to be published. I wasn’t even allowed to make a public announcement about it until almost a year after it was acquired! Having to hold in the fact that my publishing dream had finally come true for that long almost made me explode!

What is your favorite thing about being an author?

I get a goofy grin on my face every time I hear kids giggling as they read or listen to BUTTS. And it’s so gratifying when they quote fanny facts because not only did I entertain them, I taught them something, too!

What do you find difficult working as an author?

As a life-long control freak, I really struggle with how much of publishing my books is out of my control. It’s a very subjective industry, so even if I write a book that’s strong on craft, that doesn’t mean any editors will want to buy it. If they do buy it, most decisions about it are out of my hands. Then publicity and marketing are a crap shoot in today’s market, and there is very little an author can do herself to move the needle on sales. So I can write the best book I’m able to write, but then after that it’s pretty much out of my control, and that’s hard and scary for me.

What do you do to shake the rust off or get new ideas?

I’ve subscribed to several science newsletters, like National Geographic and The Scientist. Reading studies and discoveries about animals gives me so many ideas for books, both nonfiction and fiction.

Anything you are habitual about when it comes to creativity?

Does scrolling Twitter count? That may seem like a flip answer, but BUTTS was inspired by a meme about farting manatees I saw on Twitter late one night. And another project I’m working on was inspired by something I saw on science Twitter. Plus, reading tweets from fellow writers motivates me and encourages me to put my booty in my writing chair. 

Can you share a positive experience you’ve had in the Kid Lit community?

I’ve had so many wonderful experiences in the Kid Lit community – it’s a generous and supportive network. But my favorite experience was creating a FB group called Transmedia Mutts (https://www.facebook.com/groups/transmediamutts). I started it to help people with their Twitter pitching, and I worried no one would join, but the pack has grown and grown over the years. And while we still help each other with pitching, it’s a lovely community that gives advice and encourages each other.

Recommended reading?

I’m in two different picture book groups, and all the books written by the members are wonderful. I’d highly recommend any of the books from The Picture Book Scribblers (https://bookshop.org/lists/picture-book-scribblers-releases) and 21 for the Books (https://bookshop.org/lists/21-for-the-books-releases).

What has been the highlight of your career thus far?

The day two big boxes from Hachette showed up on my porch last year was amazing. I seriously started shrieking and tearing up and could barely calm down enough to bring them inside. Then cutting the box open and seeing my books in the flesh? Pulling one out and feeling the weight of its reality? Flipping through the delightful pages of animal butts? Literally holding years worth of dreams and effort in my hands? It was so incredible! 

What is something you wish someone had told you when you first started writing?

I wish someone had told me that I could approach nonfiction with the wonder of kids learning facts rather than a dry academic voice. I heard early on that publishers were hungry for nonfiction, so I took a few tentative stabs at it. But the NF I read as a kid was dry and teachy, so that’s how I wrote it, and of course failed spectacularly, Therefore, I didn’t NF was an option for me and didn’t try again for years. But once I realized I could write it with a “wow, isn’t this cool?” voice and humor, I finally found my niche. Took me long enough!   

Can you tell us about your newest book?

BATTLE OF THE BRAINS is about ten animals that do some pretty incredible things with their minds. It follows the same rating and judging format as BATTLE OF THE BUTTS, but this time it’s focused on the front end rather than the back end. I selected animals that each exhibit a different type of cognitive skill (from the talking of African Gray Parrots, to the memories of elephants, to the total weirdness of octopus brains) in order to show that intelligence comes in many different forms. I learned so much as I researched and wrote, and I hope kids enjoy learning about these clever critters, too. 

Interior art from BATTLE OF THE BRAINS written by Jocelyn Rish, Illustrated by David Creighton-Pester, published by Running Press Kids

What’s up next for you?

I have a secret NF project I’ve been dabbling with on and off, but I’d also like to try getting a fiction PB published. My first love is scary stories, so I’ve been sketching out a PB about something creepy in the attic. 

Anything else you’d like to share with aspiring authors and illustrators?

I always tell writers to experiment! Try different genres and formats and age groups. I really wanted to be a YA novelist, but all my successes have come from branching out and trying new things (short stories, screenwriting, NF PBs). So go play around with your words! 

And last, but not least, favorite 80s movie?

This is too hard! There are so many totally tubular movies from the 80s! But the one I’ve watched the most and can quote for almost any occasion is The Princess Bride.

Thanks for having me on Critter Lit!


Huge thank you to Jocelyn for stopping by Critter Lit today! Congrats on your new book!


JOCELYN RISH is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her first book was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her second book, BATTLE OF THE BRAINS, is about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her dog.

FOR MORE INFORMATION about Jocelyn Rish, visit her online or follow her on social media:

Instagram: https://www.instagram.com/jocelynrish/

Twitter: https://twitter.com/JocelynRish

Facebook: https://www.facebook.com/JocelynRish.Author

BUY THIS BOOK To purchase Jocelyn Rish’s books, click here.

WIN A COPY! Want to win a giveaway copy of BATTLE OF THE BRAINS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, November 17th! US addresses only please.

Interview 2 with Author Brooke Hartman

Authors, Interviews, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have a follow-up interview with picture book author Brooke Hartman! I love getting the opportunity to check in with authors and illustrators after their debut has come out to hear all about their experiences in publishing. Brooke stopped by Critter Lit in December 2020. You can read her first interview with us here.

So without further ado, please welcome back Brooke Hartman!

It’s great to have you back on Critter Lit! We can’t wait to hear all about what you’ve been up to since your last visit!

Tell us about your latest book:

The Littlest Airplane, illustrated by John Joseph, is a nonfiction STEM title wrapped in a fun, fictional story about a bush plane who doesn’t feel his own self worth—he isn’t brawny like the cargo plane, fast like the jet plane, or nimble like the turbo prop plane—until he realizes his unique features enable him to complete a very special task. 

Interior art from THE LITTLEST AIRPLANE by Brooke Hartman, Illustrated by John Joseph, published by Alaska Northwest Books

Interior art from THE LITTLEST AIRPLANE by Brooke Hartman, Illustrated by John Joseph, published by Alaska Northwest Books

Interior art from THE LITTLEST AIRPLANE by Brooke Hartman, Illustrated by John Joseph, published by Alaska Northwest Books

Last we spoke you had released your debut book. Can you share some of your experiences since your first book came out? How are things different? How are they the same?

The Littlest Airplane is now my third title, with five more books launching over the next year, and can I just say that I never (ever, ever) thought I would get to this point in my writing career! Landing that first publication contract was a dream come true, but since then I’ve learned a LOT, not only about the writing process, but the publishing and marketing aspect too. There’s so much more to a “book making gig” than you can ever imagine until you’re up to your elbows in it!

What do you find inspiring right now?

The vast amounts of fun, educational, and uplifting KidLit releasing into the world. The pandemic brought this industry to a slow crawl, and books launched during the height of COVID, including one of my own books, suffered due to lack of in-person events and promotional opportunities, but I feel like everyone—authors, readers, and publishers alike—are truly making up for that now. Books are flying off the shelves, including The Littlest Airplane (haha)!

What has surprised you the most about working as an author?

How much marketing and publicity an author has to do on their own to enable their book to thrive. In the ‘olden golden days’ of publishing, authors went on extended paid book tours involving stretch limos and champagne receptions (that’s how I imagine it… don’t burst my bubble!), but now even bestselling authors have to rely on themselves to do much of their own promotion, from social media and web design, to arranging blogs and scheduling events. You have to wear a dozen hats and balance them all on your head at once.

What is your favorite thing about being an author?

The kids who love my books. Finding out a reader enjoyed your story is simply the best feeling in the world. 

What do you find difficult working as an author?

Rejection. You’d think at some point a published author wouldn’t feel the sting of rejection anymore (whether from a publisher, a reader, or sometimes your own agent!), but it still hurts all the same. I’ve combated this with trying to stay focused on books I have out or my next project, but it’s still hard to get past those ever-present “No’s.”

Anything you are habitual about when it comes to creativity?

I do love me a good coffee shop to write in. Something about being away from my own house (and the pile of laundry, and kids asking for snacks, and closet that needs organized) helps me focus on the creative process. My neighborhood Starbucks jokes that they’re going to have my name engraved into “my” table one day!

Can you share a positive experience you’ve had in the Kid Lit community?

There are too many to count! The KidLit community is so supportive of one another. I’m currently in a 2022 picture book marketing group called the PB RockITeers (get it?), and we’re constantly sharing Tweets and Instagram posts or reviewing one another’s books in an effort to lift up each other and our forthcoming projects. But I feel this support extends far beyond KidLit to the writing community, in general. 

Recommended reading?

My girls and I love just about anything from Josh Funk, Brian T. Higgins, Deborah Underwood, and Aaron Blabey, but occasionally we’ll pick up a fun nonfiction or nonfiction crossover, like Jocelyn Rish’s Battle of the Butts.

What is something you wish someone had told you when you first started writing?

Join SCBWI, get a critique group, and go to writing conferences and workshops TODAY! Do not finish your manuscript first or wait until you think it’s perfect, because there are so many facets of your story you won’t even consider until someone else (or lots of someone elses) lay eyes on it. 

What’s up next for you?

I have one more title releasing this year, and four more releasing in 2023: Watch Out for the Lion (Page Street Kids), All Aboard the Alaska Train (West Margin Press), Klyde the Kraken Wants a Friend (Hazy Dell Press), and Little Narwhal Lost (West Margin Press). I’m a little nervous about launching so many books in one year, but I keep reminding myself this is my dream! Aside from that, I have a few projects out with submission through my agent right now, so fingers crossed that dream will continue in 2024 and beyond.

Anything else you’d like to share with aspiring authors and illustrators?

Don’t spend too much time on one project. It’s okay to bounce around a little and let projects simmer for on the backburner. When you pull them out again, you’ll be able to look at them with fresh eyes and maybe even fresh ideas!

And last, but not least, favorite book character?

Seriously you want me to pick ONE? You are cruel. If I was forced to choose just one, it’d result in an epic battle between Gaudior the winged unicorn from A Swiftly Tilting Planet and Penelope the T-Rex from We Don’t Eat Our Classmates. I’m not sure who would win, but I’d pay serious cash for tickets to that fight.


Huge thank you to Brooke for stopping by to visit with us again! Congrats on all your upcoming books!


BROOKE HARTMAN is an Alaskan mom and award winning author of silly, serious, and sometimes strange stories for children and young adults. Forthcoming titles include Klyde the Kraken Wants a Friend (2020, Innovation Press), Pega Sisters! (2022, Page Street Kids), and The Littlest Airplane (2022, WestMargin Press). When she isn’t writing, you can find her fishing, flying, and having fun with her family, enjoying all the magic Alaska life has to offer.

FOR MORE INFORMATION about Brooke or her work, visit her online, or follow her on social media:

Twitter: @BrookesBooksAK

ORDER THIS BOOK To order a copy of THE LITTLEST AIRPLANE, click here.

WIN A COPY! Want to win a copy of THE LITTLEST AIRPLANE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 7th! US addresses only please.

Interview with Author + Illustrator Amalia Hoffman

Authors + Illustrators, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have a wonderful interview with an author and illustrator with fifteen years of experience in kidlit! I’m thrilled to have her with us today to talk about her newest book, MASHA MUNCHING (Yeehoo Press), her road to publication, and experiences in kidlit.

So without further ado, please welcome Amalia Hoffman!

Where do you live?

Larchmont, NY.

How many years have you been in publishing?

15 years.

How did you first get published?

I wrote a story and created a book dummy with a color cover and three finished interior pages. I really didn’t know what to do with it and how or where to send it. Then I met someone who told me about the Society of Children’s Books Writers & Illustrators (SCBWI). I joined the society and went to a mini local conference. There I met people who told me about the SCBWI conference in LA. I flew there and took a couple of classes.

I started sending my dummy to agents. I didn’t get an agent but I sent it to those publishers who accepted non-solicited submissions.

It was a lot of work, but I learned how to write a query letter and eventually I got a “Yes!” from a publisher, located in Israel that published children’s books in English. I have a lot of family in Israel so while I was there; I visited the publisher (Gefen Publishing) and signed my first contact.

Do you write/illustrate full-time?

At this point, it’s almost full time. I do other things related to publishing, such as promotions, presentations etc. so that takes some time of my day as well.

What inspires you to create picture books?

For me, creating children’s books is almost like going back to my own childhood, remembering what I did and thinking about when I was a child.

Also, for many years I worked as a visual merchandiser. I created fantasy store windows for big stores in NYC. Kids used to stare at the window and I felt like, in a way, I was creating stories for them so I was inspired to write books.

What surprised you the most working as an author/illustrator?

I was most surprised when I started presenting my books to kids. I realized how perceptive they are. Kids notice the tiniest details in a book  illustration.  

What is your favorite thing about being an author/illustrator?

Spending time with kids and feeling like I’m enriching their lives.

I also love sitting on a rock by the sound in my neighborhood and letting my imagination loose. I feel like a kid and that’s a most wonderful feeling.

What do you find difficult working as an author/illustrator?

Like most authors and illustrators, I often have to wait months before hearing back from a publisher.

Editors are very busy and they can’t look at every submission right away. But I’m aware of the fact that this is part of the business.

What do you do to shake the rust off or get new ideas?

I walk a lot and always end up in that wonderful park by the water. Sometimes I actually fall asleep. The Wi-Fi doesn’t work well in that area and that’s a blessing because I am completely detached and my mind opens up to new ideas. 

Anything you are habitual about when it comes to creativity?

Every time I start a new project I clean up my studio and wipe up my work surface. This habit helps me to charge my creative battery and move on to something new and, hopefully, exciting! 

Can you share a positive experience you’ve had in the Kid Lit community?

I have had many wonderful experiences in the Kid Lit community. I met incredible talented, amazing and caring folks. I had a great time at the SCBWI conferences where, before the pandemic, everyone showed up one night, dressed up in costumes. Some costumes were so creative and memorable. Everyone at the hotel was dressed in business attire and the SCBWI members showed up in feathers, sequins, beads, you name it. 

Recommended reading?

Stories by Sholem Aliechem.

What has been the highlight of your career thus far?

I can’t think of one highlight. When I receive a box of any of my new books and smell the fresh ink and see my illustrations in a new book, I feel elevated. After working on a book or so long, it’s always a highlight when I see them for the first time.

What is something you wish someone had told you when you first started writing/illustrating?

I wish someone had told me to be tough and not to fall apart at every rejection.

Can you tell us about your newest book?

Masha the goat is tired of eating the same boring farm food every day. She says goodby to her beloved friends and sets off on her search to find something else to eat.

Along the way, Masha discovers a wonderful restaurant where the waiter welcomes her in.

But Masha’s choices of “delicious foods” and her  behavior doesn’t seem to be appropriate for restaurant dining. Masha realizes that everything is tastier when shared with good friends and the freedom to behave like a goat. She returns to the farm and delights her friends by using her experience at the restaurant to make new dishes for them.

The theme of the book is that sometimes, we need to explore outside of our own limited horizon, only to discover that home is where we feel the most comfortable and safe.

Masha is curious. She needs to leave her beloved friends in order to find out what’s out there. Her journey is one of discoveries and struggles along the way.

At the end, she chooses to go back home but the story makes it clear that the journey was well worth it.

Masha has gained knowledge that she can put to good use. Now, she can enrich her friends’ life by using her experiences at the restaurant and making new dishes from that wonderful basic ingredient—hay!

MASHA MUNCHING, by Amalia Hoffman, Chinese Edition, Yeehoo Press

What’s up next for you?

Besides Masha Munching, I have two other books launching in 2022 and I’m working on another story that was just acquired.

Anything else you’d like to share with aspiring authors and illustrators?

Stay true to yourself! Don’t write what you think will sell, because truth is, no one really knows what will sell. If you’re an illustrator, don’t try to mimic someone else’s style. 

And last, but not least, favorite 80s movie?

9-5.


Thank you to Amalia for stopping by Critter Lit! Congrats on Masha!


AMALIA HOFFMAN is an author, illustrator and storyteller. She grew up in Jerusalem, Israel. She now resides in Larchmont, NY.

FOR MORE INFORMATION, visit Amalia’s website or follow her on social media:

Facebook: @Amalia.Hoffman.5

Twitter: @AmaliaHoffman

Instagram: https://www.instagram.com/hoffman.amalia/?hl=en

BUY THIS BOOK To order MASHA MUNCHING, click here.

WIN A COPY! Want to win a copy of MASHA MUNCHING and MY MONSTERPIECE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 10th! US addresses only please.

Interview with Author Susan Lendroth

Authors, InterviewsLindsay Ward11 Comments

Happy Thursday Critters! Today we have an interview with author Susan Lendroth, whose newest book, PIPER AND PURPA FOREVER, illustrated by Olivia Feng, just released this month with Yeehoo Press! I adore the cover of this book— it makes me want to snuggle up and read. I’m thrilled to have Susan with us today to share her road to publication, process, and Piper!

So without further ado, please welcome Susan Lendroth!

Where do you live? 

Southern California.

How many years have you been in publishing? 

My first picture book came out in 2005, so 16 years from that date or 19 years if you count from when I began writing PB in 2002.

How did you first get published?

I sold a book on my own to Tricycle Press, which was an imprint of Tenspeed. It no longer exists because Tenspeed was acquired by Random House, but there are other smaller presses out there who give unagented authors a chance.

Do you write full-time? 

No, with a book released every couple of years, I also work full time for the Los Angeles Public Library.

What inspires you to create picture books? 

I love the final product! I love trying to find the essence of a story and editing away the extraneous bits. Even if it's not in verse (which I have a terrible tendency to write), a PB is very much like a poem, sparing of words, but often rich in feelings. Plus, an artist draws picture for it, which is the icing on the cake for me.

What surprised you the most working as an author? 

Until you try writing story arcs that conclude in a few hundred words, you do not realize how tough a challenge it can be.

What is your favorite thing about being an author? 

From my standpoint as an author, one of my favorite aspects is seeing for the first time how the illustrator envisions the story.

What do you find difficult working as an author? 

That only a few stories I have written will enter the publishing chrysalis and emerge as that winged wonder we call a book. Many manuscripts never find the right publishing home.

What do you do to shake the rust off or get new ideas? 

Every time I think of an idea -- even if it is only the smallest wisp of one -- I whip out my phone and email it to myself. Those ideas now comprise a very long potential story list. And if I look at that list, and none of those ideas feel ready to germinate, I sometimes just let my mind dance all over the place to see if there is some other idea ready to surface that feels like the right match for the moment.

Anything you are habitual about when it comes to creativity? 

Editing. And editing again. And again. And again. That may sound counterintuitive, since we associate creativity with the juices flowing and editing as snipping and paring. But editing, really strong editing, burnishes the story so that the imagination and creativity shine through.

Can you share a positive experience you’ve had in the Kid Lit community? 

I have spent half my career submitting on my own and half with an agent. When submitting on my own, some kind editors still read my unagented work even when their publishing house policy stated no unsolicited manuscripts.

Recommended reading? 

Rain Before Rainbows by Smriti Prasadam-Halls. Beautiful PB with amazing illustrations by David Litchfield. When I read what they created, I feel more creative myself.

What has been the highlight of your career thus far?

I'm glad you added the words "thus far" as I like to think there are highlights (plural) still to come. But I did find it exciting when my book HEY HO, TO MARS WE'LL GO was read by an astronaut on the International Space Station for Story Time from Space. 

What is something you wish someone had told you when you first started writing?

Enjoy your moments, whatever they are, such as seeing your book in a bookstore for the first time or having someone ask you to sign a copy. Don't compare your success to the greater fanfare you think someone else is receiving. Enjoy YOUR moments!!

Can you tell us about your newest book?

PIPER AND PURPA FOREVER, illustrated by Olivia Feng, is about a little girl named Piper whose constant companion for years is her favorite purple sweater. Piper finds it in a box of hand-me-downs at age 2, and simply falls in love, saying "purpa" because she can't yet pronounce the word "purple." Knowing how attached my own kid was to her lovey, I found the humor in Piper's determination to hold fast to a sweater that has become far more than a piece of clothing. But inevitably the day comes when Purpa no longer fits, and Piper must find a way to let go while still holding on to an old friend.

What’s up next for you?

I hope that I will have news to share in the near future about a new project. 

Anything else you’d like to share with aspiring authors and illustrators?

Study the craft and you will be far ahead of the curve with your submissions. Join the Society for Children's Book Writers and Illustrators (SCBWI) to read what they have to offer and attend some of their events. Subscribe to Publishers Weekly's free children's newsletter to see what titles editors are buying RIGHT NOW (not 20 years ago) and to read articles about the industry. Study interviews with editors and agents and authors -- like this one! And, of course, read recent picture books. Read them at the library, and buy a few you find inspiring. Not only will you be supporting the children's writing community -- and your local bookstore -- but you will also always have on hand books you admire to spark your own creativity. And, finally, learn what to say and what NOT to say in a cover letter.

And last, but not least, favorite 80s movie? 

"Star Trek IV" when Kirk and crew go back in time (coincidentally to the 1980s) to save humpback whales and Earth's future. It is a funny, funny movie, so even if you are not a Star Trek fan -- though how could you not be?! -- it's an enjoyable romp. 


Huge thank you to Susan for stopping by Critter Lit today! Congrats on your new book!


Susan Lendroth’s picture books range from science to history to children finding their place in the world because she loves science and history and is still finding her own place in the world! She has nine published PB with her most recent, PIPER AND PURPA FOREVER!, inspired by her kid's childhood love of purple. Susan works for the Los Angeles Public Library and devotes her spare time to a needy cat named Kitten.

FOR MORE INFORMATION, follow Susan on social media:

facebook/susanlendroth

Instagram: @susanlendroth

BUY THIS BOOK To order PIPER AND PURPA FOREVER, click here.

WIN A COPY! Want to win a copy of PIPER AND PURPA FOREVER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, March 3rd! US addresses only please.

Interview with Author and Illustrator Carolina Farías

Authors + Illustrators, Interviews, Vet InterviewsLindsay Ward3 Comments

Happy Thursday Critters! Today we have an interview with an author and illustrator, whose newest book, CHAMELEON CAN BE, came out this past fall with Yeehoo Press. I love Chameleon and all his friends and the message of the book is wonderful! The art is brilliant, bright, and charming and I can’t wait to share this fantastic book with you all!

So without further ado, please welcome Carolina Farías!

Where do you live?

I live in La Plata, Argentina, home of the beautiful National University of La Plata, 40 minutes away from Buenos Aires. 

How many years have you been in publishing?
I have been working in children's illustration and editing books for nearly twenty years. 

How did you first get published?

My First book was “En el Principio”, an adaptation of the Bible for kids. The main difference is that the story takes place in the room of Paco, a little kid whose mother is in charge of the Creation of the world that surrounds him. The book took two years of hard work and I had the privilege to work with the amazing art editor Daniel Goldín and be published by the “Fondo de Cultura económica”. 

Do you write and illustrate full-time?

Yes, I do! And I also find the time to give classes both at the faculty and the high school of art in La Plata. I find teaching very inspiring and motivating for my daily illustration work.

What inspires you to create picture books?

Inspiration can strike at any time and anywhere, any moment in everyday life. Perhaps something that is visually interesting lights a spark, so I take a photo to reference later. My love and constant research on illustrated books also drives my work. There is a part of me that still enjoys going into those worlds contained within the pages of those beautiful books I used to read when I was a little girl.

What surprised you the most working as an author/illustrator?

The mere notion of working as an illustrator was a novelty to me!

I was fortunate enough to attend one of the best universities in the country and get a degree in fine arts, but I never thought as time went by that children's illustration was going to be the perfect place for me.

What is your favorite thing about being an author/illustrator?

I love telling good stories, and one way of achieving that is finding interesting characters. I take my time to give my characters some distinctive personality. It is funny because I try to get in their shoes and imagine what they are thinking or feeling, even if they turn out to be a dog or a lion!

As a teacher in illustration it’s great to interact with the kids and explore their imaginations. It’s amazing how unusual and interesting some of their ideas can be. I try to encourage them, especially the ones who think that they can’t draw. They are usually the ones who don’t come up with the obvious stuff.

What do you find difficult working as an author/illustrator?

Finding focus! There are so many options and so much work to do that sometimes you just have to force yourself to stop and take things slowly.

I’m very passionate about my work. Sometimes I get so many ideas floating around that I have to take a thousand notes, and filtering them to get the best ones is sometimes a really tedious task.

What do you do to shake the rust off or get new ideas?

Most ideas start small so the most important thing is to know that we shouldn't rely on an ideal ´eureka´ moment or a rush of sudden inspiration. Instead,  ideas are to be found in our everyday activities and in the most random things we stumble upon in life.

When working on a book I always reflect on my own childhood memories, how I was feeling and reacting to the world around me. As a child, the only place where I felt safe and useful was in front of a blank sheet of paper. 

Anything you are habitual about when it comes to creativity?

Although inspiration can strike anytime and anywhere, I play my part to create my ideal setting: random local coffee shops where to sip some cappuccino and enjoy chocolate cake. I usually make some notes and tuck them away. Then one day in the future a new story may begin to emerge. All the best ideas need time to brew by themselves.

Can you share a positive experience you’ve had in the Kid Lit community?

I love being able to share different experiences with colleagues. It’s always great to have another perspective and a different look regarding the same issues we encounter in our everyday work on an illustration. It’s wonderful to get so much help and support! 

Recommended reading?

I have all of my favourite books here on the shelf of my studio. I love Argentinian Cartoonist and Illustrator Carlos Nine and I collect everything published by Quino. His humor and illustrations are amazing. I’m completely obsessed by his work!

What has been the highlight of your career thus far?

I think interacting with young students is always a joy. Apart from that, I would say that I loved working for the movie Where the Wild Things Are based on the books by Maurice Sendak and collaborating with Grandmothers of the Plaza de Mayo (Abuelas de Plaza de Mayo), an Argentine human rights organization with the goal of finding the children stolen and illegally adopted during the military dictatorship of the late seventies.

And of course my last book Chameleon can be has also been one of the most fulfilling experiences I’ve had. 

What is something you wish someone had told you when you first started writing/illustrating?

Such a big question. I think it’s important sometimes to broaden your influences. It is fine sometimes to put aside picture books and start looking for inspiration in the work of writers, artists and directors who may not have much to do with illustration! 

Can you tell us about your newest book?

Chameleon Can Be came to life in a very small room while having a session with my therapist. I was opening up to her and expressing some concerns I had about one of my kids, when she suddenly said something that has stuck in my head ever since: "Well, she will have to find out who she wants to be"

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

I carried that phrase with me for the next few days. I started working on a short word list. English is not my native language, but some words sounded perfect for what I had in mind: CAN BE… CHAMELEON…BEAUTIFUL …FLOWER… FRIENDS… and with those concepts in mind I started doodling on my iPad. 

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

At some point I sketched this very messy drawing of a Chameleon as a beautiful flower. I really liked it, so I drew it over and over. Then some other characters came up: a ladybug, a bee and a frog. Chameleon and his friends were born!

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

Interior art from CHAMELEON CAN BE by Carolina Farías, published by Yeehoo Press

I hope that kids and adults reading this book will fully enjoy the journey and take the trip to find out who they want to become.

What’s up next for you?

I have always been intrigued by writing about those romantic concepts that bring us together, such as love, kindness and connection. Currently I’m working on a book about the things that make us different, unique and special.

Anything else you’d like to share with aspiring authors and illustrators?

I think the best piece of advice I can give to someone starting out is to work really hard and follow your heart.  And always trust your gut!

And last, but not least, favorite 80s movie?

I can’t pick just one. I love Forrest Gump, E.T. and Back to the future!

If I stumble upon them on TV I can’t resist watching them until the very end.


Huge thank you to Carolina for stopping by Critter Lit today! Congrats on your beautiful book!


Carolina Farías is an award-winning author and illustrator of over 40 books. After receiving her bachelor’s degree in art, she began teaching at the University of Graphic Design and Visual Communication in La Plata. Her artwork is created using a variety of mediums with traditional and digital techniques. Carolina is part of the White Ravens 2008 list for the Bologna Book Fair, where she has also been selected to represent Argentina. She currently lives in La Plata, Argentina.

FOR MORE INFORMATION visit Carolina online: www.carolinafarias.com/ar

Instagram: instagram.com/fariasillos

BUY THIS BOOK To order CHAMELEON CAN BE, click here.

WIN A COPY! Want to win a copy of CHAMELEON CAN BE?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, February 24th! US addresses only please.

Interview with Author Julie Murphy

Authors, Vet Interviews, InterviewsLindsay Ward2 Comments

Happy Friday Critters! I know— it’s Friday not Thursday but we are here! And this week has been crazy! So although this post is a day later than our normal posting, today we have a fabulous interview with Julie Murphy, a trained zoologist and zookeeper turned author! I’m such a huge fan of books that focus on fascinating facts about animals and nature— my boys pour over books like Julie’s. I’m so happy Julie is with us today, all the way from Australia, to talk about her books (19 and counting!), road to publication, and experience in the publishing industry.

So without further ado, please welcome Julie Murphy!

Where do you live?

I live in Melbourne, Australia

How many years have you been in publishing?

My first book was published in 2008. That’s also when I joined the Society of Children’s Book Writers and Illustrators (SCBWI).

How did you first get published?

I had been writing and submitting picture book manuscripts for a couple of years, and receiving quite positive feedback but no offers to publish. Around 2007, I decided to approach education publishers for prospective work-for-hire, using my science background as a selling point to try and get my foot in the door. 

After hearing about a new local packager (a company that makes books to sell on to publishers) during a writing course I was attending, I wrote to them and crossed my fingers. I was fortunate to hear back within the week! By chance, one of their writers had just pulled out of a project at short notice, and they needed someone to step in right away. I was given the task of researching and writing a children’s non-fiction book (about nutrition!) in six weeks. Luckily, my science background trained me in how to effectively research scientific literature, which was very useful in meeting the strict deadline.

For anyone who doesn’t know, work-for-hire involves writing a book according to a specific brief provided by the packager or publisher. So, in this case, although the idea for the book wasn’t mine, the research and writing certainly was, and I was the attributed author.

This first book led to others, which allowed me to build a list of publications that led to finding work-for-hire with other publishers. That led to eventually getting my own manuscripts published. 

Do you write full-time?

No. Besides not earning enough from my writing, I learnt through the recent Covid lockdown that writing full-time would drive me crazy. I am happy writing part-time, and working part-time as an Education Officer who leads junior school groups through education programs at an urban farm. I find the mix of solitary writing and in-person teaching the perfect balance.

What inspires you to create picture books?

I am most inspired to write picture books about animals and nature because that’s what I am most passionate about. I am fortunate that the city where I live, Melbourne, has forests and beaches within a few hours’ drive. I love walking in nature, and find it an important way to stay centered in a hectic world.

Working in a big city, I meet many kids who lack a connection to nature. I aim through my books to inspire children to seek out nature for themselves, for their own physical and mental wellbeing.

What surprised you the most working as an author?

I think the fact that I never feel like a “real” author. “Imposter syndrome” sets in quite regularly, but in some ways it’s useful because I’m always learning and trying to write the best book I can.

What is your favorite thing about being an author?

I love the freedom the lifestyle fosters - that a walk in the park might lead to a new story; that my job is to be curious like a child, to play with words, and to turn a thought into something fun, uplifting, important or even profound that can be shared with children.

What do you find difficult working as an author?

It’s often difficult to work out that special hook that will bring a fresh approach to a well-known topic, to give an edge over existing books in the market about that topic.

Finding the right hook requires patience and persistence. (It needs a new angle, but not too new or publishers will run a mile.)

What do you do to shake the rust off or get new ideas?

I leave my computer and do something different – walk my dog, visit a friend, do some gardening, watch a movie or documentary, or go out into nature. Once I stop thinking about my writing, that’s often when new ideas or a fresh approach come along.

Anything you are habitual about when it comes to creativity?

That’s an interesting question, which seems a bit paradoxical at first because I believe that creative ideas cannot be planned or forced. But you are right! Once I’ve got the idea or spark, I need to habitually sit at the computer to get the hard work done - writing the manuscript.

My daily routine is to check emails and social media first (for no more than half an hour) before then starting work on a manuscript. This seems to get me into the right frame of mind to do the work.  

Can you share a positive experience you’ve had in the Kid Lit community?

The Kid Lit community is awesome! Your invitation to talk with you on the CritterLit blog is a wonderful example of the support and sharing that goes on. Thank you for having me here!

I must say that it took me a while to establish connections in the Kid Lit community because I’m basically an introvert. It’s easier for me to write a few sentences on Twitter than to talk person to person. However, my local SCBWI meetings were worth the initial awkwardness I felt at not knowing anyone. Through those meetings, I have found a tribe of like-minded, supportive friends and colleagues who attend each other’s’ book launches and help to spread the word of our new releases on social media.

Recommended reading?

For me, lots of picture books - fiction and non-fiction. You never know where the next idea will spring from, and it’s a great way to keep up with what’s being published, by which publishers, and to work out what (I think) works in a book and what doesn’t.

What has been the highlight of your career thus far?

While every step in my career has been exciting and beyond what I ever expected, the highlight is always the release of my NEXT book.

What is something you wish someone had told you when you first started writing?

Looking back, I think it may have been useful to have been forewarned how looooooong things take to happen in publishing. Persistence is truly as important as doing the writing.

Can you tell us about your newest book?

ODD BODS: The World’s Unusual Animals is a non-fiction picture book (with photos instead of illustrations) about how animals that look different from the norm are just as great at surviving as familiar-looking animals. ODD BODS was released in March this year through Lerner Publishing Group (Millbrook Press). It’s aimed at children K-3. 

Here’s the blurb:

Long snouts, bright-red lips, pointy heads,,,the animal kingdom is full of critters with unique features. Learn about the incredible adaptations that help these creatures – and their odd bods – survive and thrive around the globe.

What’s up next for you?

I’m expecting the release of MOUNTAIN PYGMY-POSSUM: A Tiny Survivor through CSIRO Publishing (Australia) in October 2021, covid permitting. It is a narrative non-fiction picture book about a year-in-the-life of the endangered (and ultra-cute) Mountain Pygmy-possum, which is a native Australian animal that lives in only one tiny region in Australia’s highlands. And this book’s illustrations are beautiful!

Anything else you’d like to share with aspiring authors and illustrators?

While it’s important to attend training and information courses to hone your skills, and to get critique feedback on your manuscripts from colleagues, it’s also good to trust in yourself. With the wealth of information out there, you’re bound to discover conflicting information and suggestions that contradict each other, or which don’t suit your way of working. That’s okay. Don’t force these opinions onto yourself – follow your gut. Because if you’re in it for the long haul, you HAVE to enjoy the ride!

And last, but not least, favorite 80s movie?

The Empire Strikes Back (1980).

In 1977, Star Wars rocked my world. (Yes, I was a kid then.) But then the three-year wait for its sequel (Empire) was excruciating. Fortunately, the wait was worth it. Empire was one of those rarities – a sequel that was even better than its predecessor.


Huge thank you to Julie for stopping by Critter Lit today! Congrats on all your fantastic books!


JULIE MURPHY was trained as a zoologist and zookeeper, and has been writing fiction and non-fiction books for around two decades. Her 19 picture books and information books about animals and nature have been published by Trade and Education publishers in the USA and Australia (where she lives). Several books have won or been short-listed for major awards, including the Wilderness Society Environment Award for Children’s Literature.

Julie is a member of the Society of Children’s Book Writers and Illustrators (SCBWI), the Australian Society of Authors (ASA) and the Children’s Book Council of Australia (CBCA), and volunteer as a reviewer for the CBCA’s Reading Time, www.readingtime.com.au.

Julie writes books to inspire young readers to become lifelong readers and conservation stewards. She hopes to encourage kids to be more curious about nature and to become motivated to experience the natural world for themselves - even a park or back yard will do!

FOR MORE INFORMATION about Julie, visit her online: www.juliemurphybooks.com

Or follow her on social media:

Twitter: https://twitter.com/juliekidsbooks

Goodreads: https://www.goodreads.com/author/show/157536.Julie_Murphy

BUY THIS BOOK To order Julie’s book, click here.

WIN A COPY! Want to win a copy of ODD BODS?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, October 28th! US addresses only please.

Interview with Author Charlotte Offsay

Authors, Debut InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with a debut author who has had her first TWO books come out this year, followed by a THIRD which will come out in March of next year! I’m thrilled to have her with us today to talk about her work, road to publication, and writing process.

So without further ado, please welcome Charlotte Offsay!

Where do you live?

I was born in England, grew up in Boston and now live in Los Angeles California with my husband and two young children, Eliana (7) and Thomas (5).

When did you know you wanted to write picture books?

I have always loved creative writing, but I didn’t pursue it for a long time and actually worked in corporate finance for a number of years before leaving to become a stay at home mother after my daughter Eliana was born. After my son Thomas was born, I joined a parenting group where the coordinator encouraged us all to carve out time for ourselves and do something just for us. Everyone chose something different, and I decided to sign up for Writing Picture Books for Children: A Beginning Workshop, via UCLA extension online. My children were tiny, and I didn’t have time to attend an in-person class, but an online class seemed manageable and I knew my instructor was right that I needed something outside of caring for my family that was just for me. I fell head over heels for picture books in that class, kept writing and taking classes and never looked back. 

Tell us about your road to publication, what did that involve for you?

I took my first picture book class via UCLA extension’s online program in the summer of 2017 and fell in love with all things picture book. From there I joined numerous groups such as SCBWI, 12x12 and Inked Voices and spent the next couple of years attending conferences, taking webinars, enrolling in online classes (Children’s Book Academy, Lyrical Language Lab etc.), as well as reading every picture book and craft book (Big Magic, Ann Whitford Paul’s Writing Picture Books etc.) that I could get my hands on. 

Through these various groups and classes I connected with my invaluable critique partners and wrote countless manuscripts. In early 2019 I found myself between agents and while waiting to hear back on outstanding queries, I looked around to see how else I could get my work seen. I decided to pitch How to Return a Monster in a twitter pitch contest called #PBPitch to see if I could drum up any agent interest that way. 

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I didn’t get any agent requests but to my delight I did get one from a publisher! Andrew DeYoung at Beaming Books liked my tweet/pitch and asked me to send him the manuscript. Shortly after I sent the manuscript over to Beaming Books, I signed with the wonderful Nicole Geiger at Full Circle Literary and we signed a contract with Beaming Books for How to Return a Monster a few months later!

Can you share a bit about your process?

Every manuscript I write seems to follow its own path but usually an idea crawls under my skin and won’t let me rest until I write and rewrite and have a completed crummy first draft. Now that my kids are a bit older, I tend to write in the mornings after dropping them off at school but as anyone with young kids knows, I have to be flexible and often find myself writing in the cracks (school pickup line) or after my kids are asleep. Once I have a draft that isn’t too embarrassing, I share it with my closest critique partners who have become my dearest friends. They help me to see what is and isn’t working and we go back and forth via email and phone until I feel ready to share it with my agent Nicole Geiger of Full Circle Literary. From there, Nicole and I figure out if there are changes that still need making, if there is a market for the story and where in our submission schedule the story should go.

What do you do to shake the rust off or get new ideas?

Personally, my best stories tend to come from the things that take up the most room in my heart. I tend to mine the emotions and events in my life that I am currently consumed with and try to write about those events or emotions through a child lens. If my well is feeling particularly dry, I like to go back through my old manuscripts to see if I can take a nugget from one of them in a new direction (POV, story structure, different characters etc) as well as reading as many new picture books as I can get my hands on. 

Anything you can’t live without while you write?

I prefer to write when it is quiet, and I have a good few hours all to myself. Coffee and chocolate have been known to make regular appearances during those times. That said, I have learned to make the most of the carpool line so nothing is a must!

Any authors and/or illustrators who inspire you?

SO many. Julia Donaldson is my hands down favorite picture book author - I think the woman is a rhyming story telling genius. My critique partners continue to inspire me with the incredible projects they keep producing – I won’t list them though for fear of leaving anyone out. I am also continually inspired by the incredible illustrators that I follow on Instagram via accounts such as @theillustrationstation and @illustration_the_best.

Dream project to work on?

A true dream project would be any manuscript that doesn’t fight back in the revision process ☺. 

Tell us about your new book.

How to Return a Monster is a humorous how-to story about a girl who can't believe it when her parents bring home a fussy, stinky, attention-stealing monster. She hatches a plan to send it back to where it came from, with hilarious results . . . and along the way, she learns that maybe monsters--and baby siblings--aren't so bad after all. 

It is illustrated by Rea Zhai and publishes with Beaming Books on September 7, 2021. 

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

Interior art from HOW TO RETURN A MONSTER by Charlotte Offsay, illustrated by Rea Zhai

What’s up next for you?

I am excited to share that my next picture book, A Grandma’s Magic, illustrated by Asa Gilland publishes on March 1, 2022 from Doubleday Books for Young Readers/Penguin Random House.

Description from my publisher: 

"When a child is born, a grandma is born too. Grandmas aren't like regular grown-ups. Grandmas are filled with magic."

In this charming picture book tribute to grandmas, a grandma's magic bursts through the door as soon as she comes to visit and can be seen in every wonderful thing she does: playing, exploring, baking, gardening, and in all the many ways a grandma and grandchild connect.

Filled with adorable scenes featuring a diversity of grandmas and their grandkids, this is a book that will families can enjoy together. Grandmas will love snuggling with their grandchildren as they share their love and "magic" through cuddles, kisses, and many repeat readings.

And last, but not least, favorite 80s movie?

Fun question! The Princess Bride!


Huge thank you to Charlotte for stopping by Critter Lit today! Congrats on all your wonderful books!


CHARLOTTE OFFSAY was born in England, grew up in Boston, and currently lives in Los Angeles with her husband and two small children. Through her work, Charlotte hopes to make children laugh, to inspire curiosity, and to create a magical world her readers can lose themselves in time and time again. 

Charlotte is the author of The Big Beach Cleanup, illustrated by Kate Rewse (Albert Whitman, 2021), How to Return a Monster, illustrated by Rea Zhai (Beaming Books, September 2021), and A Grandma’s Magic, illustrated by Asa Gilland (Doubleday Books for Young Readers, March 2022). 

FOR MORE INFO about Charlotte's work at charlotteoffsay.com and follow her on Twitter at @COffsay and on Instagram at @picturebookrecommendations. Charlotte is represented by Nicole Geiger at Full Circle Literary.

BUY THIS BOOK To order copies of Charlotte’s books, click here.

WIN A COPY! Want to win a copy of HOW TO RETURN A MONSTER?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, September 30th! US addresses only please.

Interview with Debut Author Anna Lazowski

debut interview, Interviews, AuthorsLindsay Ward5 Comments

Happy Thursday Critters! Can you believe it’s July already?!! I’m so excited about today’s interview because our author’s debut picture book is one that I’ve been waiting to come out for some time. I love the hook, concept, art, and humor! This book has it all! I’m thrilled to have her with us today and can’t wait for you to hear all about her hilarious new picture book, T. REXES CAN’T TIE THEIR SHOES, illustrated by Steph Laberis.

So without further ado, please welcome Anna Lazowski!

Anna Lazowski Polaroid.jpg

Where do you live?

I live in Winnipeg, Manitoba, Canada. 

When did you know you wanted to write/illustrate picture books?

I think I always knew in the back of my mind I wanted to write, and I've always loved picture books. A well-executed picture book is such an incredible thing, they seem so deceptively simple to write but are actually anything but. They have to be entertaining, and be something kids and adults want to go back to. They have to communicate complex subject matter in simple, elegant ways. Some of my favourite books ever are picture books so I guess it makes sense I began my career as a writer trying to capture that magic. 

Tell us about your road to publication, what did that involve for you?

It's one of those fairytale stories that's actually hard to believe. I participated in a Twitter pitch contest, #PBPitch, in June 2019, with a pitch I'd used before with no success. But during that event it got one like. Just one. That like happened to come from Frances Gilbert, an editor at Doubleday. I sent the manuscript off to her and prepared for a long wait. Then an email came back from her an hour later offering to acquire T. REXES CAN'T TIE THEIR SHOES. For me it was a combination of luck, timing, and having a strong enough concept to catch her attention as she scrolled through the feed.   

Can you share a bit about your process?

My process is pretty simple, I get an idea - often for a title or concept and things unfold from there. If I'm writing NF, I lean on my background in journalism and do a pile of research before diving into the first draft. If I'm writing fiction I just sit down and start. Sometimes an entire arc will pop into my head and I just have to try to get it down without wrecking it!

What do you do to shake the rust off or get new ideas?

I have folders full of ideas, that's not the problem. For me there's sometimes a bit of paralysis when the manuscript is almost done but I have to do one final revision before I can consider it complete. Sometimes those drafts wait awhile for me to be inspired to come back and wrap them up. It feels like I have to wait for the right moment or I'll just be sitting there staring at the screen. 

Anything you can’t live without while you write/draw?

I'm so used to snatching bits of time here and there I can write pretty much anywhere at any time. It's a useful skill. 

Any authors and/or illustrators who inspire you?

So many!! I love the work The Fan Brothers do, and I love how Dev Petty's writing seems so effortless (which it obviously isn't). I have a background in fine arts and have been enjoying reading through a bunch of Amy Guglielmo's work and love what Elly MacKay does with her illustration. I also love reading unpublished work by up and coming writers when I do critique giveaways because I get to read something only a handful of people have seen. 

Dream project to work on?

That's an interesting question, I think the initial dream was just getting published. But I've always loved books that walk the line between light and darkness, so I'd like to find a way to explore those themes a bit in a way that works. I have a deep fondness for weird kids and strange situations so I'd love to delve into that a bit more. 

Tell us about your debut book.

My debut book, T. REXES CAN'T TIE THEIR SHOES, was expertly illustrated by Steph Laberis, and is an ABC book that looks at all the things kids can do that animals can't. The images show animals failing at things like riding a bicycle or flipping a pancake, but it turns all those negative experiences into a reminder that it's okay not to be good at something right away. Which I think is a useful message for kids and their parents. 

Interior art from T. REXES CAN’T TIE THEIR SHOES Shoes by Anna Lazowski, illustrated by Steph Laberis

Interior art from T. REXES CAN’T TIE THEIR SHOES Shoes by Anna Lazowski, illustrated by Steph Laberis

Interior art from T. REXES CAN’T TIE THEIR SHOES Shoes by Anna Lazowski, illustrated by Steph Laberis

Interior art from T. REXES CAN’T TIE THEIR SHOES Shoes by Anna Lazowski, illustrated by Steph Laberis

What’s up next for you?

I have a pile of stories that are submission or close to submission ready so I'll be pecking away at those over the summer. And my second picture book, DARK CLOUD, was acquired by Kids Can Press and is scheduled for a Spring 2023 release. The illustrator hasn't been announced yet but I am already so excited for that book to be out in the world too!!!

And last, but not least, favorite 80s movie?

This is the hardest question actually. I rewatched a bunch of John Hughes movies recently and was disappointed to see they really hadn't aged well. So today, I'm going to go with a tie between two that actually capture my personality pretty well: Labyrinth and Lost Boys. And can I give Pretty In Pink an honorable mention just for Jon Cryer's character Duckie? So good!


Huge thank you to Anna for stopping by Critter Lit today! We are so excited for your debut and can’t wait to see DARK CLOUD when it releases in 2023!


ANNA LAZOWSKI wrote her first picture book for a class assignment in the sixth grade and has been creating stories ever since. Now an award-winning radio producer, Anna has an MA (Journalism) from the University of Western Ontario and a BFA (Hons.) from the University of Manitoba. Anna’s debut picture book, T. REXES CAN’T TIE THEIR SHOES (Doubleday Books for Young Readers), illustrated by Steph Laberis, is launching in spring of 2021. Her second book, DARK CLOUD, (Kids Can Press) will be published in spring of 2023. Her journalistic work has been published in various newspapers and magazines, and she has been a nationally syndicated radio columnist covering music and health. She lives in Winnipeg, Manitoba with her husband Mike, their kids, and their dog Jackson.

FOR MORE INFORMATION visit Anna online: https://www.annalazowskibooks.com/

Or follow her on Twitter: https://twitter.com/anna_lazowski

ORDER THIS BOOK To order a copy T. REXES CAN’T TIE THEIR SHOES, click here.

WIN A COPY! Want to win a copy of T. REXES CAN’T TIE THEIR SHOES?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, July 8th. US addresses only please.

Interview with Author Norene Paulson

Authors, InterviewsLindsay Ward6 Comments

Happy Thursday Critters! Today we have an interview with author Norene Paulson, who debuted her first book, BENNY’S TRUE COLORS, illustrated by Anne Passchier, during the pandemic, quickly followed up by her second, WHAT’S SILLY HAIR DAY WITH NO HAIR?, illustrated by Camila Carrossine, which just released this past March! So exciting! I’m thrilled to have Norene with us today to talk about her road to publication, books, and process.

So without further ado, please welcome Norene Paulson!

Paulson (1) (1).jpg

Where do you live?

I live almost in the center of Iowa on a country acreage just north of Lynnville, a small town about 45 miles east of Des Moines.  

When did you know you wanted to write picture books?

I fell in love with picture books while reading Berenstain Bears books and Mercer Mayer’s Little Critter books to my young sons. I loved the merging of the words and pictures and the cadence of the sparse text as the words tumbled off my tongue.  I was the one who most often wanted to “read it again”. I’ve always loved to write and I’ve always loved to read, so at some point, it just clicked and I thought…I want to do THIS.

Tell us about your road to publication, what did that involve for you?

My road to publication was long and bumpy with a lot of detours. When I knew I wanted to write for children I signed up for a couple ICL courses where I received the encouragement I needed to believe maybe I really could do this, and because of those courses, I did. I sold nonfiction articles to multiple children’s magazines. However, once I started teaching full-time my writing lapsed. I lost contact with my magazine editors. When I decided to take start writing again, I thought back to those Berenstain Bear and Little Critter books and my original dream of writing picture books, so I joined SCBWI, found some critique partners, started submitting, and acquired piles and piles of rejections, but I didn’t quit. I took an early retirement from teaching in 2017 and that’s when things took off…literally three decades after I decided I wanted to write picture books. In Feb. 2018, I landed an agent through #PBPitch and in less than 6 weeks, my debut story, BENNY’S TRUE COLORS, sold to Imprint/Macmillan. 

Can you share a bit about your process?

Sure, it’s a bit hit ‘n miss. I’m a big-time procrastinator so an idea will spin around in my head for quite a while until I have mentally fleshed out a rough beginning, middle, and end. Then it’s time for the first draft which takes as long as it takes. Some are drafted quickly. Others not so much. Once the first draft is done (huge sigh of relief) the fun begins…revising. After feedback from various critique groups, I revise, rewrite, revise, and rewrite for as long as it takes to shape the idea into a polished story. 

What do you do to shake the rust off or get new ideas?

New ideas usually globber me over the head. Something I see, read, or hear sparks an idea. I never know when it will happen so have to be prepared to jot it down when it does or it’s gone. I envy people who are creative enough to elicit ideas “on demand”. Needless to say, I’m not a good candidate for any story idea-generating challenges.

Anything you can’t live without while you write?

My laptop. When I started writing I wrote all my drafts in long-hand but can’t even imagine doing that now. I also enjoy tea…hot or iced depending on the season.

Any authors and/or illustrators who inspire you?

The kidlit world is filled with so many amazingly talented authors and illustrators I couldn’t list them all. However, my critique partners are the writers who keep me writing. Reading their early drafts and witnessing the process of how they develop those into amazing picture books is what keeps me inspired and motivated. It’s a privilege to be a small part of that process, and their spot-on feedback keeps me moving forward with my own writing.

Dream project to work on?

I’d love to do a sequel to WHAT’S SILLY HAIR DAY WITH NO HAIR? maybe even a series. I’ve developed quite a fondness for Bea, the main character, and would love to see where other adventures take her and her BBF Shaleah.

Tell us about your debut book.

My debut picture book, BENNY’S TRUE COLORS, released in Nov. 2020 and is the story of Benny, a bat, who knows inside he’s really a butterfly. This book highlights friendship, inclusion, empowerment, and living authentically. In simplest term--don’t judge someone by their outward appearance.

My second book, WHAT SILLY HAIR DAY WITH NO HAIR? released March 23 and it, too, is a story of empowerment, friendship, and inclusion. Bea, a girl with alopecia, has to figure out a way to participate in her school’s Silly Hair Day when she doesn’t have any hair. 

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

Interior art from WHAT’S SILLY HAIR DAY WITH NO HAIR? by Norene Paulson, illustrated by Camila Carrossine

What’s up next for you?

I’m back out on submission with several newer manuscripts. Very excited about several in-person events I have scheduled this summer. Since both books published during the pandemic, I missed out on traditional book promoting opportunities, so really looking forward to being out among people (masked, of course).

And last, but not least, favorite 80s movie?

Ha! Seems like the only 1980s movies I watched were kids’ movies. Ghostbusters is probably the one I watched the most simply because my boys loved everything Ghostbusters My personal favorite movie is a 1999 movie, The Sixth Sense. I was literally dumbfounded by the ending. I didn’t catch any of the foreshadowing. 

Thanks so much for featuring me on Critter Lit. It’s been fun!


Huge thank you to Norene for stopping by Critter Lit today! Congrats on your back to back releases! We can’t wait to see what you write next!


NORENE PAULSON loves words. As a former language arts teacher, she was fortunate to share that love with middle school students in a rural Iowa school district for almost twenty years. Now, as a picture book author, she writes stories that celebrate friendship, acceptance, and inclusion. She is the author of BENNY’S TRUE COLORS (Macmillan/Imprint, November 2020) and WHAT’S SILLY HAIR DAY WITH NO HAIR? (Albert Whitman, March 2021). Norene lives on an acreage with her husband and rescue pup, Ellie, and when she isn’t reading or writing, you will find her playing—you guessed it! —word games.

Visit Norene online at: www.norenepaulson.com

Or follow her on social media:

Instagram - nrpaulson

Twitter - NorenePaulson

ORDER THIS BOOK To order a copy Norene’s books click here.

WIN A COPY! Want to win a copy of WHAT’S SILLY HAIR DAY WITH NO HAIR?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 24th! US addresses only please.

Interview with Debut Author Corey Finkle

Authors, Debut Interviews, InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have debut author Corey Finkle with us to talk about his road to publication, debut picture book, and much more! I’m so excited about Corey’s debut, YOUR FUTURE IS BRIGHT, illustrated by Shelley Couvillion, a rhyming, graduation themed picture book that follows a group of children as they dream about their futures, which just released with Henry Holt. It’s a fantastic new book and perfect for any little one who dreams big, getting ready for their bright futures!

So without further ado, please welcome Corey Finkle!

Corey+Finkle_Children's+Book+Author.jpeg

Where do you live?

I live in Rhode Island, just outside of Providence.

 When did you know you wanted to write picture books?

Not only was I the oldest kid in my house, I was also the oldest in my generation of grandkids, so I grew up taking care of kids. When I was in college, while spending time with my two-year-old cousin, I read him one of his favorite picture books. At one point, the main character looks at the Northern Lights, and he said to me “Is that the Aurora Borealis?” I was blown away. I barely knew what that was, but because of a picture book, this little boy had it cemented into his mind. From that day on, I dreamed of one day writing a book that might inspire other little kids to learn something that they might not otherwise know.

 Tell us about your road to publication, what did that involve for you?

That very year, I wrote my first picture book manuscript for college credit, and then basically spent the next twelve years occasionally sending it out to a few agents, and waiting to be discovered.

 About ten years ago, I realized that I needed to get serious if I really wanted this dream to come true, so I finally started taking the advice that everyone always tells you, but I had theretofore ignored. I started writing (a LOT) more, joined a critique group, signed up for SCBWI and began attending their events, and really invested my time, energy (and occasionally money) into cultivating this skill.

 I got my first lucky break in 2016 when I attended a writer’s retreat, and hit it off with someone who turned out to be a guest speaker, who turned out to be an editor. He invited me to send him some manuscripts (I had dozens by this point), and when he liked what he read, he helped me get an agent. (I had spent five years querying constantly; one week after this interaction, I had three offers!)

 My agent (the great Sean McCarthy from McCarthy Lit) basically broke me down as a writer and built me back up again, only sending books out when they were READY. And while the first few didn’t sell, we seemed to get closer each time. After the fourth one, we received feedback that, while that book was a pass, the editor wanted a graduation book and liked how I wrote in rhyme, and so would I like to have a crack at it? I said yes, and about five months later, Your Future is Bright was sold.

Can you share a bit about your process?

In general, when I come up with an idea, the first thing I try to do is come up with an ending. Those are always the hardest part of any story, so if the idea can’t lead to a fun, satisfying, and hopefully surprising ending, I tend to let it go.

If the idea sticks, I then have to decide if it’s a rhyming book or not. To me some concepts benefit from the structure and discipline that comes with a rhyme scheme, while others need more freedom.

From there, I’ll begin writing. This means giving myself permission to write a terrible first draft, so that I can see what flows and works, and what doesn’t.

What do you do to shake the rust off or get new ideas?

For new ideas, I just try to keep my ears open, and workshop everything. In any given day, I’ll probably hear 3-5 turns of phrase that I think could be potential PB titles. Most of them won’t pan out at all, but I find that thinking them through keeps me in a creative space most of the time.

 As for rust, I am pretty forgiving of bad writing days. I was at a book signing years ago with Pulitzer Prize-winning author Michael Chabon, and someone asked him about his process. He said that he hated to START to write, but that once he got into it, he got over that initial feeling. This has always meant a great deal to me. If someone as accomplished as him can feel that way about something he is so great at, then it’s surely okay for me to feel the same way on occasion, right? But like him, once I get started, I always feel good, even if I only end up with one or two good lines. It’s a slow business, so there’s never any rush, you know?

 Anything you can’t live without while you write?

I am VERY strict with myself when I write in rhyme. It is a huge pet peeve of mine, when I’m reading rhyming books to kids, if the author has left a lot of work for the reader to do. In other words, if the meter changes halfway through, or the meter is inconsistent from line to line, verse to verse, or anything else happens to make you stop and have to figure out the right way the line flows, it drives me crazy!

So for me, I want my reader to hear my rhythm from the start and then get carried off into the story like a current on a river. For that reason, I always have a thesaurus and a rhyming dictionary (or a web equivalent) with me while writing, so that I can keep working with a verse or idea until it meets my requirements.

 Any authors and/or illustrators who inspire you?

I am honestly and truly inspired by all the writers I meet at conferences, both published and pre-published, who remain dedicated to their craft throughout all the ups and downs of this at times brutal industry.

But in terms of a singular writer or work, the truth is that I think Norton Juster’s The Phantom Tollbooth is just about the most brilliant piece of fiction I’ve ever read. (Seriously, if you only read it as a child, have another look). It’s not only a cool story, but it’s also clever, witty, and extremely profound. At some level, every book I write is an attempt to try (and fail) to write something even half as good.  

Dream project to work on?

While you can’t necessarily tell this from my debut book which is more of an “ode to childhood” than a traditional story, I tend to come up with high-concept plots for my ideas that I fall madly in love with, and then get told they’re too advanced for the PB audience. (I recently pitched a concept as “Indiana Jones meets Ocean’s Eleven, by way of Sliding Doors”). I would love to one day get the green light to prove that even younger kids would love a great story, even if they contain advanced concepts like pirate ghosts, or the Aurora Borealis.

And when I do, I hope Dan Santat gets to illustrate.

Tell us about your debut book.

Your Future is Bright is an ode to childhood and the potential that every kid has within them.

When I was first asked to come up with a graduation book, my first thing I thought of was how scared I was about the prospect of becoming an adult, and how much hard work was coming my way. So my first draft tried to address that fear by saying “Don’t be scared about how you’ll do in the future, because I’VE seen how far you’ve already come, and that journey was MUCH harder!” and then providing all the examples of how they’d developed from a helpless baby into the capable person they are today.

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

Interior art from YOUR FUTURE IS BRIGHT by Corey Finkle, Illustrated by Shelley Couvillion

My agent gently pointed out that a graduation book should look to the future and not the past. That’s how the story evolved to what it is today, where we look at various gifts and interests that make kids special and unique today, and sort of speculate about how that MIGHT inform who they become as they grow up.

What’s up next for you?

I just recently signed my second book deal for Pop’s Perfect Present, a story about a girl who sets out to give her dad one perfect memory as a gift for being so great, but ultimately learns that she succeeded in her effort just by spending the day with him. In addition, I’m working on several concepts (I have 4-5 in various stages of development at this point), and we’re waiting to hear about a few others as well.

And last, but not least, favorite 80s movie?

I’m tempted to say The Goonies, or Superman II, or Batman, or any of the movies that I loved when I was young, but I can’t. Field of Dreams is the one. Amazing story with an ending that gets me EVERY SINGLE TIME.


Huge thank you to Corey for stopping by Critter Lit today! Congrats on your debut!


COREY FINKLE wrote his first children’s book as a senior project in college. From there he spent ten years tinkering with and pitching it, and finally put it aside after he realized it wasn’t actually very good at all. Corey sold his first book, Your Future is Bright, almost 20 years to the day after completing that senior project. Between those two decades were a lot of manuscripts, and a LOT of revisions. When not working on his next book, Corey spends his time writing business-y words for companies, enjoying life with his wife and two kids, or collecting t-shirts from unusual or lesser-known sports teams.

Visit Corey online at www.CoreyFinkle.com

ORDER THIS BOOK To order a copy of YOUR FUTURE IS BRIGHT click here.

WIN A COPY! Want to win a signed copy of YOUR FUTURE IS BRIGHT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 17th! US addresses only please.

Interview with Debut Illustrator Erica De Chavez

Authors + Illustrators, InterviewsLindsay Ward2 Comments

Happy Thursday Critters! I’m so thrilled to be sharing today’s interview, because TODAY we have Erica De Chavez stopping by Critter Lit! She is super talented and one of the best book designers EVER— now I may be a little biased because she also happens to be my book designer. BUT she really is. I’m so grateful I’ve had the opportunity to work with someone as talented as Erica, and there is nothing better than completing a picture or board book and handing it off to a designer who you completely trust to make your work marry seamlessly with the text. I have also probably put her through the ringer lately with the type of books (hello nonfiction!) we’ve been working on together at HarperCollins so I’m so very grateful she had time to be with us today to talk about her debut illustrated book, her experience in the industry, and upcoming projects.

So without further ado, please welcome Erica De Chavez!

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Where do you live?

I am a former Brooklyn, NY transplant that now resides in sunny Clermont, FL.

When did you know you wanted to write/illustrate picture books?

It was at the end of my junior year in art college. I was already planning for my illustration senior thesis project which was completely un-related to children's books. Fortunately, I took an elective class in my spring semester, Illustrating Children's Books. That class and my professor, Tom Casmer, literally changed my art journey trajectory. I went from not knowing what I was going to do with my passion for art and how I was going to make money or find a job doing art to becoming hyper-focused on the children's publishing industry, the picture book writing and creation process and all things picture books from then on. Though I always had a healthy interest in children's art and media which I voraciously consumed through my love for all animated shows, films, anime, comics, and manga very early in my life. I'm also blessed to have parents and grandparents who read to me often when I was a child and encouraged my appetite for reading and libraries.

Tell us about your road to publication, what did that involve for you?

I left FL after graduating with my BFA in Illustration and went to live with my brother in Queens, NY who is a graphic designer for men's fashion. I spent much of my early career doing freelance projects for small educational toy companies and picking up illustration commissions here and there. It was after my second attempt applying to HarperCollins Publishers for a design assistant position that I broke into the industry working under Martha Rago, who was already a well-known art director at the time. She taught me everything I needed to learn about children's book design and sharpened my design eye for meshing typography and children's book art. I met many children's book authors and illustrators as her assistant, many of them award-winning and others fledgling creators starting out their publication careers. I became a member of SCBWI, CBIG, and attempted to create many art critique groups until I finally met kindred spirits and formed The YEA Girls artist collective. My small, tight-knit artist community grew to include professors at NYC art colleges, other designers who also wanted to pursue illustration careers on the side and more prolific mentors and teachers who are active authors, illustrators, and editors themselves. It was through an SCBWI conference twitter thread that I met Annie Fox, the author of The Girls' Q&A Book on Friendship and co-founder of Electric Eggplant. A former artist I hired to illustrate a picture book returned the favor and hired me to illustrate for The Future Is Ours sticker book. And it was through my SCBWI.org portfolio page that Kendra and Claire-Voe OCampo found my art and decided to reach out to me to illustrate Mighty May Won't Cry Today. 

You are now a Senior Designer for HarperCollins. Can you tell us about your experience working on both sides of the table in publishing?

It's been an education into the industry, the decision making process, the team collaborations, seeing and working daily with the tons of un-named people who read, edit, market, finance, manage, proof, and sell the books and countless more. It's literally like a curtain being pulled back. I realize how little most book creators know about how the decisions for some of the direction for their books come from. And that's honestly for the better, in my opinion. It helps save the creators' mental fatigue and emotional distress and allowing them to focus on what they do best, writing and illustrating. I find as a book designer, you're the glue to all the bookmaking departments, so that comes with a lot of personality managing, too. You work with and for a WIDE range of personalities inside a publishing house. It's also a day job that I depend on for my daily expenses; it's my livelihood. But it sometimes can feel like a drag, energy-wise. Many may not realize it, but designers are working on anywhere between 30-60 book titles all at the same time, managing books that are publishing on seasons sometimes three years out. It's a bit bonkers. No one told me the job required such heavy multitasking capabilities. Compartmentalizing can help, but it's hard to "turn off" at the end of a work day. I live and breath children's books now. It's literally my life. It can feel overwhelming and burn out is frequent. But it's fulfilling and satisfying work, especially when I flip through and read the books I helped create and guide. My knowledge and experience as a book designer better informs my own personal artwork and stories.

Can you share a bit about your process?

My artwork always starts with a sketch in a tiny sketch book. I love tiny sketchbooks that don't feel too precious or overly expensive. I draw from life and drot down bits of story ideas that come fast and fleeting. I often bounce ideas with my partner for characters and story beats that are half finished and are bookmarked for later days. When I focus in on an idea for a project I look up inspiration and reference photos and experiment with art materials. I try to create a series of images based on a theme or a piece of story I'm inspired by. Nothing is ever fully formed, it's more experimental. Then I sit down to write, which also starts very loose with a plot timeline and character biographies. The story and storyboarding thumbnails happen at the same time with pencil and paper, which is much faster for me than drawing on a tablet. I scan my drawings in along with some paint textures and redraw/edit final illustrations. Sometimes I transfer final drawings with a light pad to heavy watercolor paper and use a mix of watercolor, gouache, colored pencils, crayons, and graphite that I scan in to further edit digitally in Photoshop. I sometimes scan pen and ink hand lettering or line work from my sketchbook or loose drawing paper and incorporate those into my illustrations digitally as well. But my process always begin with pencil to paper. 

What do you do to shake the rust off or get new ideas?

I consume a lot of media and art in all forms. I read books, comics, manga, graphic novels, biographies, and motivational texts. I watch movies, mostly animated films and tv shows. I listen to podcasts occasionally until I get tired of it and sometime I enjoy the hum of silence. I go out and enjoy nature. I like to run long distance, hike, throw a frisbee around, and kayak. I also garden and observe nature. I listen to live music and I love traveling to different countries. All of the things I enjoy in life outside of art and design inadvertently inspire my art and design work! Life is very cyclical. So as long as I live fully, I'm never without a good idea.

Anything you can’t live without while you write/draw?

A cup of good milk tea, black or green. A good music playlist that lists my mood and makes me smile. And a good snack! I'm a creative muncher.

Any authors and/or illustrators who inspire you?

Oliver Jeffers inspired my art and career as soon as I dove back into picture books in college. Erin Entrada Kelly inspires me to write stories about kids that are like me, colored and Filipino-American and just like every other kid with a dream. Simona Ciraolo and Lorena Alvarez Gomez continue to inspire me to make beautiful children's books because their books so gorgeous and the stories all feel like emotional little jewels. Their books feel like precious objects sitting on my book shelves.

Dream project to work on?

I dream of working on my first author-illustrated children's book debut, be it picture book or graphic novel or maybe even an illustrated chapter book. I dream of working on many projects in a long and fruitful children's artist career. I'd love to work with publishers big or small on stories that move readers emotionally and positively. 

Tell us about your debut book.

Mighty May Won't Cry Today, is about an imaginative little girl named May who tries not to shed a tear on her first day of school. She navigates through unexpected challenges with clever positivity and mindful breathing techniques. With the help of her two moms May learns why it's OK to cry and that we all do sometimes. The story really hits home for me because I am a pretty emotional person (aren't all creatives?) and I was an emotionally sensitive kid. I cried through my short stint in daycare and cried through the first week of kindergarten during which my mother had to leave work daily and come eat lunch with me at the school cafeteria. I love that this story tells kids it is totally OK to cry. I wish I had been told that more often when I was young. 

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

Interior Art from Might May Won’t Cry Today by Kendra & Claire-Voe Ocampo, illustrated by Erica De Chavez

What’s up next for you?

I'm finishing up an illustration series I started last year in the middle of the pandemic creating portraits of some of my friends and family members who are health care workers and Asian-American. I'm also focusing on a series of mini illustrations from a set of rejected sketches that didn't make it into the final The Future Is Ours sticker book, taking the opportunity to experiment with new color palettes and try to evolve my digital illustration style. And I'm also reworking a picture book dummy into a sequential paneled book format—very much a work in progress. 

And last, but not least, favorite 80s movie?

My Neighbor Totoro. It epitomizes everything I love about children's stories and art made for children.


Huge thank you to Erica for stopping by Critter Lit today! We are so excited for your debut and can’t wait to see what you do next!


ERICA DE CHAVEZ is a Filipino-American children's book designer by day for HarperCollins Publishers and by night transforms into a freelance author-illustrator. She is the illustrator for the indie published middle grade advice book, The Girls' Q&A Book on Friendship by Annie Fox and contributed over 40 fun stickers to The Future Is Ours: Feminist Stickers to Express Yourself by Duopress Labs. Her latest publication is a picture book, Mighty May Won't Cry Today, by Kendra and Claire-Voe Ocampo, is a National Indie Excellence Award finalist.

FOR MORE INFORMATION about Erica or her books, visit her online at www.PandaErica.com or follow her on social media:

Instagram: @PandaErica

Twitter: @PandaErica

Facebook: www.facebook.com/PandaErica

ORDER THIS BOOK To order a copy of MIGHTY MAY WON’T CRY click here.

WIN A COPY! Want to win a signed copy of MIGHTY MAY WON’T CRY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 10th! US addresses only please.

Interview with Debut Author Tina Shepardson

Debut Interviews, AuthorsLindsay Ward1 Comment

Happy Thursday Critters! Today we have an interview with a debut author whose book, WALKOUT, illustrated by Terry Sirrell, takes on the topic of school safety for kids. I’m thrilled to have her with us today to talk about her road to publication and process of taking on such a difficult topic in a picture book.

So without further ado, please welcome Tina Shepardson!

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Where do you live?

Syracuse, New York.

When did you know you wanted to write picture books?

Since grade school in the 70s, I wrote stories, tied them with string, and shared them with children I babysat for. After college, I started teaching. I was so busy teaching my students books, I didn’t have the time to write my own, but I did keep a journal of ideas for a some day. 

Tell us about your road to publication, what did that involve for you?

In 2016, I began to carve out consistent writing time. In addition, I began looking for courses to learn the craft and for critique and professional writing groups. This way i could learn from them as well as help them with their craft. I participated in The Children’s Book Academy The Craft of Writing Picture Books and joined the 12x12 Writing Group. Both were so instrumental in me learning from others and meeting my current critique partners. I wrote several different drafts and was open to all the ways the piece needed to improve as well as the ways I needed to grow as a writer. 

Can you share a bit about your process?

Sure! I have taught English Language Arts for 33 years so I have many planners to choose from when brainstorming a story. Once I have notes organized onto a graphic organizer, I let it sit while I look at several mentor texts to help me determine a possible structure or format that may work with a particular piece. After the first draft is written, I leave it alone for a week so that when I return, I am reading it with fresh eyes. Once I revise it to the best of my abilities, I submit it to my critiques groups and look forward to their wonderful suggestions. So often they see things that I may not see on my own. Once I have their feedback, I continue to revise and then write it out on Post-its. I have a PB template on my wall so once all the Post-its are on the pages of the template, I can read it aloud, listen to the pacing, etc. 

What do you do to shake the rust off or get new ideas?

Teaching and parenting have been amazing opportunities to find ideas. Simply listening  and working with children there are so many ideas. Also, participating in Tara Lazar’s Story Storm each January is such an inspirational experience. Each day, a different author presents an idea for finding ideas and topics to write about, These talented and diverse authors provide so many creative strategies for spotting more ideas. 

Anything you can’t live without while you write?

Great question! I have to have The Children’s Word Book and The Emotion Thesaurus. Of course there has to be a few snacks, so chocolate chip cookies or Lindt’s dark orange chocolate squares are nearby but only if I have completed section or accomplished a certain goal.

Any authors and/or illustrators who inspire you?

Yes! When I was a child, my favorite characters were found in E. B. White’s books Stuart Little and Charlotte’s Web, A. A. Milne’s Winnie The Pooh, and Arnold Lobel’s Frog and Toad series. These characters were staples in my life. I adored their stories, the illustrations and their journneys, and the messages they shared. Throughout my teaching career, I bring these stories into lessons and our character education programs.

Dream project to work on?

I would absolutely love for a book to become a series and eventually a program for kids. This would provide more opportunities to make a difference and be in contact with children in ways that help them grow and become their best version of themselves. I think about this all of the time!

Tell us about your debut book.

In 1999, when Columbine experienced tragic school violence, my students and I sent them (and other schools like Sandy Hook) care packages of poems and seed packets to express our care and compassion to the communities. By the time the shooting in Parkland, Florida occurred in 2018, I was taking children’s writing courses. I didn’t find picture books helping kids understand they could advocate for safe schools in positive, proactive ways that united others and thought perhaps I could write one. Once I did, around that same time, I found a NYT article that really helped me structure it the way it needed based on the true events of the article itself. I was so excited to find this.

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Walkout is a picture book inspired by a true story. Walkout shows democracy in action as Maddie organizes a safe school’s anti-violence walkout. Other kids throughout the States are walking out. But Maddie’s principal has announced that only older grades can participate. At the same time, Maddie’s best friend Stella is too scared to help. Readers wonder if Stella will find her courage and join Maddie in walking out. 

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

Interior art from WALKOUT by Tina Shepardson, Illustrated by Terry Sirrell

What’s up next for you?

In early 2022, I have a chapter book releasing with Clear Fork Publishing entitled Canines Unleashed. Hank, an Akita, finds himself in Canines Unleashed, a doggie daycare, when his owner starts kindergarten. He is nervous about this new adventure. How will he surf the kitchen counter for crumbs after lunch? Hank must find a way to face his fears, take responsibility for his actions and accept new challenges he never experienced in his once sheltered world. Follow the real Hank on Instagram @hank_madeleine. This project is near and dear to my heart because I was able to incorporate my daughter and akitas as main characters. I am working on creating a podcast to accompany this as well…. and hopefully more books!

And last, but not least, favorite 80s movie?

That is a tall order! I will have to go with 1989’s When Harry Met Sally. Billy Crystal and Meg Ryan together create such a heartwarming and hilarious story line. The soundtrack is beautiful. I love films that entertain and share a lesson.


Huge thank you to Tina for stopping by Critter Lit today! Congrats on your upcoming books!


An award-winning teacher for 33 years, TINA SHEPARDSON has shared thousands of books with children. As a passionate advocate for children and reading, she finds her best stories are inspired through her favorite roles in life: mother and teacher. Find her in Upstate New York with her family, enjoying the latest snowstorm with her akitas.

FOR MORE INFORMATION about Tina or her books, visit her website, or follow her on social media:

Twitter: @ShepardsonTina

Instagram: @hank_madeleine

Facebook: TinaShepardson

ORDER THIS BOOK To order a copy of WALKOUT click here.

WIN A COPY! Want to win a copy of WALKOUT?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, June 2nd! US addresses only please.

Interview with Debut Author and Illustrator Amanda Davis

Authors, Debut InterviewsLindsay Ward1 Comment

Happy Thursday Critters! I’m so excited for today’s interview! This is the very first time I’m sharing a book that I was lucky enough to see early on when it was submitted through Critter Lit as a manuscript critique. How exciting is that??! My hope with Critter Lit has always been to see these projects shaped into books one day. And today we get to celebrate one that made it through! I remember the first time I read this text, I got that feeling. I just knew this had legs, it just had to get in front of the right editor. I’m thrilled I got to be a part of the process of this book coming to fruition and I can’t wait for you all to hear about this incredibly special book in today’s interview.

So without further ado…please welcome Amanda Davis!

Amanda Davis_Headshot.jpg

Where do you live?

Thanks so much for having me on the blog, Lindsay! I’m excited to chat more about my journey and my debut 30,000 STITCHES! I live in Massachusetts. I grew up in a small coastal town and will always be a sea baby at heart. 

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When did you know you wanted to write/illustrate picture books? 

I didn’t always know I wanted to be an author but I DID know that I loved writing and art. Whether it was sketching in a sketchbook or writing poetry, it was something I always came back to. When I was twelve, my father passed away and (without knowing it) I began to use art and writing as a tool to process and cope with my feelings. This is when I realized the power of the arts to tell our stories and process the experiences in our lives. This is what led me to want to teach art, so I could help others recognize the power in it, too. Later, in 2012, I took a Continuing Education course on writing and illustrating for children, I realized this was an art form that captured all three of my passions—writing, art, and story-telling. I was hooked and never looked back.  

Tell us about your road to publication, what did that involve for you?

It was a long process! From the moment, I read and taught about the true story of the flag in 2011, I was intrigued and knew it was a special story. It stuck with me and lingered in my head, but needed time to flourish. After visiting the National September 11 Memorial & Museum in 2014, and being overcome with emotion at the artifacts and the stories, it was another reminder of the importance of telling this story. Inspired by my art lesson with students and my visit to the Museum, I decided to try my hand at crafting a manuscript for 30,000 STITCHES (originally called, THE FABRIC OF AMERICA). 

I began querying back in 2017 with other picture book manuscripts and didn’t have much luck. Once I had 30,000 STITCHES polished up, which was many months later, I began to query that story to agents and editors as well. The process of landing an agent and book deal for 30,000 STITCHS was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track. I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile when I was still unagented. After many months of not hearing back, I took that as a pass. I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to get there.

Can you share a bit about your process?

I tend to write first drafts as the muse strikes. I’m much more intentional with my revisions and schedule time to revise. Most of my ideas for revisions stem from suggestions and brainstorm sessions with my critique groups or paid critiques through services such as Critter Lit with you, Lindsay. With this feedback in mind, I often feel inspired to revise and schedule a time to do so.  For all of my stories, they always start with research. I love doing research and am naturally a very curious person. I love to ask questions and seek to understand. Because of this, I often find myself down rabbit holes that once in a while lead to inspiration for new story ideas. I think staying curious is so important when it comes to creativity. You never know where the next story idea is lurking so we must keep our minds open and in a state of wonder. I also love talking to people and as mentioned before, learning other people’s stories. I have a background in journalism so it’s been wonderful combining my love for interviewing people into my non-fiction children’s work.   

What do you do to shake the rust off or get new ideas?

I find that when my mind is free and clear, ideas flow more freely. Most of my ideas come when I let my mind wander. Most of my mind wandering takes place through meditation, nature walks, sitting near the ocean, in the shower, or when I’m driving, ha! I have oodles of notes and phrases in my Notes app on my iPhone for those moments when ideas strike. I also go in spurts. Sometimes I have lots of ideas for the art, and that is what comes first, and sometimes I have lots of ideas for the writing, and that comes first. Sometimes, too, I may have ideas for one and not the other. You never know how and when the muse will strike!!  

Anything you can’t live without while you write/draw? 

Some of my must-haves for creation include: Sunlight, candles, incense, a cracked window for some fresh air (even in the winter), my computer/iPad, a cup of tea, snacks, my sketchbook, and of course my favorite furry rescue pup, Cora by my side. 

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Any authors and/or illustrators who inspire you?

I’ve often admired Nicola Davies lyrical writing and her ability to tackle tough topics in a way that is accessible to children. Some of my favorites include, THE DAY WAR CAME, KING OF THE SKY, THE POND, and her recent debut as author-illustrator, LAST: THE STORY OF A WHITE RHINO. Most recently, I’m feeling inspired by other lyrical texts such as ALL BECAUSE YOU MATTER by Tami Charles and Bryan Collier and THE TREE IN ME by Corinna Luyken. Back in 2018, I actually received funding for a visit with Bryan Collier for a school visit in my high school art room. It was an unforgettable event for not only the students but also for me. He talked about how he went around, door-to-door with his portfolio to the big five publishers in New York for SEVEN YEARS until he finally got his first book deal! That was truly inspiring and reminded me that with hard work and dedication, anything is possible! You can learn more about some of my teaching and student art projects here! 

Dream project to work on?

Honestly, this may sound corny, but Sally Wern Comport was on my dream collaborator list. I was a fan of her work and mixed media style ever since I saw it in Ada’s Violin and was ecstatic to be paired with her for my debut, 30,000 STITCHES. Happy I can check that box off!!  Another dream project would be to illustrate my own picture book one day. I have a picture book dummy that I am working on right now that is very close to my heart, and it would be a dream come true to see it come to life. 

Tell us about your debut book.

My debut creative nonfiction picture book is 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG. I love that you had a look at this story early on when I submitted it to Critter Lit for a critique. Your feedback helped solidify that I was on the right path and that there was a place for the story in the market. 

30,000 STITCHES tells the true story of the 30-foot American flag that was put up at Ground Zero in the days after 9/11. The flag became torn, tattered, and covered in dust and ash so it was taken down a few weeks later by a construction crew and tucked away in storage, where it stayed for nearly seven years. The flag was brought out of storage in 2008 when the New York Says Thank You Foundation headed to Greensburg, Kansas, a town nearly destroyed by a tornado. NYSTY brought the flag with them, sparking a grassroots restoration effort that traveled over 120,000 miles across all fifty states, bringing together thousands of people, and helping America heal and rebuild . . . hand by hand, thread by thread, one stitch at a time. The book is the story of that journey, a journey that ended at the opening of the National September 11 Museum, where the flag remains today. Along the way, the flag was restored using pieces of retired flags from every state—including a piece of the flag that Abraham Lincoln was laid on after he was shot at Ford's Theater and threads from the original Star-Spangled Banner flag, which flew at Fort McHenry in the War of 1812 and inspired Francis Scott Key to write the national anthem. The pieces and threads were stitched in by military veterans, first responders, educators, students, community-service heroes, and family members of 9/11 victims, among others. At each stop, communities came together to remember, to heal, and to unite.

What’s up next for you?

I have lots of new ideas in the works! Many informational fiction stories and a couple of new narrative nonfiction stories, too. As mentioned before, I also have a couple picture book dummies in progress that I hope to debut as author AND illustrator with. I hope to one day explore writing a middle grade novel in verse or even YA. 

Stay tuned for more exciting virtual events for 30,000 STITCHES, too. Next up is Mass Book Bites: Boston Book Festival. You can learn more and register HERE! And with the 20th remembrance of 9/11 approaching, I hope the story can be a great resource to help us discuss the events of that day and honor, remember, and reflect.  

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And last, but not least, favorite 80s movie? 

Ohh this is a hard one, I think I’d have to go with either Beetlejuice, Little Monsters, or the original Honey I Shrunk the Kids. 


Huge thank you to Amanda for stopping by Critter Lit today! CONGRATS on your debut book— we are all cheering for you over here at Critter Lit!


AMANDA DAVIS is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children's books. Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again. Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

ORDER THIS BOOK To order a copy of 30,000 STITCHES click here.

WIN A COPY! Want to win a copy of 30,000 STITCHES?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May27th! US addresses only please.

Interview with Debut Author Kira Bigwood

Authors, Debut InterviewsLindsay Ward8 Comments

Happy Thursday Critters! Today we have an interview with author Kira Bigwood to celebrate the release of her debut picture book, SECRET SECRET AGENT GUY, illustrated by Celia Krampien. I’m so excited about this book, which just released with Atheneum Books for Young Readers this week! Being a secret agent was always at the top of my list when I was a kid— let’s be honest should this whole book thing not work out I would totally become a secret agent (nevermind the fact that I zero skills for that). Needless to say, I’m thrilled share this book with all of you…

…so without further ado, please welcome Kira Bigwood!

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Where do you live?

Just north of Chicago in idyllic Evanston, IL, home to THREE stellar independent bookstores. Shout-out to Booked, Bookends & Beginnings and Page 1!

When did you know you wanted to write picture books?

I’ve been a writer and a book lover all my life (a librarian mom will ensure that!), but I didn’t think about combining the two until my children came along (really original, right? 😆). It was seeing their reactions to different books…chatting with characters on a page, snort-laughing until they cried, asking really insightful questions…that got me thinking, “How can I do that?”

Tell us about your road to publication, what did that involve for you?

For me, it started in a class with Esther Hershenhorn at the Newberry here in Chicago, where I had my eyes opened wide. From there, I joined a critique group, SCBWI and the 12x12 Challenge. Then, after 6 years of reading, writing, revising, critiquing and submitting, I finally got my big break…acceptance into the RUCCL One-on-One Conference. I met Editor Alex Borbolla at the group lunch that day, where I was testing a theory, doing everything opposite of what I would normally do. So instead of retreating into my bagel and cream cheese (like any good introvert), I chatted up Alex about my spy story, and discovered…she loved spy stories! When I submitted to her afterwards, she said she was “charmed” by my manuscript, and the next thing I knew, I was signing a book deal. I couldn’t believe it (but Opposite Me could)!

Can you share a bit about your process?

Because of my background in advertising, I usually like to start with some concepting. I’ll pick a topic that interests my kids, like narwhals, or butts, or narwhal butts. Then I’ll do some brainstorming around my topic…word mapping, word association kind of stuff. Hopefully that shows me how to twist my idea and turn it into something completely unique. Once I have my concept good and tight, I’ll start the writing, editing and revising process, checking in often with my critique partners, and then towards the end with my agent. I’ve found it’s easier to revise projects that have a solid concept at the core.

What do you do to shake the rust off or get new ideas?

I’m a big believer in “filling the well.” Watching movies with the hubs, reading outside my genre, enjoying a glass of wine, hiking and biking, strolling museums, rocking (or mellowing) out to some tunes, playing with my kids, definitely not playing with my kids, hanging with friends, enjoying another glass of wine…heck, even literally filling a well might “fill the well!”

Anything you can’t live without while you write/draw?

Background music. I tend to listen to instrumentals that match the theme of whatever story I’m working on. So, for SECRET, SECRET AGENT GUY, it was a lot of Henry Mancini! Also, caffeine (again, really original, right? 😆).

Any authors and/or illustrators who inspire you?

James Marshall, if we’re throwing back. I love his brand of smart-funny. George & Martha had me hooked from the beginning. Currently, can’t get enough of Ame Dyckman and Lucy Ruth Cummins (also smart-funnies), and find myself saying, “I wish I had written that,” after I read EVERY SINGLE ONE of their books. 

Dream project to work on?

Oh gosh, to publish more books! Even just one more would be a dream! Especially one where I could partner with Illustrator Celia Krampien again! Wait until you see her visual storytelling for SECRET, SECRET AGENT GUY. Smart, funny (what can I say? I have a type), creative, a little vintage-y, and don’t even get me started on her color palette. She is downright masterful, and I would consider myself lucky to be able to collaborate with her on another project one day.

Tell us about your debut book.

It’s a spy twist on the classic, Twinkle, Twinkle Little Star. Your mission—should you choose to accept it—is to join Secret, Secret Agent Guy on his bedtime assignment, code name: Operation Lollipop. Equipped with night-vision goggles, a jetpack, and grappling hook, he is prepared for every eventuality...or is he? Will this 007-year-old complete his covert quest, or will he be outsmarted by an adversary he never saw coming?

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

Interior art from SECRE SECRET AGENT GUY written by Kira Bigwood, Illustrated by Celia Kramien

What’s up next for you?

I’m touching up some manuscripts for my agent right now, including some non-fiction science. Maybe one of them will be my next book!

And last, but not least, favorite 80s movie?

We’ll go with the Rule of Threes on this one…Goonies, The Great Outdoors, and of course, National Lampoon’s Christmas Vacation (“Save the neck for me, Clark!”).


Huge thank you to Kira for stopping by Critter Lit today! Congrats on your debut! We can’t wait to see what you come out with next.


KIRA BIGWOOD writes children’s books, TV commercials, and much to her 10-year-old’s dismay, notes for her kids’ lunchboxes. She was once edited out of a My Little Pony ad because she was missing her two front teeth (not that she’s still hanging on to that or anything). Luckily, she has all her teeth now, and a much more positive attitude toward the editing process. Kira is a graduate of the University of North Carolina (go Heels!), and lives in Chicago with her husband and three children. Secret, Secret Agent Guy is her debut picture book.

FOR MORE INFORMATION about Kira or her book, visit her website, or follow her on social media:

IG: @kirabigwood

Twitter: @KBigwood

ORDER THIS BOOK To order a copy of SECRET SECRET AGENT GUY click here.

WIN A COPY! Want to win a SIGNED copy of SECRET SECRET AGENT GUY?! Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 20th! US addresses only please.

Interview with Debut Author Debra Shumaker

Authors, Debut InterviewsLindsay Ward12 Comments

Happy Thursday Critters! I hope you are all doing well! Today we have an interview with author Debra Shumaker whose debut picture book, FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH, illustrated by Claire Powell, just released this week with Running Press Kids! So exciting! I love the fun facts in this book— super interesting, illustrated with gorgeous art. A new nonfiction favorite in our house!

I’m so excited to share this book with all of you, so without further ado, please welcome Debra Shumaker!

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Where do you live?

In Sterling, Virginia about 45 minutes from Washington, D.C.

When did you know you wanted to write picture books?

When my boys were little, my favorite thing to do with them was cuddle up and read books. I fell in love with picture books and decided that I wanted to learn how to write them.

Tell us about your road to publication, what did that involve for you?

It was a very long, bumpy road lined with sweat and and a few tears, LOL. I started by taking a course through the Institute of Children’s Literature in 2005 when I was pregnant with my third child. We had three boys in 3 1/2 years so I didn’t write much at first. But once the youngest started preschool I dug in. I studied craft and wrote and submitted. Got lots of rejections and joined challenges, studied craft more, and wrote new things. It was 2015 before I started getting champagne rejections and revise and resubmit requests. I didn’t sign with an agent until 2017 and we didn’t get an offer until January of 2019. All told, it was about my 15th “serious” manuscript that finally got an offer.

Can you share a bit about your process?

I’m always juggling projects. One book I’ll be in polishing and submitting mode, while I’ll be thick in revisions with another, and starting the research and/or drafting phase of another. When I get stuck or frustrated with one project, I jump to a different one. I frequently put projects that don’t seem to be working on the back burner, sometimes for weeks, sometimes for months or even years. At times I’ll pull out something from that proverbial drawer to see if there is any life in some older manuscripts. In fact, the idea for FREAKY, FUNKY FISH is, in part, due to a fiction manuscript I wrote way back in 2013.

I’m also in four critique groups and do lots of swapping with various writing friends. So while I may not write 8 hours a day, I seem to be constantly doing something writing related.

What do you do to shake the rust off or get new ideas?

Reading - both adult and kidlit. I like to write nonfiction, so reading books, newspapers, online articles, trivia questions, etc. gives me tons of ideas. I’m constantly checking out picture books from the library to get the feel for what is out there and what’s missing. I also love Tara Lazar’s StoryStorm to kick start new ideas. But really, I have so many ideas I’ll have to live to be over 100 in order to write them all! 

Anything you can’t live without while you write?

It’s probably not in the “can’t live without” category, but 90% of the time when I’m writing, I play a “Classical for Studying Radio” station on Pandora. I don’t like complete quiet when writing, but yet I can’t have anything with words in the background. Outside words interfere with the “inside” words I’m trying to work with. But my laptop is something I can’t live without.

Any authors and/or illustrators who inspire you?

Oh my, SO many of them. For nature nonfiction authors, off the top of my head, I would say Melissa Stewart, Laura Purdie Salas, April Pulley Sayre, Maria Gianferrari. But so many authors inspire me in different types of picture books, I would need an entire page and too much time to list them all. I will say that the KidLit Community is bursting with inspirational and kind creators.

Dream project to work on?

I’m living my dream right now, writing all different styles of PB and finding an agent who loves my work and editors who have loved at least a few of them. Any current project I’m working on is my dream project at the moment.

Tell us about your debut book.

FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH is a rhyming nonfiction picture book about the weird and wonderful ways some fish look or act to survive in the waters they live in—one kind of fish has a see-through head, another kind coats itself in a mucus cocoon at night, and some fish play dead to lure prey or avoid being eaten. Fascinating stuff! After reading this book, I hope kids are as amazed as I am by the natural world. While the main text is sparse, I do include back matter that goes into more detail about how and why these fish do the things they do.

Interior Art for FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH by Debra Shumaker, Illustrated by Claire Powell

Interior Art for FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH by Debra Shumaker, Illustrated by Claire Powell

What’s up next for you?

My second picture book, TELL SOMEONE, comes out on October 1st with Albert Whitman, illustrated by Tristan Yuvienco. TELL SOMEONE encourages kids to talk about things—both the good stuff and the hard stuff.

And a companion to FREAKY, FUNKY FISH is in the works! PECULIAR PRIMATES is coming to bookshelves in Fall 2022 with Running Press Kids. From funny faces and colored butts, to flossing teeth and thumping chests, discover some peculiar ways primates look and act. Thankfully Claire Powell signed on to illustrate. I just saw the sketch of the cover. It will be another super fun book!

And last, but not least, favorite 80s movie?

When Harry Met Sally. I just rewatched it last summer and it still makes me laugh and cheer for Harry and Sally when they finally get together. That ending monologue by Billy Crystal? Um, yes. I’m a romantic at heart. :-)


Huge thank you to Debra for stopping by Critter Lit today! We are so excited about your debut!


Debra Kempf Shumaker loves weird and fascinating facts. When she isn’t reading or writing, Debra enjoys cooking, gardening, and watching Jeopardy. She lives in Northern Virginia with her husband, three sons, and two cats—who miss the days the youngest son had an aquarium full of fish.

FOR MORE INFORMATION about Debra or her book, visit her website or follow her on social media:

Twitter: https://twitter.com/ShumakerDebra

Instagram: https://www.instagram.com/debrakshumaker/

ORDER THIS BOOK To order a copy of FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH click here.

WIN A COPY! Want to win a copy of FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH!? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 13th! US addresses only please.

Interview with Author Rebecca Kraft Rector

Authors, debut interview, Debut Interviews, InterviewsLindsay Ward5 Comments

Happy Thursday Critters! This week we have an interview with author Rebecca Kraft Rector! Her newest picture book, SQUISH SQUASH SQUISHED, illustrated by Dana Wulfekotte just came out with Nancy Paulson Books in February. I’m thrilled to have Rebecca with us today to talk about her new book and her road to publication.

So without further ado, please welcome Rebecca Kraft Rector!

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Where do you live?

I live in Tidewater Virginia. I grew up in Maryland and have also lived in Georgia and Florida.

When did you know you wanted to write picture books?

I’ve always been a voracious reader and have been writing stories and poems since I was a child. I delighted (?) my friends with stories about fleas on a dog and a girl who was a strawberry. I love horses and wrote many horse stories. It wasn't until I worked with fellow librarian and author Mary Downing Hahn that I realized that real people could have their stories published.

Tell us about your road to publication, what did that involve for you?

My first publications were in magazines, followed by a slush pile acceptance of my middle grade science fiction novel TRIA AND THE GREAT STAR RESCUE with Delacorte Random House. When my later novels and picture books were rejected, I started writing for educational publishers and had about 25 fiction and nonfiction leveled readers published. Finally, at a Highlights Foundation workshop, SQUISH SQUASH SQUASHED attracted the attention of Cecilia Yung who showed it to Nancy Paulsen who agreed to publish it. Nancy Paulsen Books is an imprint of Penguin Random House. I also acquired an agent as a result of the Highlights workshop and she sold my forthcoming picture book LITTLE RED WRITING HOOD to Aladdin/Simon & Schuster.

Can you share a bit about your process?

I’m trying to streamline my process, but at the moment it’s write, revise, revise, revise, let it sit, revise, revise, revise, repeat endlessly. My ideal process would be to know up front the best character, goal, and conflict, in order for the story to resonate with emotion, theme or takeaway. But for now, my writing process is also a discovery process.

What do you do to shake the rust off or get new ideas?

Read, take a walk, listen to people and kids.

Anything you can’t live without while you write?

Dark chocolate chips.

Any authors and/or illustrators who inspire you?

Almost every author I read is an inspiration. Some for humor, some for heart, some for structure, and most for fun.

Dream project to work on?

It would be wonderful to interest a publisher in one of my picture book or middle grade horse stories.

Tell us about your debut picture book.

SQUISH SQUASH SQUISHED is about Max and Molly who complain about not having enough room in the back seat of their gracious-spacious automobile. Their mother invites animal friends to ride along until the kids really are squish squash squished. The book is filled with wordplay, refrains, and animal noises. I had a great time writing it and I hope it becomes a popular read-aloud to share with children.

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

Interior art from SQUISH SQUASH SQUISHED by Rebecca Kraft Rector, illustrated by Dana Wulfekotte

What’s up next for you?

I’m working on companion stories for SQUISH SQUASH SQUISHED and LITTLE RED WRITING HOOD, as well as other picture books. I’m also on my five hundredth draft of a middle grade fantasy.

And last, but not least, favorite 80s movie?

Back to the Future.


Huge thank you to Rebecca for stopping by Critter Lit today! Congrats on your debut picture book! We can’t wait to read your next book!


REBECCA KRAFT RECTOR is a retired librarian and the author of more than thirty fiction and nonfiction books for children. Her cats Ollie and Opal keep her company while she writes. When she isn’t writing and eating chocolate, she’s trying to keep deer out of her garden.

SQUISH SQUASH SQUISHED is her first picture book. Her second picture book LITTLE RED WRITING HOOD is coming from Aladdin in Spring 2022.

FOR MORE INFORMATION about Rebecca or her books, visit her online: RebeccaKraftRector.wordpress.com

Or follow her on social media:

@RebeccaKraftRector on Facebook

@RebeccaKRector on Instagram and Twitter

ORDER THIS BOOK To order a copy of SQUISH SQUASH SQUISHED click here.

WIN A COPY! Want to win a copy of SQUISH SQUASH SQUISHED? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, May 6th! US addresses only please.

Interview with Debut Author/Illustrator Paddy Donnelly

Authors + Illustrators, InterviewsLindsay Ward5 Comments

Happy Thursday Critters! Today we have an interview with author/illustrator Paddy Donnelly! His newest book, THE VANISHING LAKE, just came out this week with Yeehoo Press. The art in this book is charming and the story is fantastic too— it’s based on a real lake in Ireland that disappears and reappears depending on the weather. I love a good mystery. I’m thrilled to have Paddy with us today to chat about his new book and becoming a debut author/illustrator.

So without further ado, please welcome Paddy Donnelly!

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Where do you live?

Belgium, however I'm originally from Ireland.

When did you know you wanted to write/illustrate picture books?

My background is in web design. I've never formally trained as an illustrator and only started experimenting with illustration a few years ago. I got into making iPhone apps for kids, which was a great mix of design and illustration, and that then got me interested in trying my hand at picture books. Around the end of 2017 I started broadening my portfolio with children's illustration work and I signed on with my illustration agent. In 2018 I started working on illustrating my first children's books. I hadn't really thought I would be writing my own stories as well, but I gave it a go in 2018 and found I absolutely loved the process. Having that total creative control over both the words and pictures really appealed to me.

Tell us about your debut author illustrated picture book.

THE VANISHING LAKE - Something mysterious is happening at Grandad's lake. There are days the lake is beautiful, shimmering, and full. And then there are other days . . . where the lake is completely empty! Meara asks her granddad why the water disappears, but doesn't believe any of his far-fetched stories of mermaids, giants and narwhals. Meara sets out to uncover the truth for herself. Little does she know the answer is much larger than she realizes...

Loughareema empty.

Loughareema empty.

Loughareema full.

Loughareema full.

This story is actually based on a real place, close to where I grew up in Ballycastle in Ireland. It’s a lake called Loughareema which actually does disappear and reappear every few days, depending on the weather. Growing up in Ireland, storytelling is an important part of life, so I was surrounded by myths and legends from a young age and I think that’s had a big influence on what stories I like to write about.

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Sketch from THE VANISHING LAKE by Paddy Donnelly

Sketch from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Interior Art from THE VANISHING LAKE by Paddy Donnelly

Tell us about your road to publication, what did that involve for you?

For my author illustrated picture book, I had the initial idea around spring 2018. My agent pitched it to publishers and Yeehoo Press purchased the rights to the story about a year after that, and I created the artwork during the summer of 2019. The Chinese version of the book was released in fall 2020 and the English language version will be released on April 20th 2021. In total I think it was about three years from idea to publication. During that time I illustrated a number of other picture books, including a recent one - HERE BE DRAGONS, written by Susannah Lloyd which follows a rather hapless knight who thinks he knows exactly how to find a dragon. He travels right to the spot marked ‘X’, past treasure, suspicious bones, and many signs telling him to turn back. The knight is missing all the signs of the dragon, but kids surely won't.

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Can you share a bit about your process?

For my author illustrated picture book the story was based on the real Vanishing Lake, Loughareema. I think I must have been reminded of it one day and thought it could be an interesting idea for a picture book. When you grow up with a wonder like this on your doorstep, you definitely take it for granted, and I hadn’t really thought about it in years. I thought the title itself was intriguing and then I set off to develop a story around that. The mystery of ‘why’ the lake would disappear and reappear had potential to be a good driving force for the story, and then setting the character up to be unwilling to believe these reasons, spurred myself on to come up with crazier and crazier ones. That’s how the story started with me and it developed from there. I knew how many pages I'd have in the story, and I knew there had to be certain beats like the lake there, then disappearing, then there again, and I knew I wanted 3 or 4 wild stories to feature and then a resolution at the end. So once I had those basic big blocks in place, I started to write. And then the writing had an influence on the illustrations, and the illustrations had an effect on the words and I bounced back and forth along the way. For creating the illustrations, I use a Wacom Cintiq and Photoshop. I've always worked digitally as my background is in graphic design, so even my sketches will be done on the tablet.

What do you do to shake the rust off or get new ideas?

I play the Irish sport of hurling over here in Belgium: https://www.youtube.com/watch?v=I1Vw66Zs0dQ Sport is such a fantastic way to clear your head, escape and recharge. Especially as I work from home (although everyone is doing that now) it's tough to sometimes separate your home and work life. So getting out of the house and participating in a team sport really helps me find that balance.

Anything you can’t live without while you write/draw?

Apart from my Wacom Cintiq and Photoshop, I guess coffee and biscuits!

Any authors and/or illustrators who inspire you?

Chris Haughton's blend of storytelling and unique visual style is incredibly inspirational. His use of vibrant colour and the way he can give a seemingly simple story so many layers is amazing.

Molly Mendoza's book Skip is a masterpiece. You really feel like you fall into the psychedelic artwork.

Ximo Abadía's amazingly textured and unusual style just feel timeless and yet other-worldly. I love it.

Dream project to work on?

My favourite book as a child was Watership Down, so if I got to work on illustrations for an edition of that, that'd be amazing.

What’s up next for you?

I actually have my second author illustrated picture book - DODOS AREN'T EXTINCT - coming out in Spring 2022, so I'm working on the illustrations for that as we speak. A Dodo reveals a huge secret: they're not actually extinct—they've been hiding in plain sight all this time, and they're not the only ones... Along with that, I have a few other picture books all in the works.

And last, but not least, favorite 80s movie?

Back to the Future.


Huge thank you to Paddy for visiting us at Critter Lit today! Congrats on your new book— it’s fantastic! We can’t wait to see your upcoming titles.


PADDY DONNELLY is an Irish author & illustrator living in Belgium. He grew up on the north coast of Ireland, surrounded by mythical stories of giants, magical creatures and shape-shifting animals - all set in a stunning landscape from another time. All of this prompted his love for nature, animals, the sea and storytelling. He creates his illustrations digitally, but loves working with a textured, painterly approach. The Vanishing Lake is his debut author illustrated picture book, based on a real lake close to his childhood home in Ireland. He wishes Pluto was still a planet.

FOR MORE INFORMATION about Paddy or his books, visit him online: http://lefft.com or follow him on social media:

Instagram: https://www.instagram.com/paddy/
Twitter: https://twitter.com/paddydonnelly
My Books: http://lefft.com/books/

ORDER THIS BOOK To order a copy of THE VANISHING LAKE click here.

WIN A COPY! Want to win a copy of THE VANISHING LAKE? Leave a COMMENT below or RETWEET this post on Twitter. One lucky winner will be announced on Thursday, April 29th! US addresses only please.

Interview with Illustrator Nadja Sarell

Illustrators, Vet InterviewsLindsay Ward4 Comments

Happy Thursday Critters! Today we have an interview with the immensely talented Nadja Sarell! Her newest board book, EAT UP, BEAR!, written by Terry Pierce, came out earlier this month with Yosemite Conservancy. As a longtime freelance illustrator, I’m thrilled to have her with us today to share her experiences and advice.

So without further ado, please welcome Nadja Sarell!

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Where do you live?

I live in Helsinki, Finland.

How many years have you been in publishing?

About 15 years, on and off.

How did you first get published?

I had shown my portfolio to an editor in a publishing house I knew well during my illustration studies. Soon after my graduation I received my first commission from her—a book with black and white illustrations.

Do you illustrate full-time?

Yes, I work as a full-time freelance illustrator for children's books and educational publishing.

What inspires you to create picture books?

I'm inspired by characters—who they are, how they feel, where they live. For me, illustrating a picture book is like creating a play on stage, maybe because I was a dancer before changing into children's book illustration. I love the stage, but I prefer to be the one hiding behind the scenes!

What surprised you the most working as an illustrator?

How the world is full of excellent authors and illustrators! I feel humbled to be able to fit in among them all. 

What is your favorite thing about being an illustrator?

I love to work with books that the children will read again and again with their families, in schools and so on. It's the child reader that is the most important thing for me. The whole experience of a time spent together reading and looking at pictures, and the child learning to read both text and visual narrative.

What do you find difficult working as an illustrator?

Sometimes it's hard to make the ends meet, if you only work for children's publishing. I think a lot of illustrators need to do other jobs like teaching, running online shop, graphic design, etc.

What do you do to shake the rust off or get new ideas?

I look for inspiration from outside my studio. 

Anything you are habitual about when it comes to creativity?

I need to get started in the morning!

Can you share a positive experience you’ve had in the Kid Lit community?

We have a great association for illustrators in Finland and it's such a big help to be able to get support from fellow children's book illustrators close to home. I'm also a part of a small virtual support group of five designers/illustrators from around the world.

What has been the highlight of your career thus far?

Probably signing up with my illustration agent Astound and being able to receive commissions outside Finland, from clients like Yosemite Conservancy! This board book was really special and one of my highlights, definitely.

What is something you wish someone had told you when you first started illustrating?

Don't expect anyone to come and knock on your door. This advice was for the days before social media. It has changed the game completely, especially for visual artists.

Can you tell us about your newest book?

This spring brings several published books for me, always very exciting. "Eat Up, Bear!" by Terry Pierce is a book where I had an opportunity to try a new technique and I really enjoyed it. We don't have black bears in Scandinavia, but you can come across a brown bear in the forest. This is why the children are taught to make some noise, so the bears know to avoid people. I did a lot of research for the board book, because it had to be informative and accurate as well as sweet and colorful. I love the research part!

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

Interior art from EAT UP, BEAR! written by Terry Pierce, illustrated by Nadja Sarell

What’s up next for you?

I'm working on two picture books at the moment, one for an indie publisher in the US, and one for a Finnish publisher. They are both based on real life main characters, so it's a whole new experience again. Then there will be some chapter books and a story book for the educational market. So it is quite a hectic time of the year!

Anything else you’d like to share with aspiring authors and illustrators?

You can always ask advice from your colleagues, especially when it comes to contracts, pricing, and other non-illustration things that are an important part of this job. And you're never ready as an illustrator, there is always room to grow! And don't work for exposure only, something that newcomers are often asked to do.

And last, but not least, favorite 80s movie?

Star Wars: Return of the Jedi.


Huge thank you to Nadja for stopping by Critter Lit today! Congrats on EAT UP, BEAR! We can’t wait to see what you come out with next!


NADJA SARELL is an illustrator living in Helsinki, Finland. She graduated with MA in Dance from Theatre Academy Helsinki. Soon after that she moved to a small town in North Wales to study children's book illustration. She graduated from North Wales School of Art and Design with BA in Illustration for Children’s Publishing in 2004. 

Since then, she has worked as a freelance illustrator for children's publishing in Finland and abroad. Her clients include Hachette, HarperCollins, Simon & Schuster, and Yosemite Conservancy. She loves to teach art, illustration and dance for both children and adults. 

If Nadja was an animal, she would be a cat living in an old mansion with a large fireplace and a comfy sofa. Her favourite things are music, dancing, black coffee, and chocolate. 

FOR MORE INFORMATION about Nadja or her books, visit her website or follow her on Instagram.

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